Passage, Paragraph, and Prayer - podcast cover

Passage, Paragraph, and Prayer

Trinity Evangelical Lutheran Churchrisensavioraustin.com
“Passage, Paragraph, and Prayer” is a biweekly devotional podcast. Each episode consists of a passage from the Bible, a paragraph meditating on that passage, and a closing prayer. This podcast is produced by Trinity Evangelical Lutheran Church in Winner, South Dakota.
Download Metacast podcast app
Podcasts are better in Metacast mobile app
Don't just listen to podcasts. Learn from them with transcripts, summaries, and chapters for every episode. Skim, search, and bookmark insights. Learn more

Episodes

Wisdom Superior to That of Our Teachers (Psalm 119:99)

Psalm 119:99 continues a string of three verses where the psalmist reflects on the outstanding effects of God’s word by listing three groups of people who cannot stand up to its wisdom. In this devotion, we consider how God’s word gives us more wisdom and insight than our teachers, especially when they do not approach their subjects from a biblical, Christian worldview. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Mar 09, 20254 minSeason 6Ep. 14

The Miraculous Sign before the Flood (Genesis 6:17b–20)

God commanded Noah to bring pairs of all the land creatures with him on the ark. But to enable him to fulfill that command, God also performed a miracle—which would be essentially the last sign and call to repentance for the rest of humanity. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Mar 08, 20255 minSeason 6Ep. 13

Wisdom Superior to That of Our Enemies (Psalm 119:98)

Psalm 119:98 begins a string of three verses where the psalmist reflects on the outstanding effects of God’s word by listing three groups of people who cannot stand up to its wisdom. In this devotion, we compare the wisdom God’s word gives to the wisdom of the Church’s enemies. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Mar 02, 20253 minSeason 6Ep. 12

God’s Covenant Continues with Noah (Genesis 6:14–18)

The Bible doesn’t record the history of Noah and his family just because they were the sole survivors of the Flood. There is another, even more important reason that Noah and his family figure prominently in the Scriptures. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Feb 28, 20255 minSeason 6Ep. 11

Food for Thought All Day Long (Psalm 119:97)

A really good novel or well-written essay can give you food for thought for weeks or even months, but only God’s word gives you subject matter you can muse on throughout the day, every day, no matter what else you may be doing. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Feb 23, 20253 minSeason 6Ep. 10

Non-Optional Testimony (Genesis 6:14–17)

The construction assignment God gave Noah put him in a situation where he would have to testify about God’s word to his unbelieving neighbors. The commandments we have from God are really no different. We need God’s mercy and strength to fulfill them. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Feb 21, 20255 minSeason 6Ep. 9

A River for Lambs and Elephants (Psalm 119:96)

In this devotion, we wrap up the twelfth stanza of Psalm 119 by considering the unexhausted and inexhaustible treasures lying there for everyone, of every age and ability, in God’s word. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Feb 16, 20254 minSeason 6Ep. 8

Exemption from “All Flesh” (Genesis 6:9–13)

How could God say to Noah, “An end to all flesh has occurred to me,” and not include Noah and his family? How could Noah and his family be exempted from ”all flesh”? Perhaps more importantly, how do we exempt ourselves from the destruction that is coming on all flesh on the Last Day? Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Feb 14, 20254 minSeason 6Ep. 7

Avoiding Ambush (Psalm 119:95)

The wicked love to lie in wait for the faithful and to trap them—to trap them doing wrong, or to trap them with questions they can’t answer. What is the solution for the faithful? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Feb 09, 20254 minSeason 6Ep. 6

An Earth Filled with Corruption (Genesis 6:9–11)

As we read the description of the earth in Genesis 6:9–11, we can’t help but ask, “Is this describing life on earth more than 4,000 years ago, or life on earth today?” Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Feb 07, 20255 minSeason 6Ep. 5

To Whom Do You Belong? (Psalm 119:94)

Even though we don’t like the idea of belonging to someone else, it’s simply a fact that everybody is the property of someone else, to one extent or another. (Think of how often you use “my” or “mine” in relation to those around you.) So when the psalmist says that we belong to God, the question is not whether that is morally right. The question is whether that is to our advantage and what kind of owner God is. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement ...

Feb 01, 20254 minSeason 6Ep. 4

Swimming Against the Worldly Current (Genesis 6:9)

Noah is described as “blameless in his generations,” and that really meant something in his time. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Jan 31, 20254 minSeason 6Ep. 3

Never Forget (Psalm 119:93)

Memorials often urge us never to forget the tragedy or atrocity being memorialized, so that we don’t repeat it. The psalmist urges us to follow his lead in resolving never to forget God’s precepts for a very different reason. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Jan 26, 20253 minSeason 6Ep. 2

Noah’s Righteousness and Blamelessness (Genesis 6:9)

Genesis 6:9 begins the third of the ten “accounts” that make up the book of Genesis (2:4ff; 5:1ff; 6:9ff; 10:1ff; 11:10ff; 11:27ff; 25:12ff; 25:19ff; 36:1ff; 37:2ff). The “account of Noah” begins by talking about Noah’s righteousness and blamelessness. In this devotion we consider what those two traits entail. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Jan 24, 20254 minSeason 6Ep. 1

How Are You Doing with Your Affliction? (Psalm 119:92)

How are you doing with your affliction? Whether your affliction is a disease, adverse people or circumstances, wrestling with your conscience, wrestling with unhealthy desires, wrestling with the meaning of life, or facing up to the reality of death, are you able to successfully confront and deal with that affliction, or are you perishing in it? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Jan 19, 20254 minSeason 5Ep. 34

The Favor Noah Found (Genesis 6:8)

In Genesis 6:9 we’re told that, in the midst of an increasingly and breathtakingly wicked world, Noah was a righteous man, blameless in his generations, and he made his way through life with God. But before we get there, Genesis 6:8 tells us where that righteousness came from—not from Noah, but from the favor of God. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Jan 18, 20254 minSeason 5Ep. 33

Still Standing at God’s Word (Psalm 119:91)

In the first three verses of the twelfth stanza of Psalm 119 (vv. 89–91), the psalmist praises the Lord’s word by going back to its first use, the creation of the universe, and noting how we can still see the effects of that first use to this day. In vs. 91, he also uses this evidence to comment on God’s name, the Lord of Hosts. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Jan 12, 20254 minSeason 5Ep. 32

When God Rages (Genesis 6:5–7)

The only reason we are able to rage is because we humans were originally created in the image of God, and God is capable of rage too. But his rage is much different from ours. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Jan 10, 20255 minSeason 5Ep. 31

The Character of God’s Word on Display in the Earth (Psalm 119:90)

In the first three verses of the twelfth stanza of Psalm 119 (vv. 89–91), the psalmist praises the Lord’s word by going back to its first use, the creation of the universe, and noting how we can still see the effects of that first use to this day. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Jan 05, 20254 minSeason 5Ep. 30

A Heartbroken God (Genesis 6:5–6)

How does God feel about our sins? What do they do to him? Genesis 6:5–6 answers these questions in soul-stirring language. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Jan 05, 20255 minSeason 5Ep. 29

The Character of God’s Word on Display in the Heavens (Psalm 119:89)

In this devotion, we begin looking at the twelfth stanza of Psalm 119. In the first three verses of this stanza (vv. 89–91), the psalmist praises the Lord’s word by going back to its first use, the creation of the universe, and noting how we can still see the effects of that first use to this day. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Dec 29, 20243 minSeason 5Ep. 28

There But by the Grace of God (Genesis 6:5)

The Lord says of mankind before the Flood that “every formation of the thoughts of their hearts was only evil all the time.” But before we think that humans were somehow extra corrupt during that time, we need to remember that the Lord says the exact same thing about humans *after* the Flood (Gen. 8:21), when only Noah and his family were on the earth. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724)....

Dec 28, 20245 minSeason 5Ep. 27

In Need of Reviving (Psalm 119:88)

By the time we get to the end of the eleventh stanza of Psalm 119, we're probably left with two impressions: 1) Being a Christian can wear a person out, and 2) the psalmist has nearly superhuman resilience. But the psalmist himself makes it clear in the final verse of this stanza that the resilience he has does not originate with himself. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Dec 22, 20244 minSeason 5Ep. 26

The Nephilim (Genesis 6:1–4)

When interpreters go astray in interpreting Genesis 6:1–2, they also go astray in identifying the people that Moses calls “the Nephilim.” In this episode, we explore who the Nephilim were and see how they continue to be a cautionary example to us. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Dec 22, 20245 minSeason 5Ep. 25

Indestructible (Psalm 119:87)

In Psalm 119:87, the psalmist acknowledges the harm that persecutors can do and have done to him. But he also makes clear that they are incapable of actual destroying him. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Dec 15, 20244 minSeason 5Ep. 24

Setting Consequences (Genesis 6:1–3)

Two of the toughest traits of good parenting to put into practice are setting consequences for wrongdoing and enforcing them. The Lord does both, because he cannot just wink at sin, both because it would be contrary to his nature and because it would not be good for us. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Dec 13, 20244 minSeason 5Ep. 23

Help Me! (Psalm 119:86)

In Psalm 119:86, you can almost see the psalmist clenching his fists or wringing his hands in frustration at what is happening in his life. He is asserting and doing what is right, but is getting persecuted for it. Who can help a person in such situations? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Dec 08, 20244 minSeason 5Ep. 22

The Sons of God Marrying the Daughters of Men, Part 4 (Genesis 6:1–2)

Even many Christians see Genesis 6:1–4 as describing spirit beings having intimate relations with human women and producing children that are sort of half-spirit, half-human. Having already seen that this interpretation cannot be correct, in this devotion, we consider what the only correct interpretation can be. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Dec 06, 20245 minSeason 5Ep. 21

Good Pits or Bad? (Psalm 119:85)

“The proud dig pits for me that are not in keeping with your law,” the psalmist writes. So is it possible to dig pits for others that *are* in keeping with God’s law? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

Dec 01, 20244 minSeason 5Ep. 20

The Sons of God Marrying the Daughters of Men, Part 3 (Genesis 6:1–2)

Apart from the creation account, Genesis 6:1–4 are probably the most scrutinized verses in the book of Genesis. Even many Christians see these verses as describing spirit beings having intimate relations with human women and producing children that are sort of half-spirit, half-human. In this devotion, we finish seeing from the Scriptures why that interpretation cannot be correct. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” B...

Nov 30, 20244 minSeason 5Ep. 19
Hosted on Buzzsprout
For the best experience, listen in Metacast app for iOS or Android
Open in Metacast