In this seminar, Marcela Sulak (Bar Ilan University) and Adriana X. Jacobs (Oriental Studies) will explore the possibility of translation as “afterlife” through a discussion of the Hebrew poets Orit Gidali and Hezy Leskly. Marcela Sulak’s talk is entitled “Translating Ghosts and Unborn Souls: When Love Poetry is Political”. Adriana X. Jacobs talk is “Hezy Leskly’s Zombie Memories”.
Looking specifically at Modern Greek, Polish, Dutch, and Swedish, this event interrogates what it means to translate and publish marginalised and minor European languages into English. Translations from French, German and Spanish (and more recently, non-European giants such as Arabic and Chinese) dominate the contemporary literary scene. Arranged in a “conversazione” format, four translators discuss what it means to assert and champion the forgotten voices of minor and marginalised European lang...
With Adriana X. Jacobs (Professor of Modern Hebrew Literature), Kasia Szymanska (Junior Research Fellow in Slavonic Studies, University College), chaired by Kate Costello (DPhil candidate in Twentieth-Century Chinese Literature). In Michaelmas 2016 the OCCT Discussion Group will follow a new format: we’ll be focussing on key issues in the methodology of comparative study. The sessions will begin with a short conversation between two senior members moderated by a graduate representative, followed...
With Professor Ben Morgan (Professor of German) and Peter Hill (Junior Research Fellow in Arabic Literature, Christ Church College), chaired by Karoline Watroba (DPhil candidate in German and Comparative Criticism).
Matthew Reynolds and Mohamed-Salah Omri discuss comparative literary criticism. Chaired by Valeria Taddei. Matthew Reynolds, Professor of English and Comparative Criticism, Mohamed-Salah Omri, Professor of Modern Arabic Language and Literature and Valeria Taddei, DPhil candidate in Italian and Comparative Literature.
Laura Lonsdale (Queen's College, Oxford): 'Barbarisms: Multilingualism and Modernity in Narratives of the Spanish- speaking World’. Respondent: Jane Hiddleston (French/Oxford)
Peter Garratt (Durham): ‘Mind Bloat and The Lifted Veil’ Helen Small (English/Oxford): 'On the Verification of Mental Experience'. Chaired by Ben Morgan.
Joyelle McSweeney (University of Notre Dame), Johannes Göransson (University of Notre Dame), Dr Adriana X. Jacobs (Oriental Institute), give a talk for the OCCT Translation and Criticism strand.
Cultural journalist and a writer.Antonio Armano in conversation with Valentina Gosetti. Conversation with Antonio Armano, a cultural journalist and a writer. He was the editor of Saturno, and he regularly contributes to Italian national newspapers and magazines, including Il Fatto Quotidiano, and Treccani.it. He is the author of Maledizioni. Processi, sequestri, censure a scrittori e editori in Italia dal dopoguerra a oggi, anzi domani (Aragno 2013, BUR, 2014), which was shortlisted for the Viar...
Ekphrasis finds words for paintings and other visual phenomena; translation finds words for other words. But how secure in this distinction, given that language has visual form, and that the visual arts can employ language-like elements? This seminar explores the interplay between translation and ekphrasis.
Hanan al-Shaykh gives a talk on 'Intercultural Literary Practices', with responses by Professor Marina Warner and Claire Gallien, chaired by Prof. Mohamed-Salah Omri (Oriental Studies). Part of the Intercultural Literary Practices OCCT Strand.
Laura Salisbury, Sowon Park (English), give a talk about Virginia Woolf's To The Lighthouse. The chair is Ben Morgan (MML). Part of the Fiction and Other Minds OCCT Strand.
Short presentation by Dr Martyn Harry (Music) followed by discussion. This seminar launched the Languages of Criticism project which brings together experts in literature, film, visual art and music to pursue a comparative investigation of criticism’s practices, their intellectual basis, and the potential for re-grounding and enriching them. We used examples from a variety of art forms to initiate questions regarding the creative possibilities of criticism. Among those present were Céline Sabiro...
Short presentation by Dr Jason Gaiger (Ruskin School) followed by discussion. This seminar launched the Languages of Criticism project which brings together experts in literature, film, visual art and music to pursue a comparative investigation of criticism’s practices, their intellectual basis, and the potential for re-grounding and enriching them. We used examples from a variety of art forms to initiate questions regarding the creative possibilities of criticism. Among those present were Célin...
Short presentation by Dr Matthew Reynolds (English) followed by discussion.
Translation and Comparison. Convener: Dr. Xiaofan Amy Li
A discussion with Dr Gail Trimble, Prof. Nicola Gardini, Josephine Balmer for the OCCT Translation and Criticism strand. Chaired by Professor Matthew Reynolds
A talk given by Peter Hitchcock from the OCCT strand "Intercultural Literary Practises."
A reading and discussion from the Translation and Criticism strand, Cultures of Mind-Reading: The Novel and Other Minds Intercultural Literary Practices.
Prof David Herman (Durham) on ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ with responses from Dr Emily Troscianko (MML) and Dr James Carney (Social and Evolutionary Science Research Group) followed by refreshments Wednesday 20th November, 4-6.30pm, The Seminar Room, TORCH, Radcliffe Humanities Building with Prof David Herman (Durham) on ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ with responses from Dr Emily Tros...
Dr. Marco Bernini (Durham): ‘Parallel Convergence: Cognitive Science Facing Beckett’s “The Unnamable”’, and Dr. Simon Kemp (Oxford): ‘Tell Me Who I Am’: Beckett’s “The Unnamable”. Wednesday 21 May, 3-5.30pm, Seminar Room, Radcliffe Humanities Dr. Marco Bernini (Durham): ‘Parallel Convergence: Cognitive Science Facing Beckett’s “The Unnamable”’, and Dr. Simon Kemp (Oxford): ‘Tell Me Who I Am’: Beckett’s “The Unnamable”.
The Point of Comparison
Translation and Comparison. Convener: Dr. Xiaofan Amy Li
Dr Robert Chard (Oriental Studies) on Commentary and the Confucian Ritual Canon, and Prof Stephen Harrison (Classics) on Commentary and Reception in Classics. Robert Chard and Stephen Harrison on the Practice of Commentary Tuesday 11th March, 4-6pm, St Anne’s College, Seminar Room 8 Dr Robert Chard (Oriental Studies) on Commentary and the Confucian Ritual Canon, and Prof Stephen Harrison (Classics) on Commentary and Reception in Classics. As they traverse their diverse materials the talks will e...
Dr Clare Connors (UEA) and Prof Wen-Chin Ouyang (SOAS) will explore the place of creativity in recent Western and classical Arabic literary criticism. Respondent: Dr Helen Slaney.
Short presentation by Andrew Klevan, followed by discussion. This seminar launched the Languages of Criticism project which brings together experts in literature, film, visual art and music to pursue a comparative investigation of criticism’s practices, their intellectual basis, and the potential for re-grounding and enriching them. We used examples from a variety of art forms to initiate questions regarding the creative possibilities of criticism. Among those present were Céline Sabiron, Ben Mo...
Prof. Matthew Kieran (Leeds) Tuesday January 28th, 4-6pm, Colin Matthew Room, Radcliffe Humanities. Preparatory reading is here and the speaker’s homepage is here/ http://www.matthewkieran.com/
Prof Derek Matravers (The Open University) on Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”. Tuesday February 18th, 4-6pm, Ryle Room, Radcliffe Humanities. Speaker homepage. The paper is available to Oxford participants here via Weblearn. Those who are unable to read all of it may focus on sections XII to XV (p359-end).
Prof. Berys Gaut (St Andrews) on Creativity
Salim Bachi is author of Le Chien d’Ulysse (2001), Le Silence de Mahomet (2010), Moi, Khaled Khelkal (2012), and other books. He will read from his work (with a translation provided), and discuss the seminar theme. Other speakers are: Patrick Crowley (Uni
