Geppetto (2000)
Larry and Andie dive into to this made for TV musical with a discussion of character motives, strong structure, and Larry's concept of superfoiling.

Larry and Andie dive into to this made for TV musical with a discussion of character motives, strong structure, and Larry's concept of superfoiling.
Sacre bleu! Larry and Andie dissect this animated Disney feature with an eye toward missed opportunities, an underuse of characters, and plot and protagonist problems.
Wocka wocka!! Another Muppet movie - so you know Larry is fired up! Join Andie and Larry as they explore Muppet character development and laud the genius of Frank Oz's direction.
Hakuna Mata-two? Join Larry and Andie as they analyze the 1998 sequel to the 1994 hit The Lion King. Topics include showing vs. telling and why giving the protagonist the satisfaction of triumph in the climax is always the way to go.
Happy Halloween! Larry and Andie tackle this cult classic. The duo discuss the dangers of a long windup in exposition, the importance of character choice, and the need to stick to your rules in your screenplay.
Season 4 kicks off with the piece de resistance from the 1990s Disney Renaissance, Beauty and the Beast. In this episode, Andie and Larry tackle protagonist problems, foiling, and recent film criticism on Stockholm Syndrome.
For this season finale, Larry and Andie are joined by artist Taj Whitesell to unpack the hit launching the Disney renaissance. Highlights include many craft takeaways and Larry's working theory of Who REALLY Framed Roger Rabbit?
Andie and Larry tackle this Disney retelling of the epic Greek myth. Topics include the need for a protagonist with selfless goals and why too much exposition can lose your viewers.
In this episode, Larry talks about the five part Ducktales "movie" Time is Money, which introduces the character of Bubba Duck to the cast.
Vrrrrrooooom! Disney Villain Alonzo Hawk joins the Herbie world, and Andie and Larry are here for it! Topics include using a false climax, the lack of a showdown, and choosing to start a film with your antagonist.
Playwright Bryn Tanner joins Larry and Andie in unpacking this adaptation of Victor Hugo's foundational French novel. Topics include the dangers of explicit exposition, protagonist problems, and adult themes in a movie for families.
Join Larry and Andie as they crack the case of this movie, including discussions of foiling, the use of time in a screenplay, and how this movie starts perfectly.
The Holy Goof's Brett Niethamer combines forces with Larry and Andie to discuss the first computer animated Disney classic. Topics include protagonist problems, the need for a character to address flaws, and overkill on worldbuilding.
Oo-De-Lolly! Larry and Andie discuss the first Disney animated feature without Walt, including the dangers of crafting a narrative feature with one eye to television.
Arrrr, Matey! Andie and Larry unpack this treasure of a film, offering a lot of historical content, a thematic breakdown, and a discussion on film adaptation and why some parts of a novel do not make the cut.
There's a snake in my boot! Larry and Andie rave over this near perfect sequel, picking up where Toy Story left off. Topics include a dual inciting incident, themes, and how Pixar solves the Buzz Lightyear problem.
Larry and Andie tackle the first Disney movie musical completed without Walt. Topics include the Fetch Quest trope, how best to marry plot and music, and the problems with a heavy edit.
In this bonus episode, Larry discusses the pilot of Disney's Adventures of the Gummi Bears (1985.) He posits that this series is an important pivot point, drawing from past successes in Disney animation but also laying the groundwork for Disney stories for years to come.
Join Andie and Larry for this followup to The Muppet Movie. Topics include love triangles, how cameo appearances need to drive the story, and how one of us feels Fozzie is grossly underutilized.
This BONUS episode was recorded in front of a live audience at the Naslund-Mann School of Writing at Spalding University. Topics include the Mahnishtahnah, trouble with the inciting incident, and the vaudevillian nature of this movie musical.
Andie and Larry shrink down the elements of this late 80's classic. Topics include showing over telling, the primary importance of theme, and wondering who in the backyard is the real protagonist!
Larry and Andie "bounce" through this theatrical reboot of the Winnie The Pooh franchise. Topics include character continuity in a franchise, thematic challenges, how songs need pathos, and how to write a character experiencing a dark night of the soul.
Team Fritz or Team Ernst? Screenwriter Andrea Nasfell joins Andie and Larry for a discussion of this classic family film. Topics include the inciting incident, character arcs, and the structure of the film influenced by television.
Join Andie and Larry to discuss foiling, character relationships, and worldbuilding using this fast-paced Pixar classic.
Larry and Andie discuss Disney's first live action comedy and the dangers of editing a TV show into a feature - namely setups never paid off.
Join Andie and Larry for a discussion of this Disney miss - a movie which favors plot and location over character and theme - and what's up with no music?
Join Andie, Larry, and Director Tom Provost for this look at the 1961 live-action classic. Topics include dramatic questions, a recipe for Flubber, and why Mrs. Chatsworth is the true villain of the picture.
Kicking off Season 3 with the film credited with ushering in the Disney Renaissance of the 1990s! We discuss the importance of the 'mahnishtahnah,' characterization, and why the movie would end differently today.
In this last episode of Season 2, Larry and Andie tackle this truly perfect film. The prologue's exceptional use of exposition for worldbuilding and relationships, music, and complex characterizations driving plot - The Lion King has it all!
Larry and Andie heroically tackle this futuristic Disney Channel Original Movie. While it's not their favorite, the duo discuss flaws in the script and ways to improve the film.