583. Harry Potter and the Podcast of Screenwriting
Writers Carlton Allen and Michael Monteiro Wise love the Harry Potter movies. Here they explain why the book-to-screen adaptations work so well and why Harry Potter fans may end up saving the world.

Writers Carlton Allen and Michael Monteiro Wise love the Harry Potter movies. Here they explain why the book-to-screen adaptations work so well and why Harry Potter fans may end up saving the world.
Suzanne Keilly has had such a successful two years writing on Dallas and Robo , creating two horror movies for SyFy and being staffed on the upcoming Netflix show Warrior Nun, that we made her return to the show to tell us about it!
Literary manager Jeff Portnoy talks about his role giving notes to writers, setting them up with agents, getting them ready for staffing and even producing movies.
Film ratings consultant Barry Freeman discusses rating elements such as sex, violence and language on screen and explains why this knowledge is important for screenwriters.
John Stimpson has happily made a living and achieved success writing, producing and directing movies without moving to Los Angeles!
Writers Chuck McCue and Jules Vincent thought like producers when writing their horror movie “Alive.” Now it’s screening at Austin.
In anticipation of his new book, writer Erik Bork discusses the seven elements of a viable story for screen, stage or fiction.
Will Plyler, owner of Done Deal Pro , shares his thoughts about the thousands of film and TV deals made in Hollywood and archived daily on his website.
Greta Heinemann raised herself at an early age, learned English by watching Baywatch, came to the United States determined to be a writer and is now a producer on NCIS New Orleans!
Kerry Carroll discusses the ways that market research is used to test scripts, films and TV shows.
Producer Kelli Joan Bennett and writer Monica Zepeda talk about how they turned a simple idea and one location into “Collusions,” a festival-winning movie starring Tom Everett Scott.
Writer Alex Cramer returns to talk about his latest spec sale and what he’s learned from ten years of writing assignments and pitch meetings.
Karen Campbell’s hard work and love of the writers’ room has earned her writing and producing credits on everything from Dexter to Outlander .
Writer/producer Anthony Sparks talks about writing "what is and what could be” in his career and on the television drama Queen Sugar .
Writer/ producer Matthew Claybrooks has written for both Chris Rock and Kevin Hart. Here he talks about how he honors the comic’s personality and the ways he turns jokes into story.
Outlander , Battlestar Galactica , Grey’s Anatomy , Roswell … and the list goes on! Producer / writer Toni Graphia reveals her process and talks about the writers' room from a show-runner’s perspective.
Directing teacher Robert Bailey discusses ways that writer/directors can work with actors to bring out the intention and emotion of the page.
Writers Ilana Pena ( Crazy Ex-Girlriend) and Madeline Hendricks ( Jane the Virgin ) discuss story brainstorming and joke writing in the writers’ room.
Thomas Barron, author of the new novel “Bocas," shares the screenwriting-friendly techniques he uses to keep readers turning the page.
Drawing from his book " Crowdsourcing for Filmmakers,” Richard (RB) Botto discusses the power of creating networks of friends and fans before, during and after the screenwriting and filmmaking process.
After rising from intern to junior agent to development executive, On the Page’s own Nick Oleksiw is starting his own company, “Mischief Films.” He talks about what he’s learned about networking, story telling and script development and what he’s looking for with new material.
These six female writer/directors aren’t afraid to “go into the basement” when it comes to genre. Emily Dell, Etta Devine, Sarah Ivy, Barbara Stepansky, Hannah MacPherson and April Wright talk about the tools and team building needed to be a working director.
Writer, teacher and author Neil Landau gives tips for writing in the current market and discusses his new book TV Writing on Demand: Creating Great Content in the Digital Era.
Writer/ director Marcus and Karrie Cox share their experiences as producers on movies like Tangerine and Adult Beginners and discuss their process for acquiring and developing material they truly believe in.
Jessica Orcsik, Manager & Program Director for Focus on Ability Film Festival discusses storytelling opportunities in writing about characters with disabilities.
Three writers, Chris Derrick, Michael Zannettis and Amanda Torigiani, talk about their favorite Star Wars movies. ‘Nuff said.
Writer/Director Vaughn Stein talks about the lessons he learned as an assistant director that helped him write and direct his movie, “Terminal,” starring Margot Robbie and Simon Pegg.
The work of writer/director Brad Silberling spans mediums and genres. J ane the Virgin, A Series of Unfortunate Events and Moonlight Mile are just a few of the projects he’s been involved in. Here he discusses his approach to editing and dialogue and reveals his inspiration for his latest movie An Ordinary Man .
Writer Russ McGarry returns to the podcast to talk about a career as a freelance writer and his latest job writing a three minute show with a compelling season arc.
West Anthony, host of the Musical Notation Podcast, talks about his favorite scores and soundtracks and how they enhance the story on the screen.