When they were in my head, I imagined these riffs would go together, but possibl…
When they were in my head, I imagined these riffs would go together, but possibly, they don’t!

When they were in my head, I imagined these riffs would go together, but possibly, they don’t!
The guy has taken to transposing songs to really low and really high registers.
This is Phase the Blood, a short piece I put together in response to the Fresh Pair Junto prompt , which asked for the combination of two (possibly disparate) strong influences. I chose Slayer and Steve Reich. The piece is a Slayer-style riff played on one guitar and a version of that riff that has an extra half beat so that the two parts are not in phase, Steve Reich-style. Slayer is a band I got into when I was 15 (I'm now 46) and saw live over ten times. I don't think any other artist has eve...
The guy got to be on the grand piano today.
I thought of a cool start for solo. If I could, I would then shred after this bit.
OK, Flying Fortress (fixed)! I introduced last-second arrangement mistake while trying to slam out the track yesterday. Also, the cello was added at the last second to thicken the viola, so I took a little time to make it less blend better.
Here is Flying Fortress. I originally wrote one of the riffs on guitar and was planning to learn the rest on guitar, but I think this works better with synthier sounds. (Also, recording guitar is a hassle.) I did the mix in ten minutes. Maybe I'll revisit later; maybe it's good enough.
I impromptu’d up a Wesley Willis style thing about leg problems.
Shifting both hands at the same time is a lot for a kid.
This is a bird. Nature is weird.
This is my tribute to doing things, Doing Things. Making dinner, taking a walk, looking for objects — you name it! I didn't do as crisp as mix as possible on this one, but maybe someday I'll do a second pass.
The guy’s piano playing is getting dramatic.
I may have to tone down this jazz odyssey some.
I mostly do not work on metal songs because I don’t have the riffs, nor do I think that there is much further it can go even if I did. Sometime last year, though, I did come up with what could be a good Krisiun-style riff if I could learn to play it fast enough. So I tried to come up with other riffs to go with it. I finally have the riffs to complete a song. I recorded it slowly, but whoa, I’m still a ways away from playing on time at 100 bpm, as you can hear. So, maybe next year if I keep tryi...
New Small Findings! It’s about energy, consciousness, and Canada.
Well, I’m gonna be on the antidepressants now. I think my depression (by which I mean having trouble doing things I don’t like) is caused by external factors, rather than some kind of body-driven state change. The doctor also thought so. Still, those external factors aren’t going to change, and the next several years are going to be rough. If you’re gonna be in a dystopia, you gotta dystopiate.
This chord progression, when transplanted out of Zelda, can easily end up sounding really maudlin. Hat salute to Koji Kondo once again.
This is Signals in the Valley, which I made with relative-room-readers , which is a web app that simulates situations in which there are multiple players that are some distance from each other. So each player plays something, but it will take some time for what they play to reach the other players. When it does, though, those players will respond, and the cycle will continue. Most of the responses will be just to play back whatever the player heard on the player's instrument, but they also have ...
Unsure if I can make more out of this, but I find this not hilarious.
This is my rearrangement remix of Subbubbling, which I crunched out a few weeks ago to submit to Music for Sleep. It has since been released as part of the compilation. I wondered if I'd like it with fresh ears, and it turned out I did not. So, here is a cut that I think leads better and has levels that are more balanced. (Cutting two tracks did half the work.) It's based on a field recording of a rainy day in Bijilo in Gambia by Michael Lilley. I added a trombone part (which is not recognizable...
This is Moving Walkways. It's a tribute to moving walkways throughout the United States and all over the world.
Here is The Orb, Ascending. No one said ascending was going to be easy. (There's a lot of low humming in this, so it may be hard to hear without headphones or with computer speakers.)
Working up from the bottom
I didn’t quite capture it, the acoustics of the Tufts music building’s lobby is really great for ambience. Things like people walking and typing sound good.
Accidental stealth mission
This is Imagined Scandinavian Dance. I thought this sounded interesting, so I recorded it on my phone, then recorded backing chords. I thought maybe I'd develop and use the riff later. Arbitrarily, though, I decided I should keep some things spontaneous and picked this to fill that spontaneity quota! So, instead, I retrofitted a drum beat to it, and here it is. I have no idea what Scandinavian dances sounds like, but I thought this sounded vaguely like Elegy-era Amorphis and what I remember of R...
Cicada waves
I tried to continue the pump up downstairs with more of the Pikmin match, but it turns out that moment is over. He said he wanted to think quietly during breakfast, so I switched it to Baba Is You.
The guy has put on some Pikmin march to pump himself up for the first day of school.
The only thing I did for music programming today was get Scramble to handle mono .