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New Books in Music

Marshall Poenewbooksnetwork.com
Interviews with Scholars of Music about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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Episodes

Leah Kardos, "Kate Bush's Hounds of Love" (Bloomsbury, 2024)

Hounds Of Love invites you to not only listen, but to cross the boundaries of sensory experience into realms of imagination and possibility. Side A spawned four Top 40 hit singles in the UK, 'Running Up That Hill (A Deal with God)', 'Cloudbusting', 'Hounds of Love' and 'The Big Sky', some of the best-loved and most enduring compositions in Bush's catalogue. On side B, a hallucinatory seven-part song cycle called The Ninth Wave broke away from the pop conventions of the era by using strange and v...

Dec 11, 20241 hrEp. 261

Kathleen A. Abromeit and Dyani Sabin, "Music Information Literacy: Inclusion and Advocacy" (Library Juice Press, 2024)

Becoming a more equitable librarian is an ongoing process. In the face of the last decade’s events and increased public awareness of issues of diversity, equity, inclusion, and accessibility (DEIA), library workers in music libraries can do things to create the space in our teaching for optimal creativity and connection by and with our library users. As the editors of Music Information Literacy: Inclusion and Advocacy (Library Juice Press, 2024), Kathleen A. Abromeit and Dyani Sabin bring togeth...

Dec 11, 202443 minEp. 80

Eric Drott, "Streaming Music, Streaming Capital" (Duke UP, 2024)

Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores ...

Dec 06, 20241 hr 31 minEp. 260

Toby Bennett, "Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out" (Bloomsbury, 2024)

How does the music industry actually work? In Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out Toby Bennett, a Senior Lecturer in Media, Culture & Organisation in the School of Media and Communications at the University of Westminster offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offeri...

Dec 05, 202447 minEp. 499

Joy White, "Like Lockdown Never Happened: Music and Culture During Covid" (Repeater, 2024)

What happened to culture in 2020? In Like Lockdown Never Happened: Music and Culture During Covid (Repeater, 2024), Joy White , a Lecturer in Applied Social Studies at the University of Bedfordshire, explores the impact of Covid, along with social, community and artistic responses. The book ranges widely, including comparative analysis of the UK and Jamaica, deep dives into contemporary Black music and Black culture on TV, digital modes of making and distributing music, and emerging cultural pra...

Dec 04, 202433 minEp. 496

Seth Rogovoy, "Within You Without You: Listening to George Harrison" (Oxford UP, 2024)

Seth Rogovoy's latest book for Oxford University Press is called Within You Without You: Listening to George Harrison (Oxford University Press, 2024). Often, biographies of musicians put the story of the subject’s life front and center, letting the music recede into the background. For a musician like George Harrison, this would be a mistake. George, the lead guitarist of the Beatles, sometimes referred to as the “quiet one,” was one of his generation’s greatest guitarists. He quietly steered th...

Nov 29, 20241 hr 13 minEp. 16

David Suisman, "Instrument of War: Music and the Making of America's Soldiers" (U Chicago Press, 2024)

In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American wa...

Nov 25, 20241 hr 3 minEp. 200

Veronica Keller and Sabrina Mittermeier, "From Broadway to the Bronx: New York City’s History through Song" (Intellect, 2024)

From Broadway to the Bronx: New York City’s History through Song (Intellect, 2024) tells the history of New York City in song across a variety of different genres that the city has been home to and instrumental in developing, covering everything from early twentieth-century sheet music to Broadway’s musical theater, hip-hop, disco, punk, dancehall, but also contemporary metal, rock, and pop. It features an analysis of the work of artists with intimate connections to the city like Billy Joel, Lin...

Nov 25, 202455 minEp. 259

Margaret Mehl, "Music and the Making of Modern Japan: Joining the Global Concert" (Open Book, 2024)

Margaret Mehl’s Music and the Making of Modern Japan: Joining the Global Concert (Open Book 2024) examines the ways in which Western classical (or “art”) music contributed to Japanese nation-building in the late nineteenth and early twentieth centuries. Mehl’s analysis of this critical half-century or so in modern Japanese history is sensitive to the power of the participative “musicking” in shaping shared understandings of national and local community and their place within a larger world. The ...

Nov 23, 202456 minEp. 162

Fiona Smyth, "Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century" (Manchester UP, 2024)

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musici...

Nov 22, 202433 minEp. 10

Benjamin Barson, "Brassroots Democracy: Maroon Ecologies and the Jazz Commons" (Wesleyan UP, 2024)

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantl...

Nov 19, 20241 hr 5 minEp. 258

Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023)

In The Image Maker: Shattering Rock and Roll's Glass Ceiling (2023), Connie DeNave shares her experiences in the public relations world during the British Invasion and the beginning of rock-n-roll marketing. Born in Brooklyn, New York, DeNave graduated from Hunter College and found herself with no job skills. Throughout the mid-1950s to the 1980s, DeNave was rock and roll's first female press agent powerhouse. She revolutionized the public relations business at a time when it was an old boys' cl...

Nov 18, 202452 minEp. 201

Richard Schoch, "How Sondheim Can Change Your Life" (Atria Books, 2024)

For fans of musical theatre, Stephen Sondheim is one of the true titans – the genius who brought us Sweeney Todd and West Side Story, Into the Woods, and Company. With acclaimed revivals of his landmark shows regularly performed in London and New York, and new generations being introduced to the man who forever transformed musical theatre, Sondheim’s legacy has only grown. What is it about such classic songs as ‘Being Alive’ from Company, ‘No One Is Alone’ from Into the Woods, or ‘Send in the Cl...

Nov 14, 202458 minEp. 254

Lisa Nielson, "Music and Musicians in the Medieval Islamicate World: A Social History" (Bloomsbury, 2021)

During the early medieval Islamicate period (800–1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians i...

Nov 12, 20241 hr 54 minEp. 257

R. Murray Schaffer (1933-2021), Part 2

How to think about the contradictory figure of R. Murray Schafer ? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada’s m...

Nov 11, 202450 minEp. 30

John Duffus, "Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars" (Blacksmith Books, 2024)

Today, the Hong Kong Philharmonic is one of the world’s great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic’s general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus’s memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philhar...

Nov 07, 20241 hr 2 minEp. 211

David Rowell, "The Endless Refrain: Memory, Nostalgia, and the Threat to New Music" (Melville House, 2024)

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the...

Nov 06, 20241 hr 7 minEp. 256

R. Murray Schafer (1933-2021), Part 1

R. Murray Schafer recently passed away on August 14th 2021. If you’re someone who works with sound or enjoys sound art or experimental music–or you’ve just thrown around the word “soundscape”–you’ve probably engaged with his intellectual legacy. Schafer was one of Canada’s most influential avant-garde composers. He was also the creator of acoustic ecology , the founder of the World Soundscape Project , and the author of the classic book The Soundscape: Our Sonic Environment and the Tuning of the...

Nov 04, 202437 minEp. 29

Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)

What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music (Manchester UP, 2024) by Dr. Kristina Kolbe addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and...

Nov 02, 202451 minEp. 255

On Listening In

Today, in honor of World Listening Day, we rebroadcast our story on renowned Australian sound composer, media artist and curator Lawrence English . This episode of gets deep into English’s own listening practices as an artist, specifically a technique he calls Relational Listening. In fact, as you’ll hear, he describes himself not as a sound maker but as a professional listener—that’s how central the act of listening is to his artistic practice. In particular he talks about his reworking of an i...

Oct 28, 202440 minEp. 28

Landon Palmer, "Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom" (Oxford UP, 2020)

During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock...

Oct 26, 20241 hr 3 minEp. 217

Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)

Every year a relatively small number of canonic operas are produced around the world. Many companies shy away from new works, afraid of alienating a predominantly white, older, wealthy audience who are comfortable with operatic traditions. But opera can also be a site of incredible innovation. Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age (University of Michigan Press, 2024) by Megan Steigerwald Ille examines one of the most disruptive opera companies in t...

Oct 25, 202449 minEp. 254

Ashawnta Jackson, "Soul-Folk" (Bloomsbury, 2024)

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it m...

Oct 19, 20241 hr 9 minEp. 253

Boris Adjemian, "The Brass Band of the King: Armenians in Ethiopia" (Bloomsbury, 2024)

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjem...

Oct 12, 20241 hr 9 minEp. 1488

For Some Odd Reason

Today’s guest, Kate Carr , is an accomplished sound artist and field recordist whose recent work grapples with issues of communication and longing—themes we can all relate to in the Covid era. In part one of the show, we mark Phantom Power’s three-year anniversary and 25th episode. Mack does a little thinking out loud about the different kinds of audio work that we’ve featured over the past three years. The terminology and practices for audio work always seem to be in flux—and people can have co...

Oct 07, 202438 minEp. 25

Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)

What is the future of classical music? In The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music (Manchester UP, 2024), Kristina Kolbe , an assistant professor of Sociology of Arts and Culture in the School of History, Culture and Communication at the Erasmus University Rotterdam, explores how the genre is seeking to become more diverse. In doing so, it reveals the challenges associated with changing audiences, performers and performances. Using a detailed case s...

Oct 05, 202441 minEp. 485

Voice of Yoko

Today, Phantom Power ‘s Amy Skjerseth brings us the story of perhaps the most famous vocal performance artist and avant-garde musician whose actual work probably doesn’t get the attention it deserves: Yoko Ono . Collaborator with the Fluxus group in the early 60s, creator of performances such as Cut Piece and her Bed In with John Lennon in the late 1960s, director of experimental films such as 1970’s Fly , and recording artist of experimental pop albums such as that Fly’s soundtrack… Despite thi...

Sep 30, 202438 minEp. 24

Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)

Listenings (Spuyten Duyvil, 2023) is a collection of meditations on the art of experiencing sound. The writings reflect Jason Weiss's passion for illuminating details, momentary experiences, and the most subtle and brief of auditory stimulations to consider their role in thought and emotion. The chapter-sections, each on a particular subtheme, invite us to visit concerts, to analyze music, to interpret sounds far and near, from friends, parents, relatives, and strangers, and to appreciate and es...

Sep 29, 20241 hr 5 minEp. 9

Francesco Lotoro, "The Lost Music of the Holocaust: Bringing the Music of the Camps to the Ears of the World at Last" (Headline, 2024)

Scores sewn into coat linings, instruments hidden in suitcases, sheet music stashed among dirty laundry, concertos written on discarded food wrappers - these are just some of the ingenious ways prisoners in civilian, political and military captivity from 1933 to 1953 protected their music in the darkest of times. Italian pianist and composer Francesco Lotoro has been on a lifelong quest to find this remarkable music. He has painstakingly salvaged and performed symphonies, operas and songs writte...

Sep 24, 20241 hr 30 minEp. 1482

Forest Listening Rooms

What would happen if you took red state rural voters on a walk into the woods with left-wing environmental activists and experimental music fans? Our guest this episode knows the answer. BRIAN HARNETTY is a composer and an interdisciplinary artist using sound and listening to foster social change. While Brian studied composition at the Royal Academy of Music, London, one of his teachers, Michael Finnissy, suggested he look for musical inspiration in his home state of Ohio. Brian took that advice...

Sep 23, 202441 minEp. 23
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