We might call movies made before the advent of the talkies in 1927 silent films—but for the audience, they were certainly not silent. Live orchestras and solo instrumentalists accompanied early movies, adding evocative music drawn from pre-existent and newly composed sources. Kendra Preston Leonard, author of Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism (Humanities Commons, 2010) examines the music and musicians that accompanied silent movies that she calls “...
Jul 06, 2020•55 min•Ep. 100
In Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture (University of North Carolina Press), Grace Elizabeth Hale tells the epic story of the Athens, Georgia music scene. Hale explains how a small college town hard to get to even from Atlanta gave rise to dozens of great bands. Some of them are household names like R.E.M. and The B-52’s, but perhaps more interesting is the great music you might not know: the jittery dance-punk of Pylon, or the anguished, poeti...
Jul 03, 2020•1 hr 23 min•Ep. 16
In Everything Man: The Form and Function of Paul Robeson (Duke University Press, 2020), Shana Redmond explores the ways in which Paul Robeson, silenced by state repression in his lifetime, still speaks to us today. Through explorations of Robeson’s genre-defying genius as well as reflections on how Robeson’s legacy continues today, Redmond re-contextualizes Robeson as a thoroughly contemporary figure. Robeson’s brutal mistreatment by the US government provides a case study in how far our suppose...
Jun 23, 2020•1 hr 4 min•Ep. 11
On this episode of the New Books Network, Lee Pierce (s/t) interviews Rebekah Farrugia and Kellie D. Hay of Oakland University on their new book Women Rapping Revolution .(University of California Press, 2020). Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressure...
Jun 17, 2020•48 min•Ep. 52
To what degree did each of The Beatles exhibit emotional intelligence in the band’s final year? You'll find out in the discussion I had with Kenneth Womack about his new book Solid State: The Story of Abbey Road and The End of The Beatles (Cornell University Press, 2019). Womack is the author of a two-volume biography of the life and work of Beatles producer George Martin. His forthcoming book, John Lennon, 1980: The Last Days in the Life , will be available in October 2020. Topics covered in th...
Jun 04, 2020•45 min•Ep. 3
Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival . He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the...
Jun 02, 2020•2 hr 1 min•Ep. 20
Most books about American music ask how it sounded, who wrote it, or who performed it. In his new book, Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917 (Norton, 2019), Dale Cockrell asks a different question: where is American music? His answer is in the brothels, dance halls, concert saloons, and cabarets of nineteenth-century New York City. Cockrell tells a story of popular music created and enjoyed within a sexualized and commercial environment that featured robust and cons...
Jun 02, 2020•1 hr 1 min•Ep. 99
On this episode, Lee Pierce (she/they) interviews Stacy Wolf of Princeton University about her book Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America (Oxford University Press, 2019) , an exploration of the complexities of amateur and local theatre across the United States. From backstage moms to tiny divas to dinner theatres, Wolf demonstrates that this charming pastime of American culture that is anything but past. On the contrary, musical theatre continues to be an im...
May 18, 2020•1 hr 7 min•Ep. 5
Nick Prior —Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, Popular Music, Digital Technology and Society (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science...
May 18, 2020•1 hr 11 min•Ep. 98
How does technology shape music? In Digital Sampling: The Design and Use of Music Technologies (Routledge, 2019), Paul Harkins , a lecturer in music at Edinburgh Napier University, looks at the relationship between the rise of digital sampling, technology, and music. The book draws inspiration from Science and Technology Studies to explore the impact of specific technologies, such as the Fairlight Computer Musical Instrument, programming languages, and studio practices, on artists and producers....
May 14, 2020•44 min•Ep. 168
How do young men use drill music and social media to gain power? In his new book, Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy (Princeton University Press, 2020), Forrest Stuart uses ethnographic and interview methods to explore the lived experiences of young men on Chicago’s south side. Stuart peels back the layers on what is commonly referred to as the digital divide, or the idea that there is unequal access to and use of technology, to instead find what he refers t...
May 13, 2020•1 hr 2 min•Ep. 143
In his new book, Tween Pop: Children’s Music and Public Culture (Duke University Press, 2020) , Tyler Bickford explores how the tween music market rose during the mid to late 2000s. Bickford addresses the ways in which the music industry seized only childishness as a key element in legitimizing children's participation in public culture. Starting with how Kidz Bop and Disney’s High School Musical (2006), Bickford argues that tween music culture flourished due to the commodification of childhood ...
May 05, 2020•1 hr 13 min•Ep. 67
Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris , J ames T. Campbell , and Alfred L. Brophy , is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary re...
Apr 28, 2020•1 hr•Ep. 193
How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville , co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities ...
Apr 24, 2020•43 min•Ep. 163
Historians, musicologists, and sociologists have long studied the relationship between politics and music. Peter La Chapelle ’s new book, I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music (University of Chicago Press, 2019) traces interactions between country music and politics beginning with two late nineteenth-century politicians who fiddled to their supporters and ending with the 2016 election season. He establishes some long-standing associations between cele...
Apr 24, 2020•1 hr•Ep. 97
Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple . These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such as the culture wars of the 1980s, the emergence of left-wing censorship in the 1990s, and the emergi...
Apr 23, 2020•1 hr 44 min•Ep. 2
In Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions (Bloomsbury Academic, 2019), Thor Magnusson —musician, Professor of Future Music, and member of the Experimental Music Technologies Lab at the University of Sussex—provides a sweeping overview of the tools and techniques of music-making both before and after the dawn of computing as well a set of forward-looking strategies for thinking critically about our future relationship with new music technology. Importantly, Mag...
Apr 15, 2020•1 hr 18 min•Ep. 96
America’s most famous hymn was created in very unusual circumstances. Julia Ward Howe had travelled close to the front line and had witnessed a skirmish between Union and Confederate troops. Returning to her hotel, she entered a reverie, and, as she later explained it, was inspired to write new lyrics to a popular marching song. Her new composition – subsequently entitled “The Battle Hymn of the Republic” – described an almost apocalyptic intervention in which the evil of slavery would be thorou...
Apr 13, 2020•39 min•Ep. 95
What is the relationship between inequality and classical music? In Class, Control, and Classical Music (Oxford University Press, 2019), Anna Bull , a Senior Lecturer in Sociology at the University of Portsmouth and co-director of the 1752 Group , explores the intersections of class, race, and gender to explain the exclusive, and excluding, nature of classical music in contemporary society. The book is based on a detailed study of young people’s engagement with classical music, along with a broa...
Apr 07, 2020•42 min•Ep. 160
Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook...
Mar 30, 2020•52 min•Ep. 46
A beloved Japanese anime move released in 1988, My Neighbor Totoro tells the story of two sisters, Satsuki and Mei, as they deal with the separation from their mother who is in the hospital, and their adventures with the forest creatures they meet called the Totoro. In Joe Hisaishi's Soundtrack for My Neighbor Totoro Soundtrack (Bloomsbury Academic, 2020), Kunio Hara analyzes the film’s score and image song collection composed by Joe Hisaishi. The movie’s catchy theme song, along with the rest o...
Mar 26, 2020•57 min
What does music tell us about society? In Connecting Sounds: The Social Life of Music (Manchester University Press, 2020), Nick Crossley , Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, a...
Mar 16, 2020•36 min•Ep. 157
How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong , assistant professor in sociology at McMaster University , provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities...
Feb 25, 2020•40 min•Ep. 154
Musicologists have long tried to understand how cosmopolitanism and nationalism affected classical music. Ryan Weber takes on this task in his book, Cosmopolitanism and Transatlantic Circles in Music and Literature (Palgrave MacMillan, 2018). Using the music and ideas of Edvard Grieg, Edward MacDowell, and Percy Grainger as his lens, Weber finds unexpected connections between these two concepts, which are often presented as being at odds with one another, and in the process complicates overly si...
Feb 20, 2020•1 hr 1 min•Ep. 94
What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019) , Kyle Devine , an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern co...
Feb 05, 2020•40 min•Ep. 151
If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same s...
Jan 30, 2020•37 min•Ep. 103
In April 2014, a cohort of twenty-five hip hop artists assembled in Washington, D.C. for the first orientation meeting of a new cultural diplomacy program sponsored by the United States State Department. Next Level brings hip hop practitioners from the United States to other countries where they collaborate with local artists in workshops and other events in short residencies. Mark Katz, a hip hop scholar at the University of North Carolina at Chapel Hill, proposed the program and served as its ...
Jan 28, 2020•1 hr 1 min•Ep. 93
There are a handful of pieces from the Medieval and Renaissance periods that most music students learn about in their introductory history courses; among them are Guillaume Du Fay’s, Ave regina celorum III and Johannes Ockeghem’s Missa Prolationum. Some of these foundational compositions have been studied by musicologists for over one hundred years, but generally they have been examined in isolation as masterworks by great composers. In her new book Composing Community in Late Medieval Music: Se...
Dec 23, 2019•57 min•Ep. 92
We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, g...
Dec 03, 2019•58 min•Ep. 42
Nineteenth-century composer Fanny Hensel is the subject of more published research than any other woman of the period, with the possible exception of Clara Schumann. A prolific composer, salon hostess, and a member of a well-connected and prominent family, she was one of the first women composers that musicologists studied in depth. Yet, in some ways, the historiography of Hensel scholarship is as fascinating as her life and music. As musicological priorities and historical understandings of wom...
Nov 28, 2019•52 min•Ep. 91
