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New Books in Music

Marshall Poenewbooksnetwork.com
Interviews with Scholars of Music about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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Episodes

Lee Bidgood, “Czech Bluegrass: Notes from the Heart of Europe” (U Illinois Press, 2017)

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world. In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic. Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an acc...

Nov 14, 201859 min

R. C. Romano and C. B. Potter, “Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past” (Rutgers UP,

Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the ...

Nov 07, 20181 hr 7 min

Zachary Lechner, “The South of the Mind: American Imaginings of White Southernness, 1960–1980” (U Georgia Press, 2018)

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepres...

Oct 31, 20181 hr 17 min

Robert Fink, Melinda Latour, and Zachary Wallmark, “The Relentless Pursuit of Tone: Timbre in Popular Music” (Oxford UP, 2018)

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink , Melinda Latour , and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic st...

Oct 12, 20181 hr 16 min

Tala Jarjour, “Sense and Sadness: Syriac Chant in Aleppo” (Oxford UP, 2018)

Religious music can be a source of comfort and release, but also a remembrance of sadness and loss. In Sense and Sadness: Syriac Chant in Aleppo (Oxford University Press, 2018), Tala Jarjour analyzes the Syriac chant sung in Aramaic used by the small Christian Suriyani community in Aleppo, Syria. The Suriyani are part of the Syrian Orthodox Church of the Antioch. Taking a multi-pronged approach, Jarjour undertakes a rigorous musical analysis of the Passion liturgy, while at the same time explain...

Sep 28, 201849 min

Stephen Lee Naish, “Riffs & Meaning: Manic Street Preachers and Know Your Enemy” (Headpress, 2018)

In Riffs & Meaning: Manic Street Preachers and Know Your Enemy (Headpress, 2018), Stephen Lee Naish tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influences, as well as its mixed reception by critics and fans alike, inspired Naish to uncover the ways in which the album’s subversion of expectations ultimately benefitted the work, allowing for a reconsideration if its impact. Riffs & Meanin...

Sep 11, 201855 min

David García, “Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins” (Duke UP, 2017)

In Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins (Duke University Press, 2017), David García reminds us that how culture is understood and interpreted not only reflects the political and social discourses of the day, but also shapes those discussions. Drawing on figures as diverse as academics like Melville Herskovitz, performers such as Duke Ellington, and those like dancer/anthropologist Katherine Dunham who filled multiple roles, García lays bare the...

Sep 05, 201848 min

James P. Leary, “Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946” (U Wisconsin Press, 2015)

Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book , five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year. The project has now been re-issued as a paperback,...

Aug 22, 201854 minEp. 13

Naomi André, “Black Opera: History, Power, Engagement” (U Illinois Press, 2018)

Naomi André’s innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener, André seeks to understand the resonances and importance of opera to today’s audiences, performers, and scholars. To do this, she focuses on seven works and two continents. André places opera in the United States in conversation with opera in South Afri...

Aug 08, 201857 min

Ben Blackwell, “The Blue Series: The Story Behind the Color” (Third Man Books, 2017)

In The Blue Series: The Story Behind the Color (Third Man Books, 2017), Ben Blackwell invites readers behind the scenes for the making of Third Man Records ’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician, and producer Jack White—formerly of the White Stripes—TMR has released dozens of Blue Series singles by an eclectic group of artists, including Beck, Dwight Yoakam, Wanda Jackson, Stephen Colbert, Insane Clown Posse, and Tom Jones. Beginning with a foreword by ...

Jul 25, 20181 hr 3 min

Eli Maor, “Music by the Numbers: From Pythagoras to Schoenberg” (Princeton UP, 2018)

Most of us have heard of the math-music connection, but Eli Maor’s Music by the Numbers: From Pythagoras to Schoenberg (Princeton University Press, 2018) is THE book that explains what that connection is, and how both math and music connect to both physics and biology. There are wonderful anecdotes detailing the lives and creations of many of the great musicians, mathematicians, scientists, and philosophers who have contributed to creating music and our understanding of it. If you love music – a...

Jul 18, 201856 min

David Novak and Matt Sakakeeny, “Keywords in Sound” (Duke UP, 2015)

Featuring twenty entries on subjects such as music, voice, noise, shape and the body Keywords in Sound (Duke, 2015) pushes at the boundaries of ‘sound studies’ through its intellectual overviews and suggested openings on each of the key words. In this podcast we speak to the book’s editors David Novak and Matt Sakakeeny . David Novak is Associate Professor of Music at the University of California, Santa Barbara whilst Matt Sakakeeny is Associate Professor of Music at Tulane University. Ian Cook ...

Jul 13, 201840 min

Rebekah J. Buchanan, “Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics” (Peter Lang, 2018)

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zi...

Jul 09, 201849 min

M. L. Liebler, “Heaven Was Detroit: From Jazz to Hip-Hop and Beyond” (Wayne State UP, 2016)

In Heaven Was Detroit: From Jazz to Hip-Hop and Beyond (Wayne State University Press, 2016), M. L. Liebler curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians. Instead of relying on familiar narratives about Motown and rock and roll, this anthology engages a vast array of musical genres and sub-genres, while sharing the oft-surprising hidden histories of artists, institutions, and communities integral to Detroit’s unique...

Jul 06, 201853 min

Denise Von Glahn, “Libby Larsen: Composing an American Life” (U Illinois Press,

There are few living American classical composers for whom an academic biography has been published, but Libby Larsen deserves this type of study. At the opening of her book, Libby Larsen: Composing an American Life (University of Illinois Press, 2017), Denise Von Glahn describes her subject’s life as a “polyphony”—made up of multiple strands of music, career, and family. In order to make sense of Larsen’s long and accomplished career (and her hundreds of pieces of music), Von Glahn divides the ...

Jun 26, 20181 hr 4 min

Sandra Jean Graham, “Spirituals and the Birth of a Black Entertainment Industry” (U Illinois Press, 2018)

What happened in popular entertainment when African Americans could access the stage after the Civil War? In Spirituals and the Birth of a Black Entertainment Industry (University of Illinois Press, 2018), Sandra Graham tells the complex story of how folk spirituals composed by enslaved people but transformed for the stage became the core repertoire for the emerging black entertainment industry after 1865. She begins by telling the familiar story of the Fisk Jubilee Singers who first popularized...

Jun 12, 201858 min

James Cook, “Memory Songs: A Personal Journey into the Music that Shaped the 90s” (Unbound, 2018)

Today on the New Books in Music podcast James Cook discuses his book, Memory Songs: A Personal Journey into the Music that Shaped the 90s (Unbound, 2018). The book details the author’s own adolescent musical obsessions from The Beatles to John Barry from Led Zeppelin to The Waterboys that led him to form his own band Flamingoes with his twin brother, Jude, and move to London in the early 1990s and begin the long the often perilous road to becoming a full-time working musician. The book is part m...

Jun 07, 201846 min

Charles Hughes, “Country Soul: Making Music and Making Race in the American South” (UNC Press, 2015)

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial poli...

Jun 06, 201849 min

Christina Scharff, “Gender, Subjectivity, and Cultural Work: The Classical Music Profession” (Routledge, 2018)

What sort of inequalities characterize classical music today? In Gender, Subjectivity, and Cultural Work: The Classical Music Profession (Routledge, 2018), Christina Scharff , a senior lecturer in culture, media and creative industries in the department of Culture, Media and Creative Industries at King’s College London, offers a detailed analysis of the way the classical music profession is marked by race, class, and gender inequalities. Drawing on contemporary debates in feminism, the work of M...

May 29, 201836 min

Michael Ramirez, “Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town” (Rutgers UP, 2018)

The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned when a person enters adulthood. How are men and women to forge a career as a musician when it is largely considered taboo to pursue such a position as a lifetime career? In Destined for Greatness: Passions, Dreams, and Aspirations in a College Music ...

May 18, 201849 min

Gillian M. Rodger, “Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage” (U Illinois Press, 2018)

In the 1870s, one of the most popular forms of entertainment attended by American working-class men was variety—a succession of unrelated bawdy acts that preceded its tamer later nineteenth-century cousin, vaudeville. Gillian M. Rodger , author of Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage (University of Illinois Press, 2018), introduces the reader to some of the stars of these shows—male impersonators, women who dressed and performed as men on stage. Focus...

May 16, 20181 hr 8 min

John Gennari, “Flavor and Soul: Italian America and Its African American Edge” (U Chicago Press, 2017)

In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari explores this relationship, what he calls “the edge”, between the two cultures. Gennari examines the intersectionalities in music, film, sports, and foodways, spotlighting the edge as a way to highlight the ways in ...

Apr 25, 20181 hr 3 min

Imani Perry, “May We Forever Stand: A History of the Black National Anthem” (UNC Press, 2018)

Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long running history of racial slavery, lynching, and segregation? Imani Perry answers this question in her recent book May We Forever Stand: A History of the Black National Anthem (University of North Carolina Press, 2018). Through her history of “Lift Ever...

Apr 23, 20181 hr 2 min

Marc Hertzman, “Making Samba: A New History of Race and Music in Brazil” (Duke UP, 2013)

In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law, racial democracy and nation formation. Charting more than a century of samba’s development, Hertzman challenges simplistic narratives of the all too often romanticized form, focusing instead on the material conditions under which this cultural powerhouse...

Apr 19, 201848 min

Emily Petermann, “The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction” (Camden House, 2014)

The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction (Camden House, 2014; a new paperback edition has recently come out (Boydell and Brewer, 2018)) examines a variety of music and literature interconnections. Readers are invited to ask what these collaborations that arise at the crossing points of various fields offer for engaging in reading and writing. Relying on an extensive overview of theoretical works that substantiate the overlapping of dis...

Apr 17, 201838 min

Kimberly A. Francis, “Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon” (Oxford UP, 2015)

Pedagogue, composer, and conductor Nadia Boulanger was a central figure in Igor Stravinsky’s life during the middle part of his career, providing him with support, advice, and a discerning analytical and editorial voice when he was writing some of his most important compositions including the Symphony of Psalms and Persephone. Dr. Kimberly A. Francis has recently published two books related to the complicated and tangled relationship between these two people. The first, released in 2015 by Oxfor...

Apr 11, 20181 hr 11 min

Marian Wilson Kimber, “The Elocutionists: Women, Music, and the Spoken Word” (U Illinois Press, 2017)

Although largely forgotten today, elocution was a popular form of domestic and professional entertainment from the late nineteenth century until around World War II. Elocution is the dramatic reading of poetry, adapted plays, and other types of monologues by a solo performer. Dr. Marian Wilson Kimber’ s new book, The Elocutionists: Women, Music, and the Spoken Word (University of Illinois Press, 2017) is the first study to examine elocutionists who recited spoken word accompanied by music and pr...

Mar 13, 201854 min

Jean R. Freedman, “Peggy Seeger: A Life of Music, Love, and Politics” (U Illinois Press, 2017)

When folklorist Jean Freedman first met Peggy Seeger in 1979, Freedman was an undergraduate on her junior year abroad in London, while her American compatriot had been living in the UK for two decades. Their encounter took place in the Singers’ Club, a folk music venue that Seeger and her husband Ewan MacColl founded in the early 1960s and to which Freedman returned many times during her London sojourn. After Freedman returned to the States, the pair kept in touch for a while but their contact b...

Mar 08, 20181 hr 6 min

Sterling Murray, “The Career of an Eighteenth-Century Kapellmeister: The Life and Music of Antonio Rosetti” (U Rochester Press, 2014)

Though he never enjoyed the fame of his contemporaries Mozart and Haydn, Antonio Rosetti was a successful composer whose works received a wide audience. In his book, The Career of an Eighteenth-Century Kapellmeister: The Life and Music of Antonio Rosetti (University of Rochester Press, 2014), Sterling Murray provides readers with both an account of Rosetti’s career and a style study of his compositions. As a young man Rosetti found employment as a double bass player at the southern German court ...

Mar 05, 201854 min

C. Grant and H. Schippers, “Sustainable Futures for Music Cultures: An Ecological Perspective” (Oxford UP, 2016)

Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers , examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations and...

Feb 19, 201852 min
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