Beyond what people say, what their voices sound like matters. Voice, as Ana Marcia Ochoa Gautier argues in this marvelous new book Aurality: Listening and Knowledge in Nineteenth Century Colombia (Duke University Press, 2014), was embedded in 19th-century conversations and debates about the boundaries between nature and culture, between the civilized and barbaric, between inclusion or marginalization in a public civic sphere. Set in Colombia but relevant for much of Latin America and the Caribbe...
Apr 17, 2015•34 min
For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer an alternative without the limitations of new media systems. In her new book Low Power to the People:...
Mar 25, 2015•43 min
“The chief aim of [philosopher Francois Laruelle’s] life’s work is to consider philosophy without resorting to philosophy in order to do so.” What is non-philosophy, what would it look like to practice it, and what are the implications of doing so? Alexander R. Galloway introduces and explores these questions in a vibrant and thoughtful new book. Laruelle: Against the Digital (University of Minnesota Press, 2014) uses Francois Laruelle’s non-philosophy as a foundation for considering the philoso...
Mar 05, 2015•1 hr 9 min
Bruce Springsteen is an American icon, known to his fans as “Bruce” and the “Boss.” Springsteen burst onto the American music scene in 1975 with the release of his classic album, Born To Run. His concerts are legendary, and his music offers keen insight on American society. In Bruce Springsteen: American Poet and Prophet (Scarecrow Press, 2014), Donald Deardorff explores the lyrics of Bruce Springsteen and uses them to explore what they reveal about American culture. The book examines how Spring...
Feb 19, 2015•52 min
For many people, filmgoing is a moment to submerge themselves in a new world of meaning and experience a different reality. While film is prominently defined by its ‘moving images’ these alone are not usually able to fully move a viewer. Audiovisual cinema is much more compelling and music has a unique ability to produce emotive power for the viewer. In Scoring Transcendence: Contemporary Film Music as Religious Experience (Baylor University Press, 2013), Kutter Callaway , Affiliate Professor at...
Feb 16, 2015•58 min
What is Ska music? This is a deceptively complicated question. In this podcast Heather Augustyn , the author of Ska: The Rhythm of Liberation (Scarecrow Press, 2013) discusses ska’s journey from a local music in 1950s and 1960s Jamaica, its journey to Great Britain and its fusion with punk and other 1970s musical forms, and then its arrival and dissemination across the United States in the 1980s and 1990s. Even as the music developed in different locations and responded to local conditions, it r...
Feb 02, 2015•46 min
S. Duncan Reid has written a meticulously researched and detailed account of the performances and recording career of Bay Area-raised and small group Latin-jazz innovator and vibraphonist Cal Tjader. Tjader’s high-energy yet lyrical and melodic playing introduced new demographics of jazz listeners to the soulful sound of Latin jazz for four decades beginning in the 1940s and ending with Tjader’s untimely death at the age of 56 in 1982. In Cal Tjader: The Life and Recordings of the Man Who Revolu...
Dec 18, 2014•1 hr 2 min
The last few decades has seen a turn toward traditional forms of American music; call it Americana, alternative country, or a new folk revival. In “I Hear America Singing”: Folk Music and National Identity (Temple University Press, 2014), Rachel Clare Donaldson, an independent scholar based in Baltimore, offers a history of the first folk revival, tracing it from the early twentieth century into the 1970s. A historian by training, Donaldson brings together a history of folk music and performers ...
Nov 12, 2014•56 min
Academics don’t pay enough attention to class. And when we do, too often we only magnify the tendency for working class subjects to be defined according to middle class norms; and according to those norms, they, not surprisingly, fail in one way or another, justifying their position beneath the middle class. There are many unfortunate consequences of this dynamic. Among them, we seldom see what’s really happening in, say, the performance of a country song. Nadine Hubbs , Professor of Music Theor...
Nov 05, 2014•1 hr 9 min
Who are the Clash? How did they become the “only band that matters”? In this podcast, Randal Doane, the author of Stealing All Transmissions: A Secret History of the Clash (PM Press, 2014), discusses the American context of the Clash’s popularity and their generally positive reception by FM free form deejays and rock critics. The podcast covers a lot of ground, including what Lou Reed was like as a FM deejay in the 1970s to the effect of Sandy Pearlman on recording the Clash’s second album. Rand...
Oct 22, 2014•50 min
What are female fans of popular music seeking and hearing when they listen to music and attend concerts? In an innovative and fascinating study entitled Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos (The Scarecrow Press, 2013) Adrienne Trier-Bieniek goes inside the fan culture that surrounds Tori Amos and examines why her music appeals to her fans and how they make meaning of her music. Drawing on feminist standpoint theory and symbolic interaction theory, Trier-Bieniek hel...
Sep 30, 2014•43 min
On November 29, 1957, Dizzy Gillespie, Billie Holliday, Zoot Sims, Chet Baker, Sonny Rollins, and a multi-talented young R&B player who played jazz that night, Ray Charles, and others played a benefit concert for the Morningside Recreation Center at Carnegie Hall. Almost a half a century later, these recordings, intended to be played on radio Voice of America, were found in the Library of Congress. The aforementioned artists’ performances were never made available and yet, one set from that ...
Sep 07, 2014•54 min
Since the 1990s, the music industry has been going through a massive transformation. After World War II, the primary way audiences participated in the music business in the period between 1945 and 1990 was by purchasing records and attending concerts. The internet and the mp3 file, however, have changed how people are listening to music. In Popular Music in a Digital Music Economy: Problems and Practices for an Emerging Service Industry (Routledge, 2014), Tim Anderson explores how the music indu...
Aug 23, 2014•1 hr
During his lifetime, Michael Jackson became a global icon. Michael Jackson was beloved by millions; his journey began as he became a boy star with The Jackson Five and it culminated with his being crowned the King of Pop, While some of the controversy of his later years along diminished his popularity, Jackson’s status as an icon of American music has never wavered. When he died, there was a tremendous outpouring of affection. In the new book, The Michael Jacksons (Little Moth Press, 2014) explo...
Jul 23, 2014•54 min
What is the value of music and why does it matter? These are the core questions in David Hesmondhalgh ‘s new book Why Music Matters (Wiley Blackwell, 2014). The book attempts a critical defence of music in the face of both uncritical populist post-modernism and more economistic neo-liberal understandings of music’s worth. Hesmondhalgh develops this critical defence of music by exploring its importance to individuals, to places, to communities and to nations, eventually engaging with the global a...
Jun 19, 2014•41 min
In 2004, the traditionally Polish-Catholic community of Hamtramck Michigan became the site of a debate over the Muslim call to prayer. Members of the Hamtramck community engaged in a contest about the appropriateness of sound and its intrusion into public space. In Religion Out Loud: Religious Sound, Public Space, and American Pluralism (NYU Press, 2014), this example is one of three cases that Isaac Weiner studies in order to investigate the role of sound in the American religious public sphere...
Jun 08, 2014•1 hr 12 min
The New York-based rock band Living Colour exploded into national consciousness in 1988 after their video for the thunderous “Cult of Personality” went into heavy rotation on MTV. Their album, Vivid, broke into the Billboard Top Ten and sold more than two million copies. A worldwide tour followed, which included Los Angeles dates opening for the Rolling Stones and Guns and Roses. In subsequent years, the band enjoyed moderate success before breaking up for the first time in 1995. At first glance...
Jun 03, 2014•47 min
In Songs of Seoul: An Ethnography of Voice and Voicing in Christian South Korea (University of California Press, 2013), Nicholas Harkness explores the human voice as an instrument, and object, and an emblem in a rich ethnography of songak in Christian South Korea. In Songs of Seoul, the voice is deeply embodied. It is also shaped by an aesthetics of progress, as songak singers cultivate a “clean” voice that becomes an emblem for that progress in terms of Christian and national advancement. Part ...
May 06, 2014•1 hr 8 min
It is a challenge for all musicians to find success in the modern music industry, but women face unique challenges. Cultural narratives shape how female artists get sold to the public and those narratives, in turn, affect how the public consumes the music of these women artists. Kristin Lieb examines the business decisions that shape the careers of female pop artists. Her book, Gender, Branding and the Modern Music Industry (Routledge, 2013),explores this terrain and develops a lifecycle model f...
May 03, 2014•41 min
How did jazz take shape? Why does jazz have so many styles? Why do jazz songs get longer as the twentieth century proceeds? Marc Myers , in his fascinating book Why Jazz Happened (University of California Press, 2014) examines the social and economic forces affected the growth of jazz between 1942 and 1972. Myers considers how the American Federation of Musicians ban on recording in 1942 changes the terrain for jazz musicians. He looks to how the G.I. Bill and suburbanization bring a new adult s...
Apr 06, 2014•52 min
In Vince Guaraldi at the Piano (McFarland Press, 2012), Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s G...
Apr 03, 2014•1 hr 15 min
Today Detroit is down for the count, but as Steve Miller reveals in Detroit Rock City: The Uncensored History of Rock ‘n’ Roll in America’s Loudest City (Da Capo Press, 2013), his comprehensive oral history of the city’s rock scene, the Motor City’s musicians never gave up the fight. Based on dozens of interviews with veteran promoters, leading musicians, and Uberfans, Miller’s insightful conversations trace the evolution of the city’s scene from its blues-rock beginnings through its current roc...
Mar 17, 2014•54 min
Who is Eminem? Is he a violent misogynist, another “white” performer imitating African American musical styles, or is he something else entirely? In her provocative book Eminem: The Real Slim Shady (Praeger, 2013), Marcia Alesan Dawkins offers a fresh look at Eminem and sees him as a cultural critic, spiritual seeker, and a polyethnic American. Her study examines Eminem’s lyrics closely and helps us understand why he has been such a popular artist. In this interview, Dawkins explains the formati...
Feb 28, 2014•51 min
“…when people were hearing us, they were hearing the avant-garde on the one hand, and they were hearing the history of jazz that led up to it on the other hand – because Miles was that history.” -Herbie Hancock, 1968 Professor of music and musician/composer Keith Waters at the University of Colorado, Boulder has produced a masterful analysis of the Miles Davis second quintet studio recordings in the years 1965 through 1968. Waters analyzes the remarkable period of “controlled freedom” and collab...
Jan 18, 2014•1 hr 6 min
Videography is a powerful tool for recording and representing aspects of human society and culture, and anthropologists have long used – and debated the use of – video as a tool to study indigenous and traditional peoples. Indigenous people themselves, however, have increasingly turn video towards their own cultural and communal ends, and this indigenous use of video raises its own questions: who in indigenous communities will control video production? How can video be integrated into indigenous...
Jan 14, 2014•46 min
Conventional wisdom holds that the birth of the rock star came in 1956 with the ascendance of Elvis Presley. Not so, says author Michael Walker , who argues in his page-turning What You Want is in the Limo (Spiegel and Grau, 2013) that in 1973 the Elvis, Chuck Berry and Beatles styled “rock and roll stardom” of the fifties and sixties gave way to “modern rock stardom,” as embodied by the members of Led Zeppelin, the Alice Cooper Band, and the Who. This new way of living and performing came into ...
Jan 13, 2014•44 min
2013 has been an annus horribilis for thrash metal legends Slayer. In February, Slayer parted ways with longtime drummer Dave Lombardo for the third and likely final time. In May, guitarist Jeff Hanneman died of alcohol-related cirrhosis, after being sidelined for better than two years for a necrotic spider bite. As these events unfolded, journalist D.X. Ferris was hard at work on his latest book on the band, Slayer 66 2/3: The Jeff & Dave Years (6623 Press, 2013). It examines Slayer’s origi...
Dec 18, 2013•55 min
Thinking about “Noise” in the history and practice of music means thinking in opposites. Noise is both a musical genre, and is not. It both produces a global circulation and emerges from it. It has depended on the live-ness of embodied performance while flourishing in the context of “dead” recordings. In Japanoise: Music at the Edge of Circulation (Duke University Press, 2013), David Novak offers a wonderfully engaging and subtle narrative of noise, Japan, and their confluence. A series of chapt...
Dec 03, 2013•1 hr 19 min
Before the twentieth century, opera was a kind of cultural glue: it was both a medium of mass-communication, and a powerful shaper and reflector of the popular imagination in the way TV and film are today. In Opera and the City: The Politics of Culture in Beijing 1770-1900 (Stanford University Press, 2012), Andrea S. Goldman explores the history, urban culture, and gender dynamics of opera in the Qing capital of Beijing (a locality with empire-wide influence) from about 1770 to 1900. Goldman’s b...
Nov 26, 2013•1 hr 11 min
Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its origins in mail-art networks of the 1970s to the present day practice of using antiquated media – the humble cassette tape – for the dissemination of experimental sounds. Net-labels, mp3 blogs, tape traders, and their many ca...
Nov 22, 2013•56 min
