How can sociology help us understand art and music? In The Cultural Sociology of Art and Music: New Directions and New Discoveries (Palgrave MacMillan, 2022), the editor Lisa McCormick, a senior lecturer in sociology at the University of Edinburgh, draws together the latest research in cultural sociology that examines art and music. Global in scope, and eclectic in choice of subjects and methods, the book is united by the shared approach of the strong programme in cultural sociology. As a result...
May 28, 2023•45 min•Ep. 380
This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support ou...
May 26, 2023•55 min•Ep. 89
In this episode, I was joined by Nicholas Scott Baker to discuss his book, In Fortune’s Theater: Financial Risk and the Future in Renaissance Italy (Cambridge University Press, 2021). Professor Baker is an Associate Professor of history at Macquarie University in Sydney Australia interested in the political and economic cultures of early modern Europe and the Mediterranean, with a particular focus on Renaissance Italy. In this fascinating new book, Professor Baker reveals how Renaissance Italian...
May 26, 2023•58 min•Ep. 38
Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the vary...
May 24, 2023•41 min•Ep. 87
How does the art market work? In Contemporary Art from Nigeria in the Global Markets: Trending in the Margins (Palgrave Macmillan, 2022), Jonathan Adeyemi, who holds a PhD from, and was formerly Associate Lecturer in Arts Management and Cultural Policy at, Queen’s University Belfast, explores the unequal power dynamics of contemporary at by focusing on the case study of Nigeria. The book draws on a wealth of historical and theoretical knowledge, alongside detailed engagements with art history, s...
May 21, 2023•36 min•Ep. 379
Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism. In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism...
May 20, 2023•48 min•Ep. 83
An extended conversation between Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism and writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newb...
May 19, 2023•1 hr 35 min•Ep. 81
Tai Shani (Turner Prize winning artist, educator and author of Our Fatal Magic) and Amy Hale (anthropologist, folklorist, and writer) discuss the work of artist, occultist and writer Ithell Colquhoun to celebrate the publication of Amy’s book Ithell Colquhoun: Genius of The Fern Loved Gully. This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After...
May 19, 2023•57 min•Ep. 82
Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends th...
May 18, 2023•44 min•Ep. 80
In her groundbreaking and timely book Think Tank Aesthetics: Midcentury Modernism, the Cold War, and the Neoliberal Present (MIT Press, 2020), distinguished art historian Pamela M. Lee poses fundamental questions about how the rise of the “think tank” in the mid-20th century has challenged, and indeed must challenge, our understandings of aesthetics, political economy, scholarly knowledge production, and war. A conceptually rich and prolifically sourced work, Think Tank Aesthetics shows how the ...
May 16, 2023•1 hr 11 min•Ep. 183
On the centenary of the fascist party's ascent to power in Italy, Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in...
May 13, 2023•1 hr 1 min•Ep. 142
In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects. Since t...
May 11, 2023•57 min•Ep. 36
C. Riley Snorton and Hentyle Yapp read from Saturation, a book that offers an analysis of racial representation and controversy in the art world. Controversies involving race and the art world are often discussed in terms of diversity and representation—as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial r...
May 10, 2023•25 min•Ep. 70
The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People’s Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac B...
May 10, 2023•33 min•Ep. 96
So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and a...
May 08, 2023•1 hr 2 min•Ep. 68
John Jennings—Hugo Award winner, New York Times bestselling author, curator, scholar, and Artist—is keenly aware that in adapting novels for the graphic format, his decisions turn what has only been imagined into facts drawn on the page. In this conversation with critic, translator, and teacher of a creative course on the art of making comics, Jean-Christophe Cloutier, Jennings explores how he makes those decisions that range from the design of endpapers to selecting a character’s skin tone with...
May 04, 2023•46 min•Ep. 35
Dr. John McCannon's new biography of Russian artist, mystic, and all-around fascinating character Nicholas Roerich follows its subject from his artistic beginnings in the 1880's to the end of his life in India, in the 1940's. While not generally a household name in the English-speaking world, Roerich's influence punches over its weight. Roerich worked on the Rite of Spring, with Stravinsky, attempted to create a pan-Buddhist state in Asia, and may have influenced the outcome of a U.S. presidenti...
May 03, 2023•1 hr 12 min•Ep. 232
In Uncommon Sense: Aesthetics after Marcuse (MIT Press, 2022), Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse, an original member of the Frankfurt School and icon of the New Left, while also acknowledging his philosophical limits. This account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with anti-capitalist activism. Craig Leonard speaks to Pierre d’Alancaisez about anti-art, habit, the practice of def...
Apr 29, 2023•55 min•Ep. 174
In this episode of High Theory, Bernard Dionysius Geoghegan talks with us about computer graphics. Emerging from tools for sailing and warmaking, like sea charts and radar, modern computer graphics are technologies of mapping and managing risk. They seem intent on absorbing the human sensorium into the machine. In the episode Bernard refers to computer graphics as “techniques of addressing,” a term he attributes to Ranjodh Singh Dhaliwal. He also uses the term “operational images” which comes fr...
Apr 27, 2023•18 min•Ep. 116
In this podcast we discuss visibility, haunting and fascism with art historian and theorist Elizabeth Otto. Otto's book Haunted Bauhaus explores the marginalized histories of occult spirituality, gender fluidity and queer identity within the Bauhaus; offering fresh insight into one of the most canonized periods of European art history. The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement...
Apr 26, 2023•32 min•Ep. 57
Ferenc Hörcher's book Art and Politics in Roger Scruton's Conservative Philosophy (Palgrave Macmillan, 2022) covers the field of and points to the intersections between politics, art and philosophy. Its hero, the late Sir Roger Scruton had a longstanding interest in all fields, acquiring professional knowledge in both the practice and theory of politics, art and philosophy. The claim of the book is, therefore, that contrary to a superficial prejudice, it is possible to address the philosophical ...
Apr 25, 2023•37 min•Ep. 140
In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up ...
Apr 22, 2023•57 min•Ep. 139
In this episode, our host Sim Gill discusses the book Dislike-Minded: Media, Audiences, and the Dynamics of Taste (2021) by Jonathan Gray. You’ll hear about: A brief history of the book and its connection to global studies of media and communication; The role of media and cultural studies in amplifying the voices of dislikers, and how can scholars in these fields better understand and appreciate the register of dislike; The method of refractive audience analysis as a way to understand how adapta...
Apr 20, 2023•53 min•Ep. 7
Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. As described in From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture (University of Minnesota, 2023) by Barbara Sjoholm, the objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and ...
Apr 19, 2023•58 min•Ep. 138
Christopher Celenza is one of the foremost contemporary scholars of the Renaissance. His ambitious new book The Italian Renaissance and the Origin of the Humanities: An Intellectual History, 1400-1800 (Cambridge UP, 2021) focuses on the body of knowledge which we now call the humanities, charting its roots in the Italian Renaissance and exploring its development up to the Enlightenment. Beginning in the fifteenth century, the author shows how thinkers like Lorenzo Valla and Angelo Poliziano deve...
Apr 13, 2023•1 hr•Ep. 180
Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production. Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan: The Aesthetics of Black Inexpression (NYU Press, 2023) tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life. Tina Post reveals that the performance of purposeful ...
Apr 12, 2023•1 hr 6 min•Ep. 375
The Heart of the Forest: Why Woods Matter (British Library, 2022) looks at threats to forest life across the globe. Dr. John Miller draws on literature, film and art to explore why woods matter to us, building on the ecological case for saving trees to raise the compelling question of their cultural value. The Heart of the Forest explores four enduring ways in which we connect to the woods – through Refuge, Sacredness, Horror and Hope – making fascinating links between emotion and genre. For Hen...
Apr 12, 2023•55 min•Ep. 147
Daniel Neofetou's Rereading Abstract Expressionism, Clement Greenberg and the Cold War (Bloomsbury, 2021) rereads Clement Greenberg's account of Abstract Expressionism through Adorno and Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how the movement opposes the ends to which it was deployed in efforts of U.S. imperialism during the Cold War. With reference not only to the most famous artists of the movement, but also female and non-white figures whom Greenberg...
Apr 09, 2023•1 hr 11 min•Ep. 137
Feeling is not “feelin”. Feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work. Feelin: Creative Practice, Pleasure, and Black Feminist Thought (Northwestern University Press, 2022) discusses Black women’s creative production as feminist knowledge production produced by registers of affect call...
Apr 08, 2023•45 min•Ep. 373
In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and ’70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through...
Apr 08, 2023•44 min•Ep. 154
