17: Shaft Stache - podcast episode cover

17: Shaft Stache

Dec 02, 20191 hr 30 min
--:--
--:--
Listen in podcast apps:
Metacast
Spotify
Youtube
RSS

Episode description

Show Notes

Moe Factz with Adam Curry for December 2nd 2019, Episode number 17

Shaft Stache

Shownotes

Robert Townsend (actor) - Wikipedia

Mon, 02 Dec 2019 13:13

American actor

Robert Townsend (born February 6, 1957) is an American actor, director, comedian, and writer.[1][2] Townsend is best known for directing the films Hollywood Shuffle (1987), Eddie Murphy Raw (1987), The Meteor Man (1993), The Five Heartbeats (1991) and various other films and stand-up specials. He is especially known for his eponymous self-titled character, Robert Peterson as the starring role as on The WB sitcom The Parent 'Hood (1995''1999), a series which he created and of which directed select episodes. Townsend is also known for his role as Donald "Duck" Matthews in his 1991 film The Five Heartbeats.[3] He later wrote, directed and produced Making The Five Heartbeats (2018), a documentary film about the production process and behind the scenes insight into creating the film. Townsend is also known for his production company Townsend Entertainment [4] which has produced films Playin' for Love,[5] In the Hive and more. During the 1980s and early''1990s, Townsend gained national exposure through his stand-up comedy routines and appearances on The Tonight Show Starring Johnny Carson. Townsend has worked with talent including Halle Berry, Morgan Freeman, Chris Tucker, Beyonc(C), Denzel Washington and many more.[6][7][8]

Early life and career [ edit ] Townsend was born in Chicago, Illinois, the second of four children[9] to Shirley (n(C)e Jenkins) and Ed Townsend. His mother ended up raising him and his three siblings as a single parent. Growing up on the city's west side, Townsend attended Austin High School; graduating in 1975.[10] He became interested in acting as a teenager. During a reading of Sophocles' Oedipus Rex in high school, Townsend captured the attention of Chicago's X Bag Theatre, The Experimental Black Actors Guild. Townsend later auditioned for parts at Chicago's Experimental Black Actors' Guild and performed in local plays studying at the famed Second City comedy workshop for improvisation in 1974. Townsend had a brief uncredited role in the 1975 movie Cooley High.

After high school, Townsend enrolled at Illinois State University, studied a year and later moved to New York to study at the Negro Ensemble Company. Townsend's mother believed that he should complete his college education, but he felt that college took time away from his passion for acting, and he soon dropped out of school to pursue his acting career full-time.

Career [ edit ] Townsend auditioned to be part of Saturday Night Live's 1980''1981 cast, but was rejected in favor of Eddie Murphy. In 1982, Townsend appeared as one of the main characters in the PBS series Another Page, a program produced by Kentucky Educational Television that taught literacy to adults through serialized stories. Townsend later appeared in small parts in films like A Soldier's Story (1984), directed by Norman Jewison, and after its success garnered much more substantial parts in films like The Mighty Quinn (1989) with Denzel Washington.[11][12][13]

In 1987, Townsend wrote, directed and produced Hollywood Shuffle, a satire based on the hardships and obstacles that black actors undergo in the film industry. The success of his first project helped him establish himself in the industry.[6][14] Another of his films was The Five Heartbeats based on 1960s R&B male groups and the tribulations of the music industry. Townsend created and produced two television variety shows'--the CableACE award''winning Robert Townsend and His Partners in Crime for HBO, and the Fox Television variety show Townsend Television (1993). He also created and starred in the WB Network's sitcom The Parent 'Hood which originally ran from January 1995 to July 1999. In 2018, Townsend also directed 2 episodes for the B.E.T. Series American Soul which began airing in 2019. The show is about Don Cornelius and Soul Train. Townsend was programming director at the Black Family Channel, but the network folded in 2007. Townsend created The Robert Townsend Foundation, a nonprofit organization whose mission is to introduce and help new unsigned filmmakers.

Awards and other credits [ edit ] Townsend directed the 2001 TV movie, Livin' for Love: The Natalie Cole Story for which Cole won the NAACP Image Award as Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special. Townsend also directed two television movies in 2001 and 2002 respectively, Carmen: A Hip Hopera and 10,000 Black Men Named George. In 2013 Townsend was nominated for an Ovation Award in the category of "Lead Actor in a Musical" for his role as Dan in the La Mirada Theatre for the Performing Arts production of Next to Normal.[15]

Personal life [ edit ] Townsend was married to Cheri Jones[16] from September 15, 1990, to August 9, 2001.[17] Together they have two daughters, Sierra and Skylar (Skye Townsend), both entertainers, and a son, Isiah.[6]

Filmography [ edit ] Further reading [ edit ] Alexander, George. Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema. Harlem Moon. 2003.Collier, Aldore. "Robert Townsend: a new kind of Hollywood dreamer. Actor-producer-director plans to make films that uplift and transform Black audiences". Ebony Magazine. 1 June 1991.Rogers, Brent. Robert Townsend Article in Perspectives. Sustaining Digital History, 12 November 2007.References [ edit ] ^ "Robert Townsend". The New York Times. ^ "As Robert Townsend Sees It : He's Fighting Stereotypes With 'Meteor Man' and New TV Show". Los Angeles Times . Retrieved 2010-10-10 . ^ The Five Heartbeats , retrieved 2019-09-16 ^ "Townsend Entertainment - IMDbPro". pro.imdb.com . Retrieved 2018-03-06 . ^ "Playin' For Love". Black Cinema Connection. 2014-11-05 . Retrieved 2018-03-06 . ^ a b c "About". Robert Townsend. Archived from the original on 2011-07-14. ^ "Carmen: A Hip Hopera", Wikipedia, 2019-08-09 , retrieved 2019-09-17 ^ B*A*P*S , retrieved 2019-09-17 ^ "Townsend, Robert (1957-)". BlackPast.Org. 2008 . Retrieved September 18, 2017 . ^ "1975 Austin High School Yearbook (Chicago, Illinois)". Classmates.com. 1975 . Retrieved September 18, 2017 . ^ Vincent Canby, "Review/Film; Tropical Murder", The New York Times, February 17, 1989. ^ The Mighty Quinn , retrieved 2019-09-17 ^ A Soldier's Story , retrieved 2019-09-17 ^ Hollywood Shuffle , retrieved 2019-09-17 ^ "2013 Ovation Awards Nominees '-- South by Southeast". thisstage.la. LA STAGE Alliance. September 16, 2013 . Retrieved 2017-04-21 . ^ "The Week's Best Photo". Google Books. JET Magazine. March 25, 1991 . Retrieved September 18, 2017 . ^ Gimenes, Erika (2001). "Robert Townsend to divorce". Hollywood.com . Retrieved September 18, 2017 . ^ "Jackie's Back! (1999)" at IMDb. External links [ edit ] Robert Townsend on IMDbRobert Townsend (Official Website)

(9) Charles Woods (The Professor) - Hollywood's Tricknology: Mandingo To Malcolm X - YouTube

Mon, 02 Dec 2019 12:59

Tyler Perry

Mon, 02 Dec 2019 12:57

Tyler Perry is a world-renowned producer, director, actor, screenwriter, playwright, author, songwriter, entrepreneur, and philanthropist.

Tyler Perry's Story Tyler Perry is a world-renowned producer, director, actor, screenwriter, playwright, author, songwriter, entrepreneur, and philanthropist.

Read His Story Outreach Since 2006, The Perry Foundation's aim has been to transform tragedy into triumph by empowering the economically disadvantaged to achieve a better quality of life. We focus on health and clean water, education and technology, arts and culture, and globally-sustainable economic development. Get Involved

Visit Website You are viewing Tyler Perry Entertainment. If you'd like to view the Tyler Perry Studios, click here.

Black writers courageously staring down the white gaze '' this is why we all must read them | Stan Grant | Opinion | The Guardian

Mon, 02 Dec 2019 12:46

The white gaze '' it is a phrase that resonates in black American literature. Writers from WEB Du Bois to Ralph Ellison to James Baldwin and Toni Morrison have struggled with it and railed against it.

As Morrison '' a Nobel Laureate '' once said:

Our lives have no meaning, no depth without the white gaze. And I have spent my entire writing life trying to make sure that the white gaze was not the dominant one in any of my books.

The white gaze: it traps black people in white imaginations. It is the eyes of a white schoolteacher who sees a black student and lowers expectations. It is the eyes of a white cop who sees a black person and looks twice '' or worse, feels for a gun.

Du Bois explored this more than a century ago in his book The Souls of Black Folk, reflecting on his conversations with white people and the ensuing delicate dance around the ''Negro problem''.

Between me and the other world there is an ever unasked question'.... All, nevertheless, flutter around it ... Instead of saying directly, how does it feel to be a problem? They say, I know an excellent coloured man in my town ... To the real question '... I answer seldom a word.

Baldwin was as ever more direct and piercing, writing in his book Nobody Knows My Name.

I have spent most of my life ... watching white people and outwitting them so that I might survive.

The flame has passed to a new generation.

In 2015 three more black writers have stared down the white gaze. In their own ways Ta-Nehisi Coates, Claudia Rankine and George Yancy have held up a mirror to white America.

These are uncompromising and fearless voices.

Coates' searing essay Between The World And Me critiques America against a backdrop of black deaths at the hands of police. He says the country's history is rooted in slavery and the assault against the black body.

In the form of a letter to his son, Coates writes:

Here is what I would like for you to know: In America it is traditional to destroy the black body '' it is heritage.

In Citizen '' An American Lyric, poet Rankine reflects on the black experience from the victims of Hurricane Katrina, or Trayvon Martin, a 17 year-old black youth shot dead by a neighbourhood watch volunteer who was acquitted, or black tennis star Serena Williams. In each case Rankine sees lives framed by whiteness.

She writes:

Because white men can't police their imagination, black men are dying.

Philosophy Professor George Yancy just last week penned a letter in the New York Times addressed to ''Dear White America''. He asks his countrymen to listen with love, and to look at those things that might cause pain and terror.

All white people, he says, benefit from racism and this means each, in their own way, are racist.

'...don't run to seek shelter from your own racism'...practice being vulnerable. Being neither a ''good'' white person, nor a liberal white person will get you off the proverbial hook.

Their unflinching work is not tempered by the fact a black man is in the White House '' that only makes their voices more urgent.

Coates, Rankine, Yancy '' each has been variously praised and awarded, yet each has been pilloried as well. This is inevitable when some people don't like what the mirror reflects.

It takes courage for a black person to speak to a white world, a world that can render invisible people of colour, unless they begin to more closely resemble white people themselves '' an education, a house in the suburbs, a good job, lighter skin.

In Australia, too, black voices are defying the white gaze. We may not have the popular cut through of a Morrison or a Baldwin or a Coates, but we have a proud tradition '' Oodgeroo Noonuccal, Kevin Gilbert, Ruby Langford or more recently Kim Scott, Alexis Wright, Anita Heiss.

I have spent some time recently reading some of the most powerful works of Indigenous writers. Their styles and genres are many and varied but there is a common and powerful theme of defiance and survival.

This is a world so instantly recognisable to us '' Indigenous people '' but still so foreign to white Australia.

Natalie Harkin's book of poetry, Dirty Words, is a subversive dictionary that turns English words back on their users: A is apology, B is for Boat People '... G is for Genocide ... S for Survival.

''How do you dream,'' she writes, ''When your lucky country does not sleep''.

Bruce Pascoe's Dark Emu challenges the white stereotype of the ''primitive hunter gatherer''. He says the economy and culture of Indigenous people has been grossly undervalued.

He cites journals and diaries of explorers and colonists to reveal the industry and ingenuity of pre-colonial Aboriginal society. He says it is a window into a world of people building dams and wells and houses, irrigating and harvesting seed and creating elaborate cemeteries.

Pascoe's work demands to be taught in our schools.

Tony Birch is an acclaimed novelist and his latest Ghost River is remarkable. It is the story of two friends navigating the journey into adulthood guided by the men of the river '' men others may see as homeless and hopeless. It is a work infused with a sense of place and belonging.

Ellen Van Neerven's Heat and Light is a genre-busting mystical journey into identity: sexual, racial and national. It is provocative and challenging and mind bending, and altogether stunning.

You won't find many of these titles in the annual best book lists. Occasionally they pop up, but not as often as they deserve. You probably won't hear much of Samuel Wagan Watson's Love Poems and Death Threats, or Ken Canning's Yimbama, or Lionel Fogarty's Eelahroo (Long Ago) Nyah (Looking) Mobo-Mobo (Future).

That these works are not more widely read is a national shame. In our busy lives, try to find time for some of these books in 2016 '' read with the courage of these writers.

George Yancy asks white Americans to become ''un-sutured'', to open themselves up and let go of their white innocence.

Why is this important? Well, for white people it may simply be a matter of choice '' the fate of black people may not affect them. For us it is survival '' the white gaze means we die young, are locked up and locked out of work and education.

We hear a lot about recognition '' acknowledging Indigenous people in the Australian constitution. But there is another recognition '' recognising the pervasive and too often destructive role of race in our lives, and the need to lift our gaze above it.

Queen | Definition of Queen by Merriam-Webster

Mon, 02 Dec 2019 12:40

To save this word, you'll need to log in.

\ ËkwÄ'n \ 1 a : the wife or widow of a king

b : the wife or widow of a tribal chief

2 a : a female monarch

b : a female chieftain

3 a : a woman eminent in rank, power, or attractions a movie queen

b : a goddess or a thing personified as female and having supremacy in a specified realm

c : an attractive girl or woman especially : a beauty contest winner

4 : the most privileged piece of each color in a set of chessmen having the power to move in any direction across any number of unoccupied squares

5 : a playing card marked with a stylized figure of a queen

6 : the fertile fully developed female of social bees, ants, and termites whose function is to lay eggs

7 : a mature female cat kept especially for breeding

8 slang , often disparaging : a male homosexual especially : an effeminate one

queened ; queening ; queens

intransitive verb

1 : to act like a queen especially : to put on airs '-- usually used with it queens it over her friends

2 : to become a queen in chess the pawn queens

Pan-Africanism - Wikipedia

Mon, 02 Dec 2019 12:37

Worldwide movement that aims to encourage and strengthen bonds of solidarity between all people of African descent

Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous and diasporan ethnic groups of African descent. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Caribbean, Latin America, the United States and Canada and Europe.[1][2] It is based on the belief that unity is vital to economic, social, and political progress and aims to "unify and uplift" people of African descent.[3] The ideology asserts that the fate of all African people and countries[clarification needed ] are intertwined. At its core Pan-Africanism is a belief that ''African people, both on the continent and in the diaspora, share not merely a common history, but a common destiny".[4] Pan-Africanist intellectual, cultural, and political movements tend to view all Africans and descendants of Africans as belonging to a single "race" and sharing cultural unity. Pan-Africanism posits a sense of a shared historical fate for Africans in the Americas, West Indies, and, on the continent itself, has centered on the Atlantic trade in slaves, African slavery, and European imperialism.[5]

The Organization of African Unity (now the African Union) was established in 1963 to safeguard the sovereignty and territorial integrity of its Member States and to promote global relations within the framework of the United Nations.[6] The African Union Commission has its seat in Addis Ababa and the Pan-African Parliament has its seat in Johannesburg and Midrand.

Overview [ edit ] Pan-Africanism stresses the need for "collective self-reliance".[7] Pan-Africanism exists as a governmental and grassroots objective. Pan-African advocates include leaders such as Haile Selassie, Julius Nyerere, Ahmed S(C)kou Tour(C), Kwame Nkrumah, King Sobhuza II, Thomas Sankara and Muammar Gaddafi, grassroots organizers such as Marcus Garvey and Malcolm X, academics such as W. E. B. Du Bois, and others in the diaspora.[8][9][10] Pan-Africanists believe that solidarity will enable the continent to fulfill its potential to independently provide for all its people. Crucially, an all-African alliance would empower African people globally.

The realization of the Pan-African objective would lead to "power consolidation in Africa", which "would compel a reallocation of global resources, as well as unleashing a fiercer psychological energy and political assertion...that would unsettle social and political (power) structures...in the Americas".[11]

Advocates of Pan-Africanism'--i.e. "Pan-Africans" or "Pan-Africanists"'--often champion socialist principles and tend to be opposed to external political and economic involvement on the continent. Critics accuse the ideology of homogenizing the experience of people of African descent. They also point to the difficulties of reconciling current divisions within countries on the continent and within communities in the diaspora.[11]

History [ edit ] As a philosophy, Pan-Africanism represents the aggregation of the historical, cultural, spiritual, artistic, scientific, and philosophical legacies of Africans from past times to the present. Pan-Africanism as an ethical system traces its origins from ancient times, and promotes values that are the product of the African civilisations and the struggles against slavery, racism, colonialism, and neo-colonialism.[8]

Alongside a large number of slaves insurrections, by the end of the 19th century a political movement developed across the Americas, Europe and Africa that sought to weld disparate movements into a network of solidarity, putting an end to oppression. Another important political form of a religious Pan-Africanist worldview appeared in the form of Ethiopianism.[12] In London, the Sons of Africa was a political group addressed by Quobna Ottobah Cugoano in the 1791 edition of his book Thoughts and Sentiments on the Evil of Slavery. The group addressed meetings and organised letter-writing campaigns, published campaigning material and visited parliament. They wrote to figures such as Granville Sharp, William Pitt and other members of the white abolition movement, as well as King George III and the Prince of Wales, the future George IV.

Modern Pan-Africanism began around the start of the 20th century. The African Association, later renamed the Pan-African Association, was established around 1897 by Henry Sylvester-Williams, who organized the First Pan-African Conference in London in 1900.[13][14][15]

With the independence of Ghana in March 1957, Kwame Nkrumah was elected as the first Prime Minister and President of the State.[16] Nkrumah emerged as a major advocate for the unity of Independent Africa. The Ghanaian President embodied a political activist approach to pan-Africanism as he championed the "quest for regional integration of the whole of the African continent".[17] This period represented a "Golden Age of high pan-African ambitions"; the Continent had experienced revolution and decolonization from Western powers and the narrative of rebirth and solidarity had gained momentum within the pan-African movement.[17] Nkrumah's pan-African principles intended for a union between the Independent African states upon a recognition of their commonality (i.e. suppression under imperialism). Pan-Africanism under Nkrumah evolved past the assumptions of a racially exclusive movement associated with black Africa, and adopted a political discourse of regional unity [18]

In April 1958, Nkrumah hosted the first All-African Peoples' Conference (AAPC) in Accra, Ghana. This Conference invited delegates of political movements and major political leaders. With the exception of South Africa, all Independent States of the Continent attended: Egypt, Ethiopia, Ghana, Liberia, Libya, Morocco, Tunisia and Sudan.[18] This Conference signified a monumental event in the pan-African movement, as it revealed a political and social union between those considered Arabic states and the black African regions. Further, the Conference espoused a common African Nationalist identity, among the States, of unity and anti-Imperialism. Frantz Fanon, journalist, freedom fighter and a member of the Algerian FLN party attended the conference as a delegate for Algeria.[19] Considering the armed struggle of the FLN against French colonial rule, the attendees of the Conference agreed to support the struggle of those States under colonial oppression. This encouraged the commitment of direct involvement in the "emancipation of the Continent; thus, a fight against colonial pressures on South Africa was declared and the full support of the FLN struggle in Algeria, against French colonial rule"".[20] In the years following 1958, Accra Conference also marked the establishment of a new foreign policy of non-alignment as between the US and USSR, and the will to establish an "African Identity" in global affairs by advocating a unity between the African States on international relations. "This would be based on the Bandung Declaration, the Charter of the UN and on loyalty to UN decisions."[20]

In 1959, Nkrumah, President S(C)kou Tour(C) of Guinea and President William Tubman of Liberia met at Sanniquellie and signed the Sanniquellie Declaration outlining the principles for the achievement of the unity of Independent African States whilst maintaining a national identity and autonomous constitutional structure.[21][22] The Declaration called for a revised understanding of pan-Africanism and the uniting of the Independent States.

In 1960, the second All-African Peoples' Conference was held in Addis Ababa, Ethiopia.[23] The membership of the All-African Peoples' Organisation (AAPO) had increased with the inclusion of the "Algerian Provisional Government (as they had not yet won independence), Cameroun, Guinea, Nigeria, Somalia and the United Arab Republic".[24] The Conference highlighted diverging ideologies within the movement, as Nkrumah's call for a political and economic union between the Independent African States gained little agreement. The disagreements following 1960 gave rise to two rival factions within the pan-African movement: the Casablanca Bloc and the Brazzaville Bloc.[25]

In 1962, Algeria gained independence from French colonial rule and Ahmed Ben Bella assumed Presidency. Ben Bella was a strong advocate for pan-Africanism and an African Unity. Following the FLN's armed struggle for liberation, Ben Bella spoke at the UN and espoused for Independent Africa's role in providing military and financial support to the African liberation movements opposing apartheid and fighting Portuguese colonialism.[26] In search of a united voice, in 1963 at an African Summit conference in Addis Ababa, Ethiopia, 32 African states met and established the Organization of African Unity (OAU). The creation of the OAU Charter took place at this Summit and defines a coordinated "effort to raise the standard of living of member States and defend their sovereignty" by supporting freedom fighters and decolonisation.[27] Thus, was the formation of the African Liberation Committee (ALC), during the 1963 Summit. Championing the support of liberation movements, was Algeria's President Ben Bella, immediately "donated 100 million francs to its finances and was one of the first countries, of the Organisation to boycott Portuguese and South African goods".[26]

In 1969, Algiers hosted the Pan-African Cultural Festival, on July 21 and it continued for eight days.[28] At this moment in history, Algeria stood as a ''beacon of African and Third-World militancy,''[28] and would come to inspire fights against colonialism around the world. The festival attracted thousands from African states and the African Diaspora, including the Black Panthers. It represented the application of the tenets of the Algerian revolution to the rest of Africa, and symbolized the re-shaping of the definition of pan-African identity under the common experience of colonialism.[28] The Festival further strengthened Algeria's President, Boumediene's standing in Africa and the Third World.[28]

After the death of Kwame Nkrumah in 1972, Muammar Qaddafi assumed the mantle of leader of the Pan-Africanist movement and became the most outspoken advocate of African Unity, like Nkrumah before him '' for the advent of a "United States of Africa".[29]

In the United States, the term is closely associated with Afrocentrism, an ideology of African-American identity politics that emerged during the civil rights movement of the 1960s to 1970s.[30]

Concept [ edit ] As originally conceived by Henry Sylvester-Williams (although some historians[who? ] credit the idea to Edward Wilmot Blyden), Pan-Africanism referred to the unity of all continental Africa.[31]

During apartheid South Africa there was a Pan Africanist Congress that dealt with the oppression of Africans in South Africa under Apartheid rule. Other pan-Africanist organisations include: Garvey's Universal Negro Improvement Association-African Communities League, TransAfrica and the International People's Democratic Uhuru Movement.

Additionally, Pan-Africanism is seen as an endeavor to return to what are deemed by its proponents as singular, traditional African concepts about culture, society, and values. Examples of this include L(C)opold S(C)dar Senghor's N(C)gritude movement, and Mobutu Sese Seko's view of Authenticit(C).

An important theme running through much pan-Africanist literature concerns the historical links between different countries on the continent, and the benefits of cooperation as a way of resisting imperialism and colonialism.

In the 21st century, some Pan-Africanists aim to address globalisation and the problems of environmental justice. For instance, at the conference "Pan-Africanism for a New Generation"[32] held at the University of Oxford, June 2011, Ledum Mittee, the current president of the Movement for the Survival of the Ogoni People (MOSOP), argued that environmental justice movements across the African continent should create horizontal linkages in order to better protect the interests of threatened peoples and the ecological systems in which they are embedded, and upon which their survival depends.

Some universities went as far as creating "Departments of Pan-African Studies" in the late 1960s. This includes the California State University, where that department was founded in 1969 as a direct reaction to the civil rights movement, and is today dedicated to "teaching students about the African World Experience", to "demonstrate to the campus and the community the richness, vibrance, diversity, and vitality of African, African American, and Caribbean cultures" and to "presenting students and the community with an Afrocentric analysis" of anti-black racism.[33]Syracuse University also offers a master's degree in "Pan African Studies".[34]

Pan-African colors [ edit ] The flags of numerous states in Africa and of Pan-African groups use green, yellow and red. This colour combination was originally adopted from the 1897 flag of Ethiopia, and was inspired by the fact that Ethiopia is the continent's oldest independent nation,[35] thus making the Ethiopian green, yellow and red the closest visual representation of Pan-Africanism. This is in comparison to the Black Nationalist flag, representing political theory centred around the eugenicist caste-stratified colonial Americas.[36]

The UNIA (Universal Negro Improvement Association) flag, is a tri-color flag consisting of three equal horizontal bands of (from top down) red, black and green. The UNIA formally adopted it on August 13, 1920,[37] during its month-long convention at Madison Square Garden in New York.[38][39]

Variations of the flag have been used in various countries and territories in Africa and the Americas to represent Black Nationalist ideologies. Among these are the flags of Malawi, Kenya and Saint Kitts and Nevis. Several Pan-African organizations and movements have also often employed the emblematic red, black and green tri-color scheme in variety of contexts.

Maafa studies [ edit ] Maafa is an aspect of Pan-African studies. The term collectively refers to 500 years of suffering (including the present) of people of African heritage through slavery, imperialism, colonialism, and other forms of oppression.[40][41] In this area of study, both the actual history and the legacy of that history are studied as a single discourse. The emphasis in the historical narrative is on African agents, as opposed to non-African agents.[42]

Political parties and organizations [ edit ] In Africa [ edit ] Organisation of African Unity, succeeded by the African UnionAfrican Unification FrontRassemblement D(C)mocratique AfricainAll-African People's Revolutionary PartyConvention People's Party (Ghana)Pan-African Renaissance[43]Economic Freedom Fighters (South Africa)Pan Africanist Congress of Azania (South Africa)In the Caribbean [ edit ] The Pan-African Affairs Commission for Pan-African Affairs, a unit within the Office of the Prime Minister of Barbados.[44]African Society for Cultural Relations with Independent Africa (Guyana)Antigua Caribbean Liberation Movement (Antigua and Barbuda)Clement Payne Movement (Barbados)Marcus Garvey People's Political Party (Jamaica)Universal Negro Improvement Association and African Communities League (Jamaica)In the United Kingdom [ edit ] Pan-African FederationIn the United States [ edit ] The Council on African Affairs (CAA): founded in 1937 by Max Yergan and Paul Robeson, the CAA was the first major U.S. organization whose focus was on providing pertinent and up-to-date information about Pan-Africanism across the United States, particularly to African Americans. Probably the most successful campaign of the Council was for South African famine relief in 1946. The CAA was hopeful that, following World War II, there would be a move towards Third World independence under the trusteeship of the United Nations.[45] To the CAA's dismay, the proposals introduced by the U.S. government to the conference in April/May 1945 set no clear limits on the duration of colonialism and no motions towards allowing territorial possessions to move towards self-government.[45] Liberal supporters abandoned the CAA, and the federal government cracked down on its operations. In 1953 the CAA was charged with subversion under the McCarran Internal Security Act. Its principal leaders, including Robeson, W. E. B. Du Bois, and Alphaeus Hunton (1903''70), were subjected to harassment, indictments, and in the case of Hunton, imprisonment. Under the weight of internal disputes, government repression, and financial hardships, the Council on African Affairs disbanded in 1955.[46]The US Organization was founded in 1965 by Maulana Karenga, following the Watts riots. It is based on the synthetic African philosophy of kawaida, and is perhaps best known for creating Kwanzaa and the Nguzo Saba ("seven principles"). In the words of its founder and chair, Karenga, "the essential task of our organization Us has been and remains to provide a philosophy, a set of principles and a program which inspires a personal and social practice that not only satisfies human need but transforms people in the process, making them self-conscious agents of their own life and liberation".[47]Pan-African concepts and philosophies [ edit ] Afrocentric Pan-Africanism [ edit ] Afrocentric Pan-Africanism is espoused by Kwabena Faheem Ashanti in his book The Psychotechnology of Brainwashing: Crucifying Willie Lynch. Another newer movement that has evolved from the early Afrocentric school is the Afrisecal movement or Afrisecaism of Francis Ohanyido, a Nigerian philosopher-poet.[48] Black Nationalism is sometimes associated with this form of pan-Africanism.

Kawaida [ edit ] Hip hop [ edit ] Since the late 1970s, hip hop has emerged as a powerful force that has partly shaped black identity worldwide. In his 2005 article "Hip-hop Turns 30: Whatcha Celebratin' For?", Greg Tate describes hip-hop culture as the product of a Pan-African state of mind. It is an "ethnic enclave/empowerment zone that has served as a foothold for the poorest among us to get a grip on the land of the prosperous".[49] Hip-hop unifies those of African descent globally in its movement towards greater economic, social and political power. Andreana Clay in her article "Keepin' it Real: Black Youth, Hip-Hop Culture, and Black Identity" states that hip-hop provides the world with "vivid illustrations of Black lived experience", creating bonds of black identity across the globe.[50] From a Pan-African perspective, Hip-Hop Culture can be a conduit to authenticate a black identity, and in doing so, creates a unifying and uplifting force among Africans that Pan-Africanism sets out to achieve.

Pan-African art [ edit ] Further information on pan-African film festivals see:

FESPACO and

PAFFSee also [ edit ] Literature [ edit ] Hakim Adi & Marika Sherwood, Pan-African History: Political Figures from Africa and the Diaspora Since 1787, London: Routledgem 2003.Imanuel Geiss, Panafrikanismus. Zur Geschichte der Dekolonisation. Habilitation, EVA, Frankfurt am Main, 1968, English as: The Pan-African Movement, London: Methuen, 1974, ISBN 0-416-16710-1, and as: The Pan-African Movement. A history of Pan-Africanism in America, Europe and Africa, New York: Africana Publ., 1974, ISBN 0-8419-0161-9.Colin Legum, Pan-Africanism: A Short Political Guide, revised edition, New York: Frederick A. Praeger, 1965.Tony Martin, Pan-African Connection: From Slavery to Garvey and Beyond, Dover: The Majority Press, 1985.References [ edit ] ^ Austin, David (Fall 2007). "All Roads Led to Montreal: Black Power, the Caribbean and the Black Radical Tradition in Canada". Journal of African American History. 92 (4): 516''539 . Retrieved March 30, 2019 . ^ Oloruntoba-Oju, Omotayo (December 2012). "Pan Africanism, Myth and History in African and Caribbean Drama". Journal of Pan African Studies. 5 (8): 190 ff. ^ Frick, Janari, et al. (2006), History: Learner's Book, p. 235, South Africa: New Africa Books. ^ Makalani, Minkah (2011), "Pan-Africanism". Africana Age. ^ New Dictionary of the History of Ideas. The Gale Group, Inc. 2005. ^ About the African Union Archived January 29, 2011, at the Wayback Machine. ^ "The objectives of the PAP", The Pan-African Parliament '' 2014 and beyond. ^ a b Falola, Toyin; Essien, Kwame (2013). Pan-Africanism, and the Politics of African Citizenship and Identity. London: Routledge. pp. 71''72. ISBN 1135005192 . Retrieved September 26, 2015 . ^ Goebel, Anti-Imperial Metropolis, pp. 250''278. ^ Maguire, K., "Ghana re-evaluates Nkrumah", GlobalPost, October 21, 2009. Retrieved September 13, 2012. ^ a b Agyeman, O., Pan-Africanism and Its Detractors: A Response to Harvard's Race Effacing Universalists, Harvard University Press (1998), cited in Mawere, Munyaradzi; Tapuwa R. Mubaya, African Philosophy and Thought Systems: A Search for a Culture and Philosophy of Belonging, Langaa RPCIG (2016), p. 89. ISBN 9789956763016. Retrieved August 23, 2018. ^ "Pan-Africanism". exhibitions.nypl.org . Retrieved February 16, 2017 . ^ "A history of Pan-Africanism", New Internationalist, 326, August 2000. ^ The History of Pan Africanism, PADEAP (Pan African Development Education and Advocacy Programme). ^ Lubin, Alex, "The Contingencies of Pan-Africanism", Geographies of Liberation: The Making of an Afro-Arab Political Imaginary, Chapel Hill: University of North Carolina Press, 2014, p. 71. ^ Smith-Asante, E., "Biography of Ghana's first President, Dr Kwame Nkrumah", Graphic Online, March 8, 2016. Retrieved March 23, 2017. ^ a b Mkandawire, P. (2005). African Intellectuals: Rethinking Politics, Language, Gender and Development, Dakar: Codesria/London: Zed Books, p. 58. Retrieved March 23, 2017. ^ a b Legum, C. (1965). Pan-Africanism: a short political guide, New York, etc.: Frederick A. Praeger, p. 41. ^ Adi, H., & M. Sherwood (2003). Pan-African History: Political Figures from Africa and the Diaspora Since 1787, London: Routledge, p. 66. ^ a b Legum (1965). Pan-Africanism, p. 42. ^ Adi & Sherwood (2003). Pan-African History, p. 179. ^ Legum (1965), Pan-Africanism, p. 45. ^ Legum (1965). Pan-Africanism, p. 46. ^ Legum (1965), Pan-Africanism, p. 47. ^ Martin, G. (2012). African Political Thought, New York: Palgrave Macmillan. ^ a b Adi & Sherwood (2003), Pan-African History, p. 10. ^ "African states unite against white rule", ON THIS DAY | May25. BBC News. Retrieved March 23, 2017. ^ a b c d Evans, M., & J. Phillips (2008). Algeria: Anger of the Dispossessed, Yale University Press, pp. 97''98. ^ Martin, G. (December 23, 2012). African Political Thought. Springer. ISBN 9781137062055. ^ See e.g. Ronald W. Walters, Pan Africanism in the African Diaspora: An Analysis of Modern Afrocentric Political Movements, African American Life Series, Wayne State University Press, 1997, p. 68. ^ Campbell, Crystal Z. (December 2006). "Sculpting a Pan-African Culture in the Art of N(C)gritude: A Model for African Artist" (PDF) . The Journal of Pan African Studies. Archived from the original on June 1, 2015. CS1 maint: BOT: original-url status unknown (link) ^ Oxford University African Society Conference, Corpus Christi College, Oxford University, May 5, 2012. ^ "About Us". Csus.edu . Retrieved October 15, 2015 . ^ The M.A. in Pan African Studies Archived October 25, 2014, at the Wayback Machine, African American Studies at Syracuse University. ^ Smith, Whitney (2001). Flag Lore of All Nations . Millbrook Press. p. 36. ISBN 0761317538 . Retrieved October 7, 2014 . ^ Lionel K., McPherson; Shelby, Tommie (Spring 2004). "Blackness and Blood: Interpreting African American Identity" (PDF) . Philosophy and Public Affairs. 32: 171''192. ^ Wikisource contributors, "The Declaration of the Rights of the Negro Peoples of the World", Wikisource, The Free Library. (Retrieved October 6, 2007). ^ "25,000 Negroes Convene: International Gathering Will Prepare Own Bill of Rights", The New York Times, August 2, 1920. Proquest. Retrieved October 5, 2007. ^ "Negroes Adopt Bill Of Rights: Convention Approves Plan for African Republic and Sets to Work on Preparation of Constitution of the Colored Race Negro Complaints Aggression Condemned Recognition Demanded". The Christian Science Monitor, August 17, 1920. Proquest. Retrieved October 5, 2007. ^ "What Holocaust". "Glenn Reitz". Archived from the original on October 18, 2007. ^ "The Maafa, African Holocaust". Swagga. ^ Ogunleye, Tolagbe (1997). "African American Folklore: Its Role in Reconstructing African American History". Journal of Black Studies. 27 (4): 435''455. ISSN 0021-9347. ^ "Pan-African Renaissance". ^ Rodney Worrell (2005). Pan-Africanism in Barbados: An Analysis of the Activities of the Major 20th-century Pan-African Formations in Barbados. New Academia Publishing, LLC. pp. 99''102. ISBN 978-0-9744934-6-6. ^ a b Duberman, Martin. Paul Robeson, 1989, pp. 296''97. ^ "Council on African Affairs", African Activist Archive. ^ "Philosophy, Principles, and Program". The Organization Us. ^ "Francis Okechukwu Ohanyido". African Resource. ^ Tate, Greg, "Hip-hop Turns 30: Whatcha Celebratin' For?", Village Voice, January 4, 2005. ^ Clay, Andreana. "Keepin' it Real: Black Youth, Hip-Hop Culture, and Black Identity". In American Behavioral Scientist, Vol. 46.10 (2003): 1346''58. External links [ edit ] SNCC Digital Gateway: Pan-Africanism'--Digital documentary website created by the SNCC Legacy Project and Duke University, telling the story of the Student Nonviolent Coordinating Committee & grassroots organizing from the inside-outAfrican UnionAfrican Code Unity Through DiversityA-APRP WebsiteThe Major Pan-African news and articles siteProfessor David Murphy (November 15, 2015). "The Performance of Pan-Africanism: performing black identity at major pan-African festivals, 1966''2010" (Podcast). The University of Edinburgh . Retrieved January 28, 2016 '' via Soundcloud.

Ebro Darden - Wikipedia

Mon, 02 Dec 2019 12:36

Ebro Darden

BornIbrahim Jamil Darden

( 1975-03-17 ) March 17, 1975 (age 44) NationalityAmericanOccupationMedia executiveradio personalityYears active1990''presentKnown forHot 97 radio personalityBeats1 DJChildren1Websitewww.EbroDarden.comIbrahim "Ebro" Darden (born March 17, 1975) is an American media executive and radio personality. Until 2014, he was Vice President of Programming for Emmis Communications' New York contemporary urban station WQHT (Hot 97). He is currently a co-host on the Hot 97 morning show, Ebro in the Morning, alongside Peter Rosenberg, and Laura Stylez. As of 2015, Darden also hosts a hip hop music-based radio show on Beats 1.

Early life [ edit ] Darden was born to a black father and a Jewish mother. He attended a Pentecostal church and Hebrew school while growing up in Oakland and Sacramento.[1]

Career [ edit ] Start in radio [ edit ] Darden began his career in radio in 1990 at KSFM in Sacramento, California, while he was still a teenager. At KSFM he worked in research and as a sales runner until moving into programming as an intern, and later co-hosting for KSFM's night and morning shows. In 1997, he worked at KBMB in Sacramento as Programming and Music Director, as well as an afternoon host. Eventually, Darden became Operations Manager at KBMB, while also co-hosting mornings at KXJM in Portland, Oregon, in 1999.

Hot 97 [ edit ] In 2003, Darden became Music Director for WQHT, ultimately becoming the Program Director for the station in 2007.[2][3][4]

Darden worked alongside several past WQHT Hot 97 morning show co-hosts including Star and Bucwild, Miss Jones, DJ Envy, Sway, and Joe Budden from 2004 to 2007, and introduced Cipha Sounds and Peter Rosenberg to the AM drive in 2009. He rejoined the Hot 97 Morning Show in 2012, alongside Cipha Sounds, Peter Rosenberg, and Laura Stylez.

As Programming Director and on-air host, Darden was the main voice of several events at Hot 97 including Nicki Minaj's relationship with the station, and her alleged sexual relationship with the host; Hurricane Sandy; and Mister Cee's personal life.[5]

In 2014, VH1 announced a new unscripted comedy series, This Is Hot 97, which featured Darden and fellow hosts including Angie Martinez, Funkmaster Flex, Peter Rosenberg, Cipha Sounds, Miss Info, and Laura Stylez.[6]

Beats 1 [ edit ] In addition to his current on-air role at Hot 97, Darden is now one of three anchor DJs on Beats 1, an Internet radio service from Apple Music.

Feuds and controversy [ edit ] A comedic rivalry between Darden and fellow accomplished radio personality Charlamagne Tha God of Power 105.1 has been ongoing for years. In May 2017, Darden clarified their relationship, stating, "The stuff we do on the radio is stupid. It's for fun. I make fun of you for fun. That's it. It's not that deep... me and that dude don't have a personal problem... a personal relationship".[7]

Darden was mentioned in Remy Ma's "shETHER" diss track, on which Ma insinuated that he slept with Nicki Minaj by stating "Coke head, you cheated on your man with Ebro". After jokingly going back and forth with both Ma and her husband Papoose on social media, Darden denied the rumors, stating that he and Minaj had only a professional relationship.[8]

Ebro has been in an ongoing feud with Brooklyn artist 6ix9ine. Ebro made fun of 6ix9ine as looking like a clown and criticized him for bragging about streaming numbers,[9] and 6ix9ine responded on the song "Stoopid" with the line "That nigga Ebro, he a bitch/Just another old nigga on a young nigga dick." [10]

Personal life [ edit ] Darden has a daughter, Isa, who was born in 2014.[11]

Recognition [ edit ] In 2013, he was recognized by Radio Ink as a future African American leader.[12]

Filmography [ edit ] References [ edit ]

Queen & Slim (2019) - IMDb

Mon, 02 Dec 2019 12:13

3 nominations. See more awards >> Learn more More Like This Comedy | Crime | Drama

1 2 3 4 5 6 7 8 9 10 8.1 / 10 X A detective investigates the death of a patriarch of an eccentric, combative family.

Director:Rian Johnson

Stars:Daniel Craig,Chris Evans,Ana de Armas

Action | Crime | Drama

1 2 3 4 5 6 7 8 9 10 6.6 / 10 X An embattled NYPD detective is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy.

Director:Brian Kirk

Stars:Chadwick Boseman,Sienna Miller,J.K. Simmons

Action | Biography | Drama

1 2 3 4 5 6 7 8 9 10 6.5 / 10 X The extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes, whose courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history.

Director:Kasi Lemmons

Stars:Cynthia Erivo,Leslie Odom Jr.,Joe Alwyn

Biography | Drama

1 2 3 4 5 6 7 8 9 10 7.9 / 10 X Based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod.

Director:Marielle Heller

Stars:Tom Hanks,Matthew Rhys,Chris Cooper

Drama

1 2 3 4 5 6 7 8 9 10 7.2 / 10 X A young actor's stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health.

Director:Alma Har'el

Stars:Shia LaBeouf,Lucas Hedges,Noah Jupe

Drama | Romance | Sport

1 2 3 4 5 6 7 8 9 10 7.7 / 10 X Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss.

Director:Trey Edward Shults

Stars:Taylor Russell,Kelvin Harrison Jr.,Alexa Demie

Comedy | Drama | War

1 2 3 4 5 6 7 8 9 10 8.1 / 10 X A young boy in Hitler's army finds out his mother is hiding a Jewish girl in their home.

Director:Taika Waititi

Stars:Roman Griffin Davis,Thomasin McKenzie,Scarlett Johansson

Action | Crime | Drama

1 2 3 4 5 6 7 8 9 10 5.7 / 10 X A rookie New Orleans police officer is forced to balance her identity as a black woman after she witnesses two corrupt cops committing murder.

Director:Deon Taylor

Stars:Naomie Harris,Frank Grillo,Mike Colter

Biography | Drama | History

1 2 3 4 5 6 7 8 9 10 7.3 / 10 X A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution.

Director:Todd Haynes

Stars:Anne Hathaway,Mark Ruffalo,William Jackson Harper

Drama | Fantasy | Horror

1 2 3 4 5 6 7 8 9 10 8.3 / 10 X Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s.

Director:Robert Eggers

Stars:Willem Dafoe,Robert Pattinson,Valeriia Karaman

Crime | Drama | Mystery

1 2 3 4 5 6 7 8 9 10 6.5 / 10 X Consummate con man Roy Courtnay has set his sights on his latest mark: the recently widowed Betty McLeish, worth millions. But this time, what should have been a simple swindle escalates into a cat-and-mouse game with the ultimate stakes.

Director:Bill Condon

Stars:Helen Mirren,Ian McKellen,Russell Tovey

Crime | Drama | Mystery

1 2 3 4 5 6 7 8 9 10 7.1 / 10 X In 1950s New York, a lonely private detective afflicted with Tourette's Syndrome ventures to solve the murder of his mentor and only friend.

Director:Edward Norton

Stars:Edward Norton,Gugu Mbatha-Raw,Alec Baldwin

Edit Storyline Slim and Queen's first date takes an unexpected turn when a policeman pulls them over for a minor traffic violation. When the situation escalates, Slim takes the officer's gun and shoots him in self-defence. Now labelled cop killers in the media, Slim and Queen feel that they have no choice but to go on the run and evade the law. When a video of the incident goes viral, the unwitting outlaws soon become a symbol of trauma, terror, grief and pain for people all across the country Written bystmc-25959

Plot Summary | Add Synopsis Motion Picture Rating (MPAA) Rated R for violence, some strong sexuality, nudity, pervasive language, and brief drug use. | See all certifications >> Edit Details Release Date: 27 November 2019 (USA)

See more >> Edit Box Office Opening Weekend USA: $11,700,000, 1 December 2019

Gross USA: $15,810,000

Cumulative Worldwide Gross: $15,810,000

See more on IMDbPro >> Company Credits Technical Specs Runtime: 131 min

Aspect Ratio: 2.39 : 1

See

full technical specs >>

Edit Did You Know? Trivia First feature film to be directed by Melina Matsoukas, who has previously only directed music videos and TV episodes.

See more >>

Quotes Slim :Are you tryin' to die?

Queen :No. I just always wanted to do that.

Slim :Well, don't do it while I'm drivin'

Queen :You should try it.

Slim :Nah, I'm good.

Queen :Pull over.

Slim :Na-ah.

Queen :Come on! Pull over. Pull over!

Slim :If I do, would you please, let me drive the rest of the way it is?

Queen :Swear to God.

[...]

See more >>

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial

Music in this episode

Intro: Puff Daddy - It's all about the benjamins

Outro: Blue Magic - Sideshow

Donate to the show at moefundme.com

Search for us in your podcast directory or use this link to subscribe to the feed

Podcast Feed

For more information: MoeFactz.com

Transcript

Moe Factz 17

More facts with Adam curry for December 2 2019. This is episode number 17. And I'm met in the dark are you doing I noticed? Yeah, I'm good. You've kept me in the dark. Yeah, this is one of the cases where we I didn't share with you what the show topic was gonna be for a reason because I want your gut reaction to something so, okay. Well, that's always exciting. If you get a gut

reaction, you never know what can happen. Which of course is one of the beautiful things of this show is where we really don't discuss too much ahead of time. Maybe you'll give me a topic or maybe I'll shoot you a couple of things that are interesting to talk about. But we just kind of freewheel it from there with most expertly put together rundown and a reminder, this is a value for value podcast, which means

there's no commercial interest involved. There's no advertising, no pitches, the only thing we ask is you consider how much value you received from listening to the show. And whatever that value is translate that into a number and send it off to us you can go to mo fox.com Find out how or mo fund me.com mo e fund me.com and participate in keeping the show on the air Yeah, well where do we go mo where do we start? I guess we can get right into it. quaintest lamb trailer

Can I ask you something? What took you so long to respond to me I sent you a very well crafted message freebies and today out of the blue you hit me up asking if you want to grab them

I don't feel like being alone. Not tonight Can you turn to tender to where I was tonight did you think we were gonna have six thought we're gonna hang out maybe get to know each field executors single vector for Nash you step out of a vehicle for me please hurry up it's just cold enough for myself guilty who self defense of black money you don't have to make sure they don't know where we are. This year's Kentucky my friend before going out there and he welcomed us into our home.

Gave us on a believer Black Panthers Wow. Now this is a movie trailer that completely passed me by no idea. No idea with I don't even know a lot about movies in general. I have no idea what this is about. Alright, so this is queen and Slim is a universal pitcher's project. It was. Let me see it was released over the weekend on the 27th in the United States. And it was written by Miss Lena

wave and directed by Melina Mata Matt. So it's a caucus. So it's one of the lightest and I have to give credit and I'm not being a hater here. But I guess not what we do. But it's one of the finest piece of trauma based entertainment propaganda. When I heard the trailer all I could think of was trauma trauma entertainment trauma based entertainment. Okay, yes do Yeah, so this on the show, we only address things that bleed

over into political social political topics. So on the socials, this has been the greatest the latest and greatest asset use word game piece of propaganda. People are always the greatest thing since sliced bread or you have to see this movie. And when I see that, that's how it became. Well, I saw the trailer seven months ago. It's almost like seven months out you see a trailer especially being a black film, you know that Hollywood is pushing it pushing it pushing it

Yeah, okay. Yeah, cuz that's that's that's a long way out to start off promo, like Star Wars type timeline. Correct. And so the reason why I kept this under wraps is I guess you gave it to me, but what did you take away from that trailer? Well, there was a lot going on first time I heard it, but it sounds like this is something with the cops killing black people. That's what it sounded like. To me not having seen anything not having looked it up just listening, just hanging out

with Moe and like oh yeah, okay, I get it. I know what kind of film this is. So yeah, but in this case the rabbit got the gun. I use that term on that term where? Well, let's get into brand new Avery, a movie critic explaining the plot. But what is this movie queen and slim about exactly? Well, slim and queens first dates takes an unexpected turn when a policeman pulls them over for our minor traffic violation. When the situation escalates, slim takes the officers gun and shoots them

in self defense. Now labeled cop killers in the media, slim and Queen feel that they have no choice but to go on the run and invade the law. When a video of the incident goes viral. The unwitting outlaw soon become a symbol of trauma, terror, grief and pain for all people across the country. Brother one of these this is what you said universal? Yes, this is universal. And this is the same movie house that gave was Harriet. Ah, okay. Yes, gotcha. Harry, which of course was was no good.

It was no good at all. It was no good. No, that's completely wrong. Everything was off wrong actress No, no, no, no. And when I say no good, I want to make make a couple of things clear. These people that make these movies are very talented. The viewpoint when I say no good is the effects that the people that hire them to make these movies, the outcome they expect from them. That's why I say no good because they these people are, they are talented, obvious directors and writers. And so

it's not hate. And I know a lot of people are rolling their eyes right now. But I want to remind, let me say this about our audience. We have a very intelligent on the audience that understands the nuanced conversation. But for some people that may just be coming in, and they're rolling eyes it think that I'm just being wave mo Did you get some pushback over Thanksgiving with the family in town and so people start moaning at you? Oh, no, but I know what to expect when you got the

propaganda pieces. These knee jerk reaction. Yeah. And I want to remind people that I am a black man. Oh, that's right. We almost forgot. Okay, good. And I am a white man. Hello. Welcome to no facts with Adam curry. Right, so. So, as the man said in the trailer, it's about trauma. As I've said, it's about trauma. So I felt this interesting clip about the movie. You were never really

here with, I think Joaquin Phoenix. Yes. And they had a very interesting take on how movies capture and portray trauma. I want you to listen to something. The sound of fireworks. Let's take away the lights. For now. The sound seems pretty normal and familiar. But after hearing it for a while, the sporadic bursts and crackling combustions begin to form an invisible nuisance. What if I asked you to listen to this for an hour, a day or a week? Everywhere you went to? And even

when you had to go to sleep? Forced to even find it in your dreams? It would become unbearable and exhausting. How would you be able to go about your day, your normal tasks and interactions would be greatly affected? It says if you're living in a disorienting reality apart from everyone else, always on edge at the mercy of the next destabilising pop, hoping for a moment of silence. While preparing to make the film you are never really here. Director Lynn Ramsay gave a recording of

fireworks to Joaquin Phoenix to prepare him for his role. It's an interesting way to introduce someone to the mindset of a person afflicted by a traumatic event. Trauma is a relentless and constant assailant that can intrude in all aspects of a person's life. It's an invisible aggressor with the power of reminding you that it can break you whenever it wants. And that even time as difficulty of silencing it.

You know, when I listened to that, if you just add some drugs to it, you've got a perfect MK Ultra program. And they said traumas the perfect assailant that it can strike at any time. And what these films do, are set out to do and I'm going to prove my case is to reaffirm that trauma and to bring it I keep keep keep it's like update to the firmware. You know, we gotta keep them in a state of trauma at all times.

Okay, so hold on a second. What I understand now is the way this the path of this particular episode is everybody's traumatized one way or the other, in particular from mainstream media. There's different types of it. Some are targeted, some are general, some everybody has, there's some very specific ones to groups. And what we're going to do here is we're going to update everybody's firmware to clear out their brains knows to update the victimization mentality in

quote, unquote, black people, no, okay. So that's why you have the slave movies and the slave movies have really run its course because people have gotten aware of what they want to do with the slave movie. So now they have to, they have to do a pivot to a new type of traumatization. So the so the slavery the koonta, Kente is no longer triggering the way it used to. Now we've got to do something a little more updated. Yes, because people that are aware, you don't get the same

crowd. So now you have to get, you know, give the crowd something new with the same memes and tropes. But um, yeah, so that's, that's, that's what we're seeing in Hollywood right now. Like I said, throughout this episode, throughout this episode, I will prove my case. But one of the things just on the surface level, is that the main characters in this movie as well as in Harriet, are not a das actors. Okay, and is that important for this particular movie? Could it

just be anyone who's brown, black, off white color, etc? Or is it specific to the storyline? Well, I question why do they use not a DOS actors? Is it because you want to are you replacing us? Are you you don't want the actors to be traumatized on set, where a not a nice person, they

might not have the same triggers. I mean, it's several different reasons why, or perhaps they they did a casting and they thought these actors were best suited for the role with their experience, their acting skills and their overall looks. This can be true as well. But when you start to see 23456 data points of eight off Das, foundational blacks, whatever you want it whatever you want to do native blacks, that's the

term we chose to use on this show. When you start to see those being replaced by non native black actors get to ask what's going on? It does get your attention. And by the way, I've tried out native blacks with white friends of mine doesn't go over well. I'm sure it doesn't hugely triggering. If I add on to it, hey, my best friend Moe was black. And he told me to say that this just the hole gets deeper. It's worse. Yeah, shut up. Okay, I'm a baby. Boom. Exactly.

So this is a surface level and it's not really important to this movie, but I'm just bringing it up in just try I'm sure sure stating a trend that we're seeing here. So Brenda Avery, he makes note of the same thing I've identified. And of course, guys, you know, from the trailers and all the promotions and marketing that this star has done your Kalia who was in get out. He was also some cardio. He was also in widows and I did not like that movie. And I did not like his

performance in widows as well. But I thought he did a great job and get out. And a newcomer that I've never heard of before George Jodie Turner Smith. She's done a lot of television. She's a British actor, as well as Mr. Daniel Kalia, who also was in Black Panther as well Combi I forgot to mention that and you know, those are two main leaves. And you know, when I first saw the trailer for this movie, my expectations were mediocre. I mean, it looked good. I did a reaction to it. You can, you

know, go check that out on my channel. But at the same time, I just wasn't too thrilled with it. Because you know, while the sinners onto black American characters, you know, I was just a bit disappointed because if you know me if it is a black American character, I want that as rows fulfilled by actual black American actors and actresses. And who was Brandon Avery because I couldn't find them very quickly.

Oh, Bret. Brandon. Avi, he's a YouTube movie critic. He has a pretty sizable channel think it's just my opinion, I want to say is his name or his channel right offhand, but if you search brand name, you will find him he does a lot of movie critiques, especially being black films. So good. That's that's where we

are. So I'm not the only person that recognize that. A das foundational blacks actors me roles were being filled by British Actors a couple years ago 70 Oh, Jackson made the same observation thing in my mind is, I know that young brothers in the movie, and he's British. So there are a lot of British black British actors

that work all the time. So, I tend to wonder, what would that movie have been with an American brother who really feel fans that in a way, cuz I mean, Daniel grew up in a country where, you know, they've been interracial dating for 100

years, you know, and I'm sure the director helped. And, you know, some things are universal, but everything a That's right, you know, which was one of the things about you know, about Selma and some other things I go, Well, you know, that's some brothers from America that could have been in that movie, too. But, uh, you know, had a different idea about how that works, or about how King thinks about is that casting thing where you get the British black actor versus the

American black actor to play the black? What is that that cheapen in us one day? All right, I have to say one other thing. When it comes to choosing black British actors over black American actors, this pisses me off to the British Invasion, in general, I'm a little tired of. And it's true, they do have a different rate scale. There's a whole bunch of other reasons why Hollywood loves them. But Hollywood also is just completely biased

towards the British actors. And I don't I think Hollywood has an issue with that as well. But certainly, when you make it, black actors, then it's just kind of silly. It's one thing to be non a DOS, it's one thing to be non American altogether. That is clearly the off color, coin phrase. And maybe people may be overly sensitive. Just because we do feel like we're being replaced. We had this conversation a few episodes ago, because of multiracial people. We feel like

we've been replaced by that. due to immigration, we feel like we're being replaced by that. And then when you see it start reflecting on on film, on screen, where you like, who was that person? We had the Obama effect, where you really take a look at him, he wasn't eight and also native black. So it's like when you start putting these data points together, it becomes it irks you, in a way.

And I would say like, what is really going on, perhaps the Obama presidency, has left an indelible mark of disappointment for foundational blacks. And because Obama just didn't do much. Yeah, he didn't do much at all. But then it's like, did we expect him to when we start really started looking at his background? Well, we thought we thought Michelle would rub off on him, and it would help a bit. And that was kind of the backstop, I think for the argument.

Yeah. But it was clear that he was a very elite. And I think that's the another thing with the maybe British thing, because there's a certain elitism with black immigrants, because let me make this clear. A large portion of black immigrants are elites from their country, their home country, not all but a sizable portion. Right. But I don't want to get stuck on this point too much. But of course, with Samuel Jackson said that he had to clarify his comments.

Samuel L. Jackson clarifies comments he made about casting black British actors in African American roles. There are a lot of British black British actors that work all the time. So I tend to wonder, what would that movie have been when an American brother who really understands that in a way, you actually take a snippet of what somebody says, and you make a headline out of it, you listen to the conversation, you know, turns to another thing, you know, I totally respect and love

all those UK guys that come over here and work. And understand that coming here, it gives them a unique opportunity to advance their careers, and hopefully go back home and create opportunities for their friends and other guys and let them know that they can come here, and they can succeed, too. They know, I'm black. You might wanna you know, as far as you know, we talked about get out and I know Daniel, for a very long time. I knew Daniel when he was a young writer actor in the UK, you

know, I had literally introduced him to his agent. So I'm looking forward to coming over here. You know, hopefully I run into y'all somewhere we can talk it out and we can work it out. It's all good. Yeah, he said with clenched teeth. This is all good. My best friend. My best friend is black British. That's right. I can't wait to hang out with him. Yeah, so. Yeah. So he had to recant his statement and I understand why. Well, yeah, he's part of the system to back from how They

work basically you call those roles the keep coming. You had to play you have to play along. But I want to make a point that in the conversation where he made this statement, he was talking at home and he said we wanted to urban radio stations in New York. And he was speaking to Mr. Ebro. Mr. Ebro is going to come back, come back a few clips from now, but just keep that in mind. All the listeners out there and you as well, Adam, okay, so. So Miss Lena, wait, she visited hot 97 nondepressed

run for, for Queen and slim. And she's the she wrote she wrote the movie, correct. She's, she's the writer of the movie. And she was asked about British actors playing American roles. So how do you feel about there's been a conversation that we now have had on our show, and it's been a lot of places about black British actors playing American parts. Queen and slim, obviously, is a black story, but it is also an American story.

Daniel, of course, is an amazing British actor. What are your thoughts on that whole? Honestly, I think it's divisive. You know, and I think it's, it doesn't move the culture forward. And I always say this, you know, for anyone that has that argument, or like, oh, let's get some American, whatever, as at the end of the day, if you're black and you get pulled over by a police officer, he's not gonna not kill you because you have a British

accent. That is a fact. So I'm not sure. You know, black is black is black is black. And we all get discriminated against. We all get treated like second class citizens in a country that our ancestors helped build. And, to me, I'm a big proponent of black unity. I don't care where you come from. If you black we family. Oh, well, first of all, I just disagree. If you're pulled over and you hit the cop with a British accent, which you might

want to try one time. Just as an idea. I think you're good to go. Oh, it's one of those guys. Yeah, he's What are you actor? Yeah. So she slipped something in there. She says that, of all our answers is a country that all our answers do is help build. Yeah. I want to play that again. Play that again. So we all in this together. You know, black is black is black is black. And we all get discriminated against. We all get treated like second class

citizens in a country that our ancestors have built. And to me, I'm a big proponent of black unity. I don't care where you come from. If you black we family. Wow. Okay. I agree with most of her statement there. Just one little bit of the pee in the mattress. This country that all our ancestors helped build No. Robe. Yeah. Of of foundational blacks, Athos versus non native blacks. This is the rub. Now you want to come and claim. Ownership of a legacy? That's

not really yours. I wouldn't be very offended. I would I would not okay, let me say, oh, no, hold on. I mean, this is this is not even black or white. No, no bridge. Look, originally, yeah, we were all Brits who came over it was the original Brexit. But after that, we drew a line, you know, it's like, okay, we're declaring our independence, we're building this country. And that was it. And the help didn't come from from Britain. It's a very odd thing to say.

But this is this is politically driven as globalist my whole point this is, this is the whole, all black is his monolith. And we have to stick together, you can't divide that, you know, can't divide us. And you know, this is the thing is, all of this is plays a role into politics. All of this is state hurting, you know, we're all one black mana live. And if we're all going to receive anything is going to be for everybody. And as we talked about in previous episodes, this is not the case.

That's also the reality and the ratio of history. It's not cool. And I would expect to be checked. If I went to Jamaica and like, yeah, all my SSL build this, or if I went, you know, to any other non American Place and try to lay claim to what they've built. So I don't so I'm just being fair in that, in that sense. So Ebro, the one that sent me on Jackson was talking to before two years prior, when he made the comment about black actors. He's going to chime in on the British actors play

American roles. Well, that's pan Africanism. Right. And I think that's, that's the piece that the slave master right and the plantation has programmed into American blacks is thinking that our experience is somehow disconnected completely right from the transatlantic slave trade and slaves that went to Jamaica slaves and went to Dominican Republic, Brazil, right? The colonialism that took

place on the continent in Africa. Right, right, um, slaves that ended up in Europe via that same Yeah, colonialism, right. So our brains are programmed to think that somehow that's not us. Right? That is us. And the power actual dynamic is when we separate ourselves because of that. That's how they continue to keep us right. Weak. Wow, that's interesting that what a reversal that is, cheese, okay, so just to distill in my brain, he said, All right, all

the slaves all across the world all came from Africa. Not true, but okay, well, we'll give them that. Therefore, you are, by definition united. In your pan Africanism, which is by Pan Africanism is a political movement. It's a political political statement, political grouping. And therefore, the part that I find interesting is magically everybody helped build America.

Exactly. And if you want to take yourself in, you know, identify yourself as a subset of that group that's anti black or anti pan Africanist when nobody has made a complaint about people who refer to themselves as Haitian or Jamaican, Jamaican or whatever. All the West Indies. Yeah, yeah. All the West Indies identify themselves. May they fly their flag? Oh, that's like, pretty pretty much any immigrant group when it comes to America,

they identify themselves by their home country Sure. Where this is where Athos has a weird, we have a weird experience because your flag the Stars and Stripes, my friend, right? And so we're like you say, so we're reversed because we're, we're looked at differently because all you fly the flag or your your oppressor, it's like, huh, yeah. So but as

I say, again, all of this is political. All of this has to do with 2020, in a weird way, because it's like, stay on, stay in the herd, stay on the plantation, and do everything expected to do with you and main black, and one of them is voting. I know that's a stretch. But we're going to see later, as I promise, how films are used as mind control. And it's so good. When you say it's a stretch, that means your mind is going to be exercised on this very show.

Yes. So Linda wife, she goes into the characters of Queen and slim, finding the characters was interesting, because I didn't want them to be prototypes, but yet, and so they are prototypes, you know, for every black man and every black woman, although

we're not all a monolith. But I really kind of wanted to put pieces of us into these characters so that way we can see ourselves and them to me, the templates were a mock of Mexico to King in terms of ideologies and ways of going through life and in the most simplest terms. You can see now, how they load these characters up with audiology. Yes. And people always say it's just a movie Mo,

relax. It's just no, nothing is ever just a movie. Every movie from Star Wars to matrix to all even a science fiction films have a sob story. To the people that have asked to see that's also the that's why movies we connect with movies, even if you don't exactly understand what is going on, you connect at a deep level because of the story because of the characters because of what's going on. It's meant it's whether nefarious or not, it's always intended to connect to you

somehow. And there's a lot of intersectionality into this movie as well. And it has a transgender female character, her name is Goddess. So was it. So even the naming and like I said, the names of the characters in this movie is not queen and slim. It is not. And we're going to let lean away explain queen and slim. My biggest pet peeve is hearing characters names and scripts. If you ask anyone that works with me knows that that's what I

think, scratch out very often. Because again, it's about groundedness and reality if you think about having a conversation with the person, how many times you say their name, and the conversation. So now I know why people do it. They do it because they want the audience to be aware of what the characters names are. They forget the character's names, but the truth is the names are not important. It's really about

who these characters are. And again, wanting for people to see themselves in the characters and essence anyone can be queen anybody can lease loan it's all of these are sort of like nicknames we all give each other within the black community you know whether it be a black mass and what up queen or whatever slum. Oh, okay I guess to do that in Britain to Queen slim now that's

not just a black thing by the way. This is universal as far as I know well maybe it goes back to the 80s But people would call me slim and Queen is the thing of today slay Queen that's a very white girl thing actually. Yep. But look at the disparity between the two names slam is a ordinary loser dude, a slim Okay, you got no muscles. You're nothing but here's the queen. Exalted, like you said, it's like Queen. She's a queen. So I had this, I did some digging around you tube. And I thought

this female and I didn't capture her name. I'm sorry for that guys. But she is a pro woman, pro feminist. You're a blogger, blogger. And she talks about the stereotypes used in Black movies and explain what is a queen. Today I'm going to talk about stereotypes. And I'm going to discuss four different stereotypes. The mammy the Jezza

Bell, the Sapphire and the queen. And then last we have the queen, which I hate so much because so many people are using it nowadays and so annoying, right because the queen is just strong this binary binary between like this Jessie Bell, you know, hyper sexualized, fast black girl, and then this respectable woman, right? She's smart, she's in her book, she doesn't go out she has natural hair. It's all these respectable qualities of what people think is respectable right? And what

really is really baseless. This is really nonsensical because it really means nothing. It's it's literally what is it? It's a way for men to exert their dominance over you know, black woman, right? It's like, if you don't fit into this box, and you're automatically not a queen, it's Oh, that's interesting. I have a very different take on that. Now the African Queen is has very high standing Queen Latifah. You don't can't touch her. When she's talking about how it's used in modern day, yes.

intersectional circles Gotcha. How was perceived and it's amazing Lena Wait, who's a member of the LGBT community? We use that title Queen if it's perceived that way as a stereotype. Hmm. So, but Lena Wait, she goes on to talk about the white gaze. So for someone like me, who does care about color and cares about the community and the culture, I have to be mindful to figure out ways to get as much power as I can and tell our stories as

authentically as I possibly can. But there's still things like if I want to do like a black drama, there's still this thing about like, well, can they can they be more? Can they be more levity? Can they smile more? Can they do this, or I don't understand that. So we still sometimes have to water down our work so that we can get it on the air or get it on the screen. And that's why I think Queensland is so unique. Because I said to them, this

will not be touched by the white gaze. Like we've been watching the Osmo GRC. Yeah, white people white boys, white hands why eyes? This is this is for us. Okay, white gays a term I've not come across before. Let's be clear, she says she takes ownership for everything in this movie, because she told the white people in Hollywood, this project is hands off. That's what she just said. But for you to cast certain characters in a certain way.

Queen being one of them. Let's see. Queen, I will do some more digging. And I actually found the casting call for Queen. Oh, really? Yes. And let's see here, said queen. She should be brown skinned it. If she were a slave. She wouldn't have worked in the fields and had a tough exterior for a reason. This is this is how they're casting their movies. I'm kind of superficial. So here and here's another thing from the screw. So there's

another character in there called Uncle Earl. And this is from the script itself because the script was actually public. Publicize on social media. It says Queens open the door to find her uncle Earl county money by hand. There's lots of Uncle Earl is like chicken George if he wasn't a slave. Okay. So this is this is what she's selling to Hollywood. And now you see why I have a problem with it and I know there's what's going goes

on behind it. behind the closed doors, but now with this movie, it's being publicized, we're starting to see behind the scenes and it's kind of like she's a gatekeeper. These people in Hollywood are gatekeepers, like, I can give you the black experience. But when I hear this, isn't she actually literally giving the white gaze version? When when I when I hear the casting call like that? Oh, it's like chicken, George. I mean, that's a white gaze type definition, or am I missing the point?

No, it's that's exactly the point. It's a dead ringer. And that is the case of she is the shield they hide behind. It's like, Give us something that can be palatable to, to put on a big screen, but you give us your little flavor. This is what's being this is what's being I believe being negotiated behind the scenes. But there's this weird statement and it really has nothing to do with the story as we go on. But it's just a weird sidebar that I want to address. So this guy named

Rosenberg, a hot night seven, he's a white Jewish male. And he says that whites have no community, just blind like yo, some black people are going through some they need us. Boom. He said, That piece is something that I think, you know, obviously coming from a family of black people and white people and seeing that on both sides. I know that that takes place. But mainstream America doesn't see black America that right. But also this is important to point out that that

does not exist for white people. There may maybe on some crazy clandestine, racist, racist world it does what in a typical regular person. There's no such thing as white community. That's not a thing. Well, first of all, obviously, Rosenberg was invited to the barbecue. So he speaks from huge experience. Yeah, Africa. The Cook. Cook row. Yeah. Rosenberg, um, I think he was filling his privilege kind of like showing

through. So now he has to downtown. Oh, well, white people don't really have a community as him being a Caucasian Jewish person. They have one to Titus knit communities known to man. Oh, yeah. Well, of course, Jews. A lot of Jews do not consider themselves white. And that's the and that's a little caveat. We got to put they're interested. I know that. Oh, yeah. Oh, yeah. Many Jews say white. I'm not white. I'm Jewish. It's different than that. And I can't speak to that.

Any more than I can speak to black but I does one thing I will say. I personally am sick and tired of this whole community concept because that's bullshit. The LGBTQ q ia P K. K LMNOP. Community is no community no and and I'm sure that you are not in the same community as some gangbanger in in Compton. Know, your culture is what ties you to a community thank you. crumbs off of morals and shared morals and shared

experience and experience. Yeah. But I thought it very nice. Like I said, this is a sidebar, I just thought it was very disingenuous of Rosenberg to say he, we don't have a community when Dude, your ideal ultimate community is Jewish. Yes, of course. This is gonna show you when you the only white guy in the room, you gotta kind of bow down and if you're standing, they will not let your privilege shine. I know, imagine doing a podcast with a black guy. It's really

hard. You got to be on your toes all the time. It's tough. So, so lean away, she exposes Hollywood, and this next clip, and they're motors on the jackpot. You know, there's still battles that we got to fight and things that we have to do, but an example um, you know, it's still, here's the deal. Most networks and studios are still all about white guys, you know. And so, and the truth is black content sort of represents a jackpot a little bit right now.

It's like, they know that this this experience can be commodified. And that at the end of the day, I always tell people Hollywood don't care about color. They care about commerce. Where there you have it, yeah, it's all about the Benjamins. Well. Yeah, they do care about color. It's just that the color is green. That's it's real known. Yeah, sure.

And she let that slip out because what we have this viewpoint of all these, these liberal woke, white folks in Hollywood, and they really just want to put the black experience on the screen so the whole world can see what really goes ozone No, no, that's a great model for you right now. Yes. And what I everything I hear her say in just the way I'm receiving it is apologize and she's in a way apologizing for what she did. Because she said, Well, you know, we got to do

this as a bunch of white dudes in Hollywood. Well, you know, as we get we got to this gotta be it was commodity we got to sell. It's got to be in, we got to have the right names, everything is kind of an excuse. And this is nothing new. Because she understands what she's doing. And she has to apologize for it for the people that can really see past the bull crap. Yeah, which I am one of them. So what I've identified here, we've identified this, let's turn on

this show of child based entertainment. But what it really is, is this weird sub sub genre of a horror movie that For Colored Girls, she said that she was African American horror movie man, temptation was African American horror movie for color girls African American horror movie. I think he has something to do with precious that was African American horror movie. I just, I don't know, man. It's just like Tyler Perry. He paints a very negative portrayal of black men with that

bag like Jesus Christ, I pray it makes it seem like me shit. It'd be it'd be too it'd be too well off brothers, it'd be two brothers, that'd be doing something. Yeah. It's true. Can you think of a movie that is that it has black actors that is not trauma based in recent memory? It is going to be a comedy. These are these two? And I think it follows with the Hollywood model, because that's the only

thing you see, really the two movies that you see. And large quantities produced the horror movie or the comedy, right? Those are only two. So they say how can we we can't do slave movie anymore. So let's create this weird. Hybrid Hybrid of a shocker. Well, what's the what's the it's a it's a term for the movie, I can't think of it. But it's like when you go in there. It's intense. You know, it's, it's an intense experience. And that's what they give us a thrill to realize it's very

hard, a thriller thriller less than one. So you have a racially based thrillers, which they give to us and black people live vicariously through the movie. And at the same time, it has to appeal to white audiences, if it's going to make any money. Yes, it has to be safe enough where it's palatable to your ordinary average white viewer, or the white person is so sympathetic, and guilty. They feel white guilt that they'll go through the movie and I've heard white people say this, I've seen

that movie twice. It's like, this is the 12 Years a Slave thinks. They live the paid live the opposite, like the guilt. So you have the victimization mentality going to see it for one reason, and you have the white, guilt ridden person going to see it for another reason. And they're both living this weird experience. So there you have it. But that was Charlemagne, a

God and he identified it. He was talking about Tyler Perry movies, but Tyler Perry, what Tyler Perry has done is identified that you can have a strictly mostly black audience and be very lucrative. You can make a lot of money at it if it's niche enough. And that's what you're seeing with these films. So we have another clip for Charlemagne, one of our frequent contributors to the show, and he talks about no more slave movies. Well, I saw the movie great movie, you know definitely deserved it.

Your wife Blanche. Of course you thought that was a great movie. Oh really? Think it was a great movie? Watch no 12 Years a Slave now you want to see that bullshit for what? I listen man. I'm a man a one Best Picture. salute them. Congratulations. I'm not in the slave movies. No more. Why do we need more slave movies? We got enough slave movies, man. You got roots. You got 12 Years a Slave. We had almost died. We had Beloved, you

got all these documentaries on slavery. We had Django which and Django was my favorite slave movie of all time, by the way. And the reason is my favorite movie of all time, because Django wasn't no victim. Hi, Django, Bert, the plantation down, killed all the slave masters killed all the house Negroes and rode off into the sunset with Kerry Washington. That's the kind of slave movies I like movie that we're very,

very happy ending. Okay. Why am I starting to like Charlemagne a little bit this can this can't stand. This is the thing. And that's the beauty about being a gatekeeper. He was saying just enough. Yeah, you can keep your black card. Yeah, you're right. You're right. But then they slipped a little Oh, you know that no look in there. You know this. I call it the pee in the mattress. It's always something that makes you uncomfortable with the person.

Because there's certain topics they can't brochure. There's certain ways they can't say I agree. I think that the role of gatekeepers where he's playing expertly here. Yeah. So what he said in that last clip was very important. And as we're at the point in the show, we always got to go back. Oh, because these kinds of things have been seen before for. So we have Mr. Charles woods, which is a black film archivist and historian. And he talks to us about the real reason behind

blaxploitation. He makes sweetbay bad, so nobody want to see that film. Personally, I'm going to say, piece of crap as far as I'm concerned, okay. What helped get that going? Was the support of the Black Panthers wasn't it and gave it a big write up. Go see this film, they wanted to tie in Huey Newton, who needed a revolutionary this and all of that. What had a lot of brothers going to see it was a whole lot of stuff going on in it, you know, what did he

introduce in that film? Black and white six, black men and black women making love a black man striking a white man because he kills the cop. All right. But we can also call that film and IgG on the run. Because all through the movie, so he's doing running. And Charles woods. I am not familiar with him. Okay, like I said he was a black archivist, black film archivist and historian. He does. His moniker is the professor. I'm a YouTuber, YouTube as well. Yes.

Okay, good. Well, I mean, he also is I mean, he's, he's known for his work. And like, like looking at Black films. But if you notice in that clip, he said, You could call it mean with the movie he was speaking about is sweet backs, sweet, sweet backs, badass song. And this is one of the Blaxploitation films that predated shaft. As he said, it was a piece of crap in his, in his opinion, knowledgeable opinion, opinion. And he said, what it's about what flat people

making love. Yeah. And black person killing a white cop. And then in RGG, GE are on the run is what you said. You call it film. Don't we see a parallel here? Oh, you stumped me. It was worth queen. It's just Yes. This is the exact same movie. Thank you. Okay, I got it. So it's the same movie, the same idea. The same plot, essentially. Then, of course, I've seen neither. Oh, wow. And when would when did that movie come out? That's so that's early 70s.

Yes, predict shaft. So it had to be the early segment. Wow, check it for. So it's really just a shitty remake of a black sport. blaxploitation flick, it's a cycle. Yeah, it's a complete cycle. And we're going to understand why as Mr. Shaw was continuing on, and blaxploitation two, I don't know if a lot of people wear this. They fall over him wearing a mustache, because usually what happens is the trope for heroes. You don't give a mustache the only one to help

get get away with that was Clark Gable. But, you know, if we talk about what stereotypes do or what accepted images, they're shorthand, so if you have a blonde, she's dumb, you have some way with glasses and a pipe. He's smart. He's sharp, so you put the mustache that's the villain. They gave finally their consent. Okay, well let them have mustard. But that was a phony mustache that Roundtree was wearing. Are you aware that? I never knew that. Okay. So yeah, so smart. Yeah.

What he's talking about here, Chef. Yeah, of course, chef came after sweet backs. Oh, sweet ass song. A me badass. Oh, excuse me. And Chef was one of the films that struck the right chord. Because sheriff was really the good guy. But I will put that clip in here just to show you even down to the facial hair. Oh, yeah. It's negotiated, because everything is representative of something. And that's and that's movies in general. But it's obvious what's going on here. Sure. Sure.

Like you said, the blondes are dumb. The Gout the pipe and you know, smart, smart. Yeah. And you had a guy black guy with a mustache. He would be seen as the villain, right, but the movie was so good Shaq was able to break that mold of a good guy having a mustache. So even though it was fake, I didn't know that that's a little trivia. For people out there was it was awesome moustache though. Um, so now Charles Wood is going to talk about how films had an impact on him when he watched them.

One of the other things I failed to mention was growing up. Not only did I want to be a white man, I also wanted to make love to Virginia mayo. Rhonda Fleming. These names you have to look up but brainwashed you Yes, Brother season now. I'm looking at Pam Greer, black chocolate Gloria Hendry. Now we talking there's something for us now, people might ask the question, well, why does black

people fall so susceptible to films? And music? Well, and it's not just black people is gonna say poor people. Yes. Thank you. Poor people. This this is how they transfer their history. I mean, a lot of Irish Irish. I think it's called G eggs or whatever the songs that they sang. They contain history

stories in them. Oh, sure. It's even people that weren't literate they could sing well the country in western does this of course hip hop is you know, this started off as the black CNN back in the in the rapper days? I would say no, it would not it would I mean these things but also how about the negro spiritual songs I mean, all of this stuff, it's that's worldwide. And the masses of

course, in general, most people in the world are poor. So that's why we have these types of storytelling storytelling, no matter how you do it, but a story told in a way that is easy to remember, in us in a lyric or in a movie that is simplified and puts things together that really are hard to do in the same time span in real life. That's how we how we continue stories about our culture, our background, our families, our history, our everything.

And that's why really good movie can relate to several different layers and intelligence level of people. Because you take a simple child movie like Lion King. To the children, they take one thing from it, but to the train I there's a lot of socio political, oh hell topics covered in there, especially Samia that just goes through it even in a child's movie, that it

can have those different layers to it. Well, now here we are. If you have a bubbling undercurrent throughout the poor Society of unrest, Charles was explained what the purpose of movies, these films, they help quell those riots. Because remember, we had the Kerner Commission studying why we had all these riots. These films helped to calm that down. I called it rioting in the movie

theaters. Because all of our anger and our angst, we were able to bet and seeing people who look like us kick the white man's behind. And what was the subtitle of blaxploitation? Get YT for every drop of black blood spilled, a white man pays. He had a plan to stick it to the man, the man see, we were beating the man. And so I call it rioting in the movie theater. Because this was writing without destroying anything. It was a catharsis for us. Wow. Yeah, you get the

point? Well, I was also thinking about my first experience in the in an all black movie theater in New York City. I was invited to the opening night of coming to America with Eddie Murphy and Arsenio Hall, and that experience with as you go with all of my movie experiences Now granted, I'd grown up in Europe most of the time you go to the movie and you know, people will laugh and and say things are pretty appropriate moments. But man, that experience and it was in New York City was something

different. It was like people jumping up in the aisles and yelling like, no, stop. No, no, no, don't go there and turn around. I was just It was crazy. I loved it. But it was very different. And that's what Mr. Charles would have said in the last 1015 seconds of that clip. It was it was catharsis. Yeah, it's a release. Yes. And if you're the elite, now you understand why they make movies like this. Yeah, we want to take the pressure off. So take the pressure off the cooker,

right? So when you have movements, like Black Lives Matter, every time you do have a uprising, Hollywood and nearly get together and say, let's give them films, where they can live vicariously through the characters. And make him have that, like you said, take the pressure off the cooker, even a little, it's even a little better than that, knowing somewhat of how Hollywood works, they actually have a shelf or a slate, as they call it. of movies ready to go. Some of them

made a year ago, some of them made two years ago. They can determine to release something not like oh, we got some problems. We got to release the pressure. Let's go make a movie. No, no, this is all done. This is already it's on the plank. It's good to go. This edge I didn't know that point. So they haven't we can look at how many already in the can. Yeah,

it's in the can. Sure. So I'm gonna go back to Mr. Brandon Avery, the movie critic, and he said his small tidbit that kind of confirms what we heard in the last clip. So after reading that plus synopsis, it sounds kind of fun. It sounds adventurous like wow, you know, to black people can Macapa self defense. And you know, in reality, cops always shooting black people for no rhyme or reason at all. I mean,

my goodness gracious. Seems like we're gonna have a fairness on my hair, like kinda like a modern day Django Unchained or something like that? Yeah. Well, we have, we have the genre. The genre is fantasy. Nice. We're going to have a fantasy on our hands. This is the sick man is real, but it's sick. But from the 70s to the 80s black people became aware and he things can only burn out so long. And two they go, they become rendered ineffective. And

then they go away. And then it's Robin comes, do you have another way? I mean, this goes. So we had a gentleman named Mr. Robert Townsend. And now I have these next set of clips because he had a movie called Hollywood shuffle I ever heard. Yeah, of course, I've met him. I've met him several times. So Mr. Robert, Towson paid for this movie Hollywood shuffle out of his own pocket, he maxed out credit cards, everything, and he and it was a huge success. And huge success. And not only that,

but when you find your own money, you're all movies. You could tell the true phenom. Yeah. And with that said, black acting schools Hollywood shuffle. Hi, my name is Robert Taylor. And I'm a black actor. I had to learn to play the slave part. And now you can too and Hollywood's first black acting school, teachers were taught 101 mother fucking Jack Turkey mother fucker. Alright, that's good. That's good. You work hard. You try it. You You fucking mothers. Oh, no, no, no, no, no, that's wrong.

That's wrong. Watch me. Cool. Job tricky. That's the beginning. You too can learn to walk. No, no, no, no, no. No I remember this movie. It was great. It was very funny. And the funny thing about that clip was when people can't see is you had white men showing the black people out of black which was hilarious. Whatever happened to whatever happened to Townson? I mean he kind of faded away a bit from from what Emery I'm sure he's doing something good.

Hip Hop happened to him and we're gonna we're gonna get we're gonna get to that in a minute. All right goggles and put the goggles I'm sorry. My head yes, I gotta put on the shades Yeah, yeah, so um he taught he was telling the truth in this and in the movie we I suggest everybody go check check it out because it's hilarious that this satirical and the funny thing is in that clip, he's speaking with a British accent which is which

has a whole nother connotation to it. Like, especially right now with everything that we're talking about. All right, it's weird. I mean, that's why I made a great addition to the to the clips that I snagged from it. But he continues on with the black acting school too. You too can be a black street hood. But this class is for dark skinned blacks only light skinned or yellow black still make good clothes. Here's a student not dance class. Kind of

steal a TV. just happen to be on my coat. I don't know. policewoman called Jack. Yeah, I'm a gang leader. I'm in the war laws, Vice laws, onion here. Let's talk to graduate. This is Ricky Taylor. Ricky graduated from our class three years ago. Ricky, can you tell us what you've been doing since you've graduated? Well, Robert has played nine trucks for gang leaders. I played a rapist twice. It was fun. Currently, I'm filming a prison movie. I play this tough calm it tries to fuck this new enemy.

That That sounds wonderful. I'm so happy for you. It's coming back. It's coming back. It's funny. What he is a brilliant movie, because what he did was poke fun at the roles that black actors at a time in 1987 were being hired for. And you could tell truth, you could tell truth to power. If you're funding your own movies for comedy, comedy is always talking truth to power. Alright. And the reason why I wanted to use these clips is until we find

your own move its value for value. Is it basically what it is when you have the freedom to say what you want to say? The people find value in it and then they support it. Which your fun. stop you right there. Mo fund me.com. That's exactly what this is about mov f u n d.com. And if you don't, then you have to go through checking in with the powers that be and say, Oh, well, the the test say screening tests say that that doesn't sit well with white male

test audience. Yes. Well, you know, most, most Hollywood movies have at least two sometimes three endings, they'll shoot and they'll test market those amongst the audience. I mean, it's so micro, this is why everything sucks. This is why radio sucks is why television sucks is why the movies suck in general. There's always exceptions, of course, but it's all been micromanaged down to the single demographic that they expect to exploit the most or get the most out of their wallet from that's it.

It's been sanitized. It's been it's been really sanitized. And there are some good shows out there that captured what goes on the black community. But there's so far a few between because either one they had to put the art over the commerce or you have to get people and one of the cases was the wire. They actually got people from Baltimore, and they capture doom

in a realistic humanized way. Yeah, not caricatures. Yeah. But when you're going for the Fast Book or the mind control, you need to caricatures like Lena wave face, she needed you to see a little bit of yourself and each character, you know, um, so it's bullcrap. But for those people that are interesting in signing up for the black acting school, we have the we have the number for you.

Classes are enrolling now learn to play TV pimps movie mongers street punks, courses include Jive talk, one on one shuffling 200 epic slaves 400 da one 800 555. Don't try to be cool call hot that would never make it today. No. No, no, no. So as you said before, you're getting ahead. You said what happened to Robert Townsend. What happened to people like that? Yeah. Well, we had an influx in hip hop. And Robert towel was seen as being

corny. So you need a more seedy side to Black Media going into the 90s as Mr. Nelson Nelson George, the famed director explains. Me I think that what's happened and this is the dark side of hip hop, is it sort of in the 60s, black stuff became soul, everything was so bread there was so food, so handshakes, vote. Now everything's hip hop, hip hop, this hip hop that, but the truth is, it's a much more complicated template hip hop.

People sort of view, hip hop as this thing that runs everything, but I always see hip hop as part of black culture and not the other way around. And then Hip Hop responds to more broader general trends in terms of violence in terms of family issues, education, all these things, the music then reflects. But because of I was looking this kind of easy shorthand for marketers, they leave it. That's why I got like Tyler Perry, who I brought up has been so successful.

Okay, shorthand for marketers. Yeah, so it's easy. You could throw hip hop into something, though. And when I say hip hop, we're talking about the negative form of it. They get throw that in the background, a soundtrack and then make it easily packaged together a quick movie for a quick book. So that put the

people like Robert Townsend out of business. And as he said in the clip, that's why Tyler Perry book came so rich and powerful because he actually reached introduced even though it was problematic, and in its own way, negative, it was a non Hip Hop version, what he did was gave you the black struggle, sprinkled a little Jesus, and, and it created a huge, it was a huge opportunity. And he created a market, he created a product

for that market for the non hip hop, um, black market. But because at the time, maybe he said, You see now hip hop's taken over everything, and it's not the positive hip hop, as we talked about on previous shows. They're not marketing, positive hip hop. It's the negative stuff for the same reason as they market these negative movies. But that's where we're at. So yeah, I have nothing but agreement for you. I was just

thinking, Robert Townsend. Where'd he go? I think he got displaced by kids and Play Movies didn't know what happened. Well, you Yeah. And then kid, and it's a gradual effect. So you they use kid and play and positive hip hop as a Trojan horse. That was fun loving me had likes. I mean, they had no more cussing than that Hollywood shuffle. And it was a fun movie, like a house party and those movies, right? And then once they got a hold into, it's got like, share, same

thing share was a positive movie. Yeah, you had a black top, and you're saying cleaning up the neighborhood kicking ass? And what look at all the movies came after that Superfly what was super fun doing? It was sniffing dope and pimping women, it's the it's always a Trojan horse that comes in as positive. And then they bring in the real motive after that, once we become accepting of it. So I'm Mr. George, Nick, I'm a nurse,

excuse me, Mr. Nelson. George continues on about the media's portrayal of black culture. So it just goes to show you that if you just read the mainstream press, you think the only thing that was happening in black American culture was hip hop. And in fact, it's far from that. So that the complexity and the range of expression within the black community is really always underappreciated, and narrowcast. And you have to really be clear that black

culture is not a monolith. There's a lot of subsets and interesting tributaries of and that's where the real fun is actually, of course, it is, of course. Well, Miss Lena Wait, made an interesting observation about Hollywood. She's made the claim that Hollywood studios are owned by majority white males. Is that a completely accurate statement? Adam complete, I knew I was gonna mention that earlier, too. First of all, a lot of these companies are public, or many of them are

public. So they are they may be run by by white guys at the top. But Hollywood, as far as I know, is pretty much Oh, I know that AMC movie theaters and a lot of the big studios are owned by China. Who as we know is asshole. China bans hip hop. Well, Brad, I think it's safe to say that we won't be on television in China

anytime soon. Yes, the country's top media regulators of the People's Republic of China now specifically require that programs should not feed your actors with tattoos or depict hip hop culture so I'm out against that make it all bad for us. Yeah, I'm saying actually, tattoos you're out yesterday with Chinese tattoo. They're really cracking down Chinese rapper weighing HoH aka PG one was forced to apologize earlier this month after one of his songs Christmas Eve was criticized for promoting drug

culture and insulting women. Wait a second that's my name sounds like a rapper name. But that's his real name. So he takes his real name, which sounds like rapper name and creates a rapper name. Yeah, PG was a little little Wang. Oh, yeah. No. Little way. Yeah, China's definitely has a big influence, you know, wow. China in this twice in this series of shows and one with the NBA and sports and in movies. Yeah. So they

of course. So why is it that China feels this okay for their movie studios and I'm sure they all movie studio they own a lot of the shares in these record companies as well. It's okay to promote certain music and images to one community, but it's not okay to promote in their own country? Well, no, of course not that they don't want a bunch of people getting all pissed off in their own country let that happen in America. And it could be negative and deleterious. Right. Yes. I mean,

I would think so. Well, I have the splendid opportunity, which you may be far and few with him in between, to introduce Mr. Alex Jones to the show, oh, boy, he's right off the road. He is plays China ban on hip hop. And they're losing control. Hollywood's folding, everything's falling. I made the point that they're hoping Communist China buys up the Big Six, production houses desert failing. I mean, the point, my God, you people don't even kill

yourself straight. The communists have already taken over in China. So they don't want homosexuality, talk to kids, and training stuff and all this stuff. They execute you if you're gay in China. I'm not saying that's good. The news pick that up, I had a memo on it last week, I said, you want China to come in and take over, because they're authoritarian comeback of Hollywood. And because they're anti American,

but they'll execute you for your agenda. And they won't even let you air most of your films that they see as anti family, because they understand that the brand of sexual revolution you're selling was designed by the CIA this declassified to end the family and bring down civilization. And this is why I love Alex Jones. He breaks it. So simply, yeah, exactly. What I'd like to know is now that you just stumbled across this in your research, are you listening every day to the Infowars?

I used to be listening to Alex Jones, way back. And I think he's the gateway drug to conspiracy analysts and theorists. Yeah, that's kind of where you start. And then if you grow from there, he started seeing, looking for more information. So I was familiar with that. I hadn't heard her news clip. But I'm although I was aware of what he stated in the clip as being almost a fact. Well, and look at how to have him. Look at how powerful it is.

No, I mean, we had the whole NBA conversation. was China owning the NBA? Well, Nike, of course, but the trifecta, and it's gone. It's no longer discussed. It's off the radar, which was moved on to something else. Don't look over here, whatever you do, don't look at what China's controlling. Yeah, and it's just telling that our country biggest China, 1.6 billion people tried to ban hip hop and his imagery, not the actual music, but the imagery and the negative negativity that

comes along with it. And as Alex Jones said, it's a form of propaganda. Now, I have to say something having having time is somewhat traveled man. I've never been to China. But I have been to Russia and I went to Russia in 1988. Before David Hasselhoff brought the wall down, we all know the Hof did that. And I met kids who were playing songs themselves. Western music, which they had only heard and it copied down lyrics phonetically. So they

didn't even have the written lyrics. Of course, it was the there was a big trade smuggle in cassette tapes. So they would get a cassette tape and I just remember being in what was called a restaurant. And it was very elite upscale. Of course, we were visitors were there for the Moscow music Peace Festival at the time, another scam for another day. And in the guys, this is like a kid and he's and he's singing. I don't know if you remember, Johnny hates jazz shattered dreams. It's just that

was one of the songs he was singing that I remembered. And he was singing it like Anna had a FEWS NET a dream Sneed who was just making up words, it was all phonetically. My point being that in China, they can they can and this is a worldwide and it always gives me hope. So yeah, you can block the mainstream channels you can block the more Mind Control tubes that are going straight into people's brains from the mainstream. Or as you heard, Alex say, you know, there's probably more

agenda behind it. But luckily, we do have the tools and underneath kids are actually doing this. They're performing it on street corners. I mean, hip hop didn't didn't appear on top 40 radio. I mean, hip hop was street battles initially. Yeah, that's, that's back in the day of hey, you The Rock Steady Crew. I was in LA at the at the was it? BLS I think was the BLS street battle in 1981. This is where it came from. It came from

the street. So this is all manufactured shit anyway. So I guess, a roundabout way of saying, yes, they're stopping that or they're only using the most negative, but I think human nature, I'm sure if we move you and I went to China, that'd be pretty cool. By the way, we'd get some cool looks. I think we would find it I think it would find kids with their own version of hip hop that was real underneath everything else. I think people have to realize it's all phony. It's all fake.

All of it. All of it is with an agenda and with an if it's mainstream. 90% is just disingenuous. You can't stop it. And I think China understands they can't stop it. So if you can't stop something, just like America, American industry, do. You have to infiltrate it and control it? Yeah. And that's how it works. But I have the final clip. We have Mr. Alex Jones, continuing on about China, hip hop in

China. And again, you're like, Well, wait, is it a communist program? No. The Rockefeller Foundation, the Ford Foundation, these big groups put all this out in the 50s and 60s, deployed in the in the 60s and 70s. And they've done it. The black community have less illegitimacy in the 40s that likes to announce upwards of 87% That's weaponized control. MTV force feeding extra rap, folks picked it up converted their culture to being thugs. So everyone would ostracize them, put them in the

wrong group. Everybody kills each other. You're ready for prisons. They've been everywhere your pants hanging down around your ass, saying I'm a male more in a prison. Punk me bend me over and I mean, they can make people dress like prison sex slaves, and make it cool because Sumner Redstone, MTV sets up. A restaurant hates you. Okay, first of all, I was at MTV for a long time I worked there. There was never any memo. There's never anything that went

around and get no secret meeting, no handshake. I was also in the music meetings where we determined what we were going. I was the only on air talent who really ever expressed interest in it. But who was invited to these meetings. And I can just tell you, MTV, by itself was an entity had nothing to do with this. They they themselves were complete bitches to the music industry. The music industry determine what happened. Once MTV took the lid off and said, Okay, now we're

going big. And they got different. It used to be owned by American Express. Then I went over to Viacom. That's when Michael Jackson came in. It wasn't because a bunch of white guys at MTV said, Well, what do you think Tom? Well, I think we should let the black man on that on the channel. It's about time Don't you think so by the way, it's kind of a white guy this mic? No, it wasn't like that at all. It came from above man. He was way above MTD way, but who's the seats? Yeah.

It comes from way, way away above. To the trick baby level. Yes. That's where that's what these conversations happen at least $50,000 dinners. Well, my kids had this interesting music that they're listening to called hip hop and it could be a problem. I think I think I gotta play the trick baby scene again. Just just just to remind people 1974 The movie trick baby. You liberals who have lifted them up? Are you conservatives make a mistake? You can't afford to

strangle hope and people without hope. People will come dangerous. No, Howard, you liberals have let them invade our society. You give them jobs political job. Oh, you missed the point. Only the smart ones we move up. That makes it even worse. Oh, no, we have to move them up. If we leave a smart one in the ghetto, he might develop into a leader against us. But if we raise him up into white society, we neutralize it. He feels compelled to try black like us.

He loses his identity and his racial anger. If it hasn't, he becomes alien to his brothers. They realize he sold them out and they grow to hate him. He becomes worse Listen to them and say for us, no thank you. In fact, in his love for the creature comforts except for his color, he's become one of us. Yeah. Now, do you is there there's got to be awareness amongst native blacks that this is truly what's going on,

particularly with this movie. I mean, what what what are you hearing about queen and slim? What? Well, it's all great propaganda. What it wants to do is to divide. Yeah, it doesn't care which side you take is to take a side. And a good portion of people see through the bull crap like I do. And then it's another portion that thinks well, as long as we will be reflected, and you have black people in director roles and writer roles and black faces on

screen. It has to be good, right? Right. Yeah. That's right. So this is the wet Yeah, this is the weird and it keeps you in fighting because it's like, look as bad is I mean, we've seen this over and over again. We've seen it from the minstrels Oh, the early 19 hundred's then it came back again and 1970s with blaxploitation somewhere in the 90s. I was more on television with homeboys in outer space and

silly shows like that. Yeah. And then and then it every time there's a uprising, and I want people to really see this trend. And the 70s, late 60s, you had on 68, which rules are really hot here. You had boys, blaxploitation come along, in the 90s, when you had Rodney King and that thing come along, then you have a homeboys in outer space. And the real caricature of negative Hip Hop come along right now. Well, you have the Trayvon Martin in Ferguson and Black Lives Matter. Now. Here we are.

Now, do you feel that there is an uprising that there truly is an undercurrent of uprising and this may not be a violent uprising? But is this the uprising that I feel you are a part of is the excuse me, services rendered eff off? Not going to vote for you unless we see something? Is this the uprising? Yes, this is the maturation, especially the political maturation of non black people. And it's scary. And I always say, these are everything you see right now. Because I don't

think you'll see really people take to the streets. But when people start taking their political power back, yeah. And I just gave it away, much bigger than violence. That's a huge deal. That's the biggest. That is the biggest, and that's scary to one group of people. And that's why I harp on that one group of people on this show, because they're the ones that trying to say, get in line, stay in Stay, stay information, do what you normally do. And

when we refuse to start doing that. That's when they turn up the propaganda machine. Now, have you seen queen and slim yet? No. Are you do you intend to see it? No. I can't wait to find out what else is in this movie, but it sounds you right now. What do you say the now Well, how about your kids? Your kids want to see a movie like this? What do you advise them? Well, when I start seeing the trailers, I'll ask well, come on, I only have one child is old enough really view something

like this? I'll ask her. What did you say? Like when that trailer played? I'll ask her. What do you see? What did you hear? Right? What's the motive here? And now she started her eyes become very sharp because she's like, Dad, I saw that. Good. I see how they don't teach this one thing I don't want anybody to do. I don't tell my children what to think I teach them how to think yes. Exactly. Well, if they come to a conclusion on their own, through their own thought process, so be it.

What I take away from this is I'm actually extremely positive, because here we are here, you are really exposing this propaganda for what it is, I never would have thought in these terms, I would have still been a little bit stuck in the British actor thing to take. So thank you for taking this all the way down to the the cycles of exploitation. And and really the disingenuousness of, of Leah where Lena weighed in in her explanation of her choices, whereas it's just another one of

those. It truly is a trauma, trauma entertainment flick, and it's meant to give people something in these Oso troubling times. But above all, it's going to close the round. Thanks and and keep people nice and docile where they need to be and just laugh at the screen. And hopefully we've coined a term today of these type of movies as a racial thriller. Racial thriller. Thank you go get that tattooed on the inside of my eyelids and I would remind people that the ones that are rolling their

eyes and say all MO You I am a black man. Black man, you idiot. gives you no credits with me but okay. For the show. Yes. Mo Thank you. Thank you very much. Once again, this is this has been good and I am going to have my eyes open for for more about this movie. Also, I think I'm gonna go I'm gonna go back and watch Hollywood shuffle. That was I remember that was so

funny. I was so good. Robert Townsend men are fantastic and if and informative as all great satire, of course, a lot of truth in and wish and so the the underlying message here is that when there needs to be a revolution, the revolution has been taking place for a while I think the internet is facilitating it. Most people have slipped into the mainstream version of the internet with apps and iPhones and, and colorful pictures and things that you think are important and

the only way to go. And that's just not true. And this is the perfect example of it. This is a program that is done completely void of any corporate interest, which also means it's perilous because we need to fund this for the work to continue. So I will pitch again that we have a value for value model. If you got any value from this, if this is something you're going to tell your friends about talking about around the water cooler. By the

way, tread lightly, he got to ease into it, he's into it. It's always always got to be careful you don't want to alienate people right away. It's not it's not easy. Then you need to support it. And please do that by sending whatever you felt this program or whatever information you learned. Whatever that value was send that to us here at mo fax with Adam curry and the easy direct link to do that is Mo fund me.com mo e fund me.com Thank you again mo this was fantastic.

And as I always say pay attention to everything and the truth will reveal itself and we will be back next week I'm traveling Monday so we'll probably have to do this maybe a little bit later Monday night when I get back or Sunday Tuesday, but we will be back regardless until then see everybody will know the MO facts with Adam curry. See Can you see that he is. He is Seeds

Transcript source: Provided by creator in RSS feed: download file
For the best experience, listen in Metacast app for iOS or Android
Open in Metacast