Mizuma Conversations | Dialogue between Farah Wardani & Entang Wiharso
"Wild, no hold- barred use of materials from eggshells, metal, and correct me if I’m mistaken – but I think this was the time you started to do highly elaborate performance works. This medium exploration is also parallel with your subject- matter at that time, which said a lot about societal anxiety, fear and hidden/repressed violence in relation to cultural identity, religion and faith, and politics, with striking, grotesque, theatrical visual language. Can you mention one work during this time...
