Father Malone's Weekly Roundup - Thunderbolts* (crossover with The Projection Booth & The Kulturecast) - podcast episode cover

Father Malone's Weekly Roundup - Thunderbolts* (crossover with The Projection Booth & The Kulturecast)

May 04, 20251 hr 26 min
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Episode description

In this special episode of  Father Malone's Weekly Roundup,Father Malone is joined by The Projection Booth's Mike White and The Kulturecast's Chris Stachiw to dive into the newly released Marvel film 'Thunderbolts Asterisk.' They discuss the film's portrayal of Marvel's unconventional team of anti-heroes exploring themes of redemption, betrayal, and blurred moral lines. The hosts express mixed feelings about the movie, highlighting its pacing issues, tonal inconsistencies, and lack of stakes, despite acknowledging some effective moments and visual effects. They also delve into broader concerns about the current state and future direction of the MCU, including the impact of multiverse narratives and upcoming projects like 'Avengers: Doomsday' and the 'Fantastic Four'. The episode underscores a desire for Marvel to take more creative risks and fully commit to its narrative choices moving forward. 

00:00 Introduction and Hosts
00:50 First Impressions and Spoilers 
06:54 Thunderbolts' Team Dynamics
15:48 Sentry
21:34 Marvel's Multiverse and Stakes
34:00 Ghost 
39:30 Missed Opportunities in the Plot
45:04 Marvel's Direction and Future 
50:11 The Multiverse and Marvel's Challenges 
54:14 Final Thoughts and Recommendations

FATHER MALONE
fathermaone71@gmail.com
patreon.com/fathermalone
@fathermalone

Chris Stachiw
Weirdingwaymedia.com

Mike White 
Theprojectionbooth.com

Transcript

Intro / Opening

Speaker 1

Weird, Weird.

First Impressions and Spoilers

Speaker 2

Welcome back midnight viewers to find them Malone's weekly round up. I am fond alone, but the booth is empty this weekend. Ripley Gene has chosen not to record this bumper in protest of not being allowed to accompany me to the movie theater. I would have taken her. I definitely could have snuck her in, but she was insistent we use the trench coat method where she sat on my shoulders. More Tiny Fodora enacted as the head of some misbegotten

creature from beyond space. It's gonna be a little different this week. I swear we'll get back into the swing of things starting Friday. Friday is the return of Fusco fest HP, the host of Night Mister Walters, is joining me to discuss the films of screenwriter John Fusco. We've already covered Crossroads, Young Guns, and Young Guns too, and those are available for your listening pleasure right now. But Friday is Thunderheart. That is the FBI native American thriller

starring the late great Val Kilmer. This episode is a crossover with the Projection Booth and Culture Cast podcasts, and those hosts just so happened to be co host on midnight viewing What a Grand Incestuous stew Today we are covering Thunderbolts Asterisk, the first in the latest phase of Marvel Films. This is Phase five. Are you excited? Yeah,

well came you liver A go watch Daredevil. Mike White from the Projection Booth is running the show on this episode and we are going to start right after the trailer for Thunderbolts. Thank you for listening. Catch you next Sunday with an all new weekly roundup.

Speaker 3

Lenna being Shiro, there is no higher calling. Your sister understood something about that.

Speaker 4

I should come back for you.

Speaker 2

No, that's just a fairy tale.

Speaker 1

I was in high school when the Avengers came.

Speaker 3

Kind of strange that it's all over now.

Speaker 1

No one's coming to save the day.

Speaker 4

I think we are.

Speaker 2

We can be the ones that are coming.

Speaker 3

Look, you have the wrong people. We have all done bad things.

Speaker 4

Look out there where you are the past says and go away. So you can either live with it forever or you can do something about it.

Speaker 3

I am avoid look quite a humor.

Speaker 4

I wish.

Speaker 3

You can't tell her on the emptiness.

Speaker 4

We can't do this things. No one here is a hero.

Speaker 2

You all have things that we regret, but I have so many. Let not when I look at you, I don't see your mistakes. That probably may be too. We can't start having alone, no one can.

Speaker 4

But we can find a way together.

Speaker 2

Marble Studios Thunderbolts.

Speaker 3

Welcome to a special episode at the Projection Booth Culture Cast midnight viewing all that stuff. I'm your host, Mike White. Join me once again, is mister Chris Tashu.

Speaker 1

That asterisk better means something by the end of this movie, Oh boy.

Speaker 3

Also joining us is Father Malone.

Speaker 2

That asterisk is meaningless much like the rest of us movie.

Speaker 1

Oh no, wa lallah lalla.

Speaker 3

On this special episode, we are diving into the electrifying world of Thunderbolts Asterisk. We are going to dissect Marvel's unconventional team of anti heroes and misfits, exploring how this film crashes into the MCU lineup. We are going to get into the film's themes of redemption, betrayal, and blurred moral lines. Yes, we're you're going to be spoiling things, but hoping to keep that for a little later in the discussion. I mean, I really couldn't believe that Bucky dies.

That's really fair. Oh sorry, oh man, right out of the gate.

Speaker 1

Oh fuck yeah, it's almost like the people who made this movie spoiled parts of the movie ahead of time.

Speaker 2

Almost almost.

Speaker 3

Yeah. Yeah, well I don't know. I haven't been paying attention, so that's kind of a nice thing. Well, Chris, lucky you Chris, what did you think of Marble's Thunderbolts as risk sco.

Speaker 1

If you could see me right now, which you can't everyone who's listening, but Father Malone and Mike. I currently have my hair and corn rows because I was on vacation for a week on a Disney cruise. If you want a Disney cruise around the time of movie premieres, you might get to see it on the boat. That is, in fact what happened last week. I got to see The Thunderbolts essentially ten forty five on Thursday night, the night before the night before it came out, so it

came out Friday at twelve. I saw it essentially when it premiered. There was a little even up at David Harbor was like, Hey, everybody on the Disney cruise Land, this is the Thunderbolts premiere.

Speaker 2

It's like all right. Wow.

Speaker 1

Like I'll tell you, the other thing I watched on the cruise line was Snow White twenty twenty five, which.

Speaker 2

My god, that movie is fucking baffling.

Speaker 1

That movie is an affront to a lot of things remaking Snow White. Sure, but wow, lots of choices being made. Speaking of choices being made, I got to see Thunderbolts, Like I said same, essentially within twenty four hours of you guys getting to see it. I enjoyed it. I think it has its issues, and boy, there are some things where I'm like, and we're and I'm just I sent my clock to it, and I'm waiting and I'm

waiting and I'm waiting and here's the thing. And some of it it was like, all right, cool, we knew it was coming. Some of it was like we didn't know what was coming. I guess. So Marvel did a better job, in my opinion, promoting this movie than they did with, say, the movie that had Red Hulk in it for nine minutes. When they promoted it for like

Thunderbolts' Team Dynamics

one hundred percent of the promotional material was the Red Hulk of it all. I think it's fun. I love Florence Pugh, so I'm probably a little biased in terms of my ability to enjoy this movie. I was already and a little bit of a I don't know, you've got me in the door with Florence Pugh, You've got me in the door with David Harbor. So I already enjoyed the most everything that they are in. So this was gonna be something I was going to watch anyways.

But I was actually somewhat excited to watch this movie. All of that to say, it has its problems. I think it's better than Captain America Brave New World. Maybe I'm and that might be controversial. Father Malone and I may have some back and forth. I don't know, because we didn't really get to talk to Father Malone about Captain America. And there will be only one more opportunity this year for us to talk about Marvel things with the upcoming Fantastic Four movie. So this, I feel like,

is a pretty big movie this year. And I think that if you're going into it hoping it's a big movie and it lives up to what it kind of is advertising itself as a Marvel Souit suicide Squad, I think for the most part, it checks the boxes it has its problems, but I enjoyed it, I think a little bit more than I've enjoyed the last Captain America movie.

And I've rewatched dead Pool Wolverine several times since I saw it last year, and I that movie does not hold up really well the next couple it's a cameo's like a couple scenes is what dead Pool Wolverine is for me. It's like four scenes and you pretty much everything else is like just whatever we've seen this before, or the addition of Wolverine made it a lesser movie. So in terms of my enjoyment, I enjoyed this more

than the last couple Marvel things I've seen. But I'm really curious what y'all thought, because y'all saw it in like theaters, I'm assuming with lots of I mean, I saw with lots of people. People were reacting to this movie in a way that I hadn't seen in theaters

in a while. People were clapping and really excited, and I appreciated that more than anything else, that people were like engaging with the movie, which felt, I don't know, refreshing in a way like I actually felt like I could sit in want this movie and people were sitting around me and laughing and enjoying it and having a good time. So maybe the bar was relatively low. I

feel like that's part of it. So father alone, I am so so curious because even looking down a lot, looking down a whole lot, what did you think of thunderbolts asterisk?

Speaker 2

Wasted wasted opportunity? That's what I would say. This is the one I was really really looking forward to from the MCU, from everything that got announced in the previous phase, which is this is is this phase four? Phase five? Is this official? Does anyone know?

Speaker 3

I think it's Phase five?

Speaker 1

This is Phase five. This is the first film in Phase five, right, But this was technically supposed to come out before Captain America Brave New World, So this was actually the fo This is the fucker Room of Spider Man and Doctor Strange all over again. Is really what this is?

Speaker 2

So this was supposed to be part of Phase four. As part of Phase four, I would say this is great. This is the best part of Phase four as a step towards Phase five. I don't know what the fuck they're doing, Like they've already proven that you can have a disparate band of misfits and turn them into a

team and then we're gonna love them. With Guardians of the Galaxy, I think Suicide Squad, both Suicide Squad movies over at DC were in reaction to Guardians of the Galaxy, and I think they kind of tried to replicate that tone. These sort of goopy ultimately ultimately tone which Thunderbolts in

its conception was a group of fucking villains. Barren Zimo formed the fucking Thunderbolts initially like this is their chance to do the team up of the fucking serious people in the MCU, And for the most part they act very seriously once they sort of engage in combat, but then the rest of it it's all sort of jokesterism that and their none of the jokes land, and I don't want them to be like cracking wise with each other. Like John Walker is a piece of shit of a

human being. That's kind of what I like it, because ultimately he wants to do the right thing, Like these are all terrible people yearning to be better, and what we get is, you know, a glad handing, slapping on the back thing for like a good of this movie. This movie doesn't begin until like one hour in. Honestly, it had been like a Marvel television special where at

the end we get to meet the new Avengers. Well, okay, that makes sense to me, But like as its own feature of film, it's so disjointed and weirdly paced, like like we just keep we get all of the characters sort of thrown in. But it's an exposition dump like and.

Speaker 1

A very lazy exposition dump as well. The most like, it's the standoff of standoffs. It's like, I'm who are you? Who are you? It was like Spider manning one another, Mike, same question to you. Thoughts on Thunderbolts asterisk.

Speaker 3

Well, I am unfamiliar with this as a comics title very much, so I have nothing to compare it against. And I'm not familiar with who the villain is of this film. Well, I guess there are two villains. Really. I am familiar with the Julie Ladrie Julia Lewis Dreyfus character who keeps popping up in these Marvel shows. And

then at the end of Black Widow. Is it weird that I keep forgetting that Black Widow is dead because I keep watching the Black Widow movie and I mean, I always, you know, don't think that people are dead in permanence in Marvel universes. So I'm just like, oh, what, wait, what why is she said? Oh, we're sisters. Said, oh okay, yeah, I guess.

Speaker 2

And here's hoping they never bring her back because the permanence of her death seems to actually echo in the MCU. We all know, Yeaptain America. Steve Rodgers is on his way back at some point, is he, Oh yeah, oh one thousand.

Speaker 3

You mean like that old guy, the ninety year old guy.

Speaker 1

Nope, I don't think Joe Biden.

Speaker 2

Joe Biden.

Speaker 1

Yeah, you heard Joe Biden. That guy.

Speaker 2

That guy's currently on the moon. You'll wait, you wait and see.

Speaker 1

Yeah.

Speaker 3

So I was unfamiliar with the Thunderbolts concept. I honestly thought that the Thunderbolts were a reference to General Thunderbolt Ross, so that it has nothing to do with him, and lots to do with Jolena's elementary school maybe even preschool soccer team.

Speaker 2

I'm like, oh, okay, well that is actually a change from the comics that, Oh okay, because they are named for General Thaddeus Thunderbolts, that is what that is.

Speaker 1

What it is. Yes, okay, as Father Malonda and I are sitting here smirking, it's because you were right in that assessment. That is where that comes from in the comics.

Speaker 3

All right, all right, is he like their team or something?

Speaker 2

He yes, he's yes, exactly, And Red Hulk is part of the oh the team.

Speaker 3

He's like the lawlor and the superpowered chief of it, I guess.

Speaker 1

And mind you, this is like nineteen ninety seven Marvel. This isn't like nineteen seventy five. Like this is right, we're talking at the point where Marvel is, Oh God, correct me if I'm wrong here on this, Like Marvel is at the point where they've almost gone bankrupt.

Speaker 3

They filed for chapter. Look, I think in nineteen ninety six.

Speaker 2

Okay, that's what I thought.

Speaker 1

Like this is like this is like the Hail Mary time, Like this is Marvel swinging hard.

Speaker 2

Yeah.

Speaker 1

So, And I mean I remember starting to read comic books in the early two thousands. That's when I started reading stuff like Ultimate Spider Man and the Ultimate Stuff that I honestly think the Ultimate Stuff is the best stuff that Marvel's ever done. And you know, I know, Father Malone, It's okay, I'm showing my age on this one.

Speaker 3

Some of it is and some of it is absolute to me, absolutely yeah.

Speaker 1

Yeah. But Spider but Ultimate Spider Man. Oh but Ultimate Spider Man.

Speaker 2

That's ultimate good. It's Ultimate Spider Man.

Speaker 1

I would disagree Ultimate Fantastic four. But that's only because that's only because we get the Maker out of all that. And the Maker is the best villain in any comic books. The Maker is just evil. Read Richard's which is like horrifying. What if the world's smartest man was just like fuck this shit, I'm all big time villain. And his head is so big that it's a cone. It's like cone shaped because his brain has like enlarged so much from

the knowledge. Again, so that's the only other thing we're getting him.

Speaker 2

You aren't, well, I like, after Doomsday, aren't they going to war World?

Speaker 1

Oh?

Speaker 3

I hope.

Speaker 1

So, I mean they're gonna do They're gonna do Maker that quickly. Wow?

Speaker 5

Yeah.

Speaker 3

Well, I mean they've been talking about secret wars for over a decade. I mean they were just like, okay, well, pretty soon it's gonna be the Reign of Kang or whatever they're calling it. In ninasty Yeah, King Dynasty and then Secret Wars Baby, here we Come Get the Beyonder.

Speaker 1

Okay, so I think I think from I think are we on the same page that maybe this movie is fallom alone? Are you in the camp that this is

Sentry

not worth seeing?

Speaker 2

No, I think it is worth seeing. I think it's a movie that has interesting disparate parts.

Speaker 1

Okay, and Mike, are you in the same thought.

Speaker 3

I'm kind of still in my intro.

Speaker 2

I don't know.

Speaker 1

I'll go for it.

Speaker 2

Yah, I go for it.

Speaker 1

I'll go for it. I think we're just too excited to talk about it. And that's what happens when we talked movies.

Speaker 3

I liked it. There we go, Hey yea, And people people in my theater were not as engaged. I had a couple of talkers, and I had quite a few cell phones going on, to the point where I almost wadded up my popcorn bag and threw it at a guy a few rows in front of us because he just kept looking at his fucking phone. At least it was in dark mode, so that was better than the asshole next to me who is flashing his phone as he's like looking at it, and it's just like a

flashlight in my eyes. So that was annoying.

Speaker 2

I wonder why movie theaters are going under Yeah, exactly.

Speaker 1

Well said again, why did the movie theater experience not change after COVID Fuck you?

Speaker 3

That's why the twelve of us that were in that theater and it was the only screaming today that was not in like I don't know sense around four d blah blah blah make their money somehow. Oh yeah, we have like this new thing. I don't know if you guys are from you're with at least mjr. Is doing this thing that is almost like cinerama. They are doing like three screen type of thing, and I'm like, I

don't know how you're doing this. I didn't walk into that theater to take a look, but eventually I'll probably see something in that. But yeah, I thought that this was It was an interesting way of going about the storytelling. The whole idea of cutting between the three stories for White a while, between the Yolena story the Bucky story,

and then why am I blanking on Julia Louis Dreif. Yes, yes, the Fontaine and I'm dropping the duh just like fence from defense, that whole thing like which that her her character. I mean, swap her out with gian Carlo Esposito and you've got the boys all over again. So yeah, it was very very odd. I mean, especially like her talking with the Bob and stuff. And yeah, the Bob character was interesting. I mean it pretty They pretty much just hand it to you what he is, who he is,

what's happening. I mean from the very beginning when Yelena has her first mission that we see her on and I will tell you, I thought she said that she was going to Oscorp, so I'm super excited.

Speaker 1

I was like, yeah, os Corp.

Speaker 3

Wow, we're for no OX Group Sorry, no ox Corp.

Speaker 2

Yes, but may I speak to the Valentina of it all?

Speaker 5

Sure?

Speaker 2

What a total fucking waste of Valentina as character, considering we've they've had. They've been nick furying her throughout, like all of the Phase three, Phase four stuff. She's just been sort of in the background, showing up and grabbing team members ketches can villains at that. It's been so exciting watching it happen, Like the fact that this movie begins with a scene where none of them have ever

worked together. They're all just sort of separate. Ascent she's gathered them all making them all each other's own target, to get them all into one room so that she can incinerate them. But it's at a facility she doesn't actually know what's going on, And like, why this movie didn't just why this movie didn't just begin with them as a team doing a mission to go take out

this guy Bob for her. It would have saved so much time and allowed so much more of this The other part of the story, the part that you're talking about, Mike, where we get backstory on each of our therapies through these flashbacks and these mystical flashbacks. But you know, Bob can the Sentry can bring you into this never world said the word.

Speaker 1

He said the word. It's Spoiler's time. Baby. It's like the Red Hulk at Harrison Ford. It really is, like.

Speaker 2

Everything in this movie was spoiled. Every fucking good scene in this movie was in the trailer. There were zero surprises for me.

Speaker 1

Olga Currilenko not making it aft out of the first fifteen minutes is obvious.

Speaker 2

Yeah, she wasn't in any other shot. And by the way, what the fuck, man, that's what they're doing, a task master, that's how they're just going to prove that this is the serious thing before they said make jokes for the next fucking hour and a half.

Speaker 3

I'm so glad I didn't pay attention to any of the trailers because I knew nothing about Centry. I was like, okay, yeah, here's this Bob guy. Of course he's going to be this Sentry character. We get the mention of Sentry at the Ox Corp stuff, and then we get the you know, oh, here's all these character designs basically for him. And as soon as they hit that little box or whatever, I was like, oh, okay, here comes like the Adam Warlock

of the group. All right, this makes total sense. And then when he showed up and he was like, well, I don't really remember anything, I was like, okay, so he's like Legion then or something, so all right, he's going to be very powerful at some point, and he's going to reveal his powers. He's going to be huge. All right, all right, I got this, and I mean, yeah, they just telegraphed everything, so not even having seen the trailers, I was like, okay, But I was surprised that task

Master died. I was very surprised by that, though. Thank you Io nine for saying, we can't believe how cheap it was that this character didn't make get out of the first act. And I was like, okay, so one of them's gonna die. And then when she didn't come out of that room that was incinerator, I was like, okay, oh she I guess she's really dead like I expected her to come crawling out of the rubble.

Speaker 1

No, she got shot in the head. She got head shot in with blank range by Wyatt Russell of a people.

Speaker 3

Hey, I mean I've seen Wolverine. He takes a lot of those.

Speaker 1

That's true. Yeah, it's a bummer, like it's it doesn't work. It's one of the things in this movie that was a real problem. And look, they also revealed it when they revealed the cast of Doomsday, because Olga Kirilenko was

Marvel's Multiverse and Stakes

also not announced for that movie.

Speaker 2

Well they didn't. I didn't announce a lot of people for that. I mean, Chris Hampson didn't get nomin true.

Speaker 1

But to be fair, that's also because the assumption is he's going to be in the second.

Speaker 2

Right, Yeah, Doctor Strange's all start didn't get right, park Parker didn't right exactly, And it's a fucking event. Here's the thing about stint Free, and let me say something nice about the movie, be pride to the up on it, because that's probably wouldn't get end up there in the entire time. The opening scene where we get Elena somewhat suicidal, like leaping off the building. And then in that first mission they tackle a hallway fight scene, which we've seen

dozens of ever since Old Boy. Everyone's going to have a fucking hallway fighting. But near they do it, they give us a god point of view, so straight down, but it's completely lit from only one sign to silhouette and shadow fighting beneath them as she went her way

through them. And it's a great shot and it resonated with me while I was watching it because of the fucking trailers, because I know that century is going to be floating in the air and turning people into like pirosiuma like shadows on the ground.

Speaker 3

Oh wow, they ruined all that, all of that, all of it. I was shocked when that first person turned to that shadow. I was like, I think I was in in the helicopter and then like when the little when the I also want to call him Crimson Dynamo, but David Harber character Red Protector, Red Guardian when Red Guardian saves that little girl and then she gets like at first I thought it was dust, you know, that

Theano's thing. But I was like, oh no, this is even more horrific, like the shadows, and yeah, I totally thought about hero shamount. I was like, oh fuck, this is really bad. So I had no idea that.

Speaker 2

Was going to be happening. That effect is fucking fantastic. Yeah, I wish it hadn't been ruined for me. I mean, it doesn't matter, Like, eventually you're gonna see the movie and you're gonna see it again, and if it works, it works. But and it does, Like it's one of the best effects I've seen in a Marvel film in a while, and Centri ends up being one of the best villain the long genuinely genuine brand that doesn't involve you know, it is the world ending, but somehow not,

I don't know, it felt more personal. I guess that's because they introduced them so early. But again, like I don't know, the painting's a just so fucking clumsy throughout that you know, by the end, we spend the most time learning about Bob Flash sent at the end. Do you even know anything more than what kind of came in with that? A guy who woke up with like we find out that he wanted to be powerful and he subjected himself to this thing and now he is okay.

Speaker 1

Yeah, well and his dad beat him and he did meth. So he's the first. He's the first meth powered superhero, which is I mean, Marvel's got tackled for which.

Speaker 2

Nice, that's fine, and it winks sense with these Thunderbolts, who again are terrible people. Run with the terrible Please Marvel, just commit This is the problem. This is why I'm glad they fucking canceled Blade. Don't do Blade unless you're gonna make it a horror. Don't do the dark Side

of Marvel unless you're going to commit to them. Because what we're going to get into the hybrid thing where we built we're kind of half giving us, but they know that that has worked in the pan and half giving us and it hampted something, so just ends up feeling like like noth.

Speaker 3

You're gonna have to get a new mixer very soon. If that's what the problem is. Yeah, holy shit, Okay.

Speaker 1

You're gonna have to like check it every couple of minutes, is what.

Speaker 2

It feels like. All right, how about now you're good. Now, you're good. Now, I'm just gonna have to tap it every once in a while. I'm sorry. Okay, hey, we understand it.

Speaker 1

Well, yeah, we know you're doing this on purpose, as if you even could any more than anyone of us. Yeah, you know, it's hard to do things this stupid on purpose sometimes, but Marvel figured out how to do it. Because to your point, Father Malone, I really am sick and fucking tired of in these movies the things that happen not having any sort of stakes because everything has

been walked back. And to the fact that thinking that Scarlett Johanson might come back is a possibility is I think very telling of where we are with the MCU, honestly in a lot of ways, because that's like one of the deaths in the MCU that again, in my mind,

you can't walk that one back. But yet it feels like with what we're about to get next year and the year after, it is going to be one of the most just like masturbatory multi versus bullshit of all time, which is fine if they do it, and then we never see it again. Great, But there have been no stakes in the MCU since Endgame, and that was like almost a decade ago. It makes me want to die that that Endgame came out almost a decade ago. It's been like a really long time, right.

Speaker 3

Oh yeah, long long Row to.

Speaker 1

How there's no stakes in the MCU anymore. None, zero, And that's because of the multi versus stuff, because now you can have like any different Spider Man.

Speaker 2

And again, so they shouldn't. They should be dealing.

Speaker 1

Did it right? It did it right? It couldn't. It's contained within itself, which is fine, like Spider Man into the Spy is self contained. Like I don't think we're gonna see that version of Miles Morales in Doomsday, but fuck me, that probably is now going to happen just because I mentioned it, because they have the ability to

do it. There's nothing stopping them, I guess, other than a cartoon character dancing around on screen with live action people, which would be weird even for the MCU, because I'm assuming that the agent was it Captain Britten that we saw in Doctor Strange. That's not the one from What If? Right, that's another.

Speaker 2

One that's not Captain Britain at all.

Speaker 1

Okay, So the one in What If is then agent that's car Yeah, but those are two different characters in the MCU. Okay, so there's a cartoon version of that character running around that's not gonna show up in Doomsday, I wouldn't think. Yeah, it's just a frustrating thing that Marble can't seem to do anymore, is make any of this stick.

Speaker 2

They said.

Speaker 3

They were saying that, like the whole, like the Strange Supreme character is not the same one that we saw in Doctor Strange Multiverse of Madness. And I'm just like, no, it makes total sense that that's the same character, Like what why we're why are you doing that? Like, go ahead, tie in What If? I'm really okay with that, Like most people have watched it, and if they haven't, it's really okay. It's not that necessary. That's the thing too,

with a lot of these characters. I'm like, well, it's not really even necessary that I watched The Falcon Winter Soldier, Like I knew that John Walker was a piece of shit, but I watched that show. But yeah, they do okay with him showing up in here with the whole I'm watching you know, I'm watching the baby thing. But yeah, he he gets redeemed way too quickly, and because the guy's a fucking psycho and really just should not have that, you know, like a psycho. Yeah, exactly, but he shouldn't

have instantaneous forgiveness. You know which scene is the psychoe Just.

Speaker 1

The one at the beginning of the movie where that all of them in the incinerator room. The rest of it's just like laughing and joking. Yeah, yeah, well, I mean, isn't that. I mean, that's your that's your that's your whole, that's your whole, like thesis on this movie, isn't it Father Bloon? Like that's the The disparate tones of the movie are like it's there's one movie and then there's another movie. Pretty much two thirds of the rest of

the movie is another movie. That first third is up into the incinerator is a serious movie, I would say, up unto a point until they escape there, and then everything else just becomes like very jokey.

Speaker 2

No, I disagree. I think it's really jokey from the outset, and I think that's the fucking problem.

Speaker 3

Like Elene is like, yeah, you're talking to the guy that she has tied up and stuff and like, okay, yeah, like oh I needed that face, like that whole thing.

Speaker 2

And then they're like like and then they go to fucking Valentina like in the Senate and like that's sort of jokey too, and they be buckying. That's kind of

jokey too. And by the way, after how many seasons of V with with Julia Louis Dreyfuss playing effectively the same sequences of like her on Capitol Hill being grilled by senators and stuff, all that did putting those scenes in and having this whole impeachment fucking subplot was made me think about Veep and how fucking spectacular the dialogue and how leadnit here it is here, Like were they expecting that, because these are like comedic people, like comedic actors,

that they were gonna like enliven the script because they didn't.

Speaker 1

Yeah, yeah, I have to assume. So that's the way it came off for me as well. I mean, why else cast Julia Louis Dreyfus in this role.

Speaker 2

Here's the thing. I when they first cast her, I was like, really, they're going with her? And then she wasn't really so so far when we've seen her, she hasn't been playing funny. She's been playing rather sinister, and that was exciting to me and she you know, we get a bit of that here and there throughout this, but really it's just another like it's just another misguided attempt at humor, Like everyone is just trying to be

a jokester. And it's inappropriate given all of the fucking seriousness that we're talking about, because there's a lot to be mined out of these people.

Speaker 1

Well, and I was gonna say, you know, the thing that really makes me laugh about this movie is it also reminds me the most of like an a twenty four Marvel movie, because the centuries would have been it could have been Centry is mental health, just like in Well, I'm trying to think the Witch is you know, it's about you know, being you know, it's about feminism. That movie is kind of about feminism and the intertreating. I would have liked that x X's wif. Yeah, I agree,

X's Y movies. I don't understand why they had to must the tone of.

Speaker 2

Halfway through this movie is when they all should have gotten sucked into his brain and then they because once that happens like ten minutes before the fucking movie ends. It comes to life. Man.

Speaker 3

Yeah, that that whole thing of them going to his brain. I was like the movies over already like this. I'm like, yeah, they should have been a whole thing after that, and yeah,

this should have happened way quicker. Yeah, the pacing of this movie is very, very strange, and I think it was hoping, Now this is gonna sound a little trite, but I was actually hoping that they would have learned, like, yes, they all like lock arms and they walk up that tube and everything at the beginning, and it ultimately almost

fails kind of thing. I was kind of hoping, like just to get out of that room and they do this a little bit with the whole like knocking out the power thing and then ghosts going through the door and all that. But I was really hoping like each person would have something to add to the situation in order to make them realize, like, we work better as a team than as a bunch of individuals age stuff. Yeah, exactly.

Speaker 1

Him.

Speaker 3

Bob is the only one where you're just like, well, this guy's useless, Like he's like the what's that guy's name? Kevin from the Deadpool movies, the guy with the mustache. It just shows up here and there like or oh gosh, there feels like there's another like useless, you know, I mean, of course.

Speaker 1

It's Deadpool literally, like the fucking cab driver in Deadpool.

Speaker 3

Right exactly, yeah, Hinder, I can't yeah, oh yeah, yeah.

Speaker 2

I mean I was.

Speaker 3

Kind of hoping for more of that. And then even at towards as the movie's going, it until the it isn't until the moment where they lift up that big stone slab that they all finally worked together, and I was like, oh, okay, that's a little cheap for me, where I'm just like all right, like they they're all you know, say.

Speaker 2

Felt very early two thousands, right, that felt like a Fantastic four moment.

Speaker 3

Yeah. Well, and then when they when they're fighting in New York, I'm just like, is that the same bridge that Captain America like yeaded Natasha onto one of the Chatari vehicles? Like is this the same like we're now having our Battle of New York? Like is this basically I mean, this is before they become the New Avengers at the end of the film, And I was just like Okay, so are these guys basically like, is this the twenty twenty five version of the Avengers? And basically

everything is darkness and it's all psychological. And when we

Ghost

go inside of the cloud of darkness and inside of his brain, that's when we you know, like, this is where we're at with our country, with our mental health, is that we are just engulfed in darkness and have to find a way out of the darkness through friendship. I don't know, it sounds again, sounds like a Hallmark card or something, but very trite.

Speaker 1

Mike, Yeah, I was.

Speaker 2

Okay, I'm with that. I'm totally with that. If they fucking made that the whole movie, they should have. If they had, if the movie had a point of view, it could have worked like Gangbusters.

Speaker 1

Yeah, I agree. I think that's the problem. Like they they almost again, like they didn't commit to the bit. You gotta commit to the bit you made. You made were Wolf by midnight, motherfuckers. You did it in black and white. I mean again, I know, Father Malone, there were issues with it. I know. Thumbs down, he says, nay, nay, that's what the horses say. But it's better than this because they allowed him to commit to more of a horror vibe than they let this movie commit to. Essentially

a horror movie vibe. Could have been a horror movie. He's pretty horrifying if he turns you into a Horotima shadow. Oh yeah, that's horror fy.

Speaker 2

This movie should have been half Winter Soldier half fucking Nightmare Fuel.

Speaker 1

Yeah. Like, I don't understand why they can't just go, we're making a genre film within a genre, Like why is this so hard? Marvel?

Speaker 2

What is the problem here?

Speaker 1

I don't get it.

Speaker 3

I don't get the subplot in this and the Hulk Hulk movie, the Captain American movie. The whole movie features the Hulk prominently. I don't get this whole thing a Bucky being a senator and they even say at one point they're like, that's it, You're through, you know, like, no no full term senator for you. I think Valentina says that, and I'm just like, are we done with that subplot of him being a senator? How the fuck did that even start? Was that in Falcon and Winter Soldier?

And I just it was they blotted it out.

Speaker 1

It's how they get It's how they get Sam Wilson to be Captain America.

Speaker 2

Oh wow, yeah exactly, but who cares? Like have him just go off and beat Bucky somewhere, you know what I mean? Like this is a guy who like why you have to startinly jump into service. The man's been frozen for fucking ninety years and forced to kill his friends.

Speaker 1

Yeah, I don't get it.

Speaker 3

I was really shocked that we didn't get more of their flashbacks. I mean, show me more that everybody is hurting, like I understand that. You know, we see the Olia thing. Sorry, I'm not well, yeah, Elena Elena stuff a few times and I'm like, okay, right, okay, got it. You know we see a little bit of the John Walker stuff. All right, all right, I got it. But like I mean, as as Natasha would say, Buck, he's got a lot of red in his ledger and like all of these

people basically have read in their ledger. And I'm just like, yeah, show me.

Speaker 5

Well he killed Bucky, killed fucking Iron Man's parents exactly exactly in this in this MCU, in this sacred timeline, has this movie would love killing whoa?

Speaker 1

I can't wait? Huh?

Speaker 3

I mean, gosh, like the Red Guardian, Like, tell me some of the bad shit that the Soviets made this guy do.

Speaker 2

This movie should have been so fucking sin It should have been like you should have been like paralyzed by the end, like you know what, the twight ending you're describing would have worked like a fucking Spielberg movie if we had waded through all of these people's terrible psyches, you know, reminded remembering all the horrible shit they've done.

Speaker 3

Yeah, yeah, I mean, even like with ghosts. It's like, I mean, to be honest, it's been a long time since the ant Man Wasp movie, long enough that I have pretty much forgotten it other than that Walton Doggins is in it, so oh yeah, feel free to refresh me on her please.

Speaker 1

She she's in a suit that essentially like she like is constantly dematerializing.

Speaker 3

Right, and I remember the whole thing that's like the one thing.

Speaker 1

Yeah, And she's Laurence Fishburn's daughter or like surrogate daughter, I.

Speaker 3

Think, right, And she's in a tremendous amount of pain, and then they had that's how they quantum realm, right, she's quantum phasing at all times.

Speaker 2

The suit helps focus her and keep her an hour around. But then she can phase in an out based right, And you.

Speaker 3

Know what, I would have been okay with the flashback of some sort to just like connect me with that character, because I think, again, she could have been a delightful character, but I got nothing from her.

Speaker 2

You know. And that's one of those characters where she is so fucking powerful that it kind of boggles the mind. Like a fight scene with her and any regular human is over in two seconds. She can just phase out and phase inside you and pull out your heart like it's done. Like even when she goes up against Sentry by the end, I'm like, this could be really interesting if they actually thought it through instead of just this magic trick of her appearing and disappearing.

Speaker 1

But they always do the other thing too with her character, where they had to have a way to explain why she can't be as powerful as the character actually is, which are those like sonic imped things that like when she runs up to him and like shocks her backwards. That's the other It's like the you know, how do

they smoke in space? I don't know, invent the oxygen a smoker thing, Like it's it's that bullshit, Like how do we recap the character immediately by having a magical thing that they can't get through, and it's just for that character, because that character. Yeah, exactly. Again, they never explained why ant Man couldn't just go into Thanos' soul and expand and kill him. They never explained that. I mean again, the Internet asked the question, they never explained it.

And this is essentially the same thing, like she could just go whooo when you're dead?

Speaker 2

Why doesn't Marvel? Why doesn't Marvel employ a serious nerd to read the scripts and ask these questions, you know, and then they can decide whether or not, like is this serious enough for us to answer? But sometimes, like

Missed Opportunities in the Plot

with ghosts and her powers, kind of kind of need it, Like shouldn't there shouldn't Valentina have some sort of thing to back her up. There's a moment where she's controlling Centric and it's like, wait, why do I have to listen to you? And I'm like, yeah, dummy, why does he have to listen to you? You've got nothing on him? Yeaheah.

Speaker 3

Century I mean, he's an interesting character. I can't say that I'm familiar with Lewis Pullman. He reminds, I mean, other than being Bill's son. He reminds me a lot of Jake Webber. Do you guys remember Jake Weber?

Speaker 2

Absolutely, I think he's I think he's a more interesting Jake Weber.

Speaker 1

I liked Lewis Pulman a lot. Actually, I see a lot of his dad in his performance. And he plays he plays Sad Sack really well, which for me, like Bill Pullman's always had like a little like said Sack edge to him, with those like puppy dog guys, and yeah,

Louis Pullman has those puppy dog guys. I mean, Los Pullman's a good looking guy too, like put a cowboy hat on him and like he could be convincingly old Western cowboy too, just like I mean, because there was what there was a Bill Pullman like cowboy movie that came out a couple of years ago.

Speaker 2

Like he was on that show with johsh Brolin. He was Josh Brolin's son and out of range. Yeah, but he was a cowboy and then he was great at that.

Speaker 1

Yeah. So I mean, I you know, I think, honestly, it's probably just they underutilized him because that scene between him and Julia Louis Dreyfuss is pretty scary where he's like, uh, yeah, I don't really need to listen to you.

Speaker 2

Yeah, I liked that a lot.

Speaker 1

Yeah, it's pretty scary. I mean again, he's Superman. Oh yeah, Well what's the movie he doesn't do is it doesn't make it clear how he's not. It doesn't feel like he's enough of a threat.

Speaker 3

He's because he's Superman.

Speaker 1

These guys kill him. That's that's that's in my opinion.

Speaker 2

Well, no, he kills himself. That's fine. Like the resolution in the film is okay by me. If you're going to figure out a way to sort of defeat Superman, the best way is to have to Superman defeat himself. So I actually thought that was kind of clever. But you know, for me, he's not Superman. He's Homelander.

Speaker 3

You know he is so I mean, Homelander is one of the scariest superhero slash super villains ever for me. Anyway, Like watching the Boys and there's just there's nothing that can stop them, you know, they they've been trying for three seasons now and they haven't done anything, and then just the whole like jingoistic thing. Like I was actually kind of hoping that maybe we would see more of century before he realizes I don't have to listen to you,

like if that again just felt very very rush like. Okay, here's the revelation of him in the costume. All the people are there, they attack them. That doesn't work, and then immediately into that, why should I listen to you at all?

Speaker 2

I'm a god? You know?

Speaker 3

Oh you're using that g W Well, you said I'm more powerful of the Avengers. They have a god here I am, and that they're having that discussion in that same room where Robert Downey Junior famously gives his whole like and we have a hulk like that whole thing in the Avengers, the original Avengers. Throw me a bone here, give me something, give me the exact same angle or something, or even give me somebody who tries to come up on Sentry and try to call him a puny god

or something. Just give me a a give me a little bit of Avengers in there, because I was so thrilled just to be back in Avengers Tower.

Speaker 1

This should have been dark of This should have been dark Avengers, not new Avengers.

Speaker 2

Well they're different, they're a whole different.

Speaker 1

Well I know, but that but that's my point. I mean and like, if you had gone the direction that we're talking about with this movie, you could have gotten away with calling the stark Avengers, is my point, as opposed to New Avengers, which the tone doesn't match this movie at all. Because to Mike's point, just now, why set this in Avengers Tower if you're not gonna do

any of those things? It's been such a long time since the original Avengers came out, since a movie with the title just Avengers came out that was like two thousand and fucking twelve. That's a long like twelve eleven like something like that.

Speaker 3

Twenty nineteen was no. When was the originale the original?

Speaker 1

When did the original? Because that's what this movie twelve. It's been a long time since the original Avengers. And if this is the movie that is trying to ape movie with a climax similar and a threat similar and having a team, you don't understand, why not go further? What the fuck? What's stopping you? You literally set the movie in Avengers Tower. Why fucking waste? It's just mind

boggling some of the decisions that were made. And it's like you go all the way up to the edge and then you just don't commit to the bit like you even you have an asterisk in the title. I don't even get it, like you did the fucking time you ever went all the way with the title too, all the way to the the end of the movie. We don't see it until the end of the goddamn movie, and you you couldn't. It's bits. I don't get it.

Speaker 3

They didn't make that very clear at all. But that asterisk was supposed to be like, no, it's the New Avengers, or like I guess on the poster it says the Avengers were not available, right.

Speaker 2

I have no problem with an asterisk and then them filling the title in later. It's just that to everyone's

point here, this movie begins one hour into it. If everything had started with them on their first mission in the first twenty minutes finding this guy Bob, and then Bob in the twenty minute Marc is, hey, guys, guess what I'm actually fucking sentry and here we go, then we would have had time for all of this, including a recreation of the Battle of New York with the New Avengers and how they have to deal with it.

It could have been fucking great. And you know what, at one point Valentina is pouring a fucking drink just like Tony Stark was doing. Like, but what's great is

Marvel's Direction and Future

she's like, you know, you know, he's gonna be the Mighty's heroes. You know, you guys, blah blah blah, I don't care. And I was like, that was the time to recreate the shot from Avengers, right, but like her insistance that she doesn't actually give a shit about any of this, and we.

Speaker 1

Have we have Robert Downey Junior coming back. We all know this if anyone has seen anything, So like, why not start skewing the angle of the original Avengers because I'm just going out on a limb here and going to assume that whatever Doctor Doom is is going to have some reflection of Tony start baked in.

Speaker 3

Well, I mean from them saying that the Fantastic Four ship at the end is an interdimensional thing. I'm like, okay, so does that mean now that so Doctor Doom is probably an interdimensional thing. He's probably following them from that dimension. I'm wondering if they were coming from that dimension because maybe Galactus actually wins that Oh yeah.

Speaker 1

They failed. The movie is that they lose in the.

Speaker 2

End, Galactus wins, Silver Surfer dies, that's what's going to happen.

Speaker 1

Yeah, they spoiled the movie already, Like I hate it. I hate it so much. It makes me so upsetent because like you you you should have released the Fantastic for a movie before this goddamn movie because you have

spoiled the movie. And whatever Robert Downey Junior is, however he factors into all of this if he's Tony Stark from their universe, which is probably what it's going to be, which is I guess, because they're gonna have a hard time not spoiling it and whatever the last trailer is that comes out for the Fantastic Four movie, They're gonna have a hard time not spoiling whatever Robert Downey Junr.

Is doing in the post credit scene. But a really am bummed out by the way that they did the Fantastic Four thing in this movie because it is so ham fisted, like in a way that makes me win for the days of Sam Jackson just being like I'm putting together a team.

Speaker 3

Well, in that end credit sequence for Iron Man and for a lot of those very quick this credit end credit scene with them, oh my god, Well, Sam Wilson, these trying and to form the Avengers.

Speaker 2

What are we gonna do?

Speaker 3

Oh this whole copyright. Oh look at this outfit, you know, like all of these things going on.

Speaker 1

I'm like, okay, trying with Bob again.

Speaker 3

But yeah, the only thing I really liked about it was Bucky kind of giving her some advice as far as like, hey, you're you know you're gonna need to call for this, and you know you should, you should ask for this thing from the computer and stuff. I was like, oh, okay, that's kind of nice, because, I mean, for as much as he's in this movie, I feel like Bucky gets short shrift. I feel like a lot of people give short shrift. And it's like it's not

that there's too many characters. It's a good amount. I mean there's the same, if not fewer characters than there are in The Avengers. But I sure get a lot more feel for those Avengers. And you talk about how them fighting and everything, I'm just like, oh, yeah, just like the Avengers are fighting at the beginning of The Avengers and that whole wasted fight of Captain America and Iron Man and Thor going at it kind of things. Yeah, Well, no, I'm saying top of the ship.

Speaker 1

Yes, but the thing in the forest starts on a ship and then it goes into the forest because Thor is intercepting. I watched the original Avengers for this.

Speaker 3

Okay, either you're talking about the ship as in like.

Speaker 2

The versus the Quinn chat is what we're just thank you?

Speaker 1

Yeah yeah, but that fight, like that fight is better than anything in this movie.

Speaker 3

They they don't like each other, they can't work as a team. It takes that sacrifice of Phil Coulson or like basically his sacrifice slash the lie of the the the Collector's cards and stuff, in order to bring them together. And it's like, okay, like Loki is the one who's basically pulling the strings and like you know, seating this descent and everything. You know, like maybe Elena the Valentina character could have been doing that, but no, yeah, no she's not.

Speaker 2

That's the thing. They ultimately make her character completely fucking like powerless in this thing where she doesn't know about Bob.

She sends all of these she sends all of this team of fucking badass assassins in to kill each other, not even considering that they might decide that they want to live more than that, and that they would come and get her, Like she shows up with a whole other Like why once they figure out that they're they've turned against her, can't she just nuke that fucking facility that they're in. Why do they show up with a team of people? Like she just bumbles her way through

the movie. She's like the anti Nick Fury, and I thought she was going to be the even more efficient Nick Fury. Like as slippery as Nick Fury's moral compass can be, Valentina has none. She's the head of the fucking serpent society. At some point her she's kind of reveling.

Speaker 1

She revels in it, and the movie makes note of it, but it doesn't go far enough.

The Multiverse and Marvel's Challenges

Speaker 2

It's this weird they make her inept with all of these fuck ups.

Speaker 1

What's and what is ultimately? What tone does that serve by not having a villain that's actually a threat? Cause again, like they take it almost all the way with Bob and then they walk it back right at the end, Like.

Speaker 2

This is a movie in search of a plot. It has no story at all going on.

Speaker 1

Do they not think that the audience can take a serious movie like I don't understand like endgame Tony Stark died an endgame like Iron Man died, and people and they're not walking that back I hope. I mean they're walking. I mean they are walking it back sort of, if you want to say, in as much as recasting Robert Downey Junior in your franchise as a different character who's essentially the inverse of the character he already played as

a cop out, which it kind of is. But at the same time time, I mean, if anybody's gonna do it, and the prices are down because times are hard and you need something to move the needle. Did that moved the needle. It did even if none of us liked it, even if none of us agreed with it, it moved the needle for some people. It got some people eminently reinterested into all of this, because people, because Robert Downey Junior is a name that matters to people.

Speaker 3

I have a lot of little points about this movie. Obviously, I think the pacing is pretty bad, but I actually I liked it. I had a fun time at the movies today seeing it, And the last thing that I saw at the movies was fucking Captain America. For and it's like, there's just been nothing interesting me between the last Marvel movie in this Marvel movie. And I'm sure listeners will be like, what the fuck, there's so many great things, but it's like, yeah, but to get my

ass off of the couch and into the movie theater. Yeah, most of the time, I'm just like, yeah, wafore. I mean, Mickey seventeen, I was getting ready to watch that, and it's like, oh, yeah, this is gonna be out, you know, streaming within like four days. I'm like, oh, oh, okay, Well, I guess.

Speaker 1

You don't watch new stuff, Mike. It's that you don't go to the theaters to watch new stuff. That's more of the point exactly.

Speaker 3

It's kind of more of a wait and see most of the time.

Speaker 1

Which I mean, like I don't even understand why anyone could take issue with that, Like have you been to see a fucking movie? I saw a movie on a boat for free, Like you know, I can't, in good consciously like go see this movie. Like because again I'm advocating someone go and drop like thirty dollars for a ticket, which is what it feels like in this day and age to go see a goddamn movie in a shitty experience with a shitty audience.

Speaker 2

I will I don't invite everyone to go spend their money on Sinners, which is still in theaters and still at the number one at the box office.

Speaker 3

Fucking movie.

Speaker 2

Yeahs fucking great.

Speaker 3

Yeah, and that one you want the theatrical experience, because I watched that little Ryan Coogler video where he's just like, hey, man, I shot this in this format and you can see it here and you can see it. And I'm like, yes, please, that sounds great, and I'm hearing nothing but great things about it. And again I'm just like, all right, why amn't I gone to see that yet? And I don't know why I have.

Speaker 1

And Ryan Kugler is a director that Marvel has worked with and have and have me kept constantly by not allowing him to do movies like Sinners, which I like Father Malone has had ever heard nothing but good things about it.

Speaker 2

Well, Black Panther was good, and yeah, but Wakanda Forever, Believe me, Wakanda Forever is a fucking great movie, considering if you if what they had, what he had to do in the wake of all of that, with a deadline and then pushing him and trying to make him put all these new characters and shit like that was a herculean effort. The fact that movie is watchable at all is a fucking triumph. If it is watchable, it's fairly.

Speaker 1

I was gonna say, though, but I don't. That's what they did.

Speaker 2

Back to it.

Speaker 1

They didn't let Ryan Kugler make the movie he wanted to. He had to essentially make what felt like Age of Old Trot.

Speaker 2

Yeah, but like what what movie did he want to make? He wanted to make a movie with fucking with Chadwick Boseman as Black Panther. Like that's not Marvel's fault, like he they should have taken a few years off and let him like consider his feelings and written a new Black Panther movie instead of just putting it into the pipeline and like jamming it out there, because that one should have been more special.

Speaker 1

That's yeah, And that's what And as I say, like, they didn't Marvel just and this has kind of always

Final Thoughts and Recommendations

been the thing, Like I go back to and again, I know, because again we're just having a broad Marvel conversation. I go back to Captain America, Joe Johnston, who directed The Rocketeer, one of my favorite movies. Like, I'm always disappointed that that movie isn't more like The Rocketeer than than it is, and it doesn't have that tone and fun tone because it feels like, again, it was kind

of serving corporate divesters in a way. And that's fine, but like Marvel has never been able to get I know, but again, like it's shades of it, like it shouldn't be.

Speaker 2

You know what, I don't think Captain America should be anything like The Rocketeer. I think Captain Americ should be like Captain America. I think Joe Johnston like hit the tone correctly. I think that script failed him. I think we didn't get enough of ca in America being Captain America for a long stretch of the movie because they were worried about run time. They are no longer worried

about run time. I wish they had I wish they had the thunderbolts, fucking asterisk ethos on Captain America First Avenger. But it's not because like that movie is often anyway, it's just that it's hamstrung a little bit by that script.

Speaker 3

Yeah, it definitely, and you know, what again. I was really waiting for when Century goes against Bucky and it's beating the shit out of him and Bucky gets up and goes at him again. I was really waiting. I was waiting for him to say I could do this all day. I was like, please throw me that fucking bones with opportunity again.

Speaker 1

Why call this New Avengers if you're not going to take those chance, those opportunities that you're setting yourself up for.

Speaker 2

Well, they didn't. They called it Thunderbolts.

Speaker 3

Right Instead, they're making references to Ubers and stuff.

Speaker 2

Away.

Speaker 1

Wait a second, artist, it's going to come out as New Avengers when it comes out on some sort of physical media. No, no, okay, okay, okay, So why even call this New Avengers.

Speaker 2

They didn't.

Speaker 1

It's literally was in the movie at the end of.

Speaker 3

The movie, right, yeah, just the thing.

Speaker 1

It's like, it's just a thing. Okay, So it's just the thing.

Speaker 2

That's what I'm saying. If this had been a fucking like a special on you know, Disney Truss, then I would have been like.

Speaker 1

Oh, this is set up for the fucking New Avengers movie. I actually I'm still kind of wondering why. My question kind of went over so strange. They literally are making it clear that they at some point might re references as the New Avengers.

Speaker 3

Oh, I hope they don't.

Speaker 1

That's why would they ever.

Speaker 2

They're not going to They're not going to retitle the movie the New Avengers.

Speaker 1

That's ridiculous.

Speaker 2

Which of their previous titles have they renamed?

Speaker 1

Which of their previous movies have they ever had an asterisk next to the title?

Speaker 2

Well, that's infallible. You're right, they're definitely going to retitle the movie down the road. They're letting us know in the future, they're just going to retitle the movie so they can get another fucking, you know, twenty bucks out of us for a physical going to be a.

Speaker 1

New Is there ever going to be a movie titled New Avengers?

Speaker 4

Is?

Speaker 1

I guess the better question?

Speaker 2

No? No, Oh, I doubt it.

Speaker 3

I mean, even when Sam puts together his team, it's probably going to be for the next Avengers film, you know, the Doomsday film.

Speaker 2

We'll get Young Avengers before we get a New Avengers.

Speaker 3

And that's what I think, because I was going to say, like, the thing that bothered me the most about the Wakanda Forever movie is that It's basically it's a secret iron Heart movie. And I would have been much more interested in just seeing iron Heart than seeing fucking nay More and all that shit. Go ahead, save nay More for when the Fantastic Four land on our earth. Please but keep your name more away from my black Panther. And I'm sure that they probably Yeah, I know the whole Like.

Speaker 1

Why do you need secrets of movie? Like? Why do we need a secret Hulk movie in a Captain America movie?

Speaker 3

Right?

Speaker 1

Why did we need a see iron Heart movie in the Wakanda Forever movie? Like I don't understand why.

Speaker 2

Well, Hulk because they don't have the rights and they have to sleep. They have to sneak him in, so that one I understand. But yes, I don't understand why theykey piggy acting other characters into what should be a one on one situation.

Speaker 3

Right, yeah, I mean just like I have we seen Rere Williams since what kind of Forever? Like no, maybe she showed up in the last season of What If? I think possibly.

Speaker 2

Well, we were supposed to get a series, the Iron Wars television series, that's right, and then they said they were going to turn it into a feature film and now I don't even know if they're going to do that.

Speaker 3

Yeah, that's right, was Ironworth, Armor Wars or yeah, yeah, you're right, graveyards.

Speaker 1

Under delivered times.

Speaker 3

Yeah, the graveyard of shows that are never coming back. I mean today they're like, oh, there's not going to be a Hawkeye season two, and I'm like, oh wow, oh Crime a River. That first one was so great.

Speaker 1

A lot of like these these Phase like four and five movies are just like the ship that they've announced, the things that have come out, the order that they came out in the orders, that the Spider Man and Doctor Strange movie where the order mattered and they get it out of order, and that Spider Man movie works, because that Spider Man movie is good. But I think that's probably like the is that not the best movie that's come out in since Endgame? Right?

Speaker 2

Yeah, I think that's the most rewatchable definitely, Yeah, which is which.

Speaker 1

Is not necessarily great because that movie has a lot of problems too. Yeah, it's almost like it has the least amount of problems, which is like at this point, like Damning with faint praise, like it has the least problems of the last Phase four and five movies like great.

Speaker 2

And that movie introduces to the MCU, what is the best thing to come out since Endgame, which is current, which is this new season of Daredevil, Daredevil Born Again. It's fucking awesome. Best thing they Marvel has done in forever.

Speaker 1

Kind of like and or is the best thing that the Star Wars has done?

Speaker 3

Yeah right, I never really got into the Daredevil show.

Speaker 2

You don't need to start with Born Again.

Speaker 3

Okay, because yeah, for me, I was like, I was a big fan of Jessica Jones all the others. I was like, yeah, you can keep that, like Luke Cage was okay, but I don't know if I ever finished that season. I'm not about to watch Iron Fists and then like yeah, like Daredevil, yeah, I mean Daredevil for me, I was just like, yeah, this is okay, but where's Ben a Fly? Come on?

Speaker 2

I know. And Colin Farrell, Colin Farrell is missed as Daredevil, I mean as in Dared Devil.

Speaker 3

As oh fucking eight. He was so good in that, especially when he poists at his head. Yeah, he goes bull joy and then laughs.

Speaker 1

Kill everybody, kills an old lady with that toothpick.

Speaker 3

Oh yeah, or him at the end with the paper clip and the fly and he he kills.

Speaker 2

The guy next to him on an airplane with a peanut ricochets off the cabin walls. Listen, if they're gonna, if Marvel really needs to tie up the whole timeline bullshit, they need to give us one fucking thing so we can have steaks once again in this series. And if they do, please do it correctly and pull in everybody,

I mean everybody at the Marvel universe. Get Colin Farrell in as Bullseye, Get fucking January Jones in as Emma Frost, and Kevin Bacon, you know what I mean, bring in like an everybody and then decimate them all.

Speaker 1

Well, and that was so I mean, I don't know how much you guys do of like the the Marvel kind of specting as people do, like the things and the leaks and stuff. But there was a leaked script for Kang Dynasty, and that's essentially what the like that movie was was you had like Nick Cage as ghost writer and also ITTs of like what yeah, straight up, they were going to try to get Nick Cage back as ghostwriter for that movie just so that they could

have what essentially bother Malone's talking about. All those characters just essentially like to show the threat being a threat. You have a group of disparate characters coming together, they get fucked out of existence at the end of the movie, and then the second movie is just the rest of the people coming in to fix the problem from the first movie, which I mean, that's probably what we're gonna get anyways, because they can't help themselves. But that is

what Kang Dynasty was going to be. They were trying to get Nick Cage as fucking ghost writer back, and you know what, there is a universe there's a version of this where we did get that, where Jonathan Major was it in.

Speaker 2

A different timeline.

Speaker 3

Fucking just recast it. Take the guy who is the yeah, what's his name? The Higher Intelligence from from Guardians If you need a black guy, that guy this he is fucking amazing and Guardians three get him in the High evolutionary right oh yeah, and like go right, I mean, but yeah, just Kang is a multi dimensional being and that's his whole thing.

Speaker 1

They didn't character you dip shits, what sort of boso pardon the parlance, mickey mouse logic is this shit, you literally have it baked into the character. You can just do you know what again, to go back to the inventor of time, you know time Lord is asked, he just regenerates. Fuck fuck off Marvel, Like nope, they they got cold feet. They got cold feet, That's all this is. They they knew what would move the needle, and they did, and instead of committing to something different, they decided to

bail out. I mean, and again, if you watch this movie, this movie is a microcosm of a bigger MCU problem, which is and then we have a joke, and it's like it's always been the thing that everyone's held against Marvel is the tone, like the Joss Whedon effect, Like you get the seriousness and then right before it's supposed to be all the way serious, you have a jokey bullshit and Marvel can't escape it even now, Like just the movie itself is like that, Like the movie can't

get out of the way of a tone could be taking the audience halfway serious. This movie wants to be joky because it doesn't think the audience is prepared to see characters die. We watched Iron Man die, we watch Black Widowed and Gomora die. We watch those characters die and they're dead for good, some of them, Like we can hand why, Like the people have grown up with these movies, Like there were children that were like eight

years old when these movies came out. There adults now, like I don't get it, Like just respect your audience a little bit.

Speaker 2

There is no universe, by the way, where Yolena the White Widow is her her main problem is that she's not loved enough by her surrogate dad, Red Guardian. That guy would be an oozing pile of love for that character, Like he would call her every fucking day. That was bullshit. That's like a straw man, you know. They just like set that shit up so that she has something to

cry about. But like, how about she just wants to fucking die because she's fucking killed so many people and a lot of innocent people, and now her sister is dead and she no longer has meaning in her life. Maybe maybe that's what's troubling her.

Speaker 1

It's baked into it. It's I don't understand why they ignore the obvious and go for them.

Speaker 2

You don't call me enough on the weekends, Papa, Like that's it. That's what we're getting.

Speaker 1

Yah, Yeah, where's I just don't understand where the stakes? Where are the steaks here? They just they don't have them because they know that they have this that I think I think and this is again, this is me just making a supposition here. They have this massive reset button coming.

Speaker 2

Up, so so go for it. So fucking go for it.

Speaker 1

Yeah, I don't get it, Like, why not? Like you literally know what's coming up. You know that again, we know what they've cast for doomsday? They cast the X Men from the original X Men movies. You think that those characters are making it out of that movie? Like, No,

they're not. Like, and that's not a surprise to anybody, because the way Marvel's doing things, they're telegraphing everything now, because they're making it very clear that from the point that that second Avengers movie comes out on is going to be a completely different thing that's probably going to look nothing like any of this, which is I'm perfectly fine with and cool with. But convince me that that's

not what they're doing. I just don't understand why none of this stuff feels like just throw whatever, you know, caution to the wind and go for it. If that's what we know is coming, Just do it.

Speaker 2

Marvel got you are right, Marvel got cold feet because what happened was not only were they sort of slow thinking they were going to take their time like they did with the with earlier projects as far as setting up the multiverse, but I don't think they were expecting everything everywhere, all at once to come out and sort of poison those waters and get everyone like a little too overused to a multi versus a problem. And then you know, DC started doing it. TV series have been

doing it. Everyone's been doing different timelines, like you get memes about it that. So, so what they did was back way off and continue telling sort of regular, sort of standard stories, not leading us in any direction whatsoever, because they were supposed to be leading us in the timeline direction. Where they should have done is every fucking single one of them should have been crazy with cameos.

They should have been setting this up all along, Like why is fucking Nick Cage's ghostwriters suddenly helping us on our trip? Like you know, I don't know. They dropped the ball real, real hard.

Speaker 1

Well, it just reminds me of the problem with Deadpool Wolverine. It's like, because it's a Wolverine movie. You couldn't make this the whacked out movie it should have been, with every single insane cameo known to man, including again Nick Cage's ghost Rider, Ben Affleck is Daredevil, Like go go further, go to the Roger Corman Fantastic four movies, Like Fantastic four movie, go further than that?

Speaker 2

No, because then you would have had to have a list people in a Ryan Reynolds movie, and he couldn't handle that.

Speaker 3

Wait, what see having a problem. I'm not keeping up on this whole Blake Lively whoever this other dude is Like I see headlines almost every single day, and I'm just like I could not give a shit about any of this.

Speaker 2

Well, I thought it was actually crazy, quite illuminating.

Speaker 3

Is based on this guy? Is it okay?

Speaker 2

Yeah?

Speaker 3

Like I just can't pay attention to it.

Speaker 2

Come to find out, like like there there was this whole campaign with you know, trying to get this guy discredited because Ryan Reynolds was like rewriting the script and trying to like control the direction of the film itself, like right from the get go to the point where like she came forward and had to have a mediation where she claimed all of this shit was going on, that he was like behaving sexually aggressively towards her, but and he signed off like I will not continue any

of this sort of behavior. But he signed it because he's directing the movie and his fucking lead actress just came out and said this, and you can tell he was like, whatever, let's just get the movie made. And then afterwards she starts like bringing it up, and then he has footage of them in all the scenes that she said he was doing it to her, where he did nothing of the sort. It's crazy. It's whoa Yeah.

In a world where like you're lucky to get a movie made, the fact that anyone is behaving this way anymore is fucking bonkers to me.

Speaker 1

I didn't know. Ryan Reynolds apparently is a bad man.

Speaker 2

Seems like a real piece of shit. Now, Actually, whoa yet?

Speaker 1

Where where have all the good girled good boys gone? Mike? What's half? Oh no, damn, he's.

Speaker 3

He's supposed to be way nice.

Speaker 2

I know it should have been.

Speaker 1

Dan Ackroyd was setting the bar way too high for the malone.

Speaker 2

I guess all around the world, same song.

Speaker 1

Oh man, yikes, Oh it's nothing but trouble. Ryan Reynolds seems like nothing but trouble, if you know what I mean.

Speaker 3

I know we've said a lot of things on this episode, but when this comes to the Plex Server, I'm gonna be watching it again, probably a few times. I'm sorry, but I don't know something about these movies. Like even though it's like, well, yeah, it missed the mark, it could have been better. This the facings off, This is off, This should have been better, but it's like, yeah, all right, it made me happy for two hours and six minutes in a movie.

Speaker 1

Theater mediocre and times. This movie is not great as this movie is, It's I think a movie I will probably come back to several times as well well, because I enjoyed it. It's better than the last three Marvel things I saw, And I'm probably going to engage with Marvel a little bit further with dar Devil to Father Malone's suggestion, because I never really watched the original show, but I did want to mention and I did want to ask because we kind of alluded to it a

little bit. But to kind of bring this all full circle or all the way, you know, back to the beginning or again to the spoilers of it all, what did we think about the reveal with the Fantastic Four and like to end the movie with that, what and to make that clear that this is where this is headed and to again, I'm just curious y'all's thoughts on the way that they handled it, the way that it was executed.

Speaker 3

Plumsie well as the Yeah, as the credits were rolling, I was just like, Okay, what's going to be the big reveal? And I honestly thought it was going to be something to do with doomsday, just because as they that whole fucking video with the chairs and stuff, what

a stupid fucking stunt that was. But that so I was like, Okay, are they gonna give us a little something like two movies from now or maybe something about a TV show we're gonna see that White Division or some of these characters that we haven't seen in a while. But no, it feels like they've really gone back to like yes, exactly. It feels like they've kind of gone back to more of an the older style, like those original Avengers movies where it's like, Okay, this leads to this,

leads to this. I mean, I'm surprised that there wasn't a Thunderbolts thing inside of Captain America for But I guess having Sam Stearns talk about It's coming is maybe the doomsday thing. But at the same time, I'm like, dude, I saw fucking Jesse Eisenberg do the whole It's Coming thing at the end of one of those awful DC movies. I don't I don't need that, you know, I don't need Sam Sterns to be doing that. I'm just like, why did Sam Stearns even turn himself in? I'm still puzzling that.

Speaker 2

So ans here your.

Speaker 3

Question about Fantastic Four. I agree with Father Malone. It's clumsy.

Speaker 2

Yeah, it's just sort of crammed in. It's you know, it's like, you know, it's not like they haven't done this before where they just sort of give us a random bit from some other franchise that you know that will eventually sort of be getting to. But you know, I wish it had just been more Thunderbolts, like doing their fucking thing. Like, how about what's John Walker's wife

up to at the end? Is he making any attempt there? Like, you know, there are plot threads that this movie brings up that they maybe could have hinted at further or like you said, Mike, give us something from fucking that we don't know what's happening, like doctor Strange is often some other fucking universe with Charlie then that right now, like what's been going on with that? There are so many things they could be checking us in on instead

of like guess what's coming right and the next one? Kid, stay excited, get your pop corn bucket money ready?

Speaker 1

Yeah, yeah, I don't get, like that's what I mean, That's what I don't get, Like why do we have to why do we have to show the next movie?

Like literally, why do we have to go like buop up buh like because we know that the next movie is not unless I'm unless my assumption is wrong with the next movie at the beginning, I think the point of leading into the next movie unless this is like with what happened with Avengers, which is the last time I could think of actually mattering that you had, like but bah like a thing where it's like and we have the pager and that goes right into Captain Marvel,

the movie that has to explain what the pager is for, which ends up not even mattering an endgame, but that's a completely different story, and she comes back for one scene in that movie that matters. But hey, whatever, I really just I was at the end of the movie. I was just sitting there, was like, fantastic for it, fantastic and then you know what they did that spoiled it. Michael Giacchino is fantastic for a First Steps theme right there in the credits. And it's like you in.

Speaker 2

The credits, I saw it too, you fuckers.

Speaker 1

Like it's right there. You spoiled it before you even spoiled it for the people that still don't know, Like you gave even the people that didn't know an opportunity to be smart. Yeah, and it said it right there, And it's a and and the and the Fantastic four theme is really good too. That's the problem. It's so good. It's like now, it's like I recognized it hearing it, like because again, they play it right at the end of the movie. They're playing it over the credit as we lead into that.

Speaker 3

Yeah, by by the way, why nothing's going to stop us now by Starship in the end credits. That was that used at all in the rest of the movie.

Speaker 2

No part of the wackiness of the Guardians that we need to replicate here because that's what teams are. Teams are goofy, that's what they need to be.

Speaker 1

Boy ey, one needs a each one needs a needle drop like in Suicide Squad.

Speaker 2

Remember, oh yeah, Red Guardian should have been the only comedic character in this Yes, thank.

Speaker 1

You, agreed? Agreed. Yeah, well I don't Yeah, I don't know why you make the essentially American American government serial killer who just goes and kills people with wand why you've allowed him to be a jokey character and then have him be just like a dad who's on his phone around his son, which is like again, like what a yeah? How like that?

Speaker 3

Yeah, that's a pretty small complaint.

Speaker 2

That's his Yeah.

Speaker 1

And by the way, shooting the person in the middle of the street like killing the like like they literally reference in the dialogue of the movie.

Speaker 2

No, he doesn't shoot a man in the middle of the street. He uses Captain America's shield to bludgeon a man to death. Okay, how about a flashback to that. I don't need to know that he wasn't paying attention to his child. By the way, clearly he's not paying attention to his child while all of that shit is going on. He's just been stripped of the title of Captain America. The entire world is considering him disgrace. I

might be able to distract it too. It's not like his child burned themselves while he was fucking off and doing something. It was the child is sitting next to the wife's in the next room, comes in and goes, hey, we'll pay attention to the kid. Yeah.

Speaker 3

Yeah, I was like, well, that's like the least offensive thing. I mean, I was expecting her does smacker across the face or something like something terrible, something awful? Yes, exactly. And yeah, when he was bludgeoning that guy with the shield in that show, that was probably the best moment of the show, when it was actual like oh wow, this is amazing, rather than Sam Wilson just talking people

down at the end of the movie. And I guess that's how the fucking movie ends, right with Captain America for him talking down a red Hulk, you know, trying to do it twice. And yeah, I met with a friend of mine for coffee recently and the first thing out of his mouth is, why wasn't it live Tyler at the end of Hope.

Speaker 1

Still have no idea. Still, if you're gonna have her in the movie, why not have her in the movie? I still don't get it. And it's Marvel just again, they go all the way up to the edge and they just don't commit. Why not? You guys have so much you know what, you have so much money, you can you can afford to make a mistake, you know how. I know Jonathan Jonathan Major's being recast and pivoting didn't

cost them that much money. Quantum Mania was like the biggest failure they've had, but it's still wasn't that big of a failure. Ultimately, more critically it was a failure than it was financially, Like, Marvel can afford to make mistakes. I don't even understand why they don't commit. What's just like if anyone can commit, Marvel can commit because they have the mouse money. They have the money to commit.

Speaker 2

The crazy thing is like they announced they're doing Guardians of the Galaxy, and everyone's like, who and what the fuck are you guys doing? Like what do you think? We're just going to accept anything you throw our way? But then they actually gave us a good movie because those are good characters and you can do that, you can have a team, and you can you know, do it that way. Why they aren't, like you're saying, Chris, why they aren't just letting somebody like have a vision

and go fucking with it. Because maybe it's because they're all too tied up now with all of the fucking mythology and everything has to fucking connect here and there and wherever. Like I don't know, it hamstrings this movie, like what you said Mike earlier, like about when this movie comes out on cable and whatever. Like, yes, I'm definitely gonna watch it again. I'll probably watch starting an hour in though, because that's where the movie gets good.

I'll definitely'll watch anything else where they've got an established team, the New Avengers. They want to do a New Avengers movie. Fuck, yeah, I'm on board. But like that meandering bullshit of the first hour of this movie, Like I don't get it, and I don't get why they aren't more focused and more free considering like we've said, they're gonna wipe everybody out anyway.

Speaker 1

Yes, hey, yeah, I don't even you know, there's part of me that doesn't even think that the versions of the Fantastic Four that we have are gonna end up being the version Fantastic for and moving forward, there's a distinct given that they've a given that we've already seen two different read Richards, because now Pedro Pascal is read Richard's number two, because we've seen that the Zoom, the Zoom meeting John Krasinski, mister Fantastic, which you can't convince

me wasn't just exteriorly from everything in that movie.

Speaker 2

I would and they can bring in Griffith fucking from the original, you know exactly.

Speaker 1

Yeah, I think I'm not even sure Pedro Pascal and then make it past you know, doomsday. I wouldn't be surprised if they get iced with the rest of the characters. Like that's and that's why for me. Yeah, to your point, Father Malone, like just give somebody free rein to do

something after this. If this is what everything now has been leading to an endgame was just the half way point, and then you can and you can somehow land the ship and make it seem like this was all leading to this, which like good luck Russo brothers, good luck if you can land the ship and reset and hit that reset button hard and real hard, and on the other end of it gives some people some room to play with things because now we have this pre kind

of pre accepted mythology who everybody who's seen the MCU can watch from the beginning and then get to this point where things can start anew but also as a new spot to bring new people in who don't have to see thirty five goddamn movies and thirty five TV shows worth of shit good because this is getting stale, it's getting old, and the multiverse of it all like you backed yourselves into a corner. This is your own goddamn fault. If you didn't want to do this, you

should never have done it. But those Spider Man, those Three Spider Man, that money was too good. It was too good to pass up that Spider Man, the Three Spider Man in a movie. Money, it was too good to pass it up. That's what this that's what this

stinks of. Still, they did the whole multiverse thing there and then they were like, well, now we can do it everywhere, and they have not done anything with it since that's the best use of the multiverse on top of everything else, And that's the first time they did it the first time, and the probably the second best time they're going to do it is in the next

fucking Doomsday and maybe Fantastic four. And you know what, there are a lot of movies in between that reference the multiverse or spend time talking about it, and I just I'm so ready for this to course correct in a meaningful way. I really am, because I because, like you said, there's something about these movies that I inherently enjoy and I don't want them going anywhere. I don't like enjoy these movies way too much. Bring back Captain America,

Bring back Chris Evans. On the other side of this, you want to reboot it, have him open his eyes at you know, and the start of a new day or whatever the fuck. I don't know, you know what. I'll be there for them, but you gotta you gotta get us. That's a pretty tall, almost vertical clickface to get up. And you know what, the Russo Brothers and Robert Downey Junior, I've seen them. I've seen those two Avengers movies, and they work way better than they have

any to now in retrost. It really work a lot. But like that move those movies, if you've watched them recently. They have so many moving parts like and nay, and it's it works way better than these movies do, which have if not as many moving parts, but more in a lot of ways. Yeah, I'm I'm ready for this to be over and done with with this timeline and

them to start with something fresh. And I hope that they actually take an opportunity to do that, because the fantastic for a movie, whatever happens at the end of that movie, we can't unsee that. And this is the last recording before that.

Speaker 3

So Chris euding that you just said, I completely agree with. I am so done with this timeline and I just want everything to be over.

Speaker 1

But timeline, yes, present, God, my god, the timeline where all of the properties rites are split between multiple different companies because the company that owned them was, you know, unaware of how to do anything in film with them, while DC spent thirty years making movies. So I'm glad Marble finally got there backt together and made movies of

quality and that we have the MCU. But yeah, I'm starting to sour on this and they pulled up hard enough, and this is mean, this is that opportunity from here on out. And I really was hoping Thunderbolts would go further because of what everybody knows is coming. I mean we've seen like pre production art for Doomsday and the movie afterwards. I can't even explain what the fuck they're going for, Like I don't even know, Like how do

you get to that point? So I'm on board. Just don't pretend like that's not what you're doing, because everybody and their mother knows that that's what you're doing.

Speaker 3

And Ben Attic cumber Matches and playing con don't know.

Speaker 1

That's not all right?

Speaker 2

Right?

Speaker 3

Why would you think that?

Speaker 1

Right?

Speaker 5

Right?

Speaker 1

John John John Walker whatever hist what his character's name is in this something so you know, like, oh why yeah, ghost.

Speaker 3

Makes it to the earth, not ghost, but makes it to the end of the film. A weak wink, gentlemen. Any of the last thoughts? Are we just good to talk about what we're working on?

Speaker 2

Now? Let's do that, all right?

Speaker 3

Father Malone? What are you working on these days? Oh?

Speaker 2

Check out everything I do over at midnight viewing HP. They are my co host from night, mister Walters and Noise Junkies. He and I are currently involved in the Fusco Fest we're looking at the works of John Fusco, screenwriter. We've already covered Crossroads and Young Guns and Young Guns too, and by the time this comes out, our next episode this coming Friday, is about Thunderheart, the Valal Kilmer, a Native American FBI thriller from ninety two. I believe check me out over there.

Speaker 3

I saw that at the theater the Erort. Yeah, and Chris, how about yourself?

Speaker 1

Ridingwaymedia dot com is where you can find all the things that I work on or promote. Like Father Malone said his show Midnight Viewing, you can find that over there. You can find Mike's show, the Projection Booth over there. You can find Sharon and Susan's show Eighties TV Ladies over there as well. God, I'm twisted it on cork to that, Father Malone mentioned HP's Noise Junkie, which is

now HP is Noise Junkies. Yeah, you can find all that a weirding Way Media and Patreon dot com, slash Culture, Cast, Projection Booth, and Father Alone. Because you know, if you can, if you like what we do and you think that add some value to your life, you know, kicked a couple of dollars our way. If not, just like, rate and review anything that you interact with on whatever platform you get it on podcasts, preferably Apple.

Speaker 3

And Yeah, I have nothing to add. I'm not gonna do my usual spiel.

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