The HIDDEN KNOWLEDGE that connected the ancient world | #88 Matt LaCroix

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This is so much more than a lost civilization. This touches on reformatting our understanding of not only history, but science, even religion, understanding of the universe. It's very significant what I uncovered. They left the most advanced Ancient code. In order to find it, you had to be basically an initiate of mystery schools. And then what happens to humanity after Gilgamesh? Empires rise, fighting and battling each other, and we go to the darkest times.

History. The two most important symbols from Bolivia, Peru to Von Turkey, and I have them all in one place as the entire temple layouts themselves. The three doors, they're essential for understanding of the universe. The middle door is physical reality, the left door is the underworld or duot, and the right door is the celestial realms. This is a blueprint model for not only human ascension, but the universe itself. Ionis's flower is a solar flower to the above.

The celestial. The underwater ruins are seeds because that's where the origin of nature is. It's the underworld. Kev Kalesi, tetrahedrons, structure of physical reality. Each temple is a manifestation they created of the structural reality itself. A word to unlock everything else, and nobody on this planet spoke it. And now I'm about to give it back to humanity. The word is It has been Three months since you've been on our show?

And I usually don't have guests back that quickly. Um actually let me just pause and rewind. No three months since I did a sh did a show, not on your show. Did a show, but you were on our show about three months ago. Eight months ago, I think. Was it really? Yeah. Oh my god, dude. It was not I was living in California.

Oh wow. Okay. There's that's like a time war. Yeah, that's crazy. Yeah. I thought it was much more recently than a little while, believe it or not. Yeah, for sure, for sure. Well this is really good timing then because We were talking about your trip uh on the show and you were heading to Turkey and you had you know you were so excited about it and and it was a it was a great episode and uh you got everybody pumped up about your trip and um

Um so now the follow-up of what did you learn and it's kind of like the most mind-blowing thing that you've uh you're gonna dedicate your life to to what you've learned essentially, right? I never imagined what I was exploring was gonna lead to what It I I can't emphasize that enough. So the first place I wanna start and just express is that when I began this journey of exploring these similarities, these Undeniable connections in three continents at least.

I knew that there was something important there. And of course that was why we were traveling and filming, you know, the documentary, which we're still in the mid in the middle of, and I'll give an update on what what Where that is now. But essentially When I last did that show with you, I was I was about to head to film the in Turkey and in Cambodia.

So that was where we left off. Right. Back, you know, geez, I think it was might have been like April, I think. Okay. Way back then. I can't believe it's been that long, but uh I know it. Yeah. Right time flies. Yeah. So I have just jumping forward a little bit. And I'll explain everything in between, but I have not done a podcast in three months because I had to publish.

this discovery before I could talk about it. It is that big. And that's like the longest you've ever gone without doing a project. I've never done anything like that before. Um I was basically uh an isolated I was like an isolated monk in my little cabin on a lake in in uh I live in far. literally in the middle of nowhere. And so I use that time and it it it ended up going down a road that I never imagined.

Right. Don't underestimate the ability of having complete tranquility and quiet and peace. in nature for long periods of time and how and what that can what that can do. Right. So no no TV at I don't even own a TV or my

Yeah. That's awesome. I just want to give people a feel for for Matt LaCroix. Yeah. So So Matt, I guess before we continue, like uh just in case people are new and they didn't catch that first episode, maybe just a just a brief introduction of yourself and kind of what you're off. So I I'm a researcher, writer, but also I I dabble in a lot of, you know, understanding masonry of megalithic structures, ancient symbols, understanding like Mesopotamian tablets and stories of all.

It's it's a wide arc that I like to cover. And it's what it is, is of essentially exploring a lost chapter. You know, when and what where we were at that time, back when we first did our show, was we need to try to find evidence of a lost civilization. We need to try to see if we can prove that it was real. I do believe that conversation. I do. And I think there's an entirely new conversation that is going to come out of that, which is where we're gonna be going in this show. Is

First, laying out what we've done, what we found, and then what the what the implications are for that. So it's not the the arc of discovery of what I'm about to go over and explain is not simple. It's incredibly complex. So everybody listening to this right now You know, you might want to go get a snack, um you know, something to drink and buckle up because this is gonna be a journey. And the funniest thing is that there's a term that a lot of people use, which is going down the rabbit.

And a lot of people don't like that term because like no, when you try to understand things you ascend and you go up, so why would you use that? This conversation will be the rabbit hole because instead of just going up, we're also going to And so that's gonna be very interesting for people.

So you haven't done a podcast in three months. You've you've had your world flipped completely upside down from what you've discovered and um you're here and you're here today and you're sharing this information with the world. So just if I could just ask, because I'm just so grateful that you've

uh chosen limitless to to come on to and to share this information with the world. What was it? What was it about about this show that made you wanna kinda do that? Well, I know you and having spent time getting to know you and talking to you and have a lot of conversations and you have a level of understanding that is necessary in certain components that

I needed somebody that I could express this to who has an understanding of what Hermeticism, fractal geometry, consciousness, I needed somebody like that. Gotcha. That's essential for this to convey this message correctly. And so. I want to be able to lay this out in a way where I where we can expand.

and include all the necessary components to understand what this is, but we can't go too fast and we can't jump because if we do, we will lose people. Right. This is so much more than a lot of things. This is a full paradigm shift. And this is also, this touches on

Reformatting our understanding of not only history, but science, spirituality, natural law, Hermeticism, even religion, understanding of the universe. It's it's very significant what I uncovered. And To give a little bit of a backstory about where we went and what what was happening during this exploration.

is again I had been exploring these hotspots, we'll call them, where there was the same symbols being carried over, the same styles of building. There was a a direct connection that seemed to be very apparent between Vaughn Turkey, the region in Eastern Turkey, with Peru and Bolivia and Cambodia, and then the big one that broke this entire thing open was Egypt.

And that that conversation and the means for which that led to the road that it did is pretty extraordinary, actually. So where we left off. I then jumped on a plane after after we talked and we went in Turkey and it was absolutely incredible the filming. And I got to dive down. And to be a part of that was absolutely extraordinary for my life. And now knowing what I do compared to then, there's even more

So we filmed the underwater ruins. We dove down with famous diver Tossin Jalen and the whole crew with the the the National Guard there and everything, right? The ho the Coast Guard. It was it was quite a And on the t on the team with you was we had Doctor Robert Schock, we had um Arturo de Leon, Lidio de Leon. Um we had um a whole camera crew and team along with Martin Young and I was also with uh Paul Walsh was joining us as well. And then we had uh archaeologist Omer Tenura.

And so that was the Turkey group, but there are other individuals and experts that have been part of other regions. So we have a pretty large team of at least 10 people that is that is on that. So we filmed.

For the first time in history, I honestly nobody's ever filmed there. That's incredible, man. So exciting. Yeah. Especially with what I know now. Yeah. Um, and then we filmed Shavuustepe, we filmed Kef Khellesi, and then, of course, the surrounding areas. And after that, which which was a huge We went and did Cambodia. And that was an incredible adventure. Going to these specific areas that uh most people know Angor Wat, Angor Tom complex. It's actually the largest.

And that's it was built by what we call the Khmer Empire. Problem is that there are very specific sets of temples within that that are far older and are already actually have been acknowledged as being pre-Khmer. But nobody really has explored that, and so those symbols I was finding the same step pyramid design symbols above doorways, the same designs across the entire world in the jungles of Cambodia, same thing as.

Same thing as Peru. Yeah, pictures of all this stuff. Oh, all of it's laid out. All of it's uh the documentary has all of it filmed in there. Yeah. Is the documentary where where is the documentary at? Well, that's part of this whole conversation because We were done and we were just entering the post process.

where I was gonna fly and do all the fly to a team of doing all the editing, all the narration, right? We were right on the edge of that. We had meetings going. We were in conversations to do Meanwhile I w I'm about sixty percent through my new So there's where things were. This is early November. So we're jumping through the summer, filming in all those locations. So here we are in November, and this is where everything is. From that point.

Everything had to shift, everything had to adjust. If if anything, people look at my life and think that it was very exciting during that, and it was, but I can't even describe how excited. The last three months have been a whirlwind, to to say it in the best way possible. Because of this discovery in Egypt, we had to delay the

And because we hadn't need to film there now. And so the delay is good because in in early May we will be going with the whole team, including Dr. Robert Schock, to the Giza Plateau to film this discovery and then add To the whole thing. Now, the reason I haven't done another podcast in three months is because I had to finish the book. I had to publish.

It's that big, it's that significant. It lays out an entire cohesive model. And I and so once that was done, which I have never busted my butt that hard in my life. I had a little bit of confusion last night when we were talking at dinner about the book because I couldn't possibly imagine that you could have finished a book so quickly.

I mean you you you essentially got got back then from Turkey and finished the book and now it's already available to buy on Amazon. I was doing twelve hour days. Yeah full twelve hour days because Yeah. And so I I really needed to work hard and I did. I basically just isolated myself and I got the book done and it I'm very proud of how it turned out. It's called The Missing Key, Ancient Code of a Lost Civilization, and it lays this entire thing.

models the entire codex, timelines, the whole journey, all the pictures, graphics. It is it is the journey and the discovery all in one. Now Why that was so important is that what we're about to talk about is not something that other people have discussed. This is brand new, cutting edge, to the point where this will have major ramp.

This is not something that and I don't say this in an arrogant way. I say this in a completely objective way. This is not something that can be disproved. I did not f I did not make it. I did not create it. I simply found it. They left it for us. Now what do I mean they? Imagine you had a civilization that existed for roughly eighteen thousand years and they mastered their understanding of everything in ways

that we don't understand. Imagine a civilization that's almost completely the opposite Where instead of building through industrial means and disconnecting to the earth and creating a world that has no connection to nature and the universe, they they did not do anything.

Imagine the very core of their civilization was moral philosophy and understanding of natural law and the universe and how everything functioned. And then their place within that as a steward in all of those things. Now imagine that civilization mastering. But they needed to imagine they needed to leave behind all that behind. Because the most profound thing that I've discovered and understood it about this is that they were masters of also tracking tracking psych.

And I believe that they knew their own demise was Which is so sad and poetic, is they realized that they were all gonna be destroyed. Th the civilization was going to collapse and not everyone was. A massive catastrophe. What do they do? Well how how? How did they know? Because they were tracking cycles and they knew of previous cycles that already occurred and what was The cycle is that the earth goes through catastrophic periods of reset.

Where you're talking about events that I believe are mostly related to the sun, CME events, coronal mass ejection events, in which the magnetosphere of the Earth is Disrupted for a certain period of time, which causes massive upheavals. And not only earthquakes, tsunamis, volcanoes, but we're also talking about climatic events.

and even things like radiation in certain parts of the earth that would have been extreme. And I think that really lends itself to understanding massive underground cities like Darankuyu and Kaimakli in southern Turkey, of a place that you would need to literally survive. for enormous amounts of time. And that's what I believe All of this connects back except for the sad realization is that I think most of them did not make

Do you do you think that you know what that cycle was? Is it that twelve thousand year cycle or is it what what's the cycle time? The cycle is based on very interesting interactions of interglacial and postglacial. That seems to be a huge part of this. But there are other factors as well, including the first event that I'm in I was tracking that's very well known. If anyone wants to understand it, it's 41,500 years ago. It's called the Adams event or Lost Shot.

Um that is a benchmark for this because I'm convinced without a doubt that that is what the original first deluge that's discovered. There have been multiple. Remember when Solon was in Egypt talking to the great priest down there, you know, Sanchez, he told, he says to Solon, You Greeks remember one deluge or one destruction, but there have been many, mostly of water and fire. Now This civilization knew their demise.

And so they left the most advanced ancient code ever been left ever left before. And it was so complicated and so high level that in order to find it, you had to be basically an initiate of So what does that mean? Mystery schools are the ancient education system that once existed before Christianity and before monet monotheistic religions.

as the benchmark for what you needed to do to understand how everything And they believed that knowledge and the acquisition of knowledge into wisdom to turn the b the self into a temple that's a reflection of the temple outward, which is society.

They believed that that the necessary components of that was understanding all aspects of how the universe worked and how everything functioned, especially psychological. It was essential to them. And so when when I went down the road of of really spending years and years studying Hermeticism, natural law, and a lot of these these very esoteric, archaic things that are mostly gone.

It was the reason why I was able to find what I did. I can't emphasize that enough. That was why this was missed by That's why this was missed by a lot of very intelligent minds because you had to be able to look through the lens of their world, their philosophy, their understanding, and it It was a very interesting journey and um you know we can segue into how that what how that started and what that discovered. Yeah, for sure. Let's do that.

Mo a total clear picture for the audience of what did this civilization look like? Like where did they begin? I guess you know, the Le Champ th I think you're saying like forty two thousand years ago the Le Champ um or Adam uh excursion was yeah, was around that same time period. So When do you think the civilization started and then kind of what was what was kind of happening around that time? So we don't actually know the date of when they began.

But we do know of when the first iteration was destroyed. And so if I was gonna give a ballpark of my understanding with the complex timeline I've created. Somewhere around forty five to fifty thousand. Okay. When exactly? I don't know. And you've been consistent with that number for a long time. That that was accurate. I I do believe I was accurate on that as well. But that that doesn't um the implications that come out of that.

And so, I mean, back then, you know, forty plus thousand years ago, there's uh Denisovans on the planet, right? So, I mean, what what percentage of d I I guess what percentage of Homo sapiens were a part of this uh you know, a part of this civilization and and was it was it everybody uh you know, or were there

assume there were, you know, outliers or outskirts or people who lived, you know, off the grid or whatever. And then, you know, when you look at another species of of uh hominoids at that time, like how does that how does that fit into I just I guess I'm just trying to visualize the world at the beginning of this civilization. I think the first thing we need to do Is reformulate And I guess to to add I guess I'm sorry to uh but but it also during the

Right. So so now we've got um it's not like an equatorial civilization completely necessarily, but there's a lot more ice on the planet and so people are gonna be forced more towards those Egypt and you know, Turkey and

Deglaciated areas. Yeah. The first thing is it's it I don't think it's that much different than we have now, where we have, you know, modern civilization at peak of its of its time, which I don't agree with, but look at the today you go to parts of the Amazon or parts of off of islands off of India, and there are cultures that live with with none of

I think that same dynamic existed then too. I'm not I'm not suggesting and if anything it probably existed in a more extreme way, where most of the world probably was Denisovians and um other kinds of humans. Well Something occurred in ancient Mesopotamia with the lowering of kingship and this emergence of the first civil.

And we've talked about that. And that's a lot of people will coin that as the Sumerians, right? And we and I've discussed that in a lot of my work. And that was where a lot of this began. Now, I want to just start out by s by laying this foundation. I have made some mistakes in my understanding. I want to clear those up now. Okay. As we're going along, there are things that I've had to reformat and understand.

Because of a lot of the what this discovery is and how it entails and and it connects everything. It actually goes all the way back to Zai Suty. Little did I know, but I had been exploring it without even realizing. And it has to do with these divine me's that were lowered down and during Zayasudra's time that he talks about.

I want I don't want to jump around here too much. I want to try to stay if I can in a chronological order to understand. But as as I've been going along with this, there have been some things I've had to change. The first thing is the Sumerians had no right.

That's a big one. That's gonna be a bomb for people. How could the Sumerians had written about written about their own destruction if they were destroyed? It doesn't work that way. They had no writings because they're part of the same civilization. They're an extension of that. They're an early iteration of what became something like that. They didn't believe in leaving writings behind because like soccer did not The he Socrates felt that writings could be misinterpreted.

Are are you saying the Sumerians so the Sumerian tablets? Are you saying that they're not Sumerian? They're not Sumerian. They're not drop some bombs here. But they're much older than that, you're saying they're younger. Oh, so we're gonna drop some bombs here. Okay. We're gonna need to reformat reformat.

What archaeologists think is Sumerian is not. It's actually Neo-Akkadian. There there are no Sumerian writings that exist. They did not write What happened was Gilgamesh during the time period of Uruk and the re emergence of Mesopotamia. The neo he that he became part of what's called the Neo Akkadian civilization. Now

Ryan, can you pull up that slide on Uruk and the describing Uroch and the Sumerians for a minute? If you look up, this is really this is critical place to start. Super important for us to lay this down. So when you pull up and you look up, you just type in, here we go, right here. Right? You just do a simple search. Uh, what time period is Gilgamesh? You know, was he Sumerian? Um, what time period what was Uruk part of, right? And and look at what their answers are here.

They say that Gilgamesh and Uruk are part of the Sumerian civilization. You see that? Except none of the tablets and none of the chronology say that. They all say that the first five cities, Eridu to Shirupak, was far before Gilgamesh, and we know that. Because Gilgamesh goes to seek out the Noah Zayasudra figure to go find out and discover all these things and brings things back.

We'll get into. Yep. Now that's the first huge mistake in archaeology. And I want to I want to point it out. I mean, we're talking about a massive mistake. They're categorizing Gilgamesh and Uruk as being Sumerian. We're we're talking about at least ten thousand At least. Then I want to reiterate that enough. I believe and I can prove that Zyasudra and the first Eridudasharupak civilization was at least 42,000 years old. At least. Now, how old is Gilgamesh in Uruk? 6,500.

Now you understand the scope of difference here. How do we know that? Well Um Ryan, can you pull up the uh Death of Bill games? Um tablets with um Where Dilgamesh goes to the easy. Ah here we go.

And I love this. I just made this right before the show. I think people are gonna love this. And by the way, I gotta just thank you for taking all the time that you did to to make all of these slides. These are these are like nobody's ever seen these slides before that they're gonna see on the show today. It's my pleasure. I want people to understand this and help. Yeah. Now this tablet may be the most important cuneiform tablet that exists bar none. And almost nobody knows about it.

It's which is wild. It's called the death of Bill Games or the Death of Gilgamesh. So Bill Games is an earlier name of Gilgamesh. Okay. Now in this tablet, which it was found in Nippur in in the eighteen hundreds, and it was put together by Samuel Noah Kramer. Now Take a look at the right. And Matt, why don't you go ahead and can you read that for me? Lord Bill Games, having erected Stele for future days, having founded temples of the gods, you reached Zyasudra in his abode.

You brought to the land the mess of Sumer. The meas. The meas of Sumer that were forgotten forever, the commandments and the There are things in that tiny pattern. That are massive. The first thing, look at how he says that the Miis that were brought from Sumer were forgotten forever. Boom, it's already a different time period in the Gilgamesh. See? Done. And in the epic of Gilgamesh, when he meets him, he says that Sherupak is a far.

So that's not that that's not in the debate. Now, the second thing to notice there is that he says you you've you brought back the me's that were forgotten forever. What are me's? They are what? I found that. Mies are div divine decrees of understanding how an entire civilization should function and how the understanding of the universe.

It's it's everything. It's like a blueprint for a world. Double click on that, the Mies part, just because I don't want to lose anybody here. So so talk to me about Miis and and Okay. I originally didn't know what the Miis were. And so when I was writing the book and doing the documentary, I went and flew to Penn Museum to go to the archive to go explore this, but I didn't really understand what it was.

And nobody really talks about the Maize. Nobody does. Where do you get like who discusses that? Because they're confusing. Nobody really understood what they were. They're divine statues and understandings that were that were given. Divine statues of what? Of everything. Of everything, of how the universe works, of how the fractal nature of everything, about what we are, what we're a part of, how a civilization should can thrive with everything, through moral philosophy all

So this is what's wild. Gilgamesh goes to the underworld. I want people to really remember this. The underworld dood, not hell. That's what religion did for it. It's not an evil place. This is super important for us to lay this foundation. And I bet you I'll get a good five percent of comments that are calling me some kind of uh whatever, something evil, right? Not on this channel, I don't think. Not on this channel. Not on this channel. Yeah, no the comments are overwhelmingly supportive.

The big thing we're gonna really be talking a lot about is the duot underworld. So get ready. So Gilgamesh, he goes to seek Zayasudra in his abode. Where is his abode? In the underworld duot. The Duwot is the Egyptian. So he goes there and so what did he do? He has a conversation with him. If you can combine this with the Epic of Gilgamesh, you get the whole story.

Gilgamesh tells him every uh Ziasudra tells him everything. That's how they learn about everything. That's why Gilgamesh and all the tablets that come out. Because of this one meeting. Wow. Zaya Sutra tells him everything: the whole history of Eridud Sherupak, what once existed. But most importantly, he gives him, he doesn't just tell him, he gives him the means to bring back.

It's a it's a it's an it's a way to create civilization with every moral foundation necessary to understand everything. So he brings it back, and what happens? He misuses it and loses.

And then what happens to humanity after Gilgamesh? Empires rise, fighting and battling each other, and we go to the darkest time in human history. Because of why? Because we lost the one thing we needed. That is what I'm about to bring back. That's a big deal, Matt. You're saving the world with this episode essentially. I mean if th if this is I mean not to I mean not to overstate things or or you know, but but I mean I n I I understand how uh

Huge this is. Um, you know, especially from your standpoint, you're gonna dedicate your entire life to this. And it's something that I think can educate um people in a significant way and really help a lot of people. I I appreciate that. Why did Gilgamesh lose it? I w I think it's important that the world understands so that we never do it again. Okay? This is an important moment for us. It's a tipping point.

He lost it because he was obsessed with his own mortality. Okay. So if you read the Epic of Gilgamesh, he cared more about his own mortality than humanity. So he used what he was given to try to extend his life. And try to use it to for his own benefit. And because of that, he caused it to be lost and he caused us.

So this knowledge today, if this were to come out today and people were able to grab this and understand it and hold on to it and allow it to just completely change the world in a way that it would have changed that it that the world would have been thousands What does it look like? What what what takes hold? What changes? What what do people kind of or is that or do we we come to that? We're gonna get to that. I guess I'll I'll say this.

I firmly believe that every single origin point of all philosophy, all Hermeticism, all natural law, all conscious understanding of sacred consciousness and and ancient teaching. All indigenous traditions, all understandings came. From an origin point. the Mies of of Gilgamesh, he lost him. But s but something that was embedded far earlier. So this is the red pill, right? I mean this this is. This is what takes you out of the matrix. This is. This is the rabbit hole. Because we end up going down

That's what's so interesting about this. You ready? I hope everyone's p packed their bags and they're ready to go because we're about to go. Okay. So there is no there is no uh um interpretation of uh being a dark place. Let's let's like First clear that right out. So it's not a good thing. It's all the block, all the truth of this. The underworld is simply a mirror and realm of the above.

There is no separation. But we're we're kind of jumping ahead here. So let's not do that. The first thing we do, we we lay down is a foundation of Gilgamesh became aware of this. He brought these their their Divine statues of civilization. He lost them and then they became fragile. Into secret societies, mystery schools, and in esoteric circles. And is this why all r mystic religions kind of point to the same thing?

But something happened and I don't wanna we don't wanna jump too far ahead to get to that because I don't want to lose people. But essentially certain things were demonized, certain things were inverted, and basically the path of ascension was Completely by certain individuals. The path of ascension. This the path of spiritual ascension. Yes. The path of spiritual ascension is not just.

reconsider and understand. For instance, if Matt Bell is wanting to ground, do you climb a ladder into the sky or do you sit on the earth to ground? Yeah, I stand in the dirt. Yeah, no shoes. Of course. So So where do we go from here? We have to lay down that there was a complex understanding of the same symbols, the same geometries, the same designs, but I didn't know what So that's where that's where I I was post November. Okay. Now

This is where we get into the fun of of how this all unfolded. Is that enough of a of a backstory before we get into it? I think it's perfect. To be honest with you, this is this uh the yeah, the the intro to this topic is I think you've just knocked it out of the way. Yeah, thank you. Okay. So here we are. I'm I'm early November. I'm in a snowy cabin on the lake. By the way, we've already had a hundred inches of snow.

That's the kind of place that I live in. That's it's pretty it's a pretty cool place. That's where I wanna be, man. Honestly. Out in the middle of nowhere, cabin nature, woods. So good. Yeah. Um Well this is where the story gets kind of interesting and and and almost you wanna scratch your head at it. Eight years. I bought a photograph at a yard sale or like a little uh some kind of a place that it didn't

For like two, three bucks, four bucks, right? Five bucks, whatever it was. I don't even remember. It's nothing really significant. Um, you can pull up that picture, Ryan, if you want. It's nothing really significant. It's It's a plastic frame. It shows what looks like a generic image of the sphere. And Coffery's pyramid, right?

I can't tell. Is it is it photoshopped together or is it an actual image? Did that did they piece those things together? No, it's an it's a single it's a single photograph that was taken. And by the way, I want to I guess call out to whoever that person that took that photograph is. Please give yourself a pat on the back because you without realizing you changed history. Yeah. So I want to give a little story behind this picture. Good.

So eight years ago I buy this picture and this gets into like strange woo-woo land a little bit, so stay with me. Eight years ago it's if you watch videos from me on my my podcast. my uh YouTube channel, you'll see that picture behind me everywhere I go. I've looked at it hundreds Well, one day, early November, it's snowing outside, I'm just looking at the snow. I had this really intentional thought come through. Seemed very external. I know it was, that said, look at the picture.

And I'm I'm thinking to myself, I've looked at that picture hundreds of times. Come on. And it's funny because I joke because I actually rejected and rejected that thought and actually satisfied. Which is must be quite frustrating if you think about it right. Um from a from whatever

That is. Yep. So I sat back down and it came back in again. It's like, look at the picture. And I'm like, okay, right. And I'm not crazy. Um, it was it was a very interesting moment. So I got up and I I'm I'm looking at the picture. Design formulated in front of me almost like it wasn't there. I hadn't noticed it, which was so bizarre.

And I noticed I'm like, that looks like a broken inverted three-level step pyramid on the Giza Plateau. So the first thing I did was I tried to do a a reverse image. Everywhere on the internet. And I'm a I'm an internet hound. Research hound. Couldn't find a single image, not even of the same spot, but anything that even looked in the same direction.

So not even from a distance. So the first thing that I was like, that's very strange. How could the most visited studied of ancient sites in the world on the Giza Plateau Have something that nobody noticed. Well, I did a little digging. It turns out it's in the one of the only private off off limits areas on the That's where the image was taken to private office. This is where it all gets revealed.

So the so the first thing I was very curious, I said, okay, so that's undeniable, is a is an inverted step pyramid. The right's the right side is totally broken off, but you can see blocks stacking cuts. And it's no coincidence, it sits exactly in the middle where the Sphinx is. It literally sits beneath the Sphinx, and there's a reason for that. Because the Sphinx is a guardian and it was originally a lion, which is why that symbol is there. And I'll get into what that symbol is.

The t the what it sits beneath the sphinx? Well, it's you see how it's designed, it's sitting so that the sphinx o it it's right in the middle of the body. Do you see that? Right. If you if you could fix the broken part of the right side, it's a good thing. That step pyramid, it would sit exactly in the middle of the Sphinx. Right. That's not a coincidence. Right. It's necessary. Well, this is not the discovery, it is what led to the discovery. This is what's called a cipher.

Really, really cool. It's actually uh It's when you're th when you're when there's a something very important that the ancients wanted to leave behind for us. Is that where the red arrow is pointing? Right at the cipher stone? Yes. Yeah. So I what that had identified was simply a cipher stone of something far greater. Yep. So when the first thing I did. was I pulled up the temple layout. So m um Matt, can you pull up the temple layout next?

We ended up skipping all of those other images, by the way. That's okay. Yeah. Yeah. Okay. Yeah, we're flying. Now this is where about to blow the world open here. So What you're looking at on the right circle is the Sphinx Temple. Remember, totally closed up. When I saw this from above, I had like a mini heart attack. Because there was the step pyramid, both inverted and non-inverted, to combine in the entire temple layout itself.

And then I then had another little mini heart attack when I saw the exact T that I'd been following all around the world, which in Chavuz Tepe, there are giant teas that are like seven tons, right? Here I have the two most important symbols that I'd been following in three contents. From Bolivia, Peru to Von Turkey to Cambodia. Here I have all of them. Thank you, Ryan. And I have them all in one place as the entire temple layouts themselves.

So I was to me the first thing I was thinking was, wow, this is big. But little did I know that it was just the tip of the iceberg. It was just the beginning of so much more. So First thing I did is I contacted Dr. Robert Schock and I contacted Egyptologist Mohammed Iber.

So they both have worked extensively in the Sphinx Temple. So this isn't the Sphinx enclosure, it's the Sphinx Temple. And the reason why nobody really knows about it, again, it's gated off and you cannot go in there. Since forever? Thirty forty years. Okay. You can't go in there. Reason why? Good question. Yeah. That's a good question. Because you can go in the valley temple. So if anybody wants to I I didn't really spell that out and I apologize.

The T is sitting in the associated temple next to it called the Valley. And the Valley Temple has the mo some of the most spectacular granite megalithic blocks and temple design that's in the ancient world period. If you the Valley Temple is famous. colossal twenty thirty ton granite blocks from Aswan perfectly cut in this temple. Now, so if people can go in the Valley Temple, but you can't go in the Sphinx Temple. So the first thing I did is I called Dr. Robert Schock and I said

Wow. Like what do you know about this? Do you have any other pictures of the Sphinx Temple? Mohammed, I called him. Do you have any pictures of the Sphinx Temple? Nobody. Well that picture from that photograph, I did a reverse search even using AI. It may be the only reference to that that exists. Really? And I somehow bought it at a yard sale eight years ago. There I have not been able to find a single other photograph from that angle anywhere in the world. Wow. Ever taken.

I mean and it and so there's photos of the Sphinx from directly in front, right? And this one is just off to the off to the right. It's inside the Sphinx temple. It's it's inside the Sphinx temple. Which is why you can't get to it. Exactly. And it's also just I think it's just a slightly different angle as well as

So this is just getting good. So buckle up. This isn't the end. This is just the beginning. So the first thing I did is I called So just is is the is the picture capturing those that three tiered structure on the top. So the right the the circle on the right That's that's the actual Sinx temple.

That cipher stone would be in the very northern or upper part of the temple before the Sphinx. Thank you, right there. This now this is a digitally recreated version of it. So I realized that picture frame was very, very important. And very significant. It was the only one of its kind. And so I went and I had it digitally enhanced to preserve it forever. So that it can't be lost. And so that's a digitally enhanced version of that of that framed photo.

Now So this plateau, the pyramids, everything, forty-two thousand ish. Fort forty-five to four forty-two thousand-ish years, right? Or thirty thirty eight. My bad. We'll get there in a minute. Yeah. So just in love. So can y so the next thing that happened is I contact Mohammed Ibrahim, I contact Robert Schock and I showed Robert Shock what I had found. I showed him the layout of the temples from above and

He was I don't wanna put words in his mouth, but I do think it was pretty significant. Now, instead of'cause I don't want to paraphrase or putting words in Robert Shock's in Robert Shock's mouth, but I have deep respect for him. So instead of me potentially expecting maybe a pushback on an email or something, instead of any pushback from Robert. He actually emailed back and said, Oh, by the way, Matt, I was researching what you found, and I noticed that.

the mortuary temple of the coffre's pyramid, which is associated with with this. So this the valley temple and the Sphinx Temple are actually part of the connection to the Coffre Pyramid or the Second Pirate. So he said, by the way, uh, it appears that the Koffrays pyramid has the design as well. And then I was like, Oh my god. So the first thing I did is I went to the temple site layouts for the Great Pyramid and Mencur's Pyramid for the Mortuary Temples, and sure enough, there it was.

The exact same step pyramid design woven into the temple layouts. Now, I'm gonna I'm gonna give a paraphrasing quote from Dr. Robert Schock here. He said, and I love this, he said, it's one thing to argue or or discuss. Symbols and stones that could be misinterpreted. It's another thing entirely to have entire entire temple site layouts be that. You then can't argue.

It is a connected symbology that is shared across continents from the entire world, from what we are now proving unequivocally, is a lost civilization. This has nothing to do with the dynamic. Nothing. And they also recarved the head of the Sphinx. To make it a pharaoh, which it 100% was a lion. And the reason we know that is because the lion ended up being an important motif symbol in this across the world. It is as is one of the symbols that represents a guardian.

They're guardians. They represent there they use spit very specific constellation guardians. The lion is not chosen just because it's a lion. It's chosen because of Leah. So the lion is a symbol for Leo. In this case, it's facing Leo. And we know the lion is a guardian because it's a fierce guardian. Now there are other guardians that we can talk about of this. Why do we need guardian?

Well, we'll get to that. Um this is not something that is simple. It is very important and it needs and it it requires So the civilization would have had this knowledge, the knowledge would have been guarded, and the civilization would have been privy to the knowledge though. They would have been living a a a lifestyle that is consistent with the knowledge that they're being taught in these schools and whatnot. So it's a civilization of um

enlightened or you know that's all that mattered to them. Right. What mattered to them was the highest level knowledge possible and the the the the foundation of creating the So so That was what mattered to them. So help me, if the knowledge is prevalent and everyone grabs onto it and they're all, you know, um they're all enlightened beings.

then and it's out there and you wanna preserve it and you and you write down code to to keep it going after a cataclysm and and you and um you're you're guarding it. What are you guarding it if it's out, what are you guarding it from? You're guarding to make sure it doesn't ever get used Okay. And you're guarding it because it's so sacred that it's fundamental to the t to the entire universe.

So I can't under I can't overstate that enough. So what what is within that what is within that um structure that is being guarded that that differs from what the general population already What's being guarded is what was the knowledge of what was the mase. And they're encoding that into their civilization, but also encoding it so that it can never ever be

And I I'm I have a lot more to expand on when it when it comes to this, so we can understand what it is. Ryan, can you bring up the temple layouts again for the the Sphinx and the Valley?

We're gonna have to start here and then grow off of this. Cool. Yeah. Because there's a whole body of understanding that comes off of this. Okay. So Now I wanna give a snapshot for where I was at this point. So it's the it's the symbology that is causing the links. It's it's the symbology that that links the the the the the structures and the Yes. But I still didn't understand it. Yeah.

So here I am at this point, I've identified uh a multicontinental cross-platform symbol impossible to deny. Right. Okay. It is the whole lost civilization concept. It's all It it's done. That that's great. And now we can talk about dating too, which is also I think very firm. But it's so much greater than that. And I wanna do we want to do dating first before we get into this? Uh yeah, that that works. Okay. Before we get into what this all led to and what it all is, I think it'd be good for us.

Good. Okay. So Ryan, let's pull up those two procession slides. I think we should start there because I have to I have to understand that we're building off of foundations. First foundation is proving a lost civilization existed, then proving how old it is. Then we gotta So let's not skip any steps. Okay.

Now, when Dr. Robert Schock and I linked the Great Pyramids and the Sphinx and the Valley Temple and the Sphinx Temple, it cr it created a a a one uh a synergy between something that was all built at the same time, that all functioned together. Now what's really important for us to understand is that there is not so much confusion over dating when you understand the Now that we've identified it's across pat pattern across the world from cultures that were never supposed to be connected.

We have that as established. Well how do we date it? Well, we take other events like the last champ, Adam's event, but there's other things we need to incorporate. Now in ancient Egypt, there is a very important concept down in Edfu at the Temple of Horus called Zepteh. Zeptepi is their understanding of the beginning, of when everything started. Not necessarily the beginning of the universe, the beginning of Egypt. And so

Everyone has been trying to understand when they were built based on that. Now we've talked about We s this isn't necessarily super new in this in this one area. We talked about how we what what is procession, what is the great year. I wanna go over it really quick again. Good. The the obsession with the ancient world was creating a a a mirror and a synergy as as above so below. It's based on hermetic concepts, which is just an iteration that came to the of the from this later.

They believe there was no separation between that, and that if you studied and mapped the zodiacs, you could understand age. And different time period changes. Now, there are 12 zodiacs, and they follow what are called the Great Year. The reason they exist is that the Earth follows a procession of the equinoxes based on a wobble. Uh the wobble has to do with m facing different constellations every two thousand one hundred years. Those are what zodiac.

Now, this in ancient Egypt, the graphic on the right I made Thank God we're getting out of Pisces, by the way. Oh yeah, Pisces is horrible. Oh man. Pisces was the darkest time in human history, by the way. So but keep going, sorry. Well just remember every every everything must be balanced, everything must be reflection. So as dark as Pisces was, it means that Aquarius has to be that much the opposite.

Which is actually kinda beautiful. So the image on the right I created to show the differences of procession in only two different ages. There are no other ages. What I mean by that is that the Sphinx facing Leo and then the Great Pyramid, now that they're involved in It the Great Pyramid has two shafts, right? We know them as the King and Queen's Chamber. The Queen's Chamber faces Sirius, which is feminine.

And the King's Chamber, which is masculine, which gender is super important in this. We'll get into it. Are you you're talking about the n the northern shaft in the King's Chamber and the northern shaft? So they're they're specifically facing different constellations. Now the king's chamber is facing Orion. But the King's Chamber is a chamber within the pyramid and it has the shafts. So what they are are star shafts and they are facing and collecting ancient star.

And they are facing specific constellations at different times. That's how we know when things were built because they only align based on procession at two different dates. They don't alig align anywhere in the lap. At all. So let's just scratch that off and take it out of the book. That doesn't exist. Now, if you remember, Dr. Robert Schock was working extensively with John.

who is a great hero of mine. They were debating these two dates over and over again. John Anthony West believed that the previous processional cycle of thirty eight thousand years. And doctor Robert Schock was more so arguing the twelve.

Now it's because it's easier to believe, right? Well to me, yeah, maybe that's because it's a it's an incremental step, right? Yeah. To me, it's it's very, very obvious if you study climatic data that it would have been completely impossible to build anything like that. Twelve thousand years ago is literally catastrophes on the earth. We're talking about The older into the younger dryest of huge CME events, destruction, that was when everything.

Not when it was built. Now if you go back one previous processional age, you get to thirty. And I think it's firmly established. That we can say that the Great Pyramids of Giza, the Sphinx, the Valley Temple, the Sphinx Temple in some other places too. Okay, there's other locations in Giza, but we'll just keep that for now. Were built confidently through Lay that down. Yeah. I mean the so the the wood that was found and I don't like

A piece of wood that was found in the Great Pyramid and then on the step pyramid there's those wood like posts or whatever. And just can you can you share your thoughts on that? Super easy. The dynastic Egyptians were there for thousands. Yeah. It's not that hard. And they put those in there. They built things all over them, incorporated them into their culture, and they did something very disrespectful that the Euratians also did in Turkey.

They tried to claim ownership for those things to pretend that they built them and they even altered or destroyed. It's interesting because the wood that was found in the Great Pyramid is like five hundred years older than the the established date for by the mainstream for the Great Pyramid.

construction and as well. But 500 is just like change. I know. You know what I mean? Yeah. But why would you put a five hundred year old tree piece of wood into a a pyramid? You know, it's just I guess my my point is it's just like we really don't We really don't know the date. So if you read Manu Pihal's secret teachings of all ages, he actually discusses in there that Herodotus actually lied.

This is where it began. And there may have there were strong influences for Herodus as being the father of history for doing. Unfortunately on purpose. Saying saying that it was built by the Nastic Egyptians. Yeah. I if he knew, if he even right. I mean do you think he did. You think he did, yeah. Yeah, and un it's unfortunate that mainly P. Hall actually does not let him let him slide on that. Mainly Pihall is

Secret society member, so is Herodotus. Just so everybody's aware on this uh podcast, Herodotus was part of Secret Societies as well. And um he claims that Herodotus. Okay. So let's start there. Yeah, I mean I guess it's just just you know, when you look at the information for the dates of the pyramids and the structures, it's like there's nothing that really supports that date for me. Like that's anywhere near convincing. The Great Pyramid is the most complicated ancient structure.

created. Yeah. And I would put Ionis as being second. And we can talk about what and this this whole thing as Ionis is second and you were the first person to get down there and explore this thing and the images aren't there yet. Are we gonna see any images of of Ionis t today? We're we're going today. Um

Well we're we're gonna talk about it. I mean I I can we can pull up plenty if we need to um but we're gonna be talking all about this. I mean we have just this is just the tip of the iceberg. I mean buckle up like this is about to go into some pretty pretty incredible places Okay, so that's where we get some dating. We get this establishment understanding that there was an entire golden age that of civilization that existed for approximately eighteen thousand years.

And they they mastered their understanding of everything and then what they did before they were destroyed was to leave it all behind for us. But They left it all behind for us in such a complicated way that if you didn't have all the keys Different places and how to put them together, you would never be able to unlock it. They wanted to preserve it so that it didn't end up in the wrong hands. So they hid it around the world like a scavenger.

So I had identified certain keys around Vaughn, but why but I never would have put it together without Egypt. Egypt ended up being the Rosetta Stone that unlocked everything. And so Ryan, can you pull up let's go back to the Sphinx and the Valley Temple layouts and we're gonna go looking we can build off

Okay, so this first thing, this is what it happened. Let me we're gonna take step by step here through my understanding how it all unfolded. I knew there was a cross connection around the world, knew the same symbols, knew it's a lost civilization. But what else? That didn't really go anywhere other than proving they existed. So I'm scratching my head, I'm sitting here, I'm trying to incorporate And I'm digging into d into ancient Hermetic geometric designs. And I find a single.

That unlocked everything. A single word, Matt. Just like the picture was a single photograph. A single word led to the domino effect cascade of everything else. I identified this word and and I and I and I want to strongly point out here, I work very closely with a very, very catered and very carefully created relationship I have.

that because all all researchers have to have a counter to go back and forth with to understand things or you it's like for instance um Plato had Socrates. You have to have that. It's essential. And so Here I am bouncing all this off, trying to understand it. And this word emerges that had had not been used.

in years around the world, anywhere, by any single human. The word itself, which is so beautiful, was at the very and I write about this in the book, the word was at the very edge of oblivion. How beautiful is that? A word to unlock everything else was nearly extinct, and nobody on this planet spoke. And knew what it was any longer. The word, and now I'm about to give it back to humanity. The word is cosmogram. Cosmogram. It's what these are. It's what all of these are. They're cosmogramic.

So cosmogram is a geometric structure that represents, well it's it's a geometric design, I should say, that represents the structure of the universe. So when I saw that, I'm like thinking to myself So this isn't even about Earth or just humanity. This is this isn't about it just that at all. Right. This is about the universe. So at first I'm thinking to myself

I don't I don't I don't understand how that all fits. What how d what do you mean? Right. They were encoding the structure of the universe into their into the into what they're building. So then I go into that understanding and I go into ancient Egyptian understandings of the different concepts of the structure of reality of the universe. What did the ancient Egyptians?

Well, the nice the one the thing that was very important about the dynastic Egyptians, probably one of the most important things that they did was they did maintain. And they carried them down. Thank thank God. Because a lot of this was able to be back engineered because of things like that. So what does that mean? Well The design is based on a three-level step pyramid.

Now it all often has its associated mirror version beneath it, which creates what we know in South America as the Chicana. That's what the design represents. Now in this case. In this case I I recognized that there were three levels. To the step pyramids, but also three doorways on the Kef Ball relief and three doorways everywhere around the ancient world. Da Vinci, Last Supper, three doorways. So wait a minute, so I'm thinking to myself

What does that what does that represent? Well, let's go into ancient ancient Egyptian understanding. They re They realized and understood that the universe is made up in on the only three. And I wanna emphasize this concept of three repeating over and over again. Three, six, and nine, but the emphasis on three. That's why Nikola Tesla discovered that as a code of an understanding. That's where it's that's what it's based on. So

Three, three, three, three, over and over again. I'm kept thinking to myself, well, I know that the Holy Trinity and the triptych. Right. Why do we see a triptych of three doorways and all this? What does it mean? Well, once I under once I put in cosmogram and then I understood what the doorways mean, the levels, everything. What they mean is that the three levels represent the three aspects of reality. Let's let's reformulate this all together now.

Imagine reality is like a hamburger, and the meat in the middle is physical reality. Well, there is a they considered reality only three pieces. So manifestation, physical reality in the middle. Above is the celestial higher realms. Non-physical. Cannot express that enough. Non-physical. Below is a mirror of the above, okay, in non-physical reality called the dua, the to the Egyptians.

Now, they saw and understood that the Duwat underworld was simply a mirror and reflection of the upper celestial realms. And not only that, but the celestial realms and the Duwat underworld are what manifests physical reality. That's why the door is always the biggest in the middle. So the three doors, really important. Um Ryan, can you pull up the three doors for me? The three it's very important for us.

The three doors are essential for everything else. They're essential for understanding of the universe. Okay? The middle door is physical reality. That's why it's bigger, because that's where it's manifested. That's where everything is manifested into the moment where everything plays out on the stage is here. The left door is the underworld or duat, and the right door is the celestial realms. Always. It's a standard. So we have to understand that.

Once we understand those components, the back th the rest of it just unfolds itself. So then the next thing is Ryan, let's go ahead and pull up the kef ball relief now. So in terms of like I mean, as above, so below, right? So so yes you're looking um as within so without too. And the f the I guess the the fact that they right, right. And the fact that they

right that it's a non physical world because in the cosmos is ninety nine point nine nine percent plasma. Right. Right. Exactly. So so up there you've got essentially energy. It's not a physical world, right? Yes. Yeah. And so Uh da n but but but help me kind of conceptually understand what that means for the underworld. Are we we're talking about the earth, right? We're talking about the center of the earth and we're talking about that being a non physical realm as well. So

What does that mean from a geological standpoint? Or just it's there's no is no physical component to the underworld though. It's not going into a dark cave. I want to strongly emphasize that. the earth may be a fractal representation of those things. For instance, uh you s you're on ground and trees and life grows from under. And when you descend down in temples around the world where that was very important in the darkness.

There's our components to connect to that. And we'll un well explain why that's so important. Whereas the upper celestial realms are also extremely significant, there is no separation between them. Okay. So Now, understanding and then going back to this. Now, what is this? This is what's called the Kef Bob. This is part of at least 10 of these, and they are gigantic artifacts. They're made out of basalt, and they're roughly 20 to 40 tons each.

Massive. And I have been to see every single one of these. And it's quite an honor to work with them and spend time with them. But they essentially give the answers to And I mean everything. I would argue and state, I would say confidently that this is the most important. Well, yeah. It contains more of those teachings and understandings and the path and all of it than anything else.

Egypt may have been where I found the cosmogram and where I could find the connections, but Vaughn is where the the real keys were on were unlocked. But I had to have Egypt first to understand. I and people that are listening to this will understand I got the three doors wrong. I didn't I didn't understand them the right way before. I was I was I was trying to understand certain aspects of this and I was right about some things, but I was wrong about others.

Yeah, no doubt. You have to. What was the thing that you m that you I didn't understand the doors? I didn't know that the underworld was on the left and the middle door was the physical reality in the right, and then on the on and or on the right was uh the celestial higher realms and then

the manifestation of physical realities in the center. I did not know that. And so when I was trying to understand the tree of life and the lion that Haldi's standing on and passing all of this and what it all means. I was missing way too many components. So d let's break this down. Yeah. Let's go through it and I wanna explain how all this functions, how it works, and how we know what each thing means. Good.

This if you wanna think about what this is, it's basically a blueprint is what I'm calling Imagine I wanna I wanna give this as a as a way to have people understand this and now I'm not uh necessarily at all implying anything here. I just feel like it's a good way for people to do this. In the third Matrix movie, Neo meets the architect. Remember? And he says there's been many different versions of the Matrix. What is the Matrix, man? Society. Is it? Or is it a blueprint for how reality is?

How to think reality is. It is telling us what reality is, how to be in it, and how to function it, right? Well what is neo fighting? What is Neo. Oh, right, right, right. He's trying to dismantle it, right? Because he understands it's chained people into a false reality. There was no that was there's a lot more truth than that than people might realize. Is that when you understand this and everything I'm about to ex explain, you will see that we're living in a

reality. An inverted blueprint of reality. That's why I'm calling this a blueprint It's a code. It's a blueprint to how everything works and how we So let's go over this for a minute. Good. And I want to explain. We did the doorways. We did see how the doorways are in association with the three-level step pyramids. Same thing. So there's the structure of reality with the three doorways. Now notice I want to go over these figures.

Notice everything is a mirror, everything is a symmetry. Everything has to be. That's how you know what things mean. If you associate something um that is not right, it will not mirror the opposite. That's how you know. That's if people want to try to understand there is truth to be found, if you understand the blueprint of what they

If you understand the concepts of Hermeticism, natural law, w which is what this is, and you understand symmetry, mirroring, and the balance of all these things, you'll get why everything has to be a certain way. Okay? First thing is let's go through it. The lion, same thing as the lion, the Sphinx. Same thing. It's a guardian. Now Haldi is on the right. Now let me explain a little bit about Haldy.

For anyone who's done research, Haldi is the equivalent of Enki. They are the same thing. Now, where did Enki go in the tablet? Enki was in the underworld. Nobody wants to talk about this. Everyone that talks about Enki does not talk about that, which is very strange. Engi is not in celestial higher realms. You all you have to do is read the legend of Atonic.

Says it right in there. You you read all these different tablets, it discusses very clearly that the roles and responsibilities they assumed. Enki, as a preserver of life and knowledge, was his roles and responsibilities were in the understanding. That's the first thing I want to strongly point out. He was the one who warned Zayasudra. He was the one who gave all.

This, what you're seeing in front of you is not an artifact representing a single point of origin of something happening, but a can a continuation of how Always. This is a blueprint model for not only human ascension, but the universe itself. And let me explain it. First thing is, how do we know that that Hall the Enki, they're the same thing? I'll just call him Enki from now on. Okay. How do we know he's in the underworld? Go look at the very center, which is what I didn't understand before.

The very center of this column, which by the way, that's one of the most structurally difficult masonry tasks I have ever seen on an ancient stone in my life. Yeah, it's incredible. They've managed to carve three levels. Perfectly in one of the hardest stones. You see that? Yeah. What I did not focus on originally are those three pillars. How you notice how tall is that? It's roughly four feet tall. Okay. It's huge. It's a freaking huge gra Oh, they're massive. Yeah, and that's basalt. Basalt.

So the first thing is notice that those the tree of life in the center is sitting inside two pillars. Do you see that? And that those two pillars repeat themselves as three. See that concept? On the left, middle, and right. It repeats over and over. Everything is repeating in this. Now let's stay in the center because the center is is what matters the most in this example to explain. Now they're mirrored on the right and left too.

But notice in the center here for a second, there are three levels. Do you see that? Now, the three levels represent the three different aspects of reality. Remember, celestial higher realms. The physical realm, physical manifestation realm, and then the underworld duot. It's refer represented everywhere in this. So that's what the three doors are, that's what the three pyramids are, that's also what the three levels are.

Now once you know that, now go look at the three levels where I have the arrow at the top. See how The physical reality middle door is actually on the the the front piece sticking out. See that? Now notice that the next level down. comes but beneath it, it doesn't have anything on it, but look at the next level. So if you were imagined three levels. That means that what we're understanding for the three doors are that this entire you could call it the front of this motif.

is representing the transferring that occurred and and is occurring from the underworld duod. Meaning that Enki there on the right With the pine cone in the ch in the cup, he's passing that from the underworld. Now how do we know that? Well the first thing is The tree of life is growing in the center. Do you see that? Yeah. The tree of life is everything is a fractal. It's never one thing. This is something I cannot emphasize.

There is not one meaning and I mean not one meaning, it's not one meaning that has like all these different meanings that aren't associated. There are meanings that are all built off of a fractal. What what I mean by that is that the tree of life is is a tree of life for nature and the earth, but it also is a metaphor for consciousness.

There is no separation between that, meaning that Enki is is feeding the tree of life and the knowledge of all of this. How do we know it's knowledge? Because he has a cup or a chalice. The cup or a chalice is is the passing of a spiritual or religious doctrine. In this case it's a it's natural law, cycles, understanding, everything, right? So he's passing that. Now notice what's above the tree of life. You have three T.

Do you see that? Yeah, yeah. Three Ts with three levels in between each T. I didn't realize that was a T until you just said it, but now I see it everywhere. That's funny. See that? Yeah. Um so there you have the three T's and notice Haldy. Now if people understand what on the left the symmetry the mirror on the left it's actually not Enki. It's the storm god version. So on the left you it's what's called Toshiba. And so it is a ac as a force of nature that represents his own.

So if Enki is a god of preservation and life, then it's what his counter is. It's the god of chaos and storms and destruction. Does that make sense? It does. Both are a hundred percent necessary for psych. You cannot have one without the other. You cannot have darkness without light. You cannot have light without darkness.

That's why the yin yang always has light swirling with darkness, and then everything is in between and each out each out. It's as above, so below, as within, so without. There is no separation. So the storm god to sh to uh is on the left, and he's passing the same knock. Same thing. But on the right, notice the difference is that that individual Enki has different eyes.

I was gonna point out the eyes to you. You see the eyes? Yeah, the eyes is for me the biggest single difference. You can see that they're one is a human, one is a human god, and another one is a force of nature. One looks angry. On the left, notice his hands are not in the same place. Look at Toshiba on the left, how he's passing the pine cone slightly down, and how Enki is passing it straight. That is all important. It all represents the balance of cycles.

We m it's an essential understanding of of this. So the cosmos, it's passing down to the earth, to the physical world, I guess. And from below. Yeah. It's not it's not separated. The eyes to me, man, I mean, if I'm interpreting this from a

Just a never seen this before. The first thing that popped into my head was got these big eyes and I'm sitting here and looking at Roz with these big eyes and this guy's supposed to be coming from the sky, you know, and it's uh or or uh be a part of a lot of it was symbolic though. Yeah, I would I would call

Well yeah, yeah, yeah, yeah, that's fair. But um But notice at the right he has human eyes. Right. So that's the point. Now there are three Ts. See that? Those are some almond shaped wrap around frickin' eyes right there though. I mean that's straight. You're seeing the mirror and the symmetry here. And then you also see the you see how there's three Ts right above the tree of life. They're feeding they're feeding into knowledge. Now this is where we can add on.

First thing is obviously because of the levels we know this is in the underwater. So we know that that's being passed in the underworld and we'll get to where that gets super interesting, especially considering the fact that Gilgamesh went to see Zaya Sutra who is

Remember? So it's really interesting actually when you think about that. You see this in Peru, you see this in Egypt, you see this in Turkey. Well that was what I was trying to say, is that this is not it's it's like an entire philosophy. Right. Where is above Enki's head you see that he has like a almost like a crown

A ball at the top. Yeah. It's just like in Egypt where they have the sun above their head. It's the same thing. It represents all knowledge. Now and notice how he's not passing it to the left or the right door. He's passing it to the middle door. Because he's passing it to us. He's passing it to us to understand how everything functions and works. And it gets even better. If you notice above the middle pyramid, can you scroll in Ryan to the two eagles and the symbol at the top there?

At the very top, in the middle, yeah. There is where you then get very interesting symbols that are repeated all around the world, even during the time of the Renaissance. And we're gonna talk about the Renaissance at some point. You see those spokes that come out at the top. There are seven of them. That is not a coincidence. There are seven colors in the visible light sector s uh spectrum. There are seven chakras. Which spokes?

the above the eagles right in the middle. There's those are seven. Yep. Coming that are flowering. It's like a flowering coming out. Okay. Yep. Thank you. Now it is what it's flowering out of is the diamond in the center. The diamond represents the balance of the And what it's essentially showing you that if you follow all of this understanding, all of it, you will reach the highest levels possible to ascend. It's basically the map.

And how everything works and functions. And there's like I'll give you an example. The lion is a guardian of of the the lower realms. That's why he's down at the bottom. The eagle is the symbol they use as the guardian for the upper realms.

So they're guardians guarding each doorway. Does that make sense? Haldi Enki is the guardian of the middle door. This the eagle the archetype of the eagle guardians, which we see eagles all over the world, they became a war symbol. They're a guardian of the upper celestial.

And then the lion is the guardian of the lower realms. That's why he sits on the Giza Plateau between the underworld underneath and the celestial above. He's the guardian between them. That's what his whole and that's what his whole. Does that make sense? Yeah. Yeah, for sure. Yeah. So we can take this even much, much further. Um Matt uh Ryan, let's continue to let's get into the next can you pull up all the images really quick? I we we gotta have to um move to the next

So what I want to do now is And it might be a decent restroom time for me. Okay, let's start. I'm chugging water. Let's do it. Yeah, let's pause. All right, awesome. Matt, welcome back, my friend. Um yeah, so I guess, you know, to to kind of segue off of that first section there, um, can we see some pictures from some other places around the world that kind of Yeah. I think it's important that we understand this is a global understanding that they had. It's you know, their

they had specific definitions and usages of these and so it'd be good to now show someone around the world. And so the first thing is obviously yeah, you can start with that. That's excellent. Is the first thing is that the inverted step pyramid has been there all along. Right, so w that was what was found as a cipher stone in Egypt. It is there. It's it's hiding in the background. Sometimes what we think is the focus has the inverse.

So this is just another example of showing where that inverted pyramid also exists. And we'll get we're gonna get into defining all what all those mean as we get along here too. But go ahead, um, Ryan, let's go and explore and show some of the other ones. So this is this first one I wanna try to explain to people. This is what's called Napa Inglesia in Peru. This is a cosmo.

So it has the three doorways. The the picture is cut off, so it's only showing you the middle doorway and the left doorway in that photograph photograph of me. But what I wanna show is that notice the design that I highlighted in the bottom, how it's a a mirror that connects to something that that um basically So you have a mirror of above and below. being mirrored in the exact same design.

And there you have the three-level step pyramid into the entranceway, not only the above structure as well. And g go to the next one, um, Ryan. I just want to sort of go through some of these for people to see. Where's that on the right? The the the That's the same structure. That's why I have the arrow.

It's basically that entrance way. When you if you want to look at it f because it's often you don't you look at something vertical but you don't look at the horizontal. I see it. Yeah. Thank you. My apologies. I was I was focused on the left and then finally got to the right. And then go to the next one, Ryan. We're gonna just run through some of these. I think it'd be really helpful for people to see.

So here's the on the right is a the giant basalt tea pillar from Chavuz Tepe, somewhere around seven tons. I mean, they're like four feet long. Just incredible. And then on the left, you can see the in Bolivia, this is Puma Punku, you can see that they combined the inverted step pyramid with the T together in the doorway as one single symbol. So it's uh it's a common understood philosophy across continents.

Yeah, let's just keep going, Ryan. You can go through you can go through them all. And so you'd say those are approximately what? Or what would the range be for the dating ages? Yeah. Well they're they're all at least twenty thousand years old. Yeah. Up to fifty. Up to forty one thousand years old. Okay. Okay. Because the catastrophes at forty one thousand five hundred are a benchmark for when um Zayas Sudro that information was lowered to create a new a new civilization after.

So that's where that emerged. Yep. Okay. So civilization kind of beginning forty five to fifty thousand years ago, not you know, the exact date is just a gradual kind of a um Yeah, the civilization is coming coming out and coming to be and then and then you get to forty forty one thousand ish years ago to thirty eight thousand. The first version out. And then the second version that comes out of that is the gold.

Okay. If that makes sense for people. Yeah, yeah. And it that happened, and we know we know the mechanisms behind that. All you have to do is read the Atrahasis, read the Epic of Gilgamesh. It says that Zion Sudra survived. And this I do want to mention this, I'm glad you brought it up. I had gotten what I thought was the seed you pr you preserve the seed, he says. I thought it was genetics. It wasn't.

It was this. The seed was the seeds of knowledge, and it had to do with the meas, and it had to do with this. That's what he was saying you preserved. And so what happened? He gives them immortality in the underworld. That's where Zaya Susan. And then basically his sons, according to Hebrew traditions, Japashem and Ham.

were basically responsible for creating this the an entire golden age that began here. So these are just some examples of showing them around the world with the same symbols. Like keep going Ryan there's a there's some new ones I want to show people So then the the Gobekle Tepe would be like a a a recreation by the later civilization of these tea pillars. Exactly.

Okay, here's an example. This is the back side of the Gate of the Sun. Most people never look at the back. They look at the front with Vira Kosha. But here you have not only the three doorways, not only the three levels. Not only the inverted pyramid in it, but you have the T two all combined in the event.

In in the same place. Now on the right side, I want people to be able to see a reference of how giant the T's are from Shagus Tepe. That's Dr. Robert Schock, archaeologist Hans Orheim and me at the Vaughn Museum with the only one that they have. The rest of them are still in the field. And then there you go. There's a perfect way to to show

That in situ, which means still in the ground, you can see what is one of the most important artifacts in the world just sitting there. Right. Um, overgrown with no fences, nothing. They could actually care less, to be honest. Anybody could go steal that.

Well, there's seven tons. No, but like but somebody with enough money could go steal that. Well they this site is monitored. I'm not just tr it's not like completely like the Wild West. They do they do monitor it and and watch over it, but Donald Trump could steal that. I mean I just I feel as though they probably could have a better preservation. Got it. Um so keep going, Ryan. We're gonna just go through these because I want people to understand how global this is and what it exactly is.

Just one more example before we move on. I think it's just helpful for people. Yep. Is now this is near Napa Inglesia. This is this is at Oyan Tetombo. And it's funny because I bet you eight out of ten people that go to Oyan Tetambo.

Because it's off to the side. It's where a sacred spring flows over. And notice there you have this three step level um cosmogram and you have the three levels inside it and because it represents the balance of all their most sacred spring they have designed specifically to flow. It's such a beautiful thing what they left behind to for us to understand. Yeah. It really is incredible. So Ryan, let's jump to the definition of the T n.

We're gonna get what's let's dial this in now. Let's get into um beyond myth into reason. Now what does the T mean, right? This took me a little while to understand. Once I understood that the T is the three doorways condensed into a single symbol, it really opened up a lot of things for me. Because if you can understand that the vertical, um the vertical is the middle door, right? And that's why it's bigger. That's why each time they have the three doors, the middle is always larger.

So the middle door represents physical reality, and then the left door is the underworld dua, and the right door is the celestial upper realms. Why is that important? Well, it means these temples are created for balance. The Valley Temple, we know that initiates would go in there to find balance. In order to get balance to reach their ultimal states, they must understand the left and right.

Most humans have not mastered even close to the middle door, let alone exploring and understanding the left and right. Now, for all those people who are about to go on some metaphysical journey right now, I would just strongly caution you to make sure you always remain grounded in the middle door. That's the point. You you say to yourself, say this, am I middle door grounded? Always. That's the term to use. And that means that you're grounded to the physical

Because those two realities are both non physical. Now, yes, they are essential for the past. Wh which is why when someone does internal work they go inward into their shadow work. into the left door and when they connect to higher places they go outward. There is an inward and outward journey that is part of this. Very Very very essential. So I was looking at this the wrong way then earlier because I think I I just misunderstood. So so

Um the inward is more it's not like an in in the earth. It's it's within the temple which is the body, which is the which is which is a fractal of everything else. Right. Which we'll get into what a fractal means. So they've believed that there was no separation between anything. Um as we as we go. Now this might help a lot of people make sense. So why do you have giant T's that should always test?

Well, the beautiful part of the model, the blueprint, is that even though most of these structures are gone, because of how their philosophy and what they left behind, we're able to understand what was there even though it's not. And that's so beautiful. Because let's think about this for a minute. At Shavuz Tepe you have giant T's. Where did the T's go? Where did where do they belong to? What what structure were they part of? Well as we go along and I talk about the other

In in the book I discuss how there's a site in Cambodia called Bapuan. It's an amazing site where it's a very good idea. Off to the the the side, it was so beautiful how it unfolded. Ninety-nine percent of all tourists, if not closer to a hundred percent, all go to the main Bapuan site. Way down in the jungle off to the right. Um, I'm I'm really glad Rubber Shock didn't get hurt.

Uh we always making sure we were careful. Down this gully in the jungle is the same not only the step pyramid door above above it, right? But they had these miniature temples. Tiny miniature temples that were the same as the larger And as I'm studying and understanding it, I couldn't Yeah. So what is a fractal? Fractal means you have something smaller that represents a bigger version of it. And usually that can be infra.

And so why would they make giant T's and small little temples to be a fraction? Because they understood that there was no separation. And so they would create fractals of something that would get larger and larger. That's why temples, if you look from above, from a satellite or you know, from from aeroville. You'll see that the temple designs mirror these these these these designs from the actual outer temple and the inner temple. Everything is

And it was really beautiful to see. So the reason I said that story is, Ryan, can you pull up that picture of me with the T pillar at Shabustepe again? Okay, so on the left you have at least seven of those in the ground. I've counted at least seven without being able to do any excavations.

Now we know that there's seven sticking out, there's one in a museum, and there's another one that was reused in a in a church in a church somewhere. Now, if you go to Shavuustepe, there are what are called Susie temples. There's one on the bottom and there's one on the top.

But in between there's nothing. And the beauty of this model is that even though something is gone, we still can figure out what was there. And it means that if we use the Valley Temple as an example, because they're directly linked. Which has a giant T designed into the temple, it means that there was once a giant temple. That these T's were fractals inside.

How did they how did they s um how did they stack and look? This is the beauty of it. Ryan, can you pull up the Sphinx temple layout with the valley temple that's that layout from above? This is where it gets beautiful.

Notice that there's a horizontal way that it the T can sit. So you'd have to reverse it the opposite way right now, okay? Yes. Now pull up the valley temple on the left and zoom in for me on the T. This is it's so beautiful how all this aligns. I love it. And yep, just the T. You see that? Now there are six Of those on each corner, no accident, right? Three, six and nine. Three and three is seven.

See how there are pillars inside that separate it? That's what that T is. So in at Chavuz Tepe, those giant T's would sit on their horizontal, like where my hands are on the on the left side. They would sit like that standing up to represent those

And we know because it's how the model works. Everything has to follow this these principles. That's why it's so beautiful. So there's a lot of really exciting things that could come out here because for instance, let me give you an example of Ionis. You want to pull that up really quick for me, Ryan? There's only one Susi Temple left Ayon. But I know there was a second.

We because the model always has a mirror symmetry, and because of the symbols on the altar, I guess we can jump into that since we're talking. Sure. Um a smaller or a bigger one would be the second one. They'd have to be exactly the same size. Same. Okay. There would be no difference. They have to be symmetrical. There's certain principles that fall into this, and I'm gonna explain what those principles are. So this is Ionis. Thank you.

All of those symbols that we've been talking about, you're gonna see those guardians are in there. They're all wing guardians, though. Every single one of them are wing guardians. Why? Because this the existing Susi Temple of Ionis was a temple specifically to the right door. Do you remember which one the right Doris?

Uh yeah, the celestial. Yeah. You got it. That's why everything is a sun symbol, everything has wings, and everything is about a solar symbol because they're all related to the celestial higher realms, which means what do you think the other Um it would have been the underground. Underworld. Underworld, yeah. Exactly. Which it brings up some very interesting points that that I can prove is that the Eurotians likely dismantle.

The Aurtians of twenty eight hundred years ago, when they found this, they likely were worried or concerned about it for some reason, right? It's the underworld temple, and they dismantled the entire temple. And they brought we know the reason we know that is the mon only the model has to have symmetry every time. But all of those cal golden calicite alabaster floors in the bottom that are beautiful. That's what they are. Yeah. That and the the other altar were just

shoved into the back of this temple in the castle. They dismantled the entire other one and removed it, which means that the beauty of this Matt is that we can figure out what was there even though So what do these represent? We're gonna start getting into this is that they were not metaphorical or something, they were literal. Is that I firmly believe it can show there's an entire level of the other. That this civilization had had figured out and realized.

And we'll we'll get to that in in in a minute. Now can you pull up from me the altar with the two symbols repeating?'Cause this is where it gets I wanna tie in her medicism and and bring this whole thing. Okay, this is what's very exciting and to me this is what I stay up for in the middle of the night. I figured this out at like two o'clock in the morning and I usually go to bed at like nine. So this is um I remember this.

So, what's so beautiful here is that you have the guardians. There are three guardians always. Everything else is always in three, no matter what. Do you remember how the Kef Ball relief had the storm god? That's the other guardian. So there's three. So you see all three here. There's Haldi.

Right. Then there's the then you see the um the guardian that's like the eagle guardian. And then you see the guardian, the last guardian, which is the griffin, which is the basically when you combine the line. the celestial is b the the griffon in ancient Greece is basically a lion that's got wings. That's like

Okay. Okay. Those are the three guardians that represent the three realms of reality. Remember how we said there's three doors? Yep. Each of these guardians guards each three one of these. Now, zoom in for me, Ryan, on and this is like we see your guarding. We see this in Iraq too, right? And like Well, this is this is from the altar at Ionis. Yeah. Okay. Okay. Okay. Now

There's only two symbols repeating over and over again here. Only two. Yeah. There's the flame, which looks like a a candle or a flame, which and then there's a circle. Now, for a long time, I Had strongly believed that this was related to Hermeticism. And once I figured that was true, then I was able to link all of Let me explain what that means. So the what her medicism is for exactly people. So the first thing is again the flame and the circle. Remember, flame and circle over and over again.

Now Ryan, pull up what I have highlighted for the what's called from the Hermetica. It's the vision of Hermes. Okay. Now. Her Hermeticism, which we'll get into in a minute, is based on an ancient, ancient understanding that diss that disseminated from this. And it's based on an understanding of natural law and how things in the universe. We'll explain how that got to that. Just stay with me here.

This passage of all of Hermeticism, of every teaching, whether it's the cabalion or the Hermetica, doesn't matter. This is the most important passage of all. And I always had focused on it. And we talked about it last time. I've always focused on it and been enamored. And it says, and Hermes is talking to source. the great dragon god, right? Of everything. He says, I wish to understand the nature of

God and the nature of man, right? And if you look right here, he says it says right here the answer is there is no difference between the nature of God and the nature of the There's one. The second thing is, he says, God and man, mankind, is made up of only two things. Light and light. Go back to the altar, those are the only two symbols repeated over and over again. Is light in life. Life is re represented as a circle with little bits of life, little bits of growing out of it.

And then the holy flame, which is just like in religion, the holy flame, the holy the f the holy flame considered back to God. It's the same thing. It's where they got that from. Could it possibly be? And d discount this immediately, it's totally fine. But could they possibly be saying that it's one and the same that light is life? No, well th well they're they're part of two components that come together.

So they're not they're in this they state that they're separate, but they're two components that come together.

It's and that's that's their understanding is that the holy flame, it's not just light. That's not just, I'm not saying sun sh just sunlight from a star. They're not that's not the light they're talking about. They're talking about the holy flame. Spear. They're not what we think. In this case the They're referring to the Holy Spirit inside the the holy flaming.

us as light. Right. And then life as the body. And can that Holy Spirit be created from light? Can that Holy Spirit be light that has been captured within a body? Yeah. So that's they're trying to have us understand that that's the nature of what we are. That's it.

They're trying to explain that. And what that comes down to is understanding that the body, life, is the temple that also is the fractal representation of the outer temple. That's why as above, so below, as within, so without, there is no Now when I understood that I then linked all of her meditation. And so Ryan, why don't you pull up what Hermeticism is? Because it's time for us to give a little history, give a little understanding. Let's break all this down and let's open this all.

Okay. Good. Now this is the definition. Do you want to read it for us? How how um um how long have you have you been studying Hermeticism? At least five years. Okay, okay. Do you consider yourself uh Hermeticist? Uh how do you think that's a good thing? I am I am a student of the

Yes. Yeah. Ver very much so. Yep. Yep. And so without you and your knowledge of this and studying this for five years, you never would have seen any. Nobody ever would have known us that the two symbols on the altar of the repeating happen to be the two most important concept symbols. So for you it's kind of it's the key that unlocked all of this and nobody else has been looking at this from the lens of Hermeticism. So that's what makes this so fascinating to me because it is um it is a

You know, it's a philosophical tradition that it makes a lot of sense for in a lot of ways for yeah, you know, for how everything works. Yeah, yeah, yeah. It's it's the remnants of what survived in mystical traditions and esoteric traditions from So can you do me a favor, Matt? Yeah. Can you read me that just the first part? Not that you don't have to do it all if you don't want to, but it's a good idea. Hermeticism is a philosophical tradition concerned with the underlying order of reality.

It teaches that the universe operates accordingly to consistent principles that link mind, nature, and cosmos, and that these principles can be understood through symbolism, geometry, and observation rather than belief. Exactly. Can can you just do the bullets for me? A system of universal principles governing reality. Reality is ordered, intelligible, and interconnected. Knowledge is conveyed through symbolism and allegory. Emphasizes harmony between consciousness, nature, and cosmos.

So it means that when we still had this incorporated in our culture, incredible things happened. And I think we should talk about D do you think I guess first all do you think that um Her Hermeticism as it came from From Hermes. From Her from Hermes. Yeah. Do you think that that Hermes version of Hermeticism is exactly the same as what they were practicing thirty eight? Yes. Which is why it was the core of so much. So let's go a little background here. What is her mess?

Let's go to the beginning. Hermes is simply an archetype that is related exactly mirroring Thoth in Egypt. There is no separation between them. They are archetypes of preservation of knowledge and information. That's what they do. They emerged during certain ages. That does not mean they're not real. It means it's an archetype. Now what is an archetype? Very important we go over all this. The temple has a perfection that is that is wanted.

Now the temple within and the temple without. Now our temple means that it must have certain things done for it philosophy, certain understandings, health, in order for it to be there. They understood that there was no separation between it and that in order for us to reach our highest levels, these teachings and these understandings were essential, Barnot. There was you if you didn't understand these, you would essentially be lost. Now We're talking about ancient Egyptian traditions.

From Thoth, that obviously you look at Egypt and how closely it is associated with all of this, it's very important. The traditions, and this is important people understand this. The traditions of these things were the most maintained in the world. Which is why they survived through Egypt through the teachings of Hermes. Hermes, it's just Egyptian knowledge brought into Greece. That's it. It's Egyptian knowledge and Greek knowledge, but it's came from Egypt. Now Hermes represented the messenger.

He's the messenger of that age. Thoth was a messenger of an earlier age. Does that make sense? They're just different messengers of different ages. That's an archetype that must always occur. Before The downfall of that civilization always. It emerges like Neo emerges in the Matrix. It has to emerge because everything gets threatened.

And so the archetype has to emerge to preserve the knowledge that is essential. And I will reiterate this enough. When these things are not followed, society society goes into the darkness and destroys. These are the fundamental core principles that must be adhered to. Period. And so what is Hermeticism? It's simply the remnant philosophical and natural law understanding of how the universe works with this principle.

That survived thousands and thousands of years through mystery traditions and schools to get to where it is. But we have to go over the history a little bit. Because it's very sad what happened. And there are people here listening that are gonna say, Oh, I maybe I thought that was evil, I thought this, I thought that. Let's go over it. So just like pagans are evil, right? Well that the pagans and druids are direct descendants in connections to this. So we'll go over that.

Ties all the way to Saint Patrick, the whole thing. In the 1400s, um during the years that Constinople was falling, right? So it's a it's a city that um Constantine formed, it became Istanbul today. During that time period. This is before the the rise of the the the Christianity and all in monotheistic really religions.

It's this very interesting time period where, believe it or not, Christianity was actually mostly based on Hermeticism. That might shock some people listening to this right now, but let me explain. Because Hermeticism was considered older than the teachings of Moses, it was the the bar, it was what we used to understand everything. Well, unfortunately, when Constantope fell. You see this rapid rise of the Christian Christian church through the Holy Roman.

That entire group of mystic and minds and Hermeticisms people that studied that from Greece to Western Turkey, this whole area of the world. Cause it look const a Constantopel was like a center of the All of those people, all those groups, this is going to be fascinating for people that study history or understand this, right? This might open up a lot of understandings for a lot of people.

All those people, hundreds and hundreds if not thousands. I don't know the we don't know the exact They all migrated somewhere. They all left because it was no longer a a place that that could be tolerated because Christianity was rising from that area, right? Turkey was Turkey is where the Holy Roman Empire rose. Right. So and and probably the the the

Yeah, they they weren't um the Hermeticists weren't interested in fighting, right? And and Oh, of course not. Yeah, of course not. So what happens? This is really important for history for us to understand, so that we never let it happen again, Matt. Okay? This whole group of mystic minds and hermetic Hermeticism um students, they all go to one single location in Europe, Florence, Italy. This is a this is the mid-1400s, 15th century, right? So you add a hundred years.

So 1400s, mid fourteen hundreds, Florence, Italy becomes a center for medicism. And Da Vinci comes out of it through secret societies and all of these poets and philosophers and they build all these incredible architecture temples because they have all this and embedded. And what does that lead to in Europe? The great renovation.

The greatest explosion of culture and understanding that we ever had during that time period. Now the story behind how it was destroyed, most people don't know. It's very sad. There was a philosopher who was very well respected. His name was Isaac Kasub. Isaac Kasubon, remember the name. One of the one of the most evil men that nobody knows about. And he wasn't evil because of intentions. I guess I don't think even he realized.

Um and what he was was a very, very well respected philosopher, but he also was an expert on antiquities. So he would study old text and understand when they were when they were written, right? Or something like that. So The Holy Roman Empire, the Church, had a had a phenomenal idea. They said: if we can discredit her medicine, We can completely destroy that entire side and we can take the teachings of Moses and then everything going forward and basically do whatever we want. Right. Yeah, sure.

We can just avoid all of natural law, avoid everything else, and we can create whatever we want for a world. It's competition. Yeah, these people aren't giving me any money. Let me let me get rid of them. So Isaac. Isaac Kasu Ban gets hired by the Christian church. To go in and prove that the Hermetica that everyone is using, that the version they're reading. Wasn't written when they think. And he was very clever in how he did it. He said, when this was penned,

It was during the time of Alexandria in Egypt, before the Library of Alexandria burned. He said it was written by initiates of mystery schools of Alexandria. And he says it wasn't written when you think it's. Except that it was a rewritten thing over and over again for thousands of years before. The version that they're reading had been rewritten by the the scribe. So he takes and he takes this version and he says, Oh, look, it's not as old as you think it is. The teachings of Moses are old.

The church demonizes Hermeticism, burns everybody at the stake, kills everybody, goes on a crusade around the world, destroying the Gnostics, the Druids, the Pagans, anyone who was practicing Hermeticism in destroyed it. John D. with Queen Elizabeth practicing magic and alchemy Ends up a no-one, destroys his image. All alchemy, all magic with a K. All it's based on natural law, all Hermeticism, all of this world was destroyed.

And then the last remnant of it was in Ireland, in Scotland, and in England. The Druids and Pagans were the last remnant.

They were still practicing it. Then they get demonized into Satan worshippers and doing all these things, which none of that was true. And what do they do? They exterminate. And we celebrate St. Patrick's Day and drink and all do these silly things. It's literally the last remnant of this that was destroyed and we celebrate. And from that point on, her medicism had to go in the dark. How many people do you think were just slow? Millions. Yeah. Millions died for this.

Mm especially women. Yeah. A lot of women that they considered witches. It all connects to the whole thing. That's why they were all burned at the stake. And so Oh a witch is just someone who's practicing practicing natural law. So okay, now that we've established If you don't have what I'm giving and explaining here, civilization will always become disconnected to itself and destroy it. Um go uh Ryan, can you now pull up we'll s we'll start with natural law.

Can you read for me just the what natural law is for everybody? Natural law refers to the inherent principles that govern nature and reality. Independent of human authority or belief, these laws are not created but discovered, revealed through pattern, proportion, and cause and effect observable throughout the natural. Bullet point. Universal principles embedded in nature itself exist independently of culture, belief, or power.

Observable through pattern, proportion, and order, govern cycles, balance, and cause and effect expressed across scales from cosmos to human systems, understood through reason, observation, and synthesis. So what they're saying is that all Hermeticism comes from an understanding of natural law. Does that make sense? Yeah. How things function, how it works. So those are the components that go into this. Now imagine we're science is

We're not even close to this. They're looking at the universe in these little pieces trying to understand it and it's not about that. Now we're gonna before I get into that part, um, Ryan, why don't you go ahead and pull up? Fractals because now that's the next part I think we need to explain. All of this is necessary for this understanding.

Yeah, can you do the same thing for me, Matt? Fractal geometry describes patterns in nature that repeat across different scales, where the structure of the whole is reflected in its parts rather than linear or isolated forms. Fractals reveal a universe built on self similarity. Recursion and nested order visible from the microscopic to the cockpit. Patterns repeat across multiple scales, the part reflects the whole structures are recursive, not linear.

Found throughout nature, plants, rivers, coastlines, galaxies emphasizes relationships and proportions, not symmetry alone. Fractals show that complexity emerges from repeating rules. Thank you. Ryan, now go ahead and pull up. I have two fractal slides there. I want to talk about this for a minute. Um doesn't matter which one you pull up first. Here we go. Yeah, okay.

They encoded all of this into their teachings. They encoded all of this. That kefba relief, all of these symbols, everything comes into a cohesive understanding. Okay. But that understanding is never separate from the path of us. That's the thing I really want to point out. It's not about understanding how the universe works and then ignoring us. We are an essential component. In fact, we may be the entire reflection of the universe experiencing itself here. The show might be this.

Doesn't mean this is happening and repeating everywhere else. Doesn't necessarily mean that. Why? Because of what's called the trip. It's a s very specific components of three that are repeated and we'll get into that in just a moment. But just remember the triptych concept and how that applies because it's not Something that is random. So the first thing I want to explain and show it a lot of people have seen things like this, but let's tie it all together.

There is no separation between us and the universe. A nebula forming looks like an eye, like a galaxy. A lung looks like a tree. Uh uh a human hand looks like a tr uh tree ring. The um the death of a star and the birth of a cell and everything. There is no separation.

It is just on a s on a fractal scale of everything else. You want to expand even further. That's why a hurricane looks like a galaxy and a shell and a pine cone. Pine cone, you why a pine cone was used? Because it represents sacred geometry. In the in the all. And and if the more and more you look at it, the more it repeats. And that's what the entire universe is.

It's an entire repeating fractal. Now, what does that mean? Well, they ex there they explain to us and they and they have us understand that the entire universe is a giant source field of consciousness. Now we're gonna get into the highest. They their understanding is that there is no there is no separation. That's why evolution always follows specific patterns, because it's tying into a code, a source code that's all the same. Ask. Um things are are fractals and so

We're we're sending telescopes out into the you know, we're we're looking out into the galaxy. We're seeing the universe as it exists right now at the from a physical standpoint. When we look out into the galaxy, Is that is that a is that um are we looking into the cosmos? Are we looking into the right door or are we looking or are we just looking at

the the cosmos as it exists. Well don't forget the cosmos is always gonna have physical manifestation. So the middle door is physical manifestation. It's you're s you're still looking at all three no matter what. Okay There's a me the me the underworld is a realm of reality, just like the celestial higher realms are realms of reality. Okay.

Just because we can look up and see the sky and the stars doesn't mean that you're observing the celestial higher realms. You're observing physical reality manifested above. We're talking about realms of reality that we don't have access to unless we have very specific means. So that being the case then it's pretty interesting to think about that galaxy

being a being a fractal and being alive. As you said, everything's living. Everything's alive. Everything's living so that galaxy is alive and on a smaller scale that galaxy is something else and it's also alive. And on a smaller scale that we can't see. So we get that go down into the atoms of our bodies and then we go down into what's ever smaller than those and

You're saying that this that this reality that we live within is not a horizontal physical reality. It's more of like a vertical, um, fractal reality where consciousness exists at extraordinarily small sizes relative to what we are existing at and consciousness exists

In we are a part of some consciousness that is much bigger than us. Yes. Yeah. They explain that everything has consciousness and everything is alive. Every planet, everything, that's why it crystal, that's why Nicola Tesla thought it was alive. Everything has a form of consciousness. Everything is moving.

So they explain, for instance, consciousness, the reason it follows a certain form, and the reason why animals are not really changing anymore. The reason why a giraffe doesn't change into a lion is because they have a predetermined code. It's a code of source. It's embedded in everything. This might help people understand. When people take, for instance, high levels of DMT.

They always say they say the exact same thing, right? And the same with psilocybin, they see geometric designs repeating. They're looking at the structural foundation of the universe. That is what the universe is. There is no emptiness. There is no isolation from consciousness.

Let's put it this way: the reason why we need to turn our temple, our body into a temple is that we become an antenna that taps into source field. That's what it is. It's not independent, it's not, I mean, it's not separate. It's it's it's all part of the exact same thing. essentially I guess right? I mean you we're tapping into that and that is and and when you take psychedelics or whatever that that lowers your frequency into the into theta and you tap into the natural frequency of the planet.

And you do seem to, you know, people report all the time getting these downloads of information and you're dialed in now. Yeah, right, right, right. You're totally dialed into um to nature and to the world around you and to things around you and and to the life that exists. You're you're just dialed in like almost from a you know telephone. And um it it it it's interesting because it's it's bringing you to that Schumann response.

and um equilibrium Matthew right you're you're at balance but is it the is it the what what got us away You know, it's the human dysfunction, I guess. No, we we've we lost we lost all this. Yeah. We forgot it all. But our brains are operating at a different frequency than they than they would have in at in in the past, right? Which is why I think we're And is it because mind has taken over and spirit is is dead? I mean is it Well let me explain it this way. This might help.

There is a predetermined destiny for for all of this. This is not random. There is no randomness to it. Everything follows cycles. Remember that. Everything in the universe follows cycles. And the cycle that they describe, they describe it as being like the hero's journey, as a fractal not only for the internal, but for also humanity.

Potentially even the entire universe. There is no separation. What is occurring to us is occurring outward. We are just a mirror. So what it means is that once we once we connect Or I should say it this way. We start from a place of purity where we know everything and we're connected back to source. And the whole idea and the and the purpose it's very purposeful behind it is that you wander and disconnect and lose everything. It's on it's on it's necessary.

It's a journey. And then certain things happen, and out of the darkness you transform like a phoenix, that's why that's always been used into another form. Just as humanity is is the fractal of our own story, we must die to be reborn again. I I caution people they're gonna see similarities in what I just said for a certain story that I'm not

But there is a f there's a journey story of of knowing everything, becoming disconnected, wandering, then just the old you dying and then transfor transforming and resurrecting. back up into a higher form. It repeats itself over and over again. That's the whole point is that we're supposed to be done.

And then we're supposed to find our way back too. Okay. And the beauty is that the further Matt, this is the beauty behind it. The further away we go, and the more chance it is that we won't find our way. The more exciting that story is the more It's a it's a galactic story. It's just like Shakespeare said all the world is a stage. Well, we're the stage of the universe. Act accordingly.

So that that's to me it's profound what our existence is. So let's I think we should bring it all together now. We should bring it all together. Let's do it. You look at Ionis, you look at uh you look at Not Bang Glacia, you look at Egypt. What are we looking at here? What is all It's a gigantic mystery story. But it's never for one reason. There's a whole bunch of other components to it, including technological

And I think that this is where we can we can get into this because look, people are gonna be listening to this and say, Oh great. So now we know how to function and live, but what now? Well We were never supposed to be them, but we were supposed to take the best part. And look at this world we have today. We have AI and robotics that can essentially replace a lot of the trivial, silly things that we were doing. Well now that frees us, doesn't it? It freezes up.

Frees us up to do other things at the same time here we are in the very verge of our own p what I consider destruction of our world and w everything around us, disconnecting the furthest we've ever been because of technology. And yes. At the very edge of oblivion is where that candle refuses to go out and that flicker reemerges at the last moment where you thought it never could. And that's the beauty behind all of it. It really is. And so let's go over Yeah, you gotta buy the dips.

Let's go over what this means. It means that The civilization that existed here, if we wanted to recreate them, they understood that that you must, number one. This is now listen to these rules for humanity, ready? Number one, you must live in in balance and equilibrium with Earth, with nature and the universe. However that is, meaning we have to discontinue using asphalt concrete 100% in metal. They are evil for our connection.

And yet today, like ninety percent of structures are built with cement. They all they fall apart in like forty years, they're horrible, they're disconnected, there's nothing natural about'em. Cement, metal, asphalt, all all Well, cement and asphalt are pretty similar. Yeah. But that's yes. Those need to be discontinued, number one. We can only according to this blueprint, we can only use either either either met uh either stone.

Glass or wood. They understood that. You you never disconnect something from being dead. You always want everything to be a synergy. So you never want that disconnection of anything. Right. Number one. Number two, they understood that whatever the the focus means of all should be on the acquisition of knowledge and a wisdom. That is the path. There is nothing greater. That and so the whole world ended up as from what from what I can see had these nodes that were giant miscarriage.

But they also function as balancers. And they also function as a type of technology to realms and potentially star connections, which we'll get to in a minute. So imagine a student. was to go to start maybe in Vaughn and they have to go through Chavistepe first. It's a school, right? You gotta graduate from the lower Susi Temple and then just as the fractal journey from below to the above, you graduate the upper one, then you get to go to um Kef Khilesi and get to go to the underwater ruins and

And then all of it becomes like a fractal teaching school. And what's so beautiful is that the two symbols repeating in the altar, life and light. Well, the underwater ruins just so happens to be, and you brought it up if you want to pull it up really quick. But yeah, Ryan, can you pull up the underwater ruins picture?

It's a perfect circle. They designed it to be a fractal of the concept itself. The circle of life is that. It happens to be in the bottom of the not that one, the one where I'm diving. We'll get to that one next. Do that one right after though. So the basically they understood it as you design the actual temple to represent its function, and that there is no separation between them.

And so when I saw that, and then I I saw all the components of structural reality manifested as the cosmogram in real life. What do I mean by that? The underworld water temple is the underworld temple. That's why it's a circle and it's on the bottom of the lake. The is it actually at the cause this is one of the deepest lakes in the world. Well, not the bottom bottom, but it's on but it's on a lower it's the lowest lowest most point. What's the representing the underworld? What's the depth?

It's at thirty and eighty. So then on the mountain above it, you get Kefkalesi that represents physical structure of reality. Ryan, just go ahead and pull up the one you had on before. It's okay. We need because we're on that.

Then at and then at Ionis you then get the celestial higher realms. How do we know that? Because each site has a different kind of flower. Once I realized this, it was the most beautiful poetic thing in the world. Ionis's flower is a solar. To the above, the celestial. Yeah. The underwater ruins are sea. They're seeds of the tree of life. Wow. Because that's where nature the origin of nature is. It's the underworld. Then Kev Kalesi, tetrahedrons. Why tetrahedrons, Matt?

Structure of physical reality. Each temple is a manifestation they created of the structure of reality. It's it's amazing. And then we want to go the next level. Ryan, go ahead and pull up the pyramids. Now we're gonna, this is what everyone's gonna be the most excited about. Because everyone's always the most excited about this, and I'm gonna spell this out in a way that's not fantastic, but actually quite realistic.

I know everyone's seen this, and again, you see the three repeating again, too. Like three main pyramids, three smaller pyramids. There is no accident in that. Now, let me explain how some of the technology in the

This is not just mystery schools. Remember, it's not only about one thing. It's about the all. It is never only one thing. Now This is where it gets very exciting because not only do we have a new structural blueprint of the universe and understanding Hermeticism and how everything works and functions, which would be enough already.

But they also left us behind fundamental technologies to bridge the stars. We need to stop with our un what we're trying to do with flying to planets and create this is ridiculous. They left us technologies that can help us do those things on a level that we can't understand. It was never about separating technology from consciousness.

I want to point that out. And it was never about separating technology from the natural elements and what is a part of the all. You don't create something that's not alive. These stones are all alive. The Great Pyramid of Giza on the right side. Two and a half million stone blocks, each one carefully cut in place. Do you think that's an accident to be at perfectly half ratio of our earth? Now let's get into this.

They believed that Earth was very specifically chosen because it's existing in a in a triptych system. Now, try to ignore the other planets for a minute and try to imagine all the planets are there for balancers. That's basically what they're purposefully. The real focus of the triptych is Earth, Moon, and Sun. That was their entire obsession and focus. They understood every other planet was just a balancer. That's it. That's what their purpose is. That the

To protect this internal system, you needed all those balancers in place. Now they understood that the first triptych was not actually the Earth, Sun, the Moon. Ryan, can you pull up the three circles that represent the three sides of a human really quick? And then we're we'll go we'll jump right back to this after. So they realized that there was no separation at all between any of these concepts and that internally within us, we had the triptych of the all.

So that all in religion, you know it as the Father, the Son, and the Holy Ghost. That's what they turned it into. But originally, it's meant to be the body, the mind, and the spirit, which, if brought all together, create the ultimate awareness and the ultimate connection. Notice that all three also represent the three realms of reality.

Think about it for a minute. There is no separation. Three aspects of us, three aspects of what reality is. Remember? Physical reality, the body, the celestial, the celestial higher realms. Mind. Mind. Oh, okay. Mind. Mind is God. It's always considered. And then spirit, here's where this is gonna be the hard one for people. Spirit is represented as coming and being a part of the It's essential. That's why grounding is so important. All of that stuff.

We need to separate hell and all these horrible things. The underworld is the source of spirit, of most knowledge. I won't say all, most knowledge, all of life, all of balance, incarnation. It seems to all be And and the reason that that's mo more difficult to to to catch I guess is because

You're referring to um the body as a temple and the spirit within and so it's like it's it's um it's not as if the the the underground is actually within the temple. Exactly. That's why you have to do all the inner work. to grow in along this path and journey. So this is essential for us to understand because there's three beautiful triptychs that I'm going to go over right now with the fourth. You can go ahead and close that one and just go back to the pyramid.

Okay, let's stay on this now. Okay, so remember the first triptych is us, but put that aside for just a second and just pin that. First thing they recognized is that the In order to create a synergy of the universe, you have to mirror it. So what they did is they recognized and they very specifically designed the three great pyramids to represent Ratio, exact ratio representations of the Earth, Sun, the Moon. Period.

That's what they are. So the when you look at each one of them, you can then not only take them and match Earth, Sun, and Moon, but you can also match body, mind, and spirit. Right? There's no separation. That's what they represent. Why? So they did that because they needed to do the they needed to create the Great Pyramid to be a ratio of to be Earth. The Great Pyramid represents

Does that make sense? It does, yeah. Okay. Then you have the other two pyramids that represent the other two sides, which are the moon and the sun. And that's why in Tewatiwakan, the other side of the world, you have the th the three pyramids that represent the exact It's always been the same. Now, so now you have the three representations as a mirror on Earth to be Earth, Sun, and the Moon, designed very specifically.

So then above it, you have the actual Earth, Sun, and the Moon, right? And then the last triptych is Orion's belt, the three belt stars of Orion. They this system, Earth and our solar system and our galaxy, is the only it may be one of the only perfect triptychs. Trinary system like that that combines all three, which is why all this may have happened

You see what I'm saying? I think so. Meaning that if you go through the whole cosmos, you have to try to find a planet that then has an Earth, Sun, and the Moon ratio that then has a three Belt Star Orion ratio that's perfectly representative. Uh-huh. It had to be that. For all this so now go back to the pyramids for me really.

So you have all three of the triptychs, but three doesn't complete it. Four does. Why four? The cross at Ionis is four. It represents the balance of the all. It is the everything. It is the all. Three becomes the four, but only with one specific component. Because think about it, you have the three pyramids, you have the earth, sun, the moon, and then Orion's belt. They're all perfectly synergized. What are you missing? Humanity? The human. The initiate that goes in

Right, goes inside there, probably the I I don't I don't want to speculate. Which would They go in, maybe all of them. Um, and if they're balanced, which is why the valley temple is right there. 'Cause it's a school. They have to go into the valley temple way before they go in there. They have to go in the valley temple, reach equilibrium, reach the balance, understand how everything works, then they go, then they can.

I don't think these were willy-nilly open to everybody. I think they were highly specific with as part of schools, as part of initiates. And so what do they create? Consciousness is the Completely open with the triptych and balanced, merges with the limestone insulation. We're gonna talk about mineralization here, guys. Mineralization. The limestone, the granite, all of it's not an apple.

All of it is very on purpose. It has to do with different resonant frequency fields that connect. It's a technology. So the human goes in, you have these perfect ratios designed to be the earth, moon, the sun, with specific type of stone, mineral, mineralization. They then create a synergy between Orion and they create what we have wanted to find for so long. They create a star. That humanity's been searching for for so long, a stargate between but not for the physical body, for consciousness.

It's a gateway. It's a gateway to open up to bridge the entire all. Now, what that unlocks, I don't know. But I w here's what I want to say, and this is the message to reiterate. If some if this information gets in front of some high level people, like we can get a group together like Brian Cox and Yildegrass Tyson, Nassim Harameen, and a few other people, this is game over. We can just completely shift this entire world.

Or we can just go through the slow process of trickling it through and seeing how it goes. It does not whichever way it goes, this will change all of humanity. There is no putting this. There is no putting it back. But what it also means is not only do we incorporate their entire philosophies and worldview and incorporate all of it as the blueprint to to develop a new world, but it means that we can create the technology. It's never been about a spaceship. The spaceship was always

in consciousness. And we can create that synergy that once existed that balanced the all. And we can reharmonize everything again. And then we can do what has always been talked about all throughout Which is bridging heaven and earth.

And allowing the synergy that once existed to come again. And then you know what we become? Uh one with one with God, one with the universe. We become uh in the We become what we were meant to all along. Yeah. And this darkness. That we've been that we've been living in for thousands of years, killing and destroying each other and destroying this planet and this world. That that nightmare is about to end. We're about to wake up like it's been a

If the w if if humanity listening to this, people listening feel how disconnected everything is and how everything is wrong, it's because it is. We're living in a complete inverse of what we're supposed to in every way. And the beauty behind it is that it's not too late. It's not too late to change course. This ship that we're that we're sailing on in the ocean, all we need to do is just change course. And what does it take? What do we do? What do we do to do it? We have to increment it slowly.

It's not about tearing systems down in chaos. It's about dusting off the temple underneath and realizing it's been We don't need to start over. We need to transform. We need to incorporate what matters most with starting by protecting the earth, understanding our connection to it, bringing back the morals of philosophy. Hermetas says. It's not about trying to ch turn someone into being evil. It's about correcting the wrong

And do you think do you see this as a slow, gradual transition? Do you see this as something that might um take some sort of a catastrophe to rebound from and and get to this? Or how do you see this really manifesting over Timing is everything. Imagine it's always been like a metaphor of a seed, a sapling growing. If you plant it at the wrong time, it won't grow. It won't germinate. If it doesn't have the right environment, it won't it it will be stunted. Everything has to be

For the seed to be planted. That's where humanity is. There are millions around the world who are already studying Hermeticism. It has already been a movement that has been growing. I haven't studied it. No, I don't s I don't know. I I it it um the the parts about it that I've heard about and that I understand research.

And and they make sense. Um but but I'm not I'm I haven't gone very deep. Well what I mean is there this has already been growing and being in and is ready for this. I d absolutely think human And I think that the transformation with this will happen much more rapidly and seamlessly. So that's the solution then. That's the solution for humanity. We can use this blueprint which again I laid everything out, every piece of model, every piece of this is in the book, so that it can never be lost.

regardless of what happens to me, is that we can now rebuild this entire thing. And I wanna just this is a call out for the world right here. We need I can't do this alone. This is far I we need every engineer, every sacred geometry expert, every philosopher, every architect on this to help. This is this is the moment where humanity can truly

Love it, man. Very powerful. I mean, I guess, you know, in terms of just closing, kind of wrap up and um, you know, maybe close some loops a little bit more. I guess the the technology standpoint, you know, for or the technology um conversation for me. If this is unlocked and we're able to go back to some golden age that existed and it was a more technologically advanced age. In certain ways, yeah. In certain ways, exactly. Yeah. Not electronic. Like natural logic.

Right, right, right. Now what what does that look like? What does that technology look like? It means that we need to stop doing most of what we think is That's that's there's the buzzword, right? PZ-electric properties of these stones. And then understand how if you work with natural law, let me let me break down some of the technology, just I think it's important.

They understood that number one, you had to have things aligned to cardinal points, northeast, southwest, period. You had to have things aligned to the stars, you had to have certain ratios to map above and below. You then had to have specific stones used that would have certain piezo electric problems. You then had to place them in jump geometric designs that represented that structure of the universe.

Which is why those cosmograms are designed into it. They're all fundamental components. And then you must understand then that three, six, and nine is basically the answers to the universe. And that it is how everything fractals and repeats and how we have to design it. Once we incorporate all of that and see what they've built, we can back engineer all of it and we can create it again. We can we can

Fuse this technology with the stars and become something far greater than we ever imagined. Aaron Powell What do you think the most technologically advanced thing that they were doing? I mean building these structures of course, um we we know that like th those are there, right? But what what else was what else was the like the tech? Were were they flying? Were they you know, w did they have you know what what I don't think any of that is relevant?

I really don't. That's just speculation on this part. Yeah. But the the blueprint only gives lets me go so far. It lets me understand certain things, but there's certain so still things I don't know. Okay. And one of those is that I don't know how far things went. Well you got your whole life to figure this out, right? But I mean the the tech in general though, I wonder what it could potentially lead to if it was worked on for thousands of years.

Let's ignore Giza for a minute for the with the Stargate. That's another kind of technology. Ionis is also another kind of technology. Now, both of those Susie temples used to be functioning as the primary, what I 100% believe is I've looked at this, they are what we call realm games. So it's a little different than Giza. So instead of outward These seem to be literal realm gates.

And I mean that because it's a giant T that you lay down on. Everything has specifics to either celestial or underworld component. Everything follows in it. The stones are all very specific. Everything is very intentional.

The Susie temples have to either face the rising to the setting sun, so for instance the celestial Susie temple has to face west. It has to. The the the underworld Susi Temple, if we were to rebuild it, and no, Matt does not want to build a a gateway to hell. I mean just state that.

I want to build a gateway. I want to, I want to rebuild the Susie Temple that was destroyed to open up the realm that we used to have once to the underworld. That's what it was. How do you think Gilgamesh got to the underworld?

He went through Ionis. There is no other realm gate we know of that has that technology. He went there, was once known, and he met up with Zayasudra, and Zayasudra told him everything and gave him everything. And then he came back and squandered it, and then we lost everything. We were never meant to just look at these things. We were meant to rebuild them.

It's beautiful, Matt. It's a it's a beautiful uh theory and I know it's going to evolve and you know, you're gonna build upon it and you're gonna, you know, grow it and and change and you'll find more evidence and more uh photos and you know more more sites to kind of support and uh you know, um bring the theory to the public.

It's fascinating, man. And it's new and it's it's unique and different and uh very well thought out. I you're obvious you're obviously you you won the most passionate award for uh Matt Bell Limitless in twenty twenty five. I appreciate that. Thank you so much. Yeah, for sure, for sure. So

Um, that was pretty cool and uh I think that just came out like last week and then um you know, here here we are back. So um I love your passion. You know, I love I love yeah, I love how uh um how how uh how deep you get into this and and um you know if it's if you don't do that then

You don't find answers. So um congratulations on everything that you've done. Your tra you know, your travels, your success, the books, the information, the knowledge that you're sharing with people can make a a huge difference with people. I mean there's there's no doubt.

that there's there's a lot in there that I think. I mean, if people I was just talking about this uh the other day with somebody that I know. If if we have these kind of repetitive stuff that we go through every day, you know, we turn right at this whatever every day or we get coffee in the morning.

You know, maybe we just turn left, or maybe we just don't get coffee, you know, maybe we just do something different. Maybe you just follow intuition and see where it leads you. Completely different. Yeah, exactly. And that's the guidance. Right, right. That's a whole nother conversation.

Yeah, for sure, for sure. But um but I like what you're doing here and uh it's really cool because if if um if we don't explore, you know, new ideas and new concepts and it it's uh this is this is a pretty boring place to be. So um this has been fascinating. Thanks for having me. And it it br it brings back what humanity I think needs most instead of band-aids. It's never about trying to have people understand aspects of philosophy and spirituality. It's about the all. People need a reasoning.

This is the reason to bring them back is that look, I didn't say this, but this is super important that we go over. Humanity understands itself through the lens of emerging six thousand five hundred years ago as empires battling and killing each other and fighting.

That was our definition of how we've defined who we are. That's why when Darwin was trying to understand evolution, the only thing he could compare it to was ants fighting and battling, because that's the only thing in nature that did that. Because what we became is not at all what we were supposed to be. So there was no way for him to understand what our place was This brings back meaning to everything. It shows that we're a divine being of the universe, that we're a reflection of the all.

And that this is a place where consciousness is supposed to blossom and transform in its highest form. And then each one of us has cozy. Each one of us is following a journey of the higher expression and discovery that is the all. And that makes every single day a gift.

To be able to walk and to be able to breathe and look up at the sun and to put your hands on the ground with this earth and realize you get to be here for the greatest show that exists in the universe. And that's what we should remember every day.

Matt, I don't know how we could close that out any better, man. I mean that's really really beautifully said, really well said and um it's just a Absolute pleasure and honor to have um have you here today and to have you know to to for you to have chosen Limitless to to come on and share this, which I know you are ten out of ten pumped up about and excited about and uh you know, gonna be spending um

decades on now tr um and um I think that there's uh there's something there. Uh thank you so much man. I appreciate it's an honor to be here talking to you and honestly the work has Yep. Awesome. Awesome. Well we'll wrap it with that, man. We'll do it again sometime for sure. Yep. Absolutely. Awesome. Thanks, Matt. Awesome. Yes sir. Yes, sir.