Olivian Cha
Jordan Weitzman gets together with archivist Olivian Cha to talk about her work with Corita's photographic archive at the Corita Art Centre in LA. Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.

Jordan Weitzman gets together with archivist Olivian Cha to talk about her work with Corita's photographic archive at the Corita Art Centre in LA. Hosted on Acast. See acast.com/privacy for more information.
Jordan Weitzman visits curator Roxana Marcoci at MoMA to talk about her most recent exhibition, a survey show of An-My Lê's work. Marcoci is the David Dechman senior curator and acting chief curator of the department of photography at the museum, where she has been working since 1999. Hosted on Acast. See acast.com/privacy for more information.
Watch their film, Lunar New Year here Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
In our last episode of the year, Jordan Weitzman gets together with artist Genesis Baez for a generous conversation about her work and upcoming book with Capricious. Hosted on Acast. See acast.com/privacy for more information.
A conversation with Rahim Fortune which took place at the New York Art Book Fair's Classroom program last month. Join host Jordan Weitzman as he talks to Fortune about his book, I can't stand to see you cry, published by Loose Joints. Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Jordan Weitzman visits artist and master printer Gary Schneider at his home on Long Island to talk about his innovative work in portraiture, his legendary East Village photo lab, and his friendship with Peter Hujar. Hosted on Acast. See acast.com/privacy for more information.
A visit with Matt Leifheit at his Matte HQ storefront in Brooklyn to talk about his work as a photographer, publisher and editor. His first monograph, To Die Alive, is being published by Damiani this spring. Hosted on Acast. See acast.com/privacy for more information.
Peter Hujar's Day by Linda Rosenkrantz can be ordered at https://magichourphoto.org/books/peter-hujars-day Hosted on Acast. See acast.com/privacy for more information.
Jordan Weitzman gets together with Terri Weifenbach at Jardins des Plantes, where she's photographed extensively since moving to Paris two years ago. They talk about her new book, Cloud Physics, published this month with The Ice Palace and Atelier EXB. Hosted on Acast. See acast.com/privacy for more information.
Jordan Weitzman gets together with painter and photographer Billy Sullivan at his loft on the Bowery, where he's been living for over 40 years. Jordan also makes a special announcement about a new imprint that's been in the works for the past year - Magic Hour Press - and new books coming this fall by Ian Lewandowski and Linda Rosenkrantz. Visit www.magichourphoto.org to find out more. Hosted on Acast. See acast.com/privacy for more information....
Jordan Weitzman gets together with Dayanita Singh, whose work often blurs the lines between bookmaking and exhibiting. Hosted on Acast. See acast.com/privacy for more information.
Jordan Weitzman gets together with Stephen Koch for a special conversation about his work as an author, teacher and executor of the Peter Hujar Estate, which he's managed for over 30 years. Hosted on Acast. See acast.com/privacy for more information.
It was a little strange getting together with Shala Miller in the same space we’d met in less than a year ago. It was Farah Al Qasimi’s opening at Helena Anrather’s gallery, and the room was packed. This time, we were in the same space, but it was filled with Shala’s things instead - stuff for her to work on and during residency she was doing at the gallery. The room had different workstations that were set up, which made sense to me given Shala’s practice. She is a multi-disciplinary artist wor...
Jordan Weitzman gets together with Anne Turyn to talk about Top Stories, the avant-garde periodical she published between 1978-1991. Hosted on Acast. See acast.com/privacy for more information.
While preparing to interview Moyra Davey, I started to really try and figure out what it is that I love so much about her work. Is it that she is able to deal with the most mundane, everyday subject matter in such a personal, unpretentious, electrifying, simple and complex way? Is it her subject matter that’s so appealing? Artists that she’s interested in, diaries, ephemera, hang-ups, let downs, preocupations, inspirations, quotes, books? Is it that she speaks of those things in the first place?...
I have an interesting relationship to Mike Marcelle’s work. On the one hand, I totally get it, but on the other, i so don’t relate to where it comes from. I get the seeing, I feel the strength of the pictures, but his reference points feel so different than mine in a way. Like, for example, the new Suspiria would probably NOT come up in every conversation of mine, and with him, welll….. Process though - that’s another story. Hearing Mike speak about his way of making pictures, often involving id...
On an unusually mild winter evening this past February, I got together with Mary Manning at her apartment in NYC. She is the author of Blueprint and First Impressions of Greece, and has contributed to numerous publications, most recently, a wonderful image text exchange with the author Olivia Laing in the Spirituality issue of Aperture. In 2006, she started the blog Unchanging Window, which became an important creative outlet for her and a way of finding community. She has shown with Canada (gal...
Just before the world went into Covid-19 lockdown, I got together with Drew Sawyer at his apartment in the Bedstuy. He’s the photo Curator at the Brooklyn Museum, and among the numerous exhibitions he’s worked on in his current and previous posts at MoMa and the Columbus Museum of Art, he recently gave the Russian Ghanian photographer Liz Johnson Artur her first solo museum exhibition, resurrected the color work of Gary Winogrand and put together an incredible survey of queer work in the past 50...
On the chair next to me sat a worn out copy of Toni Morrisson’s Beloved , a favorite which Elliott Jerome Brown Jr. told me he’s read at least three times. We were sitting at the kitchen table in the apartment which he’s been living at in Flushing, Queens, on the upstairs floor of a yellow and burgundy house museum dedicated to the work of Louis Ladimer. Ladimer was the inventor of the carbon-filament light bulb, an addendum and improvement to Thomas Edison’s original lightbulb. So the photograp...
Vince Aletti has been writing and reporting on culture for over 50 years. He was the first person to write about disco for Rolling Stone in the early 70’s, he worked as a senior-editor for the Village Voice for over twenty years and was the photo critic for the New Yorker until 2016. In this episode, Jordan Weitzman sits down with Aletti at his storied, book and art filled east village apartment to talk about it all. Hosted on Acast. See acast.com/privacy for more information....
Just last weekend, a piece of Carmen’s - a portrait in multiple images of Toni Morrisson was featured on the last cover of the New York Times Magazine of the decade. The culmination of an eventful past couple of years for Carmen, she released two new books - Notes on Fundamental Joy with Printed Matter and My Birth with SPBH Editions. That book accompanied her show of the same name in MoMa’s New Photography in 2018. In that powerful installation, she used two facing walls to tape up over 2000 fo...
Jordan Weitzman sits down with photographer Allen Frame at his home and talk about everything from his early days in Boston with Nan Goldin and David Armstrong, to where his sense of space in his photographs comes from. Hosted on Acast. See acast.com/privacy for more information.
I remember the first time I met Patrice Aphrodite Helmar. It was around this time in 2017, and a friend asked if I wanted to go and check out the Backyard Biennial that she was putting on at her place in Ridgewood. A self-initiated curatorial effort, she showcased the work of emerging and established photographers alike. There was food and drinks, a slideshow going, and prints untraditionally arranged within the orange walls of her backyard. As we walked in to her ground floor apartment, she gre...
Matt Grubb is sitting in his car in the parking lot outside his favourite movie theatre in Queens, sipping a Diet Coke. As we're coordinating a time to meet for this interview, he tells me that he’s about to go see the new Avengers movie for the third time. It had just come out two weeks ago….I’m amazed and laughing to myself just thinking how much i love that compulsion. I think that same kind of curiosity and passion goes into his work and is one of the reason’s he’s such a brilliant image mak...
In 2010, with a feeling that the traditional publishing industry was not going to last, Bruno Ceschel founded Self Publish Be Happy, an initiative to support and promote the work of emerging photographers. Originally, it functioned as a platform for artists making DIY Books and Zines, but eventually would become more expansive, getting involved in educational activities, the curation of exhibitions and events, and with their own publishing initiative. Through its imprint SPBH editions, Ceschel h...
I went to go visit Paul Mpagi Sepuya on a cool day this past winter at his studio in the Boyle Heights area of LA. In one room, test prints, book mockups His desk and a big printer filled the space. In the other, a Russian plywood bench, a big mirror on the wall, a velvet curtain hanging and a camera on a tripod. He suggested we do the interview in that room, the set where many of his photos have been made, and maybe somehow, maybe the setting would provoke more interesting conversation. The ite...
It seems to me like the more dramatic the subject matter a photographer takes on, the more difficult their job becomes. When what is in front of the camera has so much visual appeal already, how do you make pictures that are more interesting than the event? Jeff Burton’s pictures are such a great example of how brilliantly someone has dealt with that problem. His work, much of which was made on gay adult film sets in LA, rarely just documents what is in front of him, but rather uses that materia...
Jo Ann Callis’ photographs have such an uncanny strangeness to them. They often feel like they could be stills out of a David Lynch film, but she was making them long before Blue Velvet and Mulholland Drive came to be. She was born in Cincinnati and pursued her interest in art at Ohio State University, though her eduction was interrupted by marriage, moving our to LA and having kids. These challenges, though, would end up becoming a big part of her subject matter. She’s always been interested in...