Hey, you're listening to the labor radio podcasts weekly produced by the labor radio podcast network, labor radio network dot or I'm Chris Garlock. On this week show. Act 10's restrictions on collective bargaining were put on, you know, public employees like teachers, grad students, uh, state employees, city employees, but firefighters and police officers retained their right to collectively bargain. And so this was like, you know, unequal because there were two different classes of employees.
Do we rise, fighting podcast, interviews, metal, and top coat president. Of the gradual workers' union in Madison, Wisconsin about act 10 and its reversal last week. Most members have some connection to the sit down strikes to the 1930s, to the iconic founding of this union. not everyone is a nerd reading about CIO history and all that, but Walter Ruther as a name means something. It's been a new day in the United auto workers since the election of Sean Fein as president in 2023.
With a union, carrying out an aggressive organizing and political programming to, to establish the UAW as a major presence in American life. On the reinventing solidarity podcast, new labor forums, because you tricked. I spoke to Jonah Fermin, a top aid to feign about the union strategy. It's various wins and losses among non-union auto manufacturers in the American south. It's relationship to the democratic party under president Joe Biden.
And the impact of a Donald Trump presidency on the union and labor as a whole. what we really need to talk about is Joe Biden going into that bookstore in Nantucket and buying, A Hundred Years War on Palestine, History of Settler Colonialism, and Resistance 1717 to 2017, by Rashidi Khalidi the art and labor podcast folks have thoughts. Yes, they do. On the CEO shooter wicked and seeing the Bidens in a bookstore. At 23, I thought this was just about the funniest thing I had ever seen.
It seemed so ballsy and mischievous and silly. And I thought like, yeah, this is what it is. This is what the world's about. Like, it's like a guy's yelling and you just take his keys and you lob them into the grass. But I think now I would have a different reaction Live in front of us, seductive studio, audience, Sarah and max, bring to a climax. The first intoxicating season of what do we want a podcast about what brings social movements together and what drives them apart?
the amount of ADs and PAs who have told me, Oh my God, I had to choreograph a sex scene way back because there was no one to do it. And people were like, Hey, will you just do that? Like, they're like, thank goodness you're here. Intimacy coordinators are an essential part of creating safe and professional working environments. On movie sets, acting as advocates and liaison between actors and production for scenes involving nudity, simulated sex, and other intimate acts.
Last month intimacy coordinators unanimously agreed to join sag AFTRA in a national labor relations board vote. To discuss why this matters and what it means for the future of the profession and the entertainment industry at large. The sag after podcast is joined by intimacy coordinators, Claire warden, and Aaron Tillman, who were instrumental in the recent vote to unionize.
if you walked into a a high school basketball arena and it were filled with small desks and you could imagine men with kind of Panama brimmed hats sitting there with cigars in their mouths and tobacco leaves on a table that is a similar image as to what you would see. Labor history today, producer Patrick Dickson talks with historian, Sarah McNamara about her book, Ybor city, crucible of the Latina south.
Which tells the story of immigrant and us born Latinas and Latinos who organized strikes, marched against fascism and criticize us foreign policy he took seriously the idea of what the world would need to be like in order to have superheroes in it, like how would they change it? And also like, what would the conditions need to be to produce them? Alan Moore is one of the most important comic book and graphic novel creators in the business. The green and red podcast discusses.
How more is work, including the Watchmen and V for vendetta has subverted, literary and comic book genres And put radical ideas into the mainstream. That's all coming up. Plus Harold's shows you should know on this week's jam packed edition of the labor radio podcast weekly. As usual let's get started with Harold's quick rundown of shows. You should know. Thanks, Chris. Social media guy Harold Phillips here again, folks, and look.
I know, a lot of you are anti capitalist, but a lot of you are still trying to do your holiday shopping. And even though we live in an era where you can do a lot of that online, well, clock's ticking as to whether you're going to be able to get that delivered in time or not, so Bunch of you are gonna be headed to the stores. Now look, you could listen to the 175th hour of Christmas music that your local radio station is playing. Believe me, a radio station near me started playing it in October.
Or, you could listen to something that's a little bit more focused on working people's issues. Here are a few shows you should know for the week of December 8th. Our first one is all about the buying and selling. Laura Walton, President of the Ontario Federation of Labour, discusses Donald Trump's plans for a 25 percent tariff on goods from Canada.
On Radio Labour Canada, Richie talks about building better grievance files, writing effective statements, and more on a new addition to the network, Hot House with Richie Ray. We Work Europe released three podcasts over the past week. First, the show takes on the case of Adela S. from Spain as it dives into escaping the spiral of violence in the workplace. Then, Anne Lurie Humbert takes a closer look at the results of a study investigating sexualized violence in the academic environment.
And finally, the International Labor Organization's Victor Hugo Rico discusses Convention 190, which for the first time addresses sexualized violence in the workplace internationally. Madison Labor Radio shares stories on The alteration of Wisconsin's Act 10, Trump's pick for Secretary of Labor, arrests at a pro Palestine rally, and more.
And finally, David Scarpa discusses Gladiator 2, crafting historical epics, the creative challenges of sequels, and more on the Writers Guild of America West's 3rd in Fairfax. And where can you find links to all these shows and over 200 more labor radio shows and podcasts? Head to laborradionetwork. org, and if you're looking to find out what the latest episodes of these shows are, follow us on social media at laborradionet.
On Facebook, Instagram, yeah, we're still on Twitter, and yes, we're now on Blue Sky. All right, Chris, back to you. And hey, everybody be safe out there as you head to the malls. And do your best to buy American, American. And by union. Thanks, Harold. All right, let's go to Madison, Wisconsin for we rise fighting. Alright, welcome back to another edition of We Rise Fighting Labor podcast, where we bring you today's labor news, history, and analysis from the U. S. and around the world.
As always, I'm Rick Orrutia, here with my co host, Brian Pfeiffer. Alright, what's up everyone, and welcome back to another edition of We Rise Fighting Labor podcast. This week, we actually have a double header of sorts. We're going to be talking with two labor leaders who have been on the show before. In this case, it's going to be Madeline Toff, and in the other episode, we're going to talk with Brother Mike Jones, and we're going to be talking about Act 10.
Uh, it's passage in 2011. Which, for those of you who don't know, Act 10 was a piece of anti labor legislation that was pushed forward by then Governor Scott Walker. And last week, it was reversed in Wisconsin, so that's actually why we're talking with Madeline Toth and Brother Mike Jones this week. Just to see what that's all about and what that means.
And so just to refresh my own memory and to refresh the memory of our listeners, Madeline, could you tell us a little bit about Act 10 and bring us to today? What happened? Yeah. So Act 10 was a really horrible anti union law in Wisconsin that was passed in 2011. It pretty much eliminated collective bargaining for public employees in the state, including grad students like myself. Um, and we had a successful challenge to Act 10 recently, where we made kind of a legal argument against it.
And this was kind of upheld. So this lawsuit was successful. Um, and the legal argument essentially was that Act 10's restrictions on collective bargaining were put on, you know, public employees like teachers, grad students, uh, state employees, city employees, but firefighters and police officers retained their right to collectively bargain. And so this was like, you know, unequal because there were two different classes of employees.
Um, additionally, like, gay mordants, capital police, other types of law enforcement. that didn't support Scott Walker at the time were subject to Act 10. So this is kind of, really the crux of the argument is that there's law enforcement or public safety employees that do have collective bargaining and that don't under Act 10. So it's unequal. And so this argument was successful.
And so here we are today, this, um, decision will likely be appealed, but it's a, it's a really major win for Wisconsin and for unions. thank you again, Madeline, for being on the show again. Uh, love and solidarity to all. Take care everyone. Bye-bye. Welcome to Reinventing Solidarity, a podcast of the journal New Labor Forum at the School of Labor and Urban Studies at the City University of New York. My name is Micah Utrecht, podcast host and editor at large at New Labor Forum.
The 2023 leadership shift in the United Auto Workers, with the election of reformer Sean Fain to the presidency after years of embarrassing corruption scandals that reached the union's highest levels, brought a major change in the orientation, strategy, and energy of America's most storied industrial union. I interviewed Jonah Furman, a top aide to Sean Fain, about the union's new approach.
In the heyday of industrial unionism and throughout the 20th century, the UAW really played a vanguard role in channeling working class energy into organizing campaigns. advancing labor militancy and pushing a progressive agenda within the larger labor movement. Fain seems to embrace that role for the UAW today. What is your assessment of the UAW's role in setting the tone and the agenda for the U. S. labor movement?
I think one thing that's really great about the UAW and coming in to work with the members and it's a union that are really Deep connection to its own history. And that, you know, we called the campaign at the big three last year became the standup strike. That was partly a reference to the sit down strike. And it's not just, you know, in this union, it's not academic. You don't have, there's a lot of education that happens. You really don't have to explain.
Most members have some connection to the sit down strikes to the 1930s, to the iconic founding of this union. And they don't know, you know, not, not everyone is a nerd reading about CIO history and all that, but Walter Ruther as a name means something. in this union. It's really great to see there's like this rich, rich history and culture in the union of that legacy of leading.
And it's not just from the 30s and the New Deal into the civil rights movement and, you know, the, the march on Washington and all these historical moments that still feel really alive for a lot of people. Our members, uh, many of whom are, you know, second, third, fourth generation auto workers and work at a lot of them, you know, our big chunk still work at the same companies that their, um, you know, grandparents worked at.
So here on Feintalk all the time, about three of his four grandparents worked at, you know, Chrysler and GM. And so being able to tap into that identity and that history really drives that sense in the union that we can play that role that we have played that role of leading.
The labor movement in a certain direction, whether that's in politics or strike activity or you know, this was the union that invented cost of living allowances and won that inflation protection that won pensions and healthcare, right? Like all of these victories were UAW victories. Polling from the AP said that 75 percent of Americans stood with us, which, you know, in the auto bailout of 2008, 2009, we had 45 percent of Americans siding with the union.
So we're in this, this moment where there's way more public support and a lot of public inspiration around that. And I think we, as the UAW see that somebody has to lead this. It's not going to only be us. If it's only us, we're, we're sunk, but somebody has to step up and raise expectations and, and go on offense. So I think that's sort of that legacy plus a willingness to take risks in the face of serious opposition is, is, is what you're seeing. Jonah Fuhrman, thank you very much.
Thanks, Micah. Up next to the art and labor podcast. Folks with thoughts on wicked and seeing the Bidens in a bookstore. Okay, that's enough commenting. We're gonna get cancelled for that. Marshall Moran, um, co host of Heart and Labor. A podcast that we're retiring now and now becoming a full time wicked podcast. Um, what is your take on wicked? I'm wicked. You're wicked. We're all wicked. It's Wicked Fall. Like, we had Brad Summer, and now it's Wicked Winter? It's Wicked Winter.
Okay, we're doing Wicked Winter. Look, Brad Summer was wrong. We were wrong. But Wicked Winter's gonna do it. We got it this time, everybody. We just gotta do it a little bit more. We're gonna do more Wicked. But I loved it. I knew that. I knew that before. That was my tweet before I saw it. It was that it's um, Bratwinter. Like, this is the reification of Brat. Summer into something new.
so we're not going to talk about Wicked, we're not going to talk about movie takes anymore, maybe a little bit, but we just don't have time, because what we really need to talk about is Joe Biden going into Um, that bookstore in Nantucket and buying, um, uh, buying, uh, what is it called?
A Hundred Years War on Palestine, History of Settler Colonialism, um, and, uh, and Resistance 1717 to 2017, um, by Rashidi Khalidi, which is like one of, um, the bestsellers, uh, like, at my job, and certainly, like, in general right now. Um, and, uh, but it's not like, like type of New York Times the bestseller. I don't know. It's no, no, it's like an academic press book. Like it's not, it's not you. It's not necessarily the, um, like, Oh, this is written for just your average audience in mind.
Like, it's definitely like a, like a higher tier of like, Oh, you're going to write a paper on this in a seminar class kind of thing. Yeah. And, um, Yeah, it's it's it's definitely like not the president's political agenda at all It's like it's the opposite and it's a clear signal of some sort and like, you know people I'm sure are like giving Give him a way too generous read of it like people who are like being optimists or whatever But I think it's cool to be optimistic right now about it.
Like it could signal some good stuff It could signal a big fuck you to the Netanyahu's who are getting like a lot of bad press right now in General, I think, um, also speaking of, uh, Catholic guilt, another horny hot thing is the fact that, uh, his son Hunter was seen with him buying this book, which is, like I said, hot. Uh, Hunter Biden is the most attractive man in America, but that's not my point. You're such, you're such a mess.
I did like the detail that Hunter hugged the employee, one of, an employee of the store. Really? He did? That made me feel very like Would that be me? And, um, we'll be back with more movie takes soon. Let's have fun everyone. Goodbye. Hello, I'm Sarah and this is What Do We Want, a podcast about the weird, wild and wacky things that bring social movements together and drive them apart. And my name is Max.
Today on our show, we are talking about our guilty pleasures, whether they are orgasms or getting arrested or both at the same time, and how that can help our movements. As well as questions of value and of sacrifice. And we are very lucky today to have not just one but two guests with us on this podcast. First we have Sita Balani, Dr. Sita Balani, who is the author of Deadly and Slick, Sexual Modernity and the Making of Race from Verso Press. And we also have Zrinka Bralo.
Zrinka is the CEO of Migrants Organize, an advice and campaigning organizing platform for migrant justice. we thought we might start today's podcast recording by asking a very difficult question, which is. What is our most guilty pleasure from activism? Sarah, begin. Okay. Well, I was telling Max earlier at lunch. That I enjoy looking down upon other activist groups that I think are ineffective, which is, which is mean and bitchy of me.
And I was telling him about a particular time where there was a group that, even though I agreed with their general issue based approach, I felt that they were ineffective for two reasons. Firstly, I thought they were too wishy washy and all about feelings, and secondly, a lot of them were having sex with each other.
And over time, the group shrunk and shrunk and shrunk, and I was still on one of their WhatsApp groups, but I would never open the messages because I didn't, I didn't want to show that I was involved anymore in any way, so I didn't want the red, you know, signal to come up in the thread.
But WhatsApp drops images into your photos, so I could still see when they would leap Photos of their activism because it would show up in my photos drive and then I would in a very schadenfreude Enjoying its way look at the photos and be like, oh There's only four of them and those two are having sex with each other and I would look down upon their organizing and I know That this is bad, but I really enjoyed it Yeah, you're totally gonna get canceled for that I wanna ask a,
a follow up question, which is. If any of you have a story about something that you did or that you witnessed in a movement or movement space that was surprisingly pleasurable I have a little story that I could throw into the mix. So it would have been. 2010, and there was either a teachers or a wider public sector strike, I can't remember which it was. And, I was maybe 23, so in a more kind of anarchist oriented moment in my life, and there was a critical mass in the morning during rush hour.
There was probably 30 of us on bikes going round and round the Elephant and Castle roundabout at 8am, and so all of the traffic at all of the different kind of lead in points to the roundabout were all stopped there. And I felt this kind of tremendous feeling of like power and excitement that all it took was a few people on bikes and you could just be like, The city has stopped. And then the police turned up. Which is kind of what you'd expect to happen.
Or at least what me now would expect to happen. Me at 23 was like, oh look who's here, this is weird. So they turned up. And then. There was, we were at one of the kind of, um, roads that enter the roundabout, and there was a guy in a lorry, and he was fuming. I've never seen a man so angry, I don't think. And so he was yelling at the cops that they had to arrest us or move us along in some way.
They were saying, there's not that much we can do with all of these crazy cyclists, we don't like it either, but just like, they'll get bored and go. And I saw someone who was on a bike, I'd never met them before, The driver was out on the street yelling, and this person put their hand into the cab of his lorry, pulled out his keys, and chucked them. At 23, I thought this was just about the funniest thing I had ever seen. It seemed so ballsy and mischievous and silly.
And I thought like, yeah, this is what it is. This is what the world's about. Like, it's like a guy's yelling and you just take his keys and you lob them into the grass. But I think now I would have a different reaction. So I suppose there's also the question for me of like, What forms of pleasure? That was funny. To be fair, it was funny. But at the same time, I'm not sure now I would think, yes, let's piss off this guy.
I don't think at this moment in my life, I would think he was the person I wanted to antagonize. And I think at 23 I did. because he was yelling and I felt that he was trying to shut down our fun. But actually, I'm not sure that's really what it takes to build a kind of meaningful movement. So I kind of give you that as a kind of ambivalent story, I suppose, in which I did take some pleasure from it, but I'm not sure it did that much to build a left project. Thanks for listening.
This is what do we want? And this episode was on pleasure. Hello, everyone, and welcome to the SAG AFTRA podcast. I'm Duncan Crabtree Ireland, SAG AFTRA National Executive Director and Chief Negotiator. Last month, intimacy coordinators unanimously agreed to join SAG AFTRA in a historic National Labor Relations Board vote, with 100 percent voting in favor of unionizing with SAG AFTRA.
And MC coordinators are an essential part of creating safe and professional working environments on set, acting as advocates and liaisons between actors and production on scenes that involve nudity and simulated sex or other intimate activities. and hyperexposed scenes to talk about what this vote means and its implications for the future of the profession.
I am joined by Claire Warden, an intimacy director and coordinator who's been instrumental in developing industry standards and Aaron Tillman, an intimacy coordinator serving on our Los Angeles local sexual harassment prevention committee. Welcome Claire. Welcome Aaron and welcome to the SAG AFTRA family as intimacy coordinators now represented by SAG AFTRA. Thank you.
Like if you've built your career and done really well in one way, and then someone says, ah, you have to change something that can be scary. But I think what people are really starting to realize is this is It's a change that can actually be so helpful, that can actually relieve so much stress and pressure and expectation and weight from the director, from the first AD, from the DP, right?
We're actually in there to help make these scenes better in the same way as you get some incredible stunt coordinators that might come in to help create a piece of violence, or you'll get some incredible movement experts that will come in when you're doing the zombie And we want to make it look like all planet of the apes. And we want to help the actors safely, sustainably play that role. It's an expertise that is now taking pressure off.
a lot of people and having the focus on something that might have got dropped before because everybody else is trying to do their job. This is here to help actors and all the creative and the production crew less Like learn about it and figure out what it can bring. Yeah. And I just want to add to that too. I mean, the amount of ADs and PAs who have told me, Oh my God, I had to choreograph a sex scene way back because there was no one to do it. And people were like, Hey, will you just do that?
Like, they're like, thank goodness you're here. People know that this is an awkward thing. And really there should be a specialized group of people. Helping make actors feel safe in this, you know, so bad things don't happen or to mitigate and lessen harm. To add to that, the number of directors that have been like, I don't quite know how to say this to them, but we need this. And like, we've got you. We'll facilitate that. What really drove that movement?
Like, why was that important to intimacy coordinators? after a number of years of like, this is how we can serve the industry. And this is how we can help the actors, the creatives, the crew, and the enormous amount of labor and unpaid labor, time, energy, literal blood, sweat, and tears that intimacy coordinators across the country and across the world were putting into building this movement became clear that building a career for an intimacy coordinator that is sustainable.
That means that we can have healthcare. You know, I'll be really honest here. I haven't had healthcare for half of this year because I've been working solely as an intimacy director and coordinator, and we don't have any protection. So I am unprotected because it's incredibly expensive to have healthcare when you're not connected to an organization. And so it's those basic. protections and unity, because then we can all be like, well, these are our minimum fees.
All the things that the unions bring for us allows us not only for the people that are working now to be sustainable, but also to build this as a career that many generations can come afterwards. So every production, wherever it is in the world that has an intimate scene or nudity or something like that knows that they can have the full support they deserve. Because this is a legitimized and supported career that there are many people that can do it. So thank you Aaron Tillman.
Thank you Claire Warden so much for being with us today and talking about ICs and for all of our listeners you'll hear from us on again on the next SAG AFTRA podcast. Tampa, Florida Decades before Miami became Havana, U. S. A., a wave of leftist, radical, working class women and men from pre revolutionary Cuba crossed the Florida Straits, made Ybor City the global capital of the Cuban cigar industry, and established a foundation of Latinidad in the Sunshine State.
Located on the eastern edge of Tampa, Ybor City, was a neighborhood of cigar workers and Caribbean revolutionaries who sought refuge against the shifting tides of international political turmoil during the early half of the 20th century. In her book, Ybor City, Crucible of the Latina South, historian Sarah McNamara tells the story of immigrant and U. S. born Latinas and Latinos who organized strikes, marched against fascism, and criticized U. S. foreign policy.
I'm Chris Garlock, and this is Labor History Today. Here's producer Patrick Dixon's interview with Sarah McNamara. what's it like being a cigar worker? Is it more like entering one of the trades where you become like a shoemaker or a toolmaker? Or is it, is it less like a sort of standard production line then where you're repeating the same task every day? Is it safe? Is it comfortable?
So there were the stereotype of cigar work or handmade cigar work in Ybor City as well as Key West and even in places like New York prior to mechanization was that cigar workers looked at their labor as an art. One of the things that I loved reading most when I was writing the book were the oral histories collected by the WPA of this original generation of cigar workers, many of whom.
hated being cigar workers because if you, you know, you go to Florida and you hear people talk about cigar work, there's this very romantic association attached to it. But when they happened to encounter somebody who wasn't being interviewed by a board of trade, people were very honest about the stress involved in the job and what it was like holding that. So it is a skilled possession in what you see.
day where you are making the same product every day, but your experience of cigar work basically depended on the kind of job you had as well as who you were. So on a global, you know, perspective, if we're thinking about the actual production of cigars, this happened on the main floor of a cigar factory. You can imagine little desks that are lined up in a giant hall.
Like if you walked into a a high school basketball arena and it were filled with small desks and you could imagine men with kind of Panama brimmed hats sitting there with cigars in their mouths and tobacco leaves on a table that is a similar image as to what you would see. So it very much had this You know, an industrial feel as you move into the 20th century. There would oftentimes be a woman sitting next to that man. And what she was doing was she was helping him make cigars faster.
So a man who was a cigar worker, right? A cigar maker, a cigar maker is different than, you know, somebody who's just working in, who's working in tobacco broadly, but that person would. make the cigar from the beginning to the end. So one person was responsible for the act of rolling. However, people got paid by the number of cigars they produced, which is where the stress came in, right? There were also quality checks. So if something were ripped, if it were cracked.
If it didn't stand up to, you know, different kinds of inspections, then it would be discarded, which also cost people money. The women sitting next to these men, they would be making what were called bunches. They were called buncheras. The women were called buncheras. They would make the bunches so that they could pass it to the man and he would be able to roll the cigar faster. A bunch is the filler tobacco in the middle. Historian Sarah McNamara.
Her new book is Ybor City, Crucible of the Latina South, published by the University of North Carolina Press. We've got a link in the description. In the show notes and that's it for this week's edition of Labor History Today. You can subscribe to LHT on your favorite podcast app, even better. If you like what you hear, and we sure hope you do like it in your podcast app. Pass it along and leave a review. That really helps folks to find the show.
Welcome to the silky smooth sounds of the green and red podcast. I'm your co host scott parkin in berkeley california today Bob is off on assignment uh But i'm pretty excited about today's episode Um, we're going to be talking about Alan Moore, who is the creator of many graphic novels, but you know, real known ones that he's done have been like Watchmen and V for Vendetta. Um, and joining me is Christian Williams, Christian, welcome to the Green and Red Podcast. Hi, I'm glad to be here.
Yep. Christian has been active in anarchist movements since the 90s, uh, is most known for a book on the history of police called Our Enemies in Blue, but has also written books about Oscar Wilde and George Orwell, and now Alan Moore. Uh, and the book is called The Illuminist Philosophical Explorations and the Work of Alan Moore. it seems, um, he's credited with bringing adult theme, more adult themes to, to comics.
Um, that kind of brings it out of it being like a medium for teenagers or even younger kids, correct? And most notably that happened a little later with his work on Watchmen, which was a standalone graphic novel outside of any other continuity. I mean, now DC is like exploitatively doing like prequels and sequels and HBO miniseries, but it was intended as just a standalone comic, not as like A new DC universe or anything like that.
Um, and really he took seriously the idea of what the world would need to be like in order to have superheroes in it, like how would they change it? And also like, what would the conditions need to be to produce them? And then also took seriously, what would these people really be like? Um, you know, not the sort of idealized golden age or silver age kind of heroes, um, but like, what would it be like if actual human beings participated in the kinds of things that Batman does? Right?
Um, and so Watchmen had a, both a political and a moral sophistication to it that, you know, really was, was unheard of previously. Like there have been sort of gestures toward it in other titles, but it really followed through on the promise of, uh, taking the adult theme seriously.
Like, Now, unfortunately, what came out of that was a whole generation of comics writers who just saw this as license to like put, you know, more sex and violence and, you know, grim, dark themes into every title and therefore just Now it's for adults. more has looked back on that experience rather Unfavorably in terms of you know, he was trying to do something He was trying to sort of broaden the range of what would happen with comics and later Creators didn't really fulfill that promise.
all right. Everyone else make trouble, misbehave, and we'll talk to you again soon. And that's a wrap for this week's edition of the labor radio podcast. Weekly. If you've been keeping track at home, we're working to get more shows into each episode, seven excerpts this week, plus another five. On Harold's. Shows you should. No, but. Even. Those 12 are just a sampling of some of the amazing programs they're at over the last week. On more than 200. A hundred labor radio and podcast shows.
They're all part of the labor radio podcast network shows the focus on working people's issues and concerns. We've got links to all the networks shows labor. Radio network. Uh, or you can also find. Um, use the hashtag. Labor radio pod. But on Twitter, Facebook and Instagram. And we'd love to hear what you think of this show. The show. we're doing too much. We doing too little drop us a note [email protected]. And remember you can be part of the network.
Maybe this be a good holiday present. You don't need a microphone. Labor radio podcast network. t-shirts are available. They are union made. You will find them in all sizes. And two colors. At Labour radio network. Dot org. This podcast is recorded under a set. Sag after a collective bargaining agreement. The labor radio podcast weekly was edited this week by Patrick Dickson. I produced the show and our social media guru always and forever is Mr. Harold Phillips.
For the labor radio podcast weekly, this has been Chris Garlock. Reminding you to stay active and stay tuned. To your local labor radio podcast show, we will see you next week.