LEAVE THE WORLD BEHIND Analysis | Jay & Tristan | Predictive Programming

All right, we're going live. Let's see we are live. We got a bunch of biggots in the chat. We got Jay Dyer here of Jasonalysis dot com, jayder on YouTube, j d seven up on the Twitter, aka X. We're beaming into your skulls through the Internet. That is still working. It's still it's still working. We still have internet, guys,

but we might not have internet very soon. According to the good grown ups at the World Economic Forum, the grown up social engineers who we as little ignorant children need to look to for guidance in difficult times of crises that are engineered by those same people very often. And Yeah, what's up, Jay?

How you doing? Man? I'm good, I'm good. I was just learning from you the secrets in the mysteries of various degrees that you've studied of gematria, the aesoteric art of doing divination through crystals, which which I just said was basically not being heterosexual. Ya. Well, basically what we're what we're getting at here is we all know about the science of gamatria, right, Jay is a is one of the top Gamatria uh scholars online.

He's one of the top Gomatria YouTube scholars. He's able to tell you things about your past, the future, all sorts of stuff just by looking at you know, numbers. So but I, I've actually taken this in the next level and I do gem atria where I will I will stare into gemstones and look for phantasms that that seem like numbers, and then I'll do my gamatria through that. So I kind of put an extra spiritual layer. It's

not that I'm better than Jay, I'm just more spiritual than him. So I can basically see any future timeline, any potential future timeline that is not hetero when he looks into the gym when he does Jim mantria hetero being, like I, I look at divergent timelines, right, So like, uh, Jay is a is a homo timeline in where he thinks he's only looks at one timeline. I I myself actually am a a a multi timeline being. So you're saying my timeline is homo linear. Yeah, yeah, yeah,

homo fascist. One might call it. Okay, yeah, yes, we got, we got, we got a stupid movie. We're gonna talk about tonight, don't we. Jay Jase was the best movie I've ever seen. Last well was it was produced by a personal ero of mine, Big Mike, Michael Obama. Michelle Obama actually produced my Michael Yeah, it's it's well. I'd like to say thank you Tristan for complimenting my wife, Michael Big Mike shout out to Big Mike, future president of the United States of

America. I don't even know where to start, Like the president of food, right, the president president of food? What do you mean? Are you body shaming her? No, I'm being serious, like her whole ethos like the park because she's fat, her fat, saying all black women are fat. No, I'm being serious. You should know this. Like she's she's always out there trying to tell all the high school kids like some special diet that she's all about. She's basically the president of Yeah, I remember

that. I was covered that on a stream a few years ago. She was talking about school lunches. Right, She's like thing for long, the unofficial school lunch. She's the sorrow, the gxar of school lunches. I don't know. I mean, I know Jay, Jay's always Jay's really into Michelle O. Mom. He's always telling me weird jokes, like I'll give her my school lunch stuff like that. Yeah, I write Michelle fan fiction. That's what I was trying to tell people for it, you know,

try to tell you before the stream started. Yeah, well you were trying to you were reading it to me, and it got really awkward. My wife was in the room. She had to leave. She was like, it was it was you can de code that that fan fiction into Gamatra, and then that's how we got into Jim Mandria exactly. Anyways, I mean, that's obviously that's what we were talking about. Before the audience understands they know all about the game Atria. Well, look, for those who don't

know, this is an Obama produced movie. Twenty five million dollars. Jay I had Jay fact check this. Can you believe they spent twenty five million dollars on this piece of absolute garbage of a film? Yeah, I am. I'm just I'm just actually shocked at the cost of this stupid ass movie. What my first question for you is, uh, since you've kind of taken you've taken a break from a lot of movies and media for a good while, what's it like going back and seeing a movie you know that's this

propaganda heavy. I mean, does it just come off as like it's almost kind of insulting, you know what I mean, Like you watch these movies and it's like, come on, man, I just give me a movie. I don't I know, you're propagandaizing me. So yeah, at least you can make it fun and least make it entertaining. At least make it, you know, and at least be bad enough to where it's funny bad

right like Leprechaun five lep in the Hood. You know what I'm saying Like this, that's if you're gonna make a shitty movie, at least make it at that level to where we can just crack up at it. But there's nothing even funny about this one. Yeah, dude, no, I I the last movie that I watched, that's my wife. I'd never seen The Godfather, so I was like, well, you got to see The Godfather part one in part two. We didn't watch part three because I can I

could never get through Part three. I know there's an interesting storyline to it, but just Sophia Coppola is acting and the I just couldn't couldn't bear to get through that one. But we watched Godfather Wanted Too and and you know, it was pretty solid movies, not not a ton of social engineering shove it down your throat nonsense. But this one is over the top. Yeah, I mean, and there's you know, I mean, it's Godfather.

There's a level of artistry to it. The acting is amazing, cinematography, the music, it's like, you know, it's a proper, proper period piece. So my Mike, he's turning itself down for some reason. I gotta somehow lock this thing in. So yeah, man, yeah, oh, you probably preferred that it was lower. Right, you're gonna do the mean thing where you say that you don't like hearing my voice. I was just gonna let it go, kind of just went, I'm sorry. No,

it's not my feelings. It's mental health. Okay, mental health. You're giving the mental health again? Is it just one mental health or mental health's plural? Well, dude, I've been trying to get all scientific with it. I'm not a freaking scientist. Bro. Have you looked into scientology. I've tried it. I like it. I learned some things. Dironetics, dang, dang. Yeah, I'm pissed. Actually, this freaking Mike is giving me mental health. So it keeps turning itself down. I don't

understand what the hell is wrong with this thing. Maybe it'll lock in now. So oh yeah, sorry, sorry audience. This is freaking this movie is freaking awful. This movie is absolutely terrible. I've got you got some screenshots pulled up of the movie. Now. So this this came out a few months ago, right, like I think it was October twenty twenty three. Is this was released on Netflix for anybody who wants to. I thought, uh, I thought maybe it was a that was gonna be like a

theater movie. But then I realized I was just just a Netflix movie. But yeah, I didn't realize when it was. I was looking to see the release date. I don't see it, but I was gonna look up to see what this guy other things he had directed. It's a guy that did Mister Robot, which actually was pretty heavy on predicted programming. I had the I had to tap out of that one. When they showed the full on uh guy with guys seeing, I was like, all right, I'm

out. So yeah, see I didn't watch that, but I mean mister Robot was pretty crazy with like controlled opposition hackers, you know, the establishment was running hacking. Robbie Malix, the you know, kind of the main guy. He seems to be this MK ultra subject. He's kind of programmed. I mean, it was pretty intense with the predicted programming. Then by season two or three they started having like straight up dude dude scenes, so I tapped out. So that guy, it seems like you're trying to convince

us that you didn't watch some sort of scenes. I'm sorry, but the director is the guy who did this, so we can see that. You know, he's no stranger to predictive programming, is what I'm trying to say. Yeah, you know, I actually on a I don't know something I put. I was reading a little bit about the movie about the about Leave the World Behind, and somebody said that the director actually confirmed that it's supposedly

in the same universe as Mister Robot. I haven't seen Mister Robot, but yeah, asma, I guess said that this is in the same universe. That does make sense with the hacking narrative at the beginning, that makes perfect sense. Yeah, I didn't. I didn't even realize that. Okay, well, it's interesting they don't know the hacking narrative is is it kind of brought up a little bit later. I said, I've got some notes here on this freaking awful movie. I'm interested in hearing your thoughts about it.

But it kind of it opens up with, uh, what's his name? The white guy, the white character, his name is Clay. What's the actor's name? Again? Ethan Hawk opens up with Ethan Hawk and he's in He's in bed, right, Ethan Hawk is in in bed in his house. I mean, well, actually it opens up with with a shot of

the Earth, like from space, and then it zooms in. It's kind of like this satellite Google satellite zoom in, super zoom into their little spot in New York City, and then you then you revealed Ethan Hawk in his bed and there's a big crack on the wall and the wall is all blue, and it kind of the wall and everything around him is blue. Right, His car is blue, the clothing they're wearing is blue. There's a

lot of this blue color. And there's a there's a giant chasm, like a crack that's all the way through his wall, almost like a you know, a rift in his reality. Right. Yeah, so that the theme of the the color blue is really prominent throughout it, you learn a little bit about the characters there. Julia Roberts character is this, she's kind of supposed to be like a like a Karen. She's an unhappy, bitchy Karen exactly. Yeah's a bitchy white woman. So the stereotypical Hollywood wine mom,

wine mom. And he's he's a professor and he's kind of, you know, a relatively intelligent guy, I'm sure in his realm. Right. The main character, Clay, the main character part of this family, Clay, but he's not He's nothing impressive, right, he just seems even the name, he's actually a pretty weak character. There's several places in the film where

he's intentionally shown as morally weak and lacking courage. One of the reasons that Julie Roberts is a wine mom Karen is because he's he just wants to go along, to get along. He never stands up to stuff. In fact, he says, I know, he does kind of mildly stand up to, you know, the people that actually own the house when they show up, but he says something like, look, I just need everything to just be like it is, you know, he uses this phrase like that,

so he's he's I mean, the name Clay. Clay is a very weak kind of thing. It's easily No, it's something that's mouldable. It's something that doesn't have its own Yeah, it doesn't have its own form or will. It's just something to be molded informed by the world. He's just a douchey college professor, kind of normy libtard basically. But he's not even that douchey, right, Like, he's not even douchey enough to make you despise him. He's just the kind of person who you just, you know,

you kind of just ignore. He's just like a you know, and that's why Julia Roberts doesn't respect him, right, because she's constantly bitching at it, right, constantly fussing and nagging. She's always nagging. Yeah yeah. And then so they decide. So she she starts out her her opening monologue. She's watching some people walk in the street, and she says, you know, just watching them go and live their little lives basically, you know,

it's it's kind of beautiful. And then I lies, I uh, I effing hate people, hate people, yeah yeah, and she says it. She breaks the fourth wall looks into the camera, and you know, at that moment you're a few minutes into the movie, you're like, okay, I'll take it. You know, it's like a little getting a little dark here. She's she's kind of a she's kind of a bitchy character, but but she's still you know, there's it's there's she lacks depth, really

is a character throughout the whole film. She's just kind of a bitchy wine mom who hates everything. Yeah, she wants, Yeah, she's she's selfish, she's entitled. She has this superiority complex that we find out later is really unjustified. And they have rented this airbnb, this kind of you know, fancy house out in a it's like in a Martha's Vineyard type place. I forget exactly where it is, but it's called Point Comfort, Long Island,

so it's Point Comfort. A lot of this movie has to do with satirizing and guilt tripping people who live, especially you know, upper class white people that live well, yeah, can only exist, all that comfort can only exist in a system of radical oppression and injustice. Basically, yeah, and all of that is an undercurrent throughout the film. But they don't you could tell that they were trying to not make it. They were trying to not make it too preachy. They didn't want to make it too obnoxious.

So you could tell that they kind of consciously, we're doing their best to keep it on the download. But it's such a prominent theme, right the race relations. The white people are bad, White people are untrustworthy, white people are obnoxious, white people are spineless. This is a theme that you see throughout the movie as this kind of white upper middle class I guess they're upper middle class or lower upper class maybe family, yeah, upper middle class.

And then because they've they have enough money to you know, rent this pretty fancy house, airbnb it or whatever for I think for the summer for a good amount of time. They're going to be there for we think, you know, the summer probably, so I thought it was for like a week. I thought it was just, you know, we're gonna do this quick trip, like quick vacation for a week's and they're basically their air being

being this really nice house. It's almost you know, they're they're going there, air being being a house that could have been like you know, Obama's house and Martha's vineyard, Yeah, like one of Obama's be that for a week, that kind of a house for a week would be you know, seven ten thousand dollars. So yeah, and they insinuate that it might have been one thousand dollars a night because the guy says, well, we can get into the next characters that are introduced. Once the family gets to this

home, your MIC's cutting out. Yeah, so the family gets to this home, Dude, my mic is going nut. It keeps turning itself down. I'm about to freaking break this thing. We're having a major cyber attack here. Cyber polygon has begun and hackers are hacking into your microphone. They're hacking my microphone and lowering the volume. It's incredibly screw with him. Yeah, so right, that's in the in the Democrat mind, that's what we're supposed to think, right, in the mind of the filmmakers as well,

right, the Russian hackers, the Iranian hackers. Oh, it's like this conglomeration of possible hack attacks. So so just a shout out to the audience. Hey, you guys, we see I see a couple of super chats there on YouTube support. The stream is going to be the super chats on stream labs. I will share them super chats from stream labs with Jay here YouTube. It's kind of harder to do that because they don't send stuff till later. But the best way to super chat, best way to support the

stream is to use that link that I just dropped. I'll pin it up in the chat here too. Use the stream labs link. It's also in the description. Thank you guys for supporting. Thank you guys for sharing the video. Like the video, do a lot of stuff if you're not already subscribed to Jay over at Jay's Analysis on YouTube. Jay Dyer on YouTube is a link in the description to hit him up over there. So all right,

back to uh, back to the movie. So then the next characters that are introduced when the white the white folks, the krusty boring I gonna turn my mic up again, so obnoxious. H The crusty boring white folks are at their kind of Martha's Vineyard vacation house, and all of a sudden they get a knock on the door. All right, they get a knock on the door. Well, I know way this is after having the internet that almost uh, there's a tanker that will kind of wash us up on

shore, drives straight into the beach, right. Yeah, so that's one of the actually better better films. Like the cinematography and stuff on that scene and the ten that they built it was decent. It's kind of like a Hitchcock scene almost. Yeah, the first half of the movie, I was actually pretty into it. I was like, all right, this is you know, it's got my attention. I don't know what's going on. I mean, I'm you know, I want to know who's the bad guy.

And they did good deflecting in the first half of the movie between Okay, is this guy who gets back with his daughter? Is he part of some scam? Is he going to try to kill Julia robertson Eathan Hawk? Are they there to try to rob the place? And it's their story they're making. We don't know. It keeps going back and forth, and we started thinking, oh, maybe Ethan Hawk and Julia Roberts are up to no good

and they're the real villains. So it had us guessing. And another thing I noticed right away was so we see this oil tanker when they're at the beach, it just sort of lands mysteriously. Nobody seems to be at the helm of it. And that's kind of like, okay, so oil right central to America, the petro dollar oil is coming to a halt. I think, don't they already begin to hear or experience the internet being out right so that the inner nuts out for a bit on their phones or something like

that. There's no Wi Fi at the at the Airbnb that throw out or whatever. And we start to notice that they're every scene has corporate products. Julia Roberts sets her Starbucks up and you see the Starbucks logo. We see other products that they're eating. Uh, they're playing you know Jinga, we see the Jinga. So a lot of corporate products. Oil, like all

this stuff is very prevalent early on in the film. And that's part of this life of comfort and you know, life of you know fortune one hundred, fortune and five hundred that were we already kind of know is going to come to a halt. Right, We're going to leave that world behind the world of comfy America. Again, they're in point Comfort, Long Island, yeah. Yeah. And the and the family everybody's kind of insulated in their own little world, right. The daughter's got her her like iPad things she's

always watching live in the world of watching. Yeah, friends, Friends, She's watching Friends. She's trying to get through the whole series of Friends. The son's got his he's got his cell phone. The son's probably I think he's sixteen years old, they say in the film. His daughter seems like she's supposed to be maybe around nine or so. Julia Roberts is you know, skyping or you know, FaceTime and whatever with a friend of hers in

the car on the way there. She's got her earphones in. The husband is kind of, you know, just dopely driving the car, zonked out and zoned out. So everybody's in their own little world on their way to the house. And then yeah, so then and the house itself is kind of this this place where they're they're even isolated from being able to fully engage with the home. Right The husband walks in and he sees that there's top shelf liquor, and he goes, oh, this has got some top shelf

liquor here. And he goes and tries to open the cabinet. It's locked. And the lady says, well, according to the instructions here that we don't have access to that. So it's even the home they're staying it is not theirs. There guests in this home. You know, they're colonizers of the home. Yeah, I'm gonna say it's it's America kind of in a microcosm, is what it's supposed to be. The house symbolizes, you know, that colonizing imagery that you're talking about. Absolutely, Yeah, yeah,

so the house. Any of the camera work and stuff in the first part of the I don't know, maybe first twenty minutes of the movies, it's interesting, but it kind of gets gimmicky after a bit. You could tell that, you know, it's kind of like a one trick pony with you know, they'll have these drone shots where the camera flips upside down slowly, kind of like you know, the world is being inverted, and they do that way. He does it way too much. I think he kind of

kind of goes a little bit too far with the goofy camera work. So yeah, the wife, she she then she goes shopping. She goes shopping and buys some stuff so that they can have some food. She buys the husband a pack of smokes. This part's so this part is so stupid. She buys them a pack of Marlboro reds or something. She's like, He's like, she comes back and she goes to give it to him, goes to show it to him, and he's like, that's not mine. I swear, I swear that's not mine. And she's like, no, no,

I bought it for you. I know you like to sneak off for a smoke now, and then I figure, you know, and we can just do it when the kids aren't around here, as if nobody's gonna smell freaking Marlboro Red on this guy, like the stinkiest damn cigarettes there are. So but there's this this idea of keeping secrets from consumerists. That's another consumerist corporate image there, Marble red. It's an American thing, right, It's

an American thing. And there's also, you know, the everybody having their own little guilty pleasures or their own their own way of kind of living, this hedonistic lifestyle that's that's isolated from the others. Right. The wife has her drink, she likes to have a little bit of wine, get a little tipsy. The daughters, uh just got her nose in the iPad. She's watching friends all the time. The black guy's daughter smokes weed with Ethan hawk. They like to, so they vape the marriage. I wanna get

a little high later on. So yeah, everybody's everybody's got their little vices that they engage in secretly. But this idea of mistrust, of secrecy, of dishonesty, of the small lies is uh. You see this throughout the film and the biggest perpetrators of this, or of course, the the white family that are juxtaposed with the black family. What's that what's that actor's name, Maharajah something I forgot but he's in a bunch of stuff. Yeah.

So anyways, they after after this this oil tanker, there's this mysterious incident where it's it's almost this hitchcocky and scene where this oil tanker slams into the seashore. Everyone's trying to figure out what's going on here. It's the mysterious event. The family leaves the beach because they almost get hit by an oil tanker that beaches itself. And then they I think it's the same night, they get a knock on the door and the door they open the door.

Well that this seems actually really funny, right. The white guy, Ethan Hawk. He's the wife gets real scared. She's like, get a bat. She's like, go get a bat, and Ethan Hawk's character, Clay, is like, why would I have a bat? So he grabs this modern art piece that just looks like a like a bong made out of clay, like a weird tube of clay, and goes to the door. He opens the door, like, what are you gonna do with that, dude? Things that have smashing a million pieces if you hit someone with it.

So just the the kind of effeminate inability to protect his wife, to protect his family, to actually provide any sense of security is to do like he doesn't have any sense to know, right, Yeah, exactly, he has no He just kind of freezes and the wife's like, get a bat, and he's like huh. And so he, you know, grabs something and

goes. He doesn't own a gun, doesn't have a firearm with him, which the other male character in the film has a firearm with him that's locked in a drawer in the house that the white colonizers are renting from him. And yeah, so there's a there's a black guy at the door. He's dressed up in a tuxedo, he's wearing this this nice tux like black tie, a choir attire, and he's got his little daughter, who's I'm guessing in her twenties. She's probably supposed to be mid twenties. They mentioned that

she went to a university. So he's got his sassy black girl daughter. She's super sassy. She's super sassy, and she's I guess she's supposed to be like, she's supposed to be hot, apparently because there's a there's some tension, like the white boy is later caught trying to take pictures of her taking butt shots yep, yeah, taking butt shots of her when she's at the pool. Of course that the white kids a creepy little pervert, right,

and he's trying to, you know, shwank his meat. Later on to his to the pictures that he took of this girl at the when she's at the pool with her bikini. He's portrayed as being creepy, disconnected and actually kind of cruel. Is a very cruel Chara, because he's really cruel

to the sister. Right. All he does is basically reaffirm that, you know, she's a loser and she doesn't have any friends and he keeps kind of staying saying that over and over, and you know this has really caused the daughter who's basically forgotten by all the other characters until she goes missing. You know, she basically I wouldn't say she's really dissociating, but she's like retreated into the fantasy world of friends, which is what you know, who

she sees, as she says, as her family and her friends. Right, So she doesn't have a real family and friends because her real family are not her friends and they're all basically wrapped up in their own just narcissistic silliness.

Yeah. Yeah, So every and everybody has their own little escapes, right, I guess the that's that's one of the major themes here is just the escapism and the approved escapism is is pop culture, right, It's isolating yourself in a in a fantasy world of pop culture, imagery and iconography in order to not deal with what's going on in the world around you with your which you're not even able to navigate without the input of the the pop culture,

social media, the internet. Right. This is you know the theme of disconnection, of a fracturing of families, fracturing of people, really comes into play in this movie. It's like, as we're talking about it, it almost it may sound like it's profound, but the way this movie is, the way it's presented, it's actually so corny, like there's nothing it's executed. It's not as it's kind of dealing with serious, profound themes, but in an odd executed way. And then the second half of the movie

really goes off in a weird direction that that is good. It does start to get preachy in my view, especially the interaction with Kevin Bacon, the prepper guy. But we'll wait till we get there. But so basically, you know, they're they're at this awkward scene of you know, it's my house, No, it's your house. Well we rented it, but we own it, and you know, we can't get back into town because there's

something going on. And so that the shift here happens to where the kids start to notice that hey, maybe actually there's really something going on, and it's really only the black guy and the all the youth right that kind of have a suspicion and theories about what's going on. Because Julia Roberts and Ethan Hawk are really disconnected. They don't seem to know, uh, you know, really what's going on, and they're kind of ignorant about they don't really

know, you know. She gets these weird messages that pop up when the hacking occurs initially, and she's like, what is this And she has to go to the black guy's daughter who explains, well, looks to me like it's you know, there was a hacking event. She's like, can you explain that? You know? So, yeah, what's that? And so that this is our introduction to the theory initially then that there's something going on. They can't get cable or TV to work, and so there's no news

the outside world. So now we're now everybody's turned to where they're forced to interact with other human beings because they're not living through their screens in an external world. Uh you know, they're forced to confront the real world. So I think again the movie was intending to have these really profound what if we

didn't have the internet? We were forced to interact with white people and black people interacting face to face Like that doesn't happen right, Like like like we don't do no. It's like it's like the movie was produced written and directed by like Reddit atheism. Right, it's like the r It's like if our atheist were to make an apocalypse movie, this is what you would get.

So it's the first interaction that the family has with the owners of the home is it's very awkward, and you're supposed to you know, it's basically it's a bunch of microaggressions by the Karen. Right, So the old white Karen, who's just totally disconnected, can't stop dropping microaggressions on our very stately and diplomatic and intelligent, well spoken, put together black man and his daughter who's also pretty well spoken and put together. But it's got a little bit of

sas. But everyone deserves the sas, right, Everyone who gets that SaaS, they sure deserve that sass because you know they're they're they're throwing out then microaggressions left and right. And so essentially he comes, the black family comes to the door, the mother is. It's later revealed that the mother's away. She was on a international flight somewhere and coming back to the country on this flight, and the black house owner says, look, we were this

is a very awkward situation. I'm gh I know that we were talking on email before and basically reveals that they were in the city and all the communications went out, and this is our home. So we wanted to come home because things were getting kind of weird in the city and we just want to see if maybe we can maybe stay here, like in the basement. Right.

So they let them in and the black owners of the home are so he's very accommodating, very self sacrificial, very loving and caring towards these people, while they're expressing mistrust towards him because obviously, yeah, so she thinks it's a scam, right, the Karen, whose name is is Amanda, she thinks that, well, these people are probably scamming us. How can we trust them? I can't trust them. We shouldn't trust these people.

What are we gonna do? And so there's this whole deliberation between her and the husband. The husband's a bit more trusting. He's like, look, let's see what happens, you know, let's they'll stay here. They said, they give us our money back. So the guy gives them a thousand dollars cash. He's like, look, this will take care of that first night. Let's just see what happens. Tomorrow and maybe everything will get better

and we can and we can take it from there. So he goes and sleeps in the basement of his own home, him and his daughter, while the family stays in their bedroom, uses their kitchen, and still kind of enjoys their little vacation here in the home that they're colonizing from their They're very sweet hosts, yes, And I think by this time again, more and

more weird things are beginning to occur. We start to see the natural world acting bizarre and sort of maybe even rising up in a way against against man or questioning humans. Right, we see the deer have suddenly sort of begun to congregate out in the yard, and they seem to be fearless and they just kind of stare at people. We don't really know what's going on.

Later on, it's hinted that the deer have perhaps chronic wasting disease. It's not exactly clear, but they've become kind of mangy, you know, they got deer aids basically, right, They're all gray and mangy, and it looks like at one point they're actually going to attack Julia Roberts and the black guy's daughter, but that's down the road. We don't know yet, but

we're beginning to see weird things even in the natural world. There might have even been some kind of bio release we don't know yet because of the sun and later gets bitten by a tick, so some kind of limes disease or who knows. But so maybe there's something we are going on with the bio warfare stuff that we're getting an inkling of that's never really explained in the movie.

It's just kind of like, what if you were thrown into this situation where everything's just going crazy, you're under some kind of attack, but we don't know what. But we do get the beginnings of some indication that the black guy who owns the house kind of knows maybe what's going on, because he begins to talk about knowing people in the defense industry and defense contractors and Pentagon people, and that they had this sort of doomsday scenario and plan that

hopefully wasn't the case but might be might possibly be happening. But that's kind of revealed towards I think that's towards the end, right, Like that's maybe three quarters of the way into this. The conversations, there's one conversation where he hints that he knows something, but he doesn't say what it is, and then yeah, well there's one with the daughter's says to him, what did that client tell you? And he's like, look, I told you

everything. So you're wondering what it is that he's you know, is he hiding something, is he sketchy. There's this whole kind of psychological thriller aspect to it that's not very well executed. So you sometimes think, well, maybe we can't trust this character. And his name is George, maybe we

can't trust George. But it's later revealed that George was actually completely transparent with everybody and told everybody at the perfect time, right when they would be ready to receive his wisdom as a superior bipock true human being and doling out his wisdom to these to these white subhumans who treat him so disrespectfully and he and he of course is not a member of the elite, but interfaces with them

because he works in like he works in financial sector. So right, he's saying this, I had met this client a long time ago, and this this part was this scene was one of the better at least directed scenes in the latter half of the movie, it still wasn't that well executed. He gives this anecdote to Julie Rodgers Roberts character about how he had this conversation and got drunk with his friend who was a client of his, and the friend

said, I wish you could come to this meeting with me. I wish you could come and get on this flight, but I got to go tomorrow, man, But I wish you could come with me. And he said, where are you going? And the guy looks at him and he tells him, I'm going to the secret meeting with all the evil, with all of us evil cabal who run the world. Yeah, oh forgot that was the phrase yet so and then but he's but then he's g h's characters like

and uh and I laughed or he laughed or something like that. And then he got real serious again. And I mean it was this nobody and nobody runs the world. Well, yeah, that's yeah, that's the at the end end of this monologue was that might be a different scene, right, that's two different scenes. Well it breaks that saying that you know, I met with all these people and were the cabal, and you know what they told me is that there is nobody running it. And that's the scary thing.

He's like, I wish it was a cabal, but there is no cabal. And the scary thing is that nobody's in charge. Nobody's running anything. It's just chaos. So yeah, yeah, so nobody's really running the world, guys, nobody's making any decisions. And you know that that scene, I feel like, I feel like we're not doing it justice. I wish I had the uh, the actual you know, the script of what

he says, because it's not that it's not that poorly written. In fact, it's kind of it's it's a little bit believable the way he lays it out, because what he's what he's saying is, look, there there are people. And I think I I think I wrote down a couple of quotes

from it. Christ said, it's intended to be a realistic portrayal of the collapse of America, right, and we only get, like the characters, we're only kind of getting these gradual glimpses of what might be going on and the next big event that well, I should say, in the midst of this initial chaos, the daughter notices the weird animal actions, and she tries to tell the mom, and but nobody listens to her, right, They

just ignore her. And so again this is often the case in movies where kids and you know, youthful characters are typically more in tune with what's going on and with nature. They're a little more innocent, and so they kind of see more than the adults. And the adults never listen to the kids,

right, They're always ignoring the kids. That's a common theme in a lot of films and lit And so they keep ignoring the daughter, and she wanders off into the woods with her brother and they find this this weird shed. I don't really know what the purpose of the shed was, but because it keeps coming up and they talk about some creeper that watches windows or something. But Ethan Hoggs I see going to drive to town and get information and

see what's going on. And he has this really bizarre experience where he's driving and he sees this Hispanic immigrant woman who can't speak English, and she's you know, going crazy and screaming on the road and he can't understand what she's saying, but she's that you know, it's funny she's she's actually the bipoc woman is the proper term. So the bypoc woman is speaking to the sub human idiot ethan hawk, subhuman white man, ethan hawk, and she's telling

him exactly what's happening. I saw this plane going over and it was dropping. You knew that, you knew the Spanish? Yeah, I speak, I speak bypoking man. Come on. So she's she's telling him what's going on, and he doesn't understand anything. He just looks at it like I don't speak Spanish. And she's begging him for help. She's like, help me, I need help. She basically she's giving him an opportunity to extend

mercy and and and let let her into the vehicle with him. She's like a you know, like a little fast house keep, fat housekeeper lady, you know, a little little immigrant woman. And the the the bigot white man. He's just so scared and instead of like drives off. Yeah he doesn't. He doesn't. You know you if you were to write a character that's noble, you know, he would calm her downy, Look, everything's gonna be okay. Get in the car, you know, come with us.

Got this place you can come with us and uh, you know whatever, she can become a part of their their crew that's going to navigate this apocalypse together. But no, he just looks at her. It's just like deer in the headlines, like and he just like starts quivering, you know, just gets that that soy quiver and he he and he and he just drives off. He drives off and he just drives off, right, yeah, And that's that's his characters. And he's like super guilt ridden, but

he's like, you know, I got to see myself. Yeah, and then he sees this airplane dropping all these flyers, right yeah, yeah, exactly. So yeah, I like how he's just concerned with his own safety, not concerned with There's no real, you know, self sacrifice from him

for most of the film. There are a couple moments when I guess he's supposed to maybe be redeemed as a character a little bit, which which happened later on, but at this point he's just the you know, the the selfish, completely self absorbed and ineffectual and somewhat not really overtly effeminate, but his actions are always effeminate. Right, drives off, leaves his family with these strange people at their home in this possible apocalyptic situation, leaves in the

car all alone, gets lost because he's got no GPS. He later even says, like, I'm a useless man. He says, I'm a useless man. I can't do anything without my phone or without GPS. So that's he He's a complete goober, useless pussy basically is what you're supposed to see him as. Yeah, he says that to Kevin Bacon done, He's like, I'm a useless man. Speaking speaking of useless useless men, we got, we got our sponsor, were gonna shout out to our sponsored chalk over

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Well, what did you think about the next sequence? As he he sees the flyer and it appears to be Islamic themed or you know what, we later find out it's Arabic script, right, or it's Iranian. I know Iranians are Arabs, but the script appears to be some sort of Arabic and the later say this is the message of the Iranian you know, liberation something

and the Iranian army, they say. So we initially think, oh, we're being somehow attacked by Iran, and then there's discussion of the hacking, that they've hacked the satellites, and then we get this sequence of the noise and it's just unexplained, kind of. I think we're supposed to think there was maybe an e MP that shut down things. Right, Well, let's talk about the flyer. So, so Ethan brings a clay. Clay brings the flyer back. He's literally shaking, he's quivering in his in his little

little white man. You know those little ankle socks. He's quivering in his little white man angle socks in front of his his cool, calm and collected hosts. And he's got this flyer and it's red. It's got a snake on it, right, it's got this serpent on it, and everything's written in Arabic and nobody knows what it says. He's like, I don't know

what this says. I don't know what this means. But this freaking drone he said it was a drone flat flew over and just dumped a bunch of these and it was I mean, that scene was kind of he could tell he's kind of trying to get that Hitchcock vibe. Was that north By Northwest where the film is so exactly it's kind of north By Northwest ripoff? And

the sun comes out from the other room. The sixteen year old son, the white kid who's wearing, by the way, the sun for most of the film, was wearing a shirt that says Obey, you know, the

Obey with Andre the Giant, the first really popular Obey graphic. He's wearing the Obey shirt, and then the daughter's wearing a NASA shirt and they're very often night next to each other with the boy on the left and the girl on the right, and just says obey Nasa, like a good good portion of the movies just obey Nasa. So the boy comes out and he's like, oh, that says death to America. They're like what He's like,

Yeah, yeah, I know that from a video game I play. So the creepy little white boy who's you know, pervnal taking pictures of the black girls. But the only other like plot advancing contribution that he intentionally gives is knowing how to read death to America and Arabic. So like the white boy

who plays video games, he speaks and reads freaking terrorists. Right. So it's like this kind of unconscious tying in cognitively of the idea of the young white boy being a you know, possible agent of destruction and being down with the terrorists and speaking the terrorist language. It's really funny. Yeah, from video games exactly because of the video games. Yeah, that's a good point. I actually missed that. I mean, I know that he's the one

that knew, but I didn't think about how. Oh but yeah, but why would he know that? Oh? Because he you know, knows terror themes from playing video games. That's pretty ridiculous. That's exactly the kind of line that you know, you would get from like a government, you know. Yeah, that was That was probably one of those lines that the Pentagon, you know, their ten million dollar investment or whatever they put it in make in this film. That's got to be one of the lines where they're

like, we gotta throw this on exactly. They try to make it a little bit slick where it wasn't too. But I think when he says this, I think everyone, I think I wrote this down. They the rest of the characters break the fourth wall and look right at the camera, which is from the perspective of the white boy that just revealed that he reads and

speaks terrorists and knew what this said. And then the black family and his parents look at him like with wide eyes, like oh my goodness, and you are being stared at by the rest of the characters, and you are looking from the perspective of the creepy white boy who is a gamer and knows how to speak and interpret terrorism. That's a great point. Yeah, And so what the next is the noise is that the next part, well, the tick bite happens before that, right, Like so the oh, the

noise happ You're right, the noise happen the weird See. What do you think about the symbol, the overall symbol of the deer? I think like this such a flop, like what are you even? What are they supposed to represent? Like you mentioned, you know, nature being opposed to humanity. That was seeming like the deepest level that was consciously applied to the deer's by the filmmakers. Possibly, I think it's intent. So if you if you know about the South, there's been a problem for a good while now

what they CWD, right, yeah, chronic wasting disease. And I mean it's not every deer, but it seems to be this growing problem and it's really bad in certain areas of the South, and maybe outside the South. I don't know, but one thing. Some of the symptoms are that the deer lose their sense of fear, and so they'll just walk up to you and start, you know, acting like your bff. And a lot of people will film this, like on YouTube videos, and they don't know that

they're like, oh, I'm so cool. The deer want to hang out now? It has chronic wasting disease. Don't mean it's not afraid of you, No, it's just they they understand that I'm super spiritual, have a connection with animals. So I mean the deer also then represent you know, the way that a lot of people would survive and make it. You know, if they if the South was you know, collapsed, if the country collapsed, people couldn't get you know, groceries or whatever. A lot of

people in Tennessee would be eating deer straight up. That's how we would survive. So I think that the idea is that these normal sources of food are no longer sources of food because now the deer acting like they've got some kind of biological something wrong with them. Yeah, especially when they're all gray and they're about to charge at Julia Roberts. Yeah. But you know, even though the imagery of the deer they don't make, they make them look very

imposing and strong. Right, there's the like the top the top deer when the women are surrounded. Later, I feel like the filmmakers like, I

like, that's a great point. I feel like the filmmakers were just uh uh, mostly looking at the deer as a symbol of like the biological world in nature taking revenge on the mean humans right in the imposing alien force of nature, which would you know the the wasting disease also connects to the tick bite and you mentioned the boy gets a tick bite, like it gets a deer tick in his leg, which is you know, limes disease is really

prominent throughout the Northeast and the whole The connection of limes disease with possible you know as a you know, weah Montalk Island and and no Plum Island. Yeah, Montalk Island, but you know Montalk, the area of Montalk is actually a really big vector point for that disease, for limes disease. And they mentioned limes disease in the film too, So the deer tick is what

carries the limes disease. So there's this like you know, the possible bio weapon aspect of it is actually I mean that's pretty it's kind of conspiracy candy territory, and they know what they're doing when they put this stuff in this field. I mean it's intended to be that because you know, when the sun gets bit, he pukes up, he gets uh, you know, it gets really sick. He pukes up and then his teeth start falling out, so he's definitely got something, and he gets he gets hives on his

body. He starts getting sores on his body. But the deer don't see him as affected. Right, they're not afraid of the people, and they're flocking towards these areas where people live. But Flamingos are doing it too. You remember when the Flamingos show up and the Flamingos go in the pool, right, they said that the Flamingos and the deer. I feel like visually, I don't I don't remember. I'm gonna just see if I could pull

up. And I think we were supposed to think that the flamencos. So whatever's going on with these with the e MP and the signal, the signal attack, the noise signal, presumably it has messed up. Uh you know the bird's flight patterns, I think is what we're supposed to think. Yeah, there's there's some sort of electromagnetic warfare thing going on, right, it's either you know there there's actually auditory almost like ELF type weapons or VHF like

very high frequency audible sound that cracks windows at times. So there's this the attack involves the breakdown of communications an e MP near the end where all the power goes out, but it's no big deal. They just like candles, right, You like that part where like no one really freaks out that much about the power going out. It's like, dude, I mean the power the internet going down. The Internet freaked them out more. But they just

light some candles and it's all good. When the power goes out, you know, they're not. There's no discussion of like what are we gonna eat? There's never really a discussion of, uh, you know, how are we going to survive? Where yeah the next month, right, you've got a refrigerator or a freezer and the power goes out, there goes your your fresh food. Your fresh food's gonna start rotting. You've got maybe a week

or so until most of that's bad. So they don't really they don't really freak out too much about the power going out, which I thought was kind of funny. But yeah, there's there's kind of a multi pronged attack there with the the Noise. There's actually the third part of the film is called the Noise, and this is you know, after this sound frequency hits everybody. Everyone's holds their ears and kind of drops to the ground, and that's

after that, it's almost weird Tesla at tech. You know, that's been year, which is odd because I mean, how are how is a foreign enemy suddenly going to hit the entire country with some weird Tesla tech everywhere? Right, I mean, this doesn't even seem plausible unless we're supposed to think that the drones were somehow involved in this. But even that, I mean, you would really have to have some kind of internal coup. And maybe

he says something like that. Maybe I'm mixing up with another plot because I've been watching a bunch of these kind of collapse movies, but I mean, you have to have some kind of internal coup within the government that aids in somehow, you know, releasing this signal whatever this is, because it seems

to be pretty prevalent. Right, it's pretty much everywhere as far as we can tell, because the next scene we see the the Tesla is piling up because they've they've been basically they've gone haywire, right, So Tesla's have been shut down, but maybe when they come back on, they're going crazy and they're all crashing, which was an odd scene, which I think was again an attack on you know what. And I'm not saying you can't be critical of Elin or Tesla, but it's like, oh, that's a Tesla.

It's all they're all crashing. They're doomed to fail. So what as America produced. It's given the heights of American technologies, the Internet and Tesla. Internet's failed, Tesla's are failing, right, It's like the whole idea is a big failure according to the film. I think. Yeah, to be fair, though, Tesla's also suck, like I know, the electrical vehicle thing. Like I'm just saying that from the vantage point of the people making

the movie exactly. Yeah, yeah, for sure, Like it was probably you know, the the you gotta you gotta pone the conservatiards and you know, make the make the Teslas pile up because you know, Elon Musk is a total he's he's a bigot and you know, won't won't play ball with us on on Twitter. Yeah, I'm looking through my notes here kind of at the timeline of how everything goes down in the movie. I took way

too many notes. There's so there's so much like there's so much programming and social engineering of how the mechanics of a possible collapse of the power grid, collapse of communications would result in basically chaos, right, chaos. The characters don't know who to turn to. The characters don't know who to trust, The characters don't know what information is real information, what information is false information.

The characters don't know what to do, they don't know where to go, and they're kind of just running around like chickens with their heads cut off. And you you know, we are supposed to be empathizing with these characters. But then also there's this aspect of if you're going to make a film like this, you know that you're stoking the thoughts of, you know,

possible societal collapse like this in the audience. So it seems like the really the social engineering cues that people are meant to be taking from this is that you have to be so scared that this could happen. Right now, a

lot of people are saying, oh, this is predictive programming. They're going to do this cyber attack, and you know, we've been talking about this type of stuff for years, right with the cyber polygon exercises and the World Economic Forum, and you're working with defense contractors in military intelli whatnot, working on the possible scenario of a cyber attack. Right. The cyber attack is one of these scenarios that they're saying, it's got to happen, it's coming,

the big cyber attacks coming. But I feel like films like this, the intention could be to make people so afraid of just the mere possibility of a total collapse like this that a simple you know, a better way to implement this would be to not really roll out huge wide scale power outages and communications outages, but make it protracted, small and localized so that you can still maintain a certain level of propaganda and control, and then creating enough fear

to where people will accept the mandatory digital id for the Internet, the Central

Bank, digital currencies and whatnot. Yeah, like a limited type of thing, a regional type of thing that's then hyped up to be the worst thing ever, Like the last three years, right, the coup, this great you know Spanish flu type epidemic, right that just just destroyed the world, and it brought the world together to have this you know, Stavvy response in lockstep, you know, the whole world had to come together, and you could have a similar type of thing like you're saying right where, Yeah,

I definitely don't think that the elite intend to literally get rid of the Internet and literally get rid of electricity to put us into some sort of eighteen hundred. You don't have to do that. All you have to do is have the most of the normal people afraid enough of a possible scenario and tease it. It's almost like a like cyber attack brinksmanship kind of a thing that you

could do to the populace. And to me, that makes more sense than like a full on like well, it's just you know, everything's gonna get emp and it's gonna be a full on societal collapse and all that. I feel like. Also, I mean, they haven't they have been building all of this technocracy stuff to throw it away, right, They've been building it to implement it. So if there was an outage or the cyber attack or whatever, this would be some temporary, limited thing, you know, hyped

up into oblivion. And oh it was all the Trump Maga people, or it was all the Christians that did it to get working with Russia, Right, That's what they're gonna say yeah, yeah, and the who done it aspect of the movie is not that important to the plot. You are wondering as a viewer, well, what's going on here? Who's really doing this? And that's it's supposed to be ambiguous, right, it's this invisible enemy who has done this is kind of a you know, it's like a you

have like a rorshack test and visible enemy. Right. So you've got the flyers that are written in Arabic. And when the survivalist character who's played by Kevin Bacon is later confronted by Ethan Hawke and the and the character George, he reveals to them once they've sorted their stuff out, they sorted out their

business, which we can talk about a scene too. Once they sort out their business, he tells them, well, my buddy in San Diego had a similar thing happened, and the flyers were in Korean or maybe Chinese. We don't know the difference. So he says he's like, hey, tells them it's the Koreans. This is the Koreans that are doing this, or maybe China. So you've got China, North Korea. Iran white boy gamer definitely know something sketchy, white boy, gamer, pervert boy. So you've

got all these possible people doing it. And then later in the film, in one of the more important conversations of the well, actually that's getting to the very end. Maybe I'll talk about that one at the end, but you don't really know who did it right. And then I wanted to maybe get into the conversation between George and Julia Roberts character the black dude and Julia Roberts who they have this before this conversation happens, they have this like flirty

moment where they actually danced together. Dancing right, It's super cringe. It's so bad. Yeah, yeah, I mean, it's just like they have a couple of watching, Oh that white girl, Dan, look at that white girl. Well, the white guys outside sitting by the pool, and the black daughter comes out and offers him together and the black daughters like, you sleep with your students? Yeah, so do you f your students?

He's like, what's like because they get high, and he gets it's funny how they they portray like when they get high, how they both just get really open with each other. It's like really but really, like, dude, the world's crashing down. You're just gonna smoke weed. You don't smoke weed all the time. You're gonna get super paranoid. You're gonna be like freaking out, you know, like your heart, My heart feels weird.

What's going on? Do you hear that sound? I still hear the ringing in my ears from the freaking emp microwave weapon that maybe just hit me too dumb to even remember. No, he just stands out by the pool and and smokes some smoke, some vaight with the little you know, cush so that we can't even figure out what's going on. It's the not the wisest choice, right, Yeah, it makes no sense the reaction that they both have to to getting high, and they both just get really chilled out,

like they had a few beers or something. It's so dumb. But yeah, she asked them these like sexual questions, and then he he kind of says, no, why would you think that? And she's like, you strike me as the kind of guy that things come easy to, you know, kind of like there's a lot of these double entendres where everything that gets said by the black girl is pointing towards the white people's either white privilege or

their racism and microaggressions. She's constantly pointing out their microaggressions, and at one point, the best, one of the best lines of the movie is when she's like, she's like, talk about the pot calling the kettle black to Julia Roberts's character that double on Tundre. It was just like, I don't know, I feel like the script, the script was so corny at parts,

especially that one. You know, really what they should have done has been she should have said, like talk about the pot calling the kettle the N word is what she really should have said. I like how you noticed that. That was very perceptive of you to to realize that the daughter, the black daughter, was basically just an expert in calling out microaggressions, right, Like everything is like, oh, you got you did it again.

That was a microaggresion against me. That's basically all she's good. I mean, she notices she's the one the beginning says it wasn't a hack, right, and then she basically doesn't do anything else except call out microaggressions and get mad because her dad held back something about the mom or something like that. Yeah, she gets a little mad at him and she gets mistrustful of the white people. But you're supposed to you're supposed to empathize with her. But

the dad is so selfless, he just ignores the microaggressions. Right, He's kind of his stoic. He's very measured, unemotional, and the emotions that he shows are very appropriate, but he you can stifle them when he needs to. He's kind of like, just got it all, got it all together. Well, there's another statement too that comes up. I forget who says it, but they talk about their their being agreed upon delusion that people are good. Yeah, right, and the reality is she says, when

you look close enough, what does she say? Julia Robins character is like, if you uh, maybe, if you look closely enough, it's all delusion. So it's kind of this epistemological statement about nihilism and how you know, maybe everything we believe in this world is just a delusion. Yeah. And she's again trying to grapple with why she hates people, why she's so

unhappy. She has that confrontation with the black girl, the sassy black girl that he's that she's constantly arguing with the whole movie, and then she learns to humble herself and admit that I don't want to be like this, help me not be like this, and then the deer all gang up to attack. So the deer, the deer just teaching the evil people a lesson. Remember there was a Julia Roberts character. Also, She's like, all we do is take and destroy the planet the deer thing, right, So it's

not it's like the same way that you know they're colonizing the airbnb. Right, we just take from the deer and eat them. Right, we could be we could be vegans and live at peace with our animal brothers and sisters. Yeah, but instead we just take take, take eating up deers. Right. It's a deer, it's a deer, h cost right, Yeah, this is right, This is right. If you're Alley Trystan, this

is that's the point. Right, we should be vegans. We shouldn't be You have to be vegan because you can't eat the deer because they're freaking bio weapons. Now they're walking bio. Well yeah, that's true, but I mean that's that's right. It's actually pretty freaky when you when you look at

the wasting disease, when you look at the the lions disease stuff. When you look at alpha gal syndrome, which is the lone star tick, which is really prominent throughout like the South, that that can make you allergic to beef. I guess it lasts a few years. Would you be allergic to to beef? You get a bit by this tick. So I mean that

those type of programs are definitely kind of seeded throughout this film. So I mean, I feel like the tick bite and a lot of that stuff that might have been been a little bit of that that DARPA extracurricular script additions there. Yeah, but I'm saying that you noticed something I missed, which was that basic, you know, diet point, which you know, the Obama

administration is fully on board with the global stuff. That's why Michelle was so adamant about this this stupid you know, high school and grade school diets that she was involved in. It's it's saying that, you know, we we eat deer meat, we take from the land, and we don't give back. That that was a key point. That was what Julia Robbers was saying, and that's why the deer are getting aggressive. Yeah, the deer are being mean because they can sense it. They can sense that and they're taking

it back. Also, right, there's this in a lot of a post apocalypse movies like I Am Legend and whatnot. There's this visual theme of nature taking back. The nature gets revenge on the evil humans exactly exactly, so you're not you know, I feel like the average normy might not put together the limes disease possible bioweapon connection. And I don't think the film explicitly states anything about that. I think somebody just mentions, well, Lime's disease is

real prominent am around here. It's probably that it's got a bunch of weird symptoms. Yeah, it's just ambiguous, right, mm hmm. Let me speaking of ambiguous, we got a bunch of a bunch of ambiguous bigots over here dropping super chats. Thank you guys so much for superchats. We'll read some of these right now. If we'll read some of these right now, if you don't, if you don't mind, got views sending one ninety nine through chat says, did you watch as Mail Homecoming adaptation? Cereal? You

watch that one? Jay? What is it? Homecoming? I guess it's the same as Mail as the Oh the director, I haven't here and I see Homecoming. No, I haven't seen that? Is it? You think it's worth watching? To the to the color? I don't know if I can watch anything else this guy's directed. I watched an interview with the director, and I'll tell you what, he's a he's he We got to get

that guy some chalk. I'll tell you the twenty five million dollars on this on this film, and the director couldn't afford a bottle of Chalk's tonkav One says that Homecoming is an anthology series centered around a mysterious geist group, an unconventional wellness company, and they're unorthodox programs, namely the Homecoming Initiative. Uh so sounds like a conspiratorial kind of plot, but I mean mister Robot was

very much like spiratorial plot. Yeah. Yeah, that's a big undercurrent throughout this Right, there's this background of this background static of conspiring and lies and mass media manipulation that's never really fleshed out. There remains a mystery throughout the film. So yeah, it's actually the highlight that that was part of the disinformation campaign. Right when the dad is described the black Guy's describing the Pentagon

plans, that he was went into or heard about. It was this idea that when this big catalyzing event occurred, there would be basically chaos on purpose, intentional chaos. And that's why the flyers that were dropped had all the different languages and why there was all these different things. It was maximizing chaos, he says, so that you couldn't figure out what was happening. So that's but actually he details over three step thing, right, Like he says,

there's as he says, is that there's a three step maneuver. He says that his friend synchronized chaos and disinformation and then turn people on each other. Yeah. Yeah, so he says, isolation chaos and then koudeta. So then actually, I guess it is kind of implicitly implied that these enemies are within the United States, but then we don't know if they are foreign

agents. Right, You're told the media saying that these were foreign hackers, Russian hackers, Iranian hackers, and that this is kind of coming through the emergency broadcast stuff that you get glimpses of. But there's also this kind of you know, undercurrent of well, you can't really trust anything, and maybe it's somebody else, because there seems to have been a heads up given to

the elite. Right, this guy that works for the corporations, he says that his client called him the night before, Right, he called him the night before. And see he calls his client calls him the night before for and I thought, I wrote down exactly what he told him, basically, Yeah, he told him what he was really worried about. Before in the last conversation they had, he said that he had told he had told him what he's really worried about, is this three step thing where the enemy will

cause isolation, chaos and a kupdeta. But then he said, this client was moving around a bunch of money, which was very uncharacteristic of him. The same client moved around a bunch of money like two days before this event happened. And he's like, I should have put this together, that this was what's going on, because he almost sounded guilty on the phone, and I asked him, I said, so, what's up? You got you in a hurry? You got to go meet with your your shadowy elite friends,

your cabal who runs the world. And he said he didn't laugh, but he always laughs, and he even laughs at bad jokes. He didn't laugh at that joke, and then he told me take care of yourself a right, So what the what the elite you know are worried about is themselves. This is also, of course, what the the bad, ineffectual and feminate white man in the in the film is concerned with is taking care of himself. Whereas the Bypoc, the brothers in the film, they want to

take care of everyone. They're open, they're willing to help, to share their resources, to share their knowledge. They don't want to hide things from each other. So the I mean, it's it's super corny and like cartoonish level when I describe it. But the film they try to be subtle with it, but when when you're paying attention you catch all this, they're not

subtle enough. Yeah. So basically it's this discussion of how you would take down a superpower, right because you know, we're not a small country. It would take pretty hefty operations to take down the entire country. And I think that's what we find We find out as this revelation comes about that it wasn't you know, one event, this event, that event, This was

like the takedown of the United States. And one thing I did understand, and maybe this was just a nod to two thousand and one, a space odyssey or something like that, but do you remember the sequence where you had the two thousand and one planetary alignment. Yeah, look like an eclipse. Then you see the moon and you see the American flag in like, yeah, Gray, it's face, it's backwards as as you see when you know it's the stars are on the right hand side, which is kind of a

supposed to symbolize like America's advancing. It's like talking about warfare basically when the eclipse of America, I guess, but I didn't know if we're supposed to think that there was some you know, mystical two thousand and one significance, like we're going into a new era right in two thousand and one when the when the eclipse occurs, it's the next phase of human evolution, right, but this one Earth blacks out the Sun. It's the Earth eclipsing the Sun

from the vantage of the moon. So yeah, we're of course in the NASA shirt throughout the throughout the film as well, the obey NASA obey and NASA Well that's the Eclipse of America, right, and another thing too that keeps popping up, and I wish, I guess we should mention that this whole final sequence is that the worst character in the movie is Kevin Bacon, who is irrationally attached to his uh stuff, no, his antibio antibiotics. Right, So he's he's he's a prepper. He stored everything, and he's

ready to shoot his friends and neighbors over a pack of antibodies. Oh no, no, no, but they don't even say it's antibiotics. This is what. Yeah, this, this is one of the funniest scenes. I'm glad you brought that up because Ethan Hawk and the Black guy they drive the son whose teeth are falling out of his head after this like e LF weapon micfter, they all get this microwave weapon thing that whacked everybody. Everyone's got

headaches afterwards, and the kid's puking. So he's got this combination of his tick bite plus the elf type stuff and he's got like sores developing on his face. So the one redeeming thing that Ethan Hawke's character does, he wants to get his son to safety. He wants to get help for his son. He doesn't know who to go to. So the black guy is like,

well, I know this guy was a prepper. We can go talk to the prepper who Julia Roberts had actually seen him buying stuff from the store and she was actually paranoid and thought maybe he was in on it too. But the black guy was a voice of reason and he says, no, he's just a prepper. That's probably his normal weekend purchases. So they drive out to the prepper's house and remember this is like Martha's Vineyard type place.

So there's this like supposed kind of hillbilly prepper who's on his porch with a shotgun. But he's you know, he's in this total yuppie beach front neighborhood, and you're supposed to think that there's just some hillbilly prepper with a Dallas

Cowboys hat and like scraggly ass beer. He just looks like, you know, he's been he's been been hold up in his in his house, just cooking up meth for the last twenty years, stalking up on copies of the Turner Diaries, and he's just like, you know, he's like like Timothy mcvay's handler, but he's but he's kicking it out there and in Martha's vineyard and he's sat, he's standing on his front porch and he's got an American

flag. So that's the only other time you see the American flag is I think in front of this guy's house and then on the moon where it's like dead and petrified, and he's and they ask him, They're like, we need your help. He's like, uh uh. He's like, he's like, you you best get away from me. You better stay away from me. I got my stuff, I prepared. I got to take care of

mine. And they kind of have this existential conversation about like basically about morality, where he's out yeah, and the black characters like, look, we're friends, we know each other, you know, we we should we should work together. And the white old mean white man, Yeah, he's you know, old mean white man's he's got his uh, he's got his the Turner Diary's in his back pocket, he's got his uh, his his his firearm with the serial numbers file filed off of it, and he just you

know, soldier of fortune. Posters all over the inside of his house, probably in Martha's vineyard, and he's like, no, I just I gotta protect what's mine. I gotta protect my family. And so he's he blackballs him. He's like, nah, man, I don't care if your kid's sick. And he's like he's he says, he's like, yeah, he got bit by a bug. He's like, there's probably a tick that there's

lines disease all around. Here's got a lot of strange symptoms. And then the situation escalates and you get like a little it's like a Mexican standoff, except it's like a black guy and a white guy, and then the ineffectual Ethan Hawk is in the middle. He's like he's like oh, Like he's like, oh, e've a, I'm shovkleppt. Why don't shoot each other? Please, please don't shoot each other. That's what he said. Like, you can't do anything. I don't have my cell phone. I'm a

dad and I need this for myself. I can't do anything. Yeah. Yeah, So it's there's everywhere he's freaking out. And remember this is kind of they're they're cutting this. It's edited to be happening at the same time as the wife and the daughter are looking for the wife. What's her face? Julia Roberts Amanda the character and the black daughters think his name is Ruth.

Are looking for Rose. Is that the girl's names their name? We're looking for a little creepy white girl who looks like she's played by like a thirty year old midget. Like there's a there's one. Do you remember that close up? It was a close up of her face and it's lit in a way where it's like, you look like you're twenty five years old. How are you playing a nine year old? So they're looking for her and they find this old, creepy cabin and then the year yes got the the

deer are like teenager with a ant. She looks like a aunt when she's a teenager exactly. And this freaking like pod of deer calm, like you know, twenty deer coming surround the girls. So the girls are like backing up against the cabin. They're real scared. And then that's that's kind of innercut with Ethan Hawk like stop fighting dads to the black guy and the and Kevin Bacon and they're both pointing guns at each other. Remember the black guy's

got a gun. The preppers got a gun, but ethan hawk. The you know, the standard normy white guy has no weapon, has no way to protect his family, relies on other men to do things for him, relies on other men to get ideas to protect him, to protect his family. And he he gets in the middle of them and is like, don't kill each other, please, I don't want to set the clean up blood.

I'm so I'm so scared of blood and so. And at the same time, Julia Roberts just starts screaming at the deer like she's just screaming at the deer and waving her arms and her and the black girl screaming at the deer, and then the deer run away, and then the guys I guess came they come to an agreement. The voice of reason he basically just goes, please give us we need drugs. We know you, we know you have medicine. Please, And the guy's like, uh uh, get off

my property, point in his gun, I mean. And then the black guy's like, no, no, no, please do it. I know you'll do it. Please. He's like, okay, just the sides out of the blue, all right, And then they give him a thousand dollars because from a preppers vantage point, you would want to have as many allies in the apocalypse as possible. You're not gonna immediately start trying to shoot people who show up obviously looking for help, right, You want allies, You

want to you know, make friends. You don't want to, you don't want to immediately start, you know, trying to fire off. Yeah. No, but he's just like, I gotta protect mine. I will freaking kill you if you come one step closer to my porch. And the guy's like, I know you, we're friends. You know, I'll kill you, bro. But then all he has to do is ask him, like a few more times, and he's like, all right, dude, yeah,

I'll sell you some stuff. He's like, and then he they they buy for a thousand dollars, some just blue pills, and then it just and then it cuts to them pouring a blue pill in his boy's hand. The boy takes the blue pill as if like this guy's got his magic, you know, bio weaponized limes disease that's enhanced by uure. He's got the limes disease curing a bottle, and and you're just supposed to believe that like,

oh, he got medicine. Like the guy has medicine. I got to make sure when I prep that I have medicine too, in case limes disease and microwave weapon breaking the mind mind of the sophisticated city nor me right, there's just medicine exactly. It's a generic blue pill the prepper as medicine. So yeah, So anyway, that was one of the favorite scenes. People are talking about Yellowstone in the In the thinking of that Yellowstone meme with

Kevin Costner, people are talking about Yellowstone up in the chat here. Let me let me I forgot to read the rest of these super chats. Maximus Pike through Canadian five dollars, which is I think that's like three cents or something in US dollars. It's through them Canadian dollars. No, I think it's actually similar. Five bucks from Maximus Pike on YouTube says just a coffee from a proud pay piglet. Thank you very much, Maximus Pike. We

appreciate that. All you pay piglets out there, you guys are probably referencing. There's some famous song by somebody called pay Piggy. Have you heard of this? I have. It's a I think it's a special ed or a KRS one track. I'm not sure. I thought I was young boomer. Alright, So we got we got, uh, Sir Lithius and Naxon. There we go, biggest super chat of the night so far. Sir Lithius

and Axon donated thirty seven thirty via stream labs. So all those all you guys who donate via stream labs, we split in that with mister Jay here, so make sure to make sure to drop those stream labs super chats. There, he says. The boys are back in town. The boys are back in town. So brave, so beautiful. Mental health's are on the fleek. Love much love to you both. Thank you very much. Man. Well, I mean, if you're e celebrity divos like we are,

your life is tough. You're gonna have mental struggles like every celebrity obviously, No, I mean Jay and I we're open. That's the thing is, we're open. When we have mental health, we tell everybody, and that's how we get beyond it. That's how we heal. I know, Jay, Jay's kind of like one of those cuspers. Yeah. Well yeah, so Jay's like on the CUSP. We're not sure if Jay is a millennial

or gen X. He's kind of a malexial. We'll call him a malexial, so he doesn't have as much of the mental health as I do. I'm a millennial, right, I present as I'm trans boomer too, but you know, I mean us boomers. We also we have a lot of mental healths. But I still take I gotta take basically every other week off for self care. Yeah. No, we do a lot of self care. So we appreciate that. Thank you for helping with the self care. We're going to use that for self care. As a trans boomer, I'll

probably buy coludes with that. Uh and Jay as a millennial, that's self medicating. Yeah yeah, because I'm a as a trans boomer, it's coyludes. But because Jay is a milexial, his will probably be what's what's like the gen X? What's the gen X? SSRIs for gen X? Right? I did not associate with gen X? What are you not as bad as boomers? Don't? You're a millennial, but it seems like they would be on SSR. Yeah, okay, so as a millennial, then we

identify as millennial. Yeah, so you're just your own generation. No, it's used to identify as a millennial. Oh you identify I'm sorry, I thought you said I refuse used to identify as a millennial. I'm like, damn, are you a zoomer? Jay only hangs out with zoomers these days, but like ir l J just hangs out with zoomers. Also, No, I'm a I identify as millennial because you know, we actually talented this

up. There's not really anything that I have in common with boomers. Yeah, a little bit in common with gen X, but mainly mainly millennials. So well, I just want to identify as I'm transmoomer, mostly because it's like I like to talk shit on millennials, but I but I am also technically a millennial, So to actually criticize millennials, I have to be presented as boomer. So that's why. Yeah, anyways, we'll be using those for my trans boomer self. I'll be using those for some ludes. Get

some of them, quay ludes. Jay. As a millennial, it would probably be what was it, It's like zannies or whatever that the that the millennials are all up on. So self care. It's really important guys. Amelie a Straus donate ten bucks. Didn't even say anything. Big mic donated twenty bucks. Big Mike, future President of the United States of America, donated twenty bucks. His favorite apocalypse slash post apocalypse movies favorites, Well, I got some listed here that I'm a big fan of us. Let's see.

I like Twelve Monkeys. I'm a big fan of that. We did a stream on that a while ago. We did. I like Hunger Games the original trilogy pretty good. Twenty eight days later it is pretty good. Zombie Land is pretty pretty into entertaining, just for goofy take Shelters, pretty good. Remer Shot of the Dead, Shot of the Dead. Yeah, yeah, that was fun. And they's the Body Snatchers. I like all those. I'm a Mad Max fan. Those are pretty good. Did you

watch the New Quiet Place? Those were actually all right? No, no, they're just saying I see the New Mad Max. But I did see the Mad Max remake, the first one, the Quiet Place one and two with Emily Blunt and What's what's his face? From Jim from the Office. Those are actually pretty good. Is it is it like comedy or is it all It's like an action in the world. He pivoted, right, he's he does more serious acting now, He's not like, doesn't do a lot

of comedic stuff anymore. Right, it's like action movie, you know, the action star you know. You know what. I'll throw out one that you know most people might not think of. It actually is the end of the world apocalypse type movies. Apocalypto. I think that's the best one. Gibson's Apocalypto. Yeah, Jimy and I did that not too long ago. Yeah, that's one of my favorite movies. Thank you very much for that. Super chat, Big Mike, Tyshawn bighams on the freaking' ty Sewan.

Ty Shawn says, rat battle jayde or else, I take away the switch and your mental health be hurting again. Out bald man bad. No more hair transplant for you, Big a l O l Nerdang for five dollars and two cents to give to give me his two cents, ty Sean. Me and ty Sean have a history. I'm not trying to get into that right now. Gary Dang, all right, Gary wins, Gary donating fifty bucks.

Gary. When I when I said that I was splitting it with Jay He's like, I gotta I gotta give a big fat super chat for that one. Thank you very much, Gary, I appreciate that. Man. Everybody make sure to like subscribe, do all that stuff, and you support these streams, and then also support yourself by hitting up chalk dot com get

fifty three percent off all subscriptions for life. Using that code Big five to three Life, Big fifty three Life, You're gonna get fifty three percent off of the highest quality subje supplements and adaptogens guaranteed to make you rap almost as well as mister young boomer Jay Dyer here legendary rapper and uh and producer songs such as pay Piggy and what else. It's kind of that's that's kind of the top the top single lateies pay Piggy waiting on the next the next hot

drop. All right. So yeah, man, I mean there's this freaking movie was It's like, when we talk about it, it sounds on paper like it could like it's kind of good, but it's real tedious to watch. It's slow. Yeah, it's it's not as cool as you might think, but yeah, I mean it definitely propaganda. We know, we talked about civil war too, so they seem to be really wanting to ramp this narrative up. And Alex Garland, you know, he's the guy behind ex

Mashna. He's the guy that did Annihilation with what's her face? Annihilation was very bizarre, sort of Luciferian satanic message. Remember the trailer for that. It was like kind of psychedelic alien yeah type film. It's a pretty crazy movie. And so he's going to be doing this civil war apocalypse story where America collapses into a civil war and it looks like it has all the everything you would expect. It's the Maga people that you know, caused it by

who knows what, being racist? I guess, yeah. I mean it's funny how much race like you know, you you would you of course would expect it from being produced by Netflix or being produced for Netflix by the Obamas. And this is the first fiction movie that the Obamas have produced where they got that deal? Was it like a fifty million dollar deal or something with Netflix years ago? Yeah, And I don't know what else they've produced, but this is the first fiction movie, and you know, it's it's very

fitting. It's actually very fitting. Did you see any of the trailer for Civil War. Yeah, you actually did you know? I mean I would I pull it up right now, but actually I forgot. I didn't get

the audio dialed into where we could actually watch that. I mean you can tell from the trailer, like it gets to a point where, oh, America's collapse and then there's this confrontation between the people like in the movie, the Obama's movie or yeah, it's almost like it starts you basically got maga preppers who end up shooting a kid basically yeah, yeah, and then you have a third term president they said, the third term president. So you've

got this president usurping power. It's a dictatorship. No, it's not. She's gonna be wonder if she could be great? Right, Trump there's already saying that. You know the news the last two or three days is Trump is going to create a dictatorship, which is what they've been saying since twenty sixteen, right, yep, yep. So Trump's going to be the dictator and he's gonna He's gonna bring about the downfall of America. Basically, that's

that's what it what it seems like that movie's gonna be. But well, I don't know we'll see. Maybe it'll be a little bit better written than this one. Yeah, I mean, I'm looking at some of my notes here. There's I think that one of the conversations, the conversation near the end. Let's talk about the ending of the film. Oh yeah, I meant to mention. So this is one of the wors stupidest, most obnoxious, and subversive endings to a film that you could you could possibly have.

I feel like a lot of people just think it's dumb, but the end of this movie is truly weaponized. You've got kind of the the pharma pills, the magic pharma pills that that useless man Ethan Hawk is able to negotiate off the Prepper. Those are like that's like the peak emotional part of the film, and it's a really shitty kind of standoff, almost gunfight that happens where he just begs him, please please please give me the pharma pills.

He gives them the pharma pills. Then they take off right after the guy tells him it's the Koreans. It's the Koreans or the Chinese, one of them. Then they let's see where the missing, right, the daughter's missing. Yeah, that's right. The little girls still missing her, the white girl still wondered. She's wandered into the house that has the underground bunker. Well, the black guy reveals he's like, look, we got to get

to the neighbor's house because they've got this bunker. It's probably this bunker in this house is where we've got to go. Yeah, And the prepper guy was telling him before, he's like, I think those neighbors, I think they got an underground bunker. They wouldn't even let me see the plans of what they were doing over there. So the prepper kind of indicates, yeah, you should maybe go to the neighbor's house. So they decide we're going

to go drive over to their there to the neighbor's house. Then you see a long drone shot of New York City, uh, and you could see there's like explosions, big explosions right like possible kind of almost like looking like maybe tactical nukes going off, like small tactical nukes going off in New York.

And you hear gun fire off in the distance. The drone shot drops down, you see the neighbor's house, this big, white, beautiful house kind of on on the what's like the harbor or whatever you call that,

and the little girl is inside the house. She had already found the house with a bunker that everybody else was gonna gonna then go to, and she's walking through the house kind of like in this I don't know, it's almost like the shining type of shots of the little girl in the house, and she's sitting at a table and she's just surrounded by like by like goy slop, like she's just got all the she's just got all the freaking kibble foods

like funions and doritos, and and she's having a feast just gluttonously. She's pretty pebbles and stuff. She's just gluttonously consuming a bunch of you know, trash processed food. And she's all alone, just looking kind of looking kind of autistic. Well that was kind of the point, is that the world that you leave behind is oddly enough the one that you are nostalgic for.

Because there was this phrase said to the little girl or earlier in the film where she's like, you know, oh, I love friends and friends is the nineties, right, It's nineties prosperous New York and the I think the black girl says to her, Well, you're you know, that's a world that never really existed, right, So it's like the dream fantasy world of

white people in white comedy and whatever. Oh that nostalgia for something that never even exists, right, And so the irony is that when everything collapses, the world is left behind and you have your bunker, you are nostalgic for the consumerist, you know, corporate world that got left behind, and that's where you're going to live in. Yeah, you're gonna live in that fantasy. Yeah, Yeah, it's the h So the girls in the house, she's she's sitting at the table eating all the you know, the crap food

that's in there. She's drinking like, she's drinking freaking pepsi. Yeah, she's got like pop tarts and funions and cheese its and reeses cups and lucky charms. So there's no real food, like, it's all just and she's totally happy with these like dead little girl eyes. You know, you could see the bottom whites of her eyes. She's got those kind of that that thousand yard stare. And she's all alone there, just just sucking down the

soy slop. And then she walks down stairs or whatever, like towards the basement, and it's got these kind of wannabe Kubrick shots of her walking towards this big bunker door. Right, So she's in this house that supposedly has this bunker, but she's just able to open the door. There's no lock or key, there's no there's no security for keeping you out of the bunker. She just walks in and opens this huge ass metal door, walks into

the punker, and uh. And in the bunker, she flips the light on and there is a there's like a whole little uh, I don't even know what you'd call it, like a like a rich white people apocalypse shelter. It's a nice table, some water, stainless steel, you hydroponic plants

growing in there, exercise equipment. And then there's there's a shot of the of the pantry, right, and the pantry is like all it's all storable food that these people had bought, and it's just it's just canned kibble, right, It's like cream of wheat and like Domino sugar and Marilla pasta and

Jemima's freaking syrup. It's just it's just all just all soy slop. It's all just freaking like Global Homo kibble and and she's obviously so happy, and it, you know, shows this long shot of like the comfort of the of the kibble. And then there's electronics in there too, and you're connected with the emergency alert system. And the emergency alert system says White House and major cities are under attack by rogue armed forces. Elevated radiation levels detected near

multiple population centers, seek immediate shelter. So there's you know, there's some sort of a you know, a connection with this emergency system. And the little pale, creepy, blue eyed white girl walks over to the most important piece in this apocalypse bunker and it's a flat screen TV and then a DVD collection. So it's like, you see, Jay's got this nice book bookshelves

behind him. This this is like the the Global Homo Normy DVD collection, and she's got like Buffy the Vampire Slayer and every nineties TV show and the nineties movies and and she looks through it, and of course she goes and she finds Friends. She finds the Friends DVD because she has to watch the

last episode of Friends. This is the most important thing to the little zonked out, creepy white girl whose brother is totally cruel to her, whose dad's a total loser cuck, whose mom almost cheats on the dad with the black guy, but then catches herself like at the last minute, and she puts on the Friends DVD, navigates through the system, finds the last episode, and then like the last shot that you see is her face and her little

blue eyes kind of like this almost, you know, like the Kubrick stare. They call it the Kubrick stare, like the dead eyed glare. She's just staring up at the screen, like looking at her God. And you see the blue again, the blue light from the screen reflecting in her whole face turns blue from the screen from the blue light, the artificial light on

the screen that we all know is actually really detrimental to your health. And then it just fades to blue, and the Friends freaking Friends theme song plays, and that's one told you life was gonna be this way. That's it. It's so bad. So you're reminiscing for a thing that didn't exist, and which ironically is the very thing that collapsed right this this evil you know, American empire of colonialist Uh, you know, cracker people, it's now

collapsed and what are you what are you reminiscing about that fake world? That was a lie anyway? Right, I mean it's all kind of ridiculous propaganda. But but yeah, I think there is potential for you know, predictive programming in this. Uh it's said to be, you know what, the way, the most realistic way that if America was taken down, this is

how it would go to down, this kind of a thing. So well that's the case or not, I don't know, but I mean do you think this was together with civil war will probably be some pretty heavy predicta And I think between now and the election, there is the potentiality to really push for the next big kind of event. I mean, I know elections are kind of silly and ridiculous, but just like you know they had kuf Uh you know, what's it going to be this time? Cyber poly gone coof

part two? I mean, who knows? Financial problems? Yeah, no, I mean that's just definitely the current or war. They've been talking today about war with Russia. Yeah, well this this movie kind of points to all those being possible. Right, So this any sort of cyber attack. Anybody could be blamed, right, you could blame all your potential enemies, which is what the gh character even mentions, or no, he doesn't mention that. Who says that. The prepper guy, He's like, well,

maybe all our enemies came together, came together, Yeah, exactly. It's like, wow, what a great coincidence. Maybe all your enemies came together and and uh, you know, zonked their entire population into chaos so that

they could bring about this new this new system. But it's it's to me, it's just it's like the ending is so bad, but it's also it's kind of perfect for just like a propaganda film, right like you are America is that little girl nostalgic for something that they've never really seen, abused and neglected by the world around her, and raised on weaponized pop culture of celebrity worship and worshiping other people's imaginary inventions of reality and what it's like to have

friends and and love. So this this this false love and then the world is ending, right like everything it's this total civil war going on. You don't even know the extent to how bad everything is, and it's supposed to be so horrific and terrible and terrifying. And the the oasis of comfort and the oasis of safety that these people all decide they need to run to is a is a bunker full of a bunch of processed foods and crap from the

old world that's ending. And mass media propaganda film or mass media propaganda television series Friends, and then the Blue Light and the Dead Eyes and the ssri Stare that the little girl has, it's like it's it actually is kind of perfect. And then when they say when it's like rip Matthew Perry, you was a real one flashes on the screen. That was pretty crazy. No,

that that didn't happen. But yeah, yeah, I wish, you know, I wish we could watch that the Civil War trailer, because it seems like watching the Civil War trailer, it's almost like that's the sequel to this movie in some ways, right, It's kind of seems to be taking place in like the same universe. Jay, Yeah, yeah, I mean it makes me want to kind of read the plot of Mister Robot how the show ended. I'm not gonna watch it. But how many episodes are there?

I don't remember how many seasons it went, how much of it's just gay, just softomore gay porn. It's like, that's basically what it is. They didn't they didn't introduce that until about season three because a lot of people were watching it and quit dropped out when that happened. So you know what they did with Game of Thrones. It's like the Game of Thrones did a lot of that where it's like you start to get into the plot and then it's just like, hey, yeah, gay stuff. Lesbian scenes.

Remember like the last season of Game of Thrones when they're trying to wrap wrap the plot up and they spend like five minutes on a totally unnecessary lesbian love scene. What what the hell are you doing? I do remember that. Yeah, I'm gonna have to go here pretty quick. But uh, I just read. It was a great It was a great breakdown. It reminds me of The Stand to Do you remember the Stephen King The Stand? I haven't seen it. You never watched that back in the nineties. No,

the Stand? Oh man, that was crazy. Did you ever read The Stand? Is it about like a societal collapse? No? I haven't read that, only read like I think it read. It's the most famous bio release Apocalypse book ever, and they've made two different series out of They made a nineties like five part TV TV movie out of it, and then they redid it in twenty twenty. It's pretty funny. I mean, parts of

it are good. About the first half of the stand is really good and uh, and then it gets really goofy with well I can't really talk about it on YouTube, but oh wow, yeah, it's funny. Sorry, my dog's whining in the background later. Yeah, sweet man, So just something in the chat. Just just point out the fact that you're rage quitting. That's fine. I mean, if you're we didn't even get to the battle rap part and Jay's quitting, obviously you doesn't want to get there.

I'm gonna spare him the embarrassment of having to chill. I appreciate that. Yeah, yeah, hey man, I appreciate you coming on. You guys who are not subscribed to Jay most you probably are. But there's also a link of the description a Jay's channel where you can subscribe, or you can actually you can click on the titles. Actually they allow you to tag people in the titles. He's tagging the title there as well. Make sure to

subscribe there and thank you guys for the support. Hit the like button, smash the fash and make sure to look if you come up if if the apocalypse happens, Guys, I think this is the big takeaways, Like when, if, and when there's some sort of an apocalypse, you really need to make sure. First of all, stop microaggressing bipocs. Okay, those are the trustworthy people, Black people, little Mexican ladies that are really scared. Let them in your car. Right, you're a guest in their home.

You are a guest in the bipops home. You as as an American white person, you're ineffectual, You're useless. As the character Ethan Hawke played scared, you're just supposed to be scared, right, so you know you should be like literally shaking, quivering, possibly you know, a little little tinkled down your leg, peeing yourself a little bit. That's not there's nothing wrong with that. In fact, that's normal. Okay. Hollywood is here

to help us understand what normal behavior is. And so be nice. If you be nice to those people because you they're better than you, right, they're better than all of you. And and also be nice to Jay be nice to Jay because he's also better than most of you. I mean, I'm trying to I'm trying to be nicer. He's trying to be nice. He's trying to change, like Julia Roberts' character who tried to change for a little bit and then she decided not to. Sor right, guys, thank

you guys so much for watching. Thank you Jay for joining absolutely right. Good night, everybody.