Laurel Canyon - Weird Scenes - Review & Analysis (Half) Jay Dyer

guy is gay. You're listening to Esoteric Hollywood. I wanted to do a summary review and analysis of Dave McGowan's Weird Scenes Inside the Canyon Laurel Canyon covert Ops in the Dark Heart of the Hippie Dream. A lot of people out there liked Dave's book, and I remember coming in contact with his material about a year and a half two years ago. Started listening to his interviews and I thought they were pretty fantastic. So I got his book some months ago, read it when I was in Florida,

and I thought it was pretty phenomenal. So the reason we're going to do an analysis of this book in this episode of Esotery Hollywood is because I think if I started thinking back to maybe ten years ago when I started blogging and writing in the subjects that I write on I would have thought it was insane to think that the majority of these industries, be the music industry, Hollywood entertainment, etc. That they were essentially controlled and had

a intimate tie in to the intelligence complex in industry intelligence so called, of course, and what the intelligence complex in this regard refers to is really the culture creation complex. Now we've talked about this many times. I've mentioned the graduate classes that I did in terms of Marxist critical theory and the Frankfurt School. And if we recall, the Frankfurt School was, of course this later incarnation of Marxism

that primarily focused on culture and the culture industry. And so this would be figures like Theodore Adorno, Matt Max Horkheimer, and of course the seminal book Dialectic of Enlightenment, where they chart the progress or process of culture so to speak, or what they call culture in the twentieth century post World War two, and how this is really a tool of the what they call the capitalist powers. But Horkheimer and Adorno in that work, of course, take a very

mara Nietzschean approach to things. They no longer hold to the utopian or progressive ideas of the Proletary Revolution. Marxism by that time had discarded this idea as unrealistic given the wars and so forth, and the focus shifted towards culture. And that's essentially what the Frankfurt School did was begin to look at cultural analysis, culture critique, culture critique, and the idea that you could change things, so to speak,

by constant and perpetual negation. Right, constant critique, You critique the guy after you critiques your critique, and then critique of the critique of the critique, ad infinitum. Now that is relevant because that's where we start to see, as we know, the Italian into things like the Central Intelligence Agency in the forties and fifties being connected to all of these ADMIN and the AD guys going to work for the Pentagon vice versa revolving door scenario, and from

there what you have is the control of the culture industry. Now, I'm not going to take the Marxist view of all of this, because that is merely one aspect of controlled dialectics, of course, but there's no doubt that what they're calling, of course, the capitalist imperialist powers in the Marxist critique,

elements of that are correct. And so far as it is the corporate big business atmosphere, so to speak, that dominates in that pyramidal hierarchy, and of course above that would be the banks and the international crime syndicate families, the so called illuminati, whatever appellations and terms you'd like

to choose. Now, once you dive deeper and deeper into this, you begin to see, as I said now ten years later, having done quite a bit of work in this field, and even focusing in my graduate work and my master's work on that very topic, it's all very plain to me. As I said ten years ago, it sounded crazy. What CIA in Hollywood? That doesn't make any sense? Oh yeah, and why would that be? Well, because the CIA and OSS and so forth were certainly involved in foreign espionage

and covert operations. But here, at least, it's largely about public opinion, swaying mass opinions, swaying attitudes and so forth. And it's the same power structure that runs the roundtable groups and so forth. As we saw in Carol Quigley's Trgy and Hope, and as we will see in my coming lectures on the entirety of the book, it is those power structures that set up the CFR and the media mogul organizations in the US, and that would even include people that we think are so called media moguls,

Rupert Murdoch and so forth. They're all part of the same establishment. They're not operating outside the box. They just operate within the pyramidal structure, choosing whether it be MSNBC or Fox or whatever, choosing the faux left right dialectic. And this is all about manipulation and creation of culture. And Dave's book is important in this regard because it fits right into that critique. And it fits into that critique because he is dealing with the rise of the counterculture.

This is the nineteen sixties free love, counterculture revolution of hippies and you know, all the things that we all know in the popular vernacular, and most of that is traced to the hate Ashbury District of San Francisco in mainstream. However, McGowan's thesis is that know, we must look a little bit earlier to the area of Hollywood, la and Laurel Canyon, and it is there that we will actually find the beginning of the counterculture movement. And rather than it being counterculture,

in fact, it is establishment counterculture. The establishment was not unaware of the rise of the counterculture. It was not a purely organic movement of ideal logs and free love revolutionaries who sought to overthrow the strictures and taboos of the prior existing forties and fifties framework of the Protestant work ethic and the company man, so to speak. It was rather something foreseeing and steered in a certain direction.

Now that doesn't mean that there weren't artists and musicians involved in the movements that were not sincere or had political activism and motivations as part of their their ethos, but rather that the movement as a whole could be steered simply by propping up the figures that were there to be establishment figures, right, the chosen people to who would be, say the Jim Morrison, or to be the

John Phillips, to be the Frank Zappa. Those are the people who would receive the establishment support, getting the record deals and so forth, getting the feature stories and Rolling Stone, getting a major airtime, getting television time and so forth. That would propel them, right, because it's all about, you know, becoming big on that level, becoming an icon is not something that happens organically, it can only in our system. It can only happen with the support of the system itself.

And that's because of the tremendous amount of money that it takes to become one of these icons. It's not organic now. If it ever happens organically, the machines and methods are in place to make sure that organic rise

is co opted. And that's another aspect of McGowan's thesis in this book is that whatever artists and musicians of the sixties that were legitimately counterculture, they were either co opted eventually or they were just kind of filtered out and faded into obscurity and oblivion to make way for the non political, non activist icons of essentially hedonism and and cultural degeneracy. And that's why they would be promoted. And that fits perfectly into the Frankfurt School modern abstract art.

All of this is burgeoning at the same time, right, and then you can see why that fits in. We would rather have icons of hedonism blowing your brains out on drugs, dying at twenty seven, right than a person's who might promote healthy ideas or genuine anti war activists, right, who weren't just mindlessly anti war like some sort of occupy movement, but rather have perhaps something more to say than mindless slogans. And no, none of that is amenable to the system in which we inhabit now, which is

a culture industry. It's a massive substruct superstructure of interlocking corporations, banging NGOs and so forth that exists to re engineer humanity. And as we've said many times and others and other shows have pointed out, it's a business plan. It's a business plan that's laid out in stages, and there are actuaries, and there are prognostications and white papers and plans and strategies.

And this comes in all forms and fashions, be it government, be it private, for how to get to a desired place down the road, and what the desired place will be down the road, and then how to go to the next stage or phase. Much like we have made the analogy many times of a supermarket will receive a facelift and you'll move all of the old advertisements and

end caps out to put in the new right. And this usually takes a process of several weeks, depending on what store you work at, and that's because it needs to constantly be updated. You always need to be ahead of the game, know the trends and so forth, and

then of course also create the trends. And that's really getting to the heart of Dave's thesis in his book is that the icons of the leftist cause were not sincere genuine icons of the leftist cause, and he provides a host of examples of how that is, which we're going to see her nam in as we get into the meat of Dave's book, which begins in chapter one with the Gulf of Tonkin incident, and this is where we have the story of Admiral Morrison, the father of

Jim Morrison, who was in fact directly involved in the false flag event known as the Gulf of Tonken, which led to the quagmire of Vietnam. Now I want to mention before we get to the meat of Dave's book in chapter one that if you like his material, I

have my own book that is very similar. While Dave tends to focus on the music industry, my book focuses on film in Hollywood, and so in many ways it's similar, although I deal a lot more with symbolism and the esoteric in regards to various films that most of us have seen, such as Kubrick Films two thousand and one, David Lynch movies, Hitchcock seven, all that kind of stuff, those classics, as well as newer films including some eighties

fantasy kid films that we all grew up with. If you're around my age, and I really delve deeply into the meaning and sometimes the subtext and subtle hidden meanings in those films that you're not going to find elsewhere. So I would encourage you if you like Dave's book, you'll also very much like Esoteric Hollywood Sex Cults and Symbols and Film. And as of now, this is May fifteenth, twenty sixteen. The book is scheduled to release in one month, but it can be pre ordered now. You can order

your copy through Trying Day Publishers or on Amazon. And as I said, the title is Esotery Hollywood Sex Cults and Symbols and Film. So you know, funny thing happened. I actually had to go about most of my manuscript was done in terms of the content about a year ago.

I had to do a lot of rewriting and revisions, and it was after that that I read Dave's books, so I actually had to go back and add in a good bit of material and information that I got from Dave mcgallan because it was so relevant to what I had done, particularly in regards to how aspects of the Lookout Mountain laboratories and so forth tie into Hollywood, and Dave's book, Laurel Canyon Scene also ties into a lot of Hollywood figures as well, but as I said,

focuses on the music industry and the music counterculture. So but I wanted to mention that because you'll like my book if you like this, it's very much in the same vein. And in fact, Amazon actually classes them together, so you know they do that promo of buy this and you also get this for thirty five dollars or whatever. I had nothing to do with that. That was all Amazon's decision. So I'm very honored to be classed with

Dave's book because it was really good. It was a fun read, and I know that you guys out there listening will we'll enjoy both of these books. So I would encourage you to take advantage of that Amazon discount there and get them both, because both books go well together. And you know, my book, as I said, is a kind of a compliment to him, and it wasn't intended

that way. It just kind of happened that way because I'd only come in contact with his material, as I said, you know, a year and a half ago, two years ago, and the majority of my essays had already been written by them as well. So this is also not intended to be a replacement for the actual reading of his book.

If you've listened to Jason Aalysis talks over the last couple of years, as I've really started focusing on doing these regularly, you'll know that we've done a few book reports, quite a few, and my book reports are not substitutes for actual reading of the book, precisely because Dave's book is three hundred pages. You're not going to be able to get all the material in a couple audio talks that you will get if you actually purchase and read the book. I know that's crazy to talk about, you know,

actually buying a book and reading it. We live in the age of the YouTube video, but that is a pathetic, pale replacement for the actual reading of books. So please do get Dave's book. I recommend it I'm still working on the Jay's Analysis recommended reading list, but certainly this will be on there. And if you do a website, narrowing down the choices for the recommended reading list is actually,

for me at least, very difficult decision. So a lot of factors come into that, and trying to figure out like what the top five in different categories are, it's not easy. But anyway, let's get to Dave's book. Now.

He begins, as we said, talking about Vietnam and how that was a scam and what ultimately of course tie into drug running and all that through back in the nineteen sixties, through the Gulf of Tonkin false flag incident, which mobilized the population to support this ridiculous, unpopular war. And we learned that Frank Zappa's author of all People was a chemical warfare specialist assigned to the Edgewood Arsenal near Baltimore, Maryland. He was deeply enmeshed in the program

as well as frequently being cited in MK ULTRA operations. Now, why would I say that, Well, that's according today, But that makes sense because mk Ultra was classified under by a warfare because it was the use of chemical agents right, So it makes perfect sense why we would see that Dave moves from there to talk about the characters in the Phillips family. Now, this is a very complex, confusing genealogy.

This is all new to me. Obviously everybody's heard the mom is in the papas, but I don't really I can't keep up with all this family and who's who and all this because it's just crazy. But basically the dawn of the family here. Papa John Phillips was a major figure in the Laurel Canyon scene and the emerging counter culture across America. Phillips would pin an inspiring, an insipid song known as San Francisco be Sure to Wear Flowers in your Hair that quickly rose to the top

of the pop charts. McGowan says, and along with the Monterey Pop Festival and the sixty seven Hate Ashbury phenomenon, this is really what got the sixties revolution going in the pop scene. They're also going to tie into the nineteen sixty seven Summer of Love, I'm saying. They're also going to tie into the Manson family, the quote family who spent time at the log Cabin and the home of Mama Cass all right, big old Mama Cass. So not only will that be relevant, but it's also going

to tie into Crosby, Stills and Nash. We mentioned Frank Zappa. It's going to tie into CIA operations. Actually so, John Phillips apparently spent time in Havana, Cuba, during the height of the Cuban Revolution quote, fighting for Castro, according to his own claims. Now, this does seem a little bit ridiculous that this very well connected Western establishment family would would that this guy would go off to fight for Castro.

But then again, when we think about Castro and Cha, they also were members of the establishment who became icons and figures of counter culture and counter establishment. I believe both Chay and Fidel were from prominent, wealthy families of lawyers, something to that effect. They both, especially Fidel, had a period where he was an actor. This is you can see this on his IMDb page, where he had small

roles in films in the nineteen forties. Now, on top of all that, Stills will pen perhaps the first and certainly one of the most disturbing anthems of the sixties generation called Bluebird. And that's interesting because that's also a

title of a project in mk ultra. And so what we begin to see, and the reason that I think a lot of what Dave's talking about is legit is because you know, the majority of the purpose of mkultra was not the programmed assassin creation of multiples and altars and dissociative states in some individual spy, but rather to apply those techniques on a mass scale to the population as a whole. Why would you do that, well, to create the brave new world scenario, to create the mass

population of completely controlled, drugged up zombies. And that's really where we're going and where we're we pretty much are. And this quote revolution was a big part of that, the sixties revolution. And again it benefits the establishment, right, and the establishment doesn't care about counterculture individuals out there calling for radically new ways of living. All of that

ultimately benefits the designs of the establishment. And so Dave argues that before John Phillips arrived in Laurel Canyon, Stephen Stills was another product of a career military family. This is Crosby Stills in nash In other words, raised in Texas, Young Steven spent large swaths of his childhood in El Salvador, Costa Rica and Panama and various parts of Central America, alongside his father who was helping to quote spread the democracy and as well as being educated at military bases

and elite military academies exactly, he had an abrasive authoritarian personality. Well, that's how people in the military usually are. And so Stills was involved in CIA Special Forces in Noms noms Nom nominam in Vietnam. He served with uniform ground troops in Vietnam. But what will be ignored is the undeniable fact Day rights that the US had thousands of advisors, that is, CIA Special Forces operatives active as ground troops in Vietnam exactly. And we will also be talking about

in a future show Apocalypse Now. And this will tie in again to Day's work with his book Program to Kill, because Dave argues that the Phoenix program right the mass murder supposedly of the Vietcong, which was actually mass murder of women and children in villages as part of a CIA program special forces program that probably could have led to the serial killer phenomenon because they have all these guys who were forced and trained to kill women and children,

not be a Kong and then when they come back, they're complete psychos and multiple altar possessed wackos who then become perhaps involved in the serial killer phenomenon, right Henry Lee Lucas and these kind of characters. Also interesting is the connections of these people, the Flying Burrito Brothers one of these more to me at least obscure bands and Crosby to the Mob. And this is an aspect of all this that we've been talking about quite a bit here at Jays Analysis in the last year or two.

Is the mob tie into this stuff, because that's also very real now, the theater of the FBI versus the mob and the CIA and the government and the corporate agents and the mob, and you know, everybody warring. We teach it that's not really right, right, So the way that you see it in the movies of everybody kind of warring at each other's, you know, by battling each that's not really the case. Perhaps at certain times, in

different degrees that happens. The FBI might bust mobsters somewhere, but this is generally or the CIA might have some kind of covert operation where they take out some quote

drug lord. As if you watch the movie Cecario that kind of hinted at this, but that's also kind of theatrics because we know that the CIA basically teamed up with the mob, and that's how the drug running happened right throughout sixties, seventies and eighties and so forth, you know, with Unholy Alliance, right and Dave or Webb, Gary Webb's book, right, So that also tied into the mob, and it's always

been that way. And I like that McGowan talks about a lot of the mob connections, particularly in relation to Mickey Dolans, not that Mickey Dolan's was a mobster, but that Monkey Mickey Dolans et eccentric prodigy. Van Dyke parks that these people were connected to James Taylor and all spent time in the Laurel Canyon scene around Larry Wildman Fisher, who was institutionalized repeatedly during his teens for attacking his

mother with a knife. And finally you meet the offspring of an organized crime figure, Warren Zevon, the son of William Stumpy Zevon, the infamous lieutenant for Mickey Cohen, so number two under Mickey Cohen, I guess, or something to that effect. And so you've got this this fascinating nexus of criminal syndicates, be it drugs, be it cia, culture creation, be it corporate interests, military interests, so forth, mobsters that

all will benefit from the promotion of this counterculture. Right now, think about in terms of say drugs, what does the counterculture do for Well, it makes drugs very popular, very sexy. Right now, So if you could purchase cocaine one hundred years ago at your local apothecary then, you know, or opium or something derivative to that effect, Well, it's not very sexy. It's not that big of a deal, is it, right.

I mean, you might have some old guy who you know, is sixty years old and he's the town opium attic or something like you know, Belle Dagosi or Charlock Holmes dye character or something like. You mean, I have some image of a guy like that, but it didn't appear to be rampant. Now. I'm sure that housewives, as I understand, were at different times in the forties and fifties taking quite a few pills and narcotics and so forth. And that's but that's because that was of course marketed as

solutions to the morose grind of the daily housewife lifestyle. Right, and so you needed some some picker upper or something, or some stimulant some or conversely some calming effect. And so their work. As I understand, quite a few pill popping mommies in the forties and fifties, but that still

was marketed as something medicinal. And so what happens in the sixties is that kind of like the temperance movement and you know, alcohol, the speakeasies and all this kind of stuff, is that it makes it underground, it makes it sexy, it makes it popular, and it makes it a valuable hidden commodity. Right. It's it's it's esoteric right to get a hold of drugs and to know you're dealer, and who where do you get it? Oh? You get

it here? And oh right, and it's it's it becomes an aspect of the counterculture, which ultimately benefits the market that surrounds the drugs. Right. So it's tremendously profitable for certain families and interests to have it illegal and thereby

maintain a monopoly on the drug trade. Right. This is a whole incident that we see what we learned through freeway Ricky Ross and all those situations in the eighties and nineties with the crack epidemic, right, and so it's it's the same with what's going on here in the sixties, that the drug epidemic that begins to flower or is

intentionally promoted by the establishment. And this is why I talk a lot about hallucinogens that you see all these alternative media counterculture figures promoting hallucinogens like this is some sort of new salvation or something, and it's all spiritual in all this crowd. No, it's directly out of Brave New World. That's what Alto sexually said, and that is the beginnings of the mk ulture program, at least it's

British equivalent through Tavistock and so forth. And that was written, as we said many times in nineteen thirty two, predicting where we would be nowadays. But to get to where we are nowadays from nineteen thirty two, Brave New World, what we need things like sixties revolution, you see, that's the bridge to today now. Of course, there's a lot of other things that are bridges as well. Unpopular wars

and so forth can actually be bridges, believe it or not. Yes, an unpopular war can be useful for the shaping of new opinions, right for the shaping of making America intentionally unpopular. Right now, that sounds a little outlandish, but no, that's because America is ultimately intended to be dismantled. And is why Well, because it's the beta version of the New

World Order right now. We have other figures that come into play here, Abby Hoffman, And as I said, the promotion of LSD, this is all at the behest of the CIA. Now I'm not just getting this from Dave's book, but this is well known. Everybody knows Tim Larry worked for the CIA. You know, Princeton and Yale are promoting this. Harvard, they're promoting CIA. M culture experiments were done there. The unibomber was, according to his obituary, involved in the M

culture program. Look that up. That's in either LA Times or New York Times in his obituary. So Peter Coyote, who is the key master in ET if you've seen ET, the Guy with the Keys, narrates a documentary on hippies the History Channel, pointing out that some on the left even theorized that hippies were the end result of a plot by the CIA to neutralize anti war movements with lsd AT turning protesters and these self absorbed naval gazers. Yes, actually,

Peter Coyote is correct. Now, Peter Coyote is that Marxist as I understand, and I point this out in my et analysis, But curious that he kind of figured out what was going on here. This hippie movement didn't actually change anything for the good. It did change things for the bad and neutralized all of the perhaps legitimate anti war sentiment. Well that's at least Dave's thesis, and I think the or something to that, and you may it makes perfect sense, right, because again it's brave New World.

I don't know, it's not hard to figure this out. This brave New World is about, you know, turning everybody into drug down zombies. And yeah, I mean, there's just so many connections that it is going to be difficult to point them out. But one of the important ones I think we should mention here is Phil Spector, the

legendary music producer and I believe convicted murderer. If I recall from the nineties, whose crack team of studio musicians, the Wrecking Crew are the actual musicians who play the recordings, the LPs when you hear the Monkeys, the Birds, the Beach Boys, the Mamas, and the Papas right now, not necessarily every song, but the Wrecking Crew is the actual music behind these so called bands, while the bands function as kind of advertising fronts. That's interesting. Now. Another interesting

connection is that we have Marie. The next day's next chapter was going to deal with the Laurel Canyon death list, and this is the prominent people who spent time in this region who did not live too long, and they didn't live too long because they're living this not just this wild lifestyle, but also because there could be other things involved. Right, They could have known where all the bodies are, They could have this death, could have been

staged to create icons and martyrs. I mean, who knows, right, But he mentions Marina Elizabeth Habe, whose body was carved up and tossed in the heavy brush along Mulholland Drive, think of David Lynch's film Muholland Drive just west of Beaumont Drive in nineteen sixty eight. Habe, seventeen at the time or death, was the daughter of Hans Hobb Hans

Hobb was in the OSS. So here we are right back to intelligence connections here, and he goes through and mentions several weird the unexpected connections to Laurel Canyon, Jimmy Hendrix being one who served a stint in the Army in the Hunter first Airn Airborne Division at Fort Campbell. That's actually not too far from where I am, and so I can understand that. But Hendricks was managed by

a guy who was in the mob. Apparently, Michael Jeffrey was known to openly boast of having organized crime connections and working also for the CIA. What mob and c How could that be? Well, it makes sense if you understand what I've been telling you. After Jimmy's death, it was discovered that Jeffrey had been funneling most of Hendricks's money to all short accounts in the Bahamas for drug trafficking. So there you go. Jim Morrison, his father, as we said,

help choreograph the Gulf of ton Keen incident. A few years after Jim's death, his common law wife, Pamela Corson dropped dead as well of a heroin overdose. Like Hendrix, Morrison had been an avid student of the occult, in particular fondness for the work of Crowley. So we're going to see Crowley popping up in the underground here pretty consistently throughout McGowan's book. And that's well everybody knows. I

think that Frank Sinatra had MOB connections, but perhaps not that. Also, I don't know if Dave talks about it, but I don't recall. But Frank was also apparently an informant for the FBI on the Mob, So they're kind of everybody's watching everyone else and keeping tabs on everybody. And now Mama cass of this. And the reason a lot of these people are listed here is that they are members of the twenty seven Club, and the twenty seven Club

includes people like Jennis Joplin. I believe Kirk Cobain is in that club, and he doesn't relate to Laurel Canyon per se, but Amy Winehouse is in the twenty seven Club. These are performers who died or died under mysterious circumstances or so called quote died at the age of twenty seven, which is bizarre, isn't it. And I'm not going to list everybody in here. You're going to have to go read the book. But there's plenty of people that have

strange deaths. Graham Parsons connections these kinds of people, connections to Paul McCartney, who spent a significant amount of time in the Laurel Canyon scene. So quick way to end up dead, spend time in the Laurel Canyon scene. Phil Oakes is the next character who comes to the forefront as this I believe this is the guy who's this musical prodigy if I remember correctly, and he ends up

more or less insane if I'm thinking of the right guy. Yeah, And so he ends up undergoing electro shock, and it appears that he's the programs that they put this music guy, the psychedelic rock guy. He's a pioneer of psychedelic rock, right phil Oaks and Ohs. And he ends up being shocked in electroshock and undergoing basically what looks like MK ultra style treatments so to speak, so called quote treatments

that basically drive him insane. And he heard voices all of his life, which reminds me if you listen to that Goofy documentary what is it? The name escapes me, but it's the one that everybody's heard of. It's on you know, it's been on YouTube for years of Satanism and rock and roll. It's not Hell's Bells, it's something else that was from the nineties. But it's the guy who has a really annoying voice.

kinds of things. I have seen crazy stuff in my younger days when I unfortunately did LSD, So I can believe it, and I could believe that a lot of these people are just basically mentally ill and that they could be part of you know, government social engineering knowingly or unknowingly. Now we come next to the character of Chuck Heath, who was born in nineteen thirty eight and his family lived on Farmdale Avenue near the base at Laurel Canyon. There's military base there close to where Lookout

Mountain Studios is located. And guess who Chuck Heath is one of these prominent families in the Laurel Canyon scene. Can you guess who Chuck Heath is? The father of Sarah Palin? Can't make this stuff up. This is just wacky, I know. But yeah, now Lookout Mountain area. And by the way, listeners, we will probably be Jason Elysis will be doing on the scene reporting soon. I believe we're going to check out Laurel Canyon and Mulholland Drive in la very soon and we will be trying to get

pictures of all this and check it out firsthand. So yes, I'm actually going to take a trip there soon. And the Lookout in Wonderland Park, Bungalow Land, the log Cabin. These are all bizarre sites and scenes and locales for everything from ritual magic and occultism to murders and perhaps ritual murders, right, all kinds of just insane craziness in

that and in the Lookout Mountain area. So we will be I will be going there and checking it out, doing a little firsthand journalistic reporting, and I'll let you know what I see. Yes, Harry Houdini was a resident in Laurel Canyon. And if you didn't know it, the tie into intelligence in Hollywood, well, guess what. Harry Houdini was a spy for Scotland Yard. What do you know? Now.

One of the things that I had to go back and redo in terms of my book was the Lookout Mountain Laboratory, which I mentioned in a few articles now, And this is relevant because you need to understand that the Lookout Mountain Laboratory was I'm going to quote Dave here, originally envisioned as a fortified air defense center, built in nineteen forty one and nestled in two and a half secluded acres off of what is now Wonderland Park Avenue.

Curious title. The installation was hidden from you and surrounded by an electric fence. By nineteen forty seven, the facility featured a fully operational movie studio. In fact, it is claimed that the world's only completely self contained movie studio is located here. With one hundred thousand square feet of floor space. The covert studio included sound stages, screening rooms, film processing labs, editing facilities and animation department, and seventeen

climate controlled film vaults. It also hosts a helicopter pad and a bomb shelter. Over its lifetime, the studio produced some nineteen thousand classified motion pictures, bizarre more than all of the Hollywood studio systems combined. This makes Lower Canyon the actual motion picture capital of the world. Officially, the

facility was run by the US Air Force. Interesting in what does the US Air Force also have purview and aegis over NASA and it did nothing more nefarious than process the Atomic Energy Commissions footage of the atomic nuclear bomb tests, which do look to be manufactured and manipulated images. The studio was clearly equipped to do far more than just process film. Lookout Mountain Laboratory head advanced research and development department that was on the cutting edge of new

film technology. Such technological advances as three DFX come out of Laurel Canyon. Hollywood luminaries like John Ford, Jimmy Stewart, Howard Hawk's, Ronald Reagan being Crosby, Walt Disney had a Hopper, Marilyn Monroe. Were all given clearance to work at the facility on undisclosed projects. There is no indication that any of them ever spoke of their work at the clandestine studio.

The facility retained as many as two hundred and fifty producers, directors, technicians, editors, animators, et cetera, civilian and military, all with top security clearances. Notice Disney connection there, See it's coming together. You're starting to see that these things are all linked. Disney is a massive Pentagon mind control operation. They all report work to work in a scheduled corner of Laurel Canyon. It

had secret bunkers underground facility. The existence of this facility remained unknown to the general public until the nineties, though it had been rumored that the CIA operated secret movie studios. Well you go rumbored, sometimes remembers are true. Filmmaker Peter Kurran is the first to learn of its existence through classified documents he had attained while researching for his nineteen ninety five documentary Trinity and Beyond and Day points out

that nobody has included this in their conspiracy literature. Yes, thank you, Dave. Awesome. Now let's look at some connections with CIA studios that relate to James Dean and Dennis Hopper. The nineteen fifties, as Barney Hoskins wrote in Hotel California, Laurel Canyon was home to the hippiest young actors Hoskins, Marlon Brando, James Dean, James Coburn, Dennis Hopper, Natalie Wood, etc.

in in his science fiction philosophy. I don't know for sure if he was in any kind of cult, but I know that the presentation of his thought in his books is that you know you have with the moon is a harsh mistress. We have the libertarians working with the advanced AI to basically transcend global government. It's very bizarre. Everybody knows about Childhood's End, which is about the overlords quote unquote the gods, he the elite, so forth, being

basically demonic. Heindlein was a graduate of the US Naval Academy, naval officer. He was a quote rabbit right winger, which of course that's not real right wing, that's libertarian system right wing, which is Krollian, isn't right. He was a good friend of Hubbard, who was also Krollian in his views. So Hindleine influenced Hubbard, you know, maybe without it's not an accident that both of them are writing these just

infinite sci fi novels. I mean, come on, if you go and look at how and you know, probably some of these are ghost and I don't know, but I find it hard to believe, you know, as somebody who writes a lot that l Ron Hubbard was actually writing all of that. It's just insane. I mean, there's like thousands and thousands of thousands of pages. But who knows. But I do know that ghost writing is a much more prevalent than you think, as well as people stealing stuff.

So now Frank Zappa again comes back because he's a massive member of the Robert Heinlein fan club. Barry Miles notes in Zappa's biography that Les Petite Prince, the Little Prince, this famous kids novel that's now a kid's book or a movie including Robert heinlein classic sci fi Stranger in a Strange Land, is where Zappa would get a lot of the inspiration for his music. So it's interesting that these are the people who are promoted, right, In other words,

you're in these certain circles. These circles are all connected to MOB and CIA and government and military intelligence. And these are the kids, the kids of these people are who are promoted into the One Light. Now Vito and the Freaks. This was a fascinating chapter because if you ever wondered how the idea or how the trend arose of groupies, all right, where did that come from? And

that was part of this of social engineering marketing. This ties into to all this scene because Vito was this kind of weird guy who wandered around and basically just dallianced and engaged in orgies and so forth, and was I guess some kind of artist or film producer, a bunch of weirdos, and so you know, I masked this following of Bay babes, who I guess were more like kind of vagrant to runaways who ended up around the

sky and Veto. The reason Vito's relevant is because both Mondo Hollywood Mondo style stuff, right, this arises out of the circles of Vito and these these weirdo films, and that Vito apparently had little concern over the death of his son, which was in bizarre circumstances. Vito was connected to mobsters Elmer Valentine who owned the club and the organizer of the Monterey Pop Festival, and Jay c. Bring, another mobster connected business guy. And Vito is the model

for Manson and his family. That's why it's interesting. So these new alternative ways of living, excuse me, living in revolutionary alternate communities. This is pioneered by Veto in his quote freaks. And what they would do is because they were a spectacle, you know, decked out and all their weirdness, they would kind of go around to the different clubs where the doors of the birds were playing, and they would become the focus and they would bring people in.

And Vito's chicks, I guess, would you know, kind of go around topless and kind of a forerunner perhaps to the feminist kind of slut walking type stuff. He was creating spectacle for the sake of spectacle. It has no meaning. But this is where Tim Leary comes in, because you know Leary was in for a time in the same circles and promoting these different kind of student magazines that

it was all about alternative ways of living. Right, you don't have to go by all these strictures of nine to five's and you know what you got to do, man, is just you know, live day to day. And similar to the Jesus People movement where it evolves into weird pre millennial how Lindsay cults, and yes, how Lendsay's late Great Planet Earth, which is a pre millennial evangelical propaganda

was very popular amongst the Jesus People movement. So that also is connected to these kinds of social engineering strategies and tools. Because moses Burg, I think it is moses Burg David Burd, one of the two, is the establishment connected founder of that cult. Who was also a pedophile. The Family of God cult, I'm talking about Children of God.

This is different from the Manson family, but in that cult, which is a sex based cult, this is where you have the Phoenix family at River Phoenix, as well as Rose McGowan coming out of that cult. And so that's why and Rose mcgawan when she talks openly about this in plenty of interviews. But what's interesting is that that cult wasn't just a cult, but as usual, had establishment connections.

Now I won't go too far into all the Manson stuff, but suffice to say that Dave's thesis is very, very provocative and very convincing that veto'sm O was the plan for a model for the kind of scenario that Manson was set up at the Spawn Ranch. And he's gonna list things like Vito considered himself an artist, a poet, just like Manson. Veto was a guru. Vito surrounded himself by a flock of young runaway Vito was considerably older

than the followers. Veto addressed his flock as God. Veto called himself Captain Fuck while marylyn by it, while Manson called himself God a fuck. Veto is said to have an a virtually insatiable libido as Manson did. Vito adopted nicknames and depersonalized his called followers as Manson did. Vito's troop included Beverly Hills hairstylist Sheldon Jamon, while Manson's cult

included hairstylist Charles Watson. Right, and so Watson texts Watson and Bobby boss Oleel is where we get into the associations with Kenneth Anger and Lucifer Rising and all that. The Robert de Grimston in the Processed Church. So I won't go into all that. Everybody can read on that on their own. That's been dealt with many times in

different books. So next we come to LSD and the actors who like to trip, right, and who do we have here, Well, we have the sunset strip scene, and this makes up this is made up of people like Peter Fonda, Jack Nicholson, Bruce Dern, Dennis Hopper, Warren Beatty, Jane Fonda, Nancy Sinatra, Sharon Tate. So this is the drug scene, connection to the LA to the Hollywood acting acting scene, whereas we were just dealing with the musician scene. Interesting,

Bruce Dern is I believe was. He was something like a high level State department guy. And Bruce Dern is Laura Durn's dad, And if you've watched David Lynch movies, then you've seen quite a bit of Laura Dern, But most of us probably didn't know that Laura Durn's dad. I think dad or grandad was high level, high level spook State department type guy. So in regard to Michelle Phillips, John Phillips's early wife, just about everyone in the canyon

had their way with her. So Jack Nicholson, Dennis Hopper, Warren Bady, Roman Polanski, Jean Clark of the Birds. Right,

this is all right next to the Holland Drive. So I think that's interesting because if you read or if you watch David Lynch's Mall and Drive, you'll see that it's all about this kind of stuff, and there's a cult in the background, and that's more or less what Dave kind of you know, Dave's not really focusing on cults, but that's more or less the kind of atmosphere he's describing, and he does touch on the cults here and there, and we will see we'll see that this movie Easy

Rider is a good iconic image of what's going on in this time period. The scene nineteen sixty nine film, and it's connected to the Solar Lodge. The oto Kenneth Ingers circles Satan's Children one of his films. Excuse me, one of the guys who was the art director on Easy Rider would direct Satan's children. This would be connected to the Manson group, and Bruce Dern is here. It is so Darn's parents had rather impressive political connections, given

that the baby Bruce's godparents were Eleanor Roosevelt. Interesting. So Laura Darn's family are scolling bat and that's what's interesting. Now I'm not saying all of them. I'm saying that Archibald McLeish was essentially America's first Minister of war propaganda. He served at various times Assistant Secretary of State and the Library, Library or Congress. He was skulling bones and yeah, so just again, if you're if you're a David Lynch fan,

that's that's pretty fascinating. But Dennis Hopper, we learn was apparently interested in the otos for some period of time. I don't know if he was actually a member. I don't it doesn't say, but the families are all into the occult is what we kind of get out of that chapter. And that's relevant because well, that's what I talk about in Esseltaire Hollywood in some degree, not focusing on the families, but on the messages and mythologies that

are presented in the films. So I do do deal with muholland Drive in my book and what revelations might be shown in that film. And you know, what's shown in the film, I argue, is pretty much what Dave is talking about here, right, So you definitely want to check that out. The Rand Corporation comes into this because you know, he mentions alex Obaya's book, because the Rand Corporation, of course, is located out there in California. Jerry Brown

is connected to these circles. He's the you know, moonbeam or whatever they call him, the hippie governor of La quote unquote hippie, you're right, just an establishment figure. And yeah, the Billy Briars is part of this scene because he's the most infamous male madam, the wealthy son of an oil magnate and part time producer of gay porn. So Byers was said to have a stellar group of customers

at his brothel at the summit of Laurel Canyon. So if you wonder why people call it Hollywood Babylon, well there you go. Now the father of LSD. Everybody would probably think Tim Leary, although you know tim Leary popularized it. But the guy who was cooking it up is a guy in the name of Augustus Owsley Stanley Owsley. So Owsley cooked up four million tabs throughout this period of LSD,

which was that's where everybody was getting it. And the grateful Dead in their quote acid tests were the promoters of it. So Alsley bff with the dead. It was both a financial backer and a sound engineer for the dead, and he was the one making all the LSD. Owsley unleashed on the hate Ashbury district. A particularly nawe hallucinogen also known as STP, developed by the folks at dow Chemical.

STP had tested extensively at been tested extensively at Zappa's home the Edgewood Arsenal as a possible former home Edgewood Arsenal as a as a possible bio warfare agent. Then it was distributed as a recreational drug well, there you go. You think that you are ruled by people who love you,

or you think that things just happen organically. No, No, Dow Chemical did not develop a bio warfare agent that accidentally got out as a recreational drug that was let out to test what would happen to the masses of populations who basically became mind blown zombies. Now McGowan continues and he gets into the question of other older characters who spent time in these circles. Errol Flynn. Now, interestingly,

Errol Flynn apparently was a Nazi sympathizer. I don't think Dave talks about that, but I've read that and talked about that in my book. And these circles by the seventies would be connected to Werner Erhard, the creator of the cult s to training cult which is so popular or was so popular at least at this time amongst corporate types. And that is what you see at the end of Madmen, where Don Draper joins a cult and

he's joining st. Bill Hartman. Oddly enough, the Center Night Live comedian who had a strange death, was a album designer. Believe it or not, he designed album covers back in the day and he designed albums for Crosby Stills in nash So, believe it or not, Phil Hartman was in the Laurel Canyon circles, interesting because he met an untimely death. Roman Polanski Rosemary's Baby. These are all films, are Rosemary's Baby.

I guess you could you could say that's a film that comes out of the spirit right of the Laurel Canyon scene, even though it's set you know at the what is it the Chelsea Hotel, No, whatever, that Dakota Building. Excuse me, the Dakota Building where where supposedly John Lennon was assassinated. Yeah, that that now. The Chelsea Hotel is

where Nico Nico of Velvet Underground. Her debut album, Chelsea Girl, was derived from the Chelsea Hotel where Devin Wilson took a drive where the persona of John Train murdered the persona of Phil Oakes so interesting. Interesting. Now, if you've been listening since the beginning, this is my analysis of Dave McGowan's weird scenes inside the Canyon. Laurel Canyon covered ops in the Dark Heart of Hippie Dream and this

is our two that's free. I want to invite you to subscribe to Jays Analysis for the full talks, lectures and interviews to get access to my archives. Very popular. I have almost all five star reviews across the board. I think the book's going to have the same positive status.

My subscribers have ninety to ninety five satisfaction. They love what I do, and I want to thank all you subscribers, especially out there, that have kept me going, that have allowed me to transition into doing this consistently on a full time basis. That's great. I love you guys, and you guys keep me going. And if you're new to this, check out Jay's Analysis. In the second half the second hour, we're going to get into more of this craziness with

the Laurel Canyon scene. We're going to talk about how the record industries actually promoted all of this that was supposed to be counterculture and what that demonstrates. We're going to get into more of how the Eagles tie into this and all the bizarreness here, the Ultamont festival with the Rolling Stones and the mysterious death there, more Satanism, David Carrodine, Dennis Hopper, more of the situations, relating to Orson Wells or the Black Dahlia, how surrealism ties into

this these different art movements. We're going to talk about all of that and break that down and even more depth in detail and really get to the meat. As we said, more meat. I think we've we've done pretty good so far here in the first hour talking about Dave's work. And be sure and get Dave's book Weird Scenes Inside the Canyon Laurel Canyon Covered Ops in the Dark Heart of the Hippie Dream, and also get my book Esotery Hollywood Sex, Cults and Symbols and Film, which

is a great compliment to Dave's book. So yeah, go to Jasonalysis dot com subscribe for four ninety five a month. I also now have the yearly option if I've got a lot of people who wanted to do yearly subscription, so absolutely, there's a button for that now on the subscription page where you can subscribe for sixty dollars for one year and you'll get all of my new material

right into your inbox on a very consistent basis. There's almost everyday new posts, and of course most weeks there's more than one audio that you get access to so thank you for listening and be sure and check out Jasonalysis dot com. I also want to thank Alternate Current Radio for hosting this great network. Over there, they host

boiler Room. They host Patrick Henningson's Sunday Wire, the best geopolitical breakdown that you can find, far superior to anything on mainstream media or even in the circus of alternate media. And I want to thank the guys over at Hookbusters. Be sure and check out hooxbusters call dot com. Great podcasts over there, great information on deconstructing the lies and

synthetic nature of our society. And check out Jamie Hanshaw's book Hollywood Mind Control, which you can find the images there are the very colorful red images at Jasonelsons dot com and you can purchase her book, which is another excellent compliment to Dave's book and my book. So thank you for listening and check out Hour two. Oh and I needed to make your correction there. Actually it's not

Laura Durn's dad. It's Laura Durn's only great granddad who was the Secretary of War high level Pentagon scyops fellow, So not not or not Brewster. And obviously the the dad, but his granddad. I believe so. Anyway, check out hour two and thank you for listening.