BONUS SOUNDS: The Tuts
Hayes-based three-piece The Tuts take James on a tour of their hometown including their rehearsal room, a local radio station and the venue for one of their early gigs.
For James Acaster 2016 is the greatest year for music of all time. Following a breakup James set out to rekindle his love for music by buying hundreds of new and niche releases from 2016. Now he's sharing his obsession with fellow comedians, exploring his favourite albums: from Beyoncé's internet-breaking Lemonade, to Colombian math rock fusion, and everything in between.

Hayes-based three-piece The Tuts take James on a tour of their hometown including their rehearsal room, a local radio station and the venue for one of their early gigs.
Suzi adores the melodic feminist anthems on this debut punk album from Hayes-based three-piece The Tuts.
Guz is up for giving the self-titled project by Sélébéyone another chance. The album features two saxophonists and two rappers, Senegal's Gaston Bandimic and HPrizm from the US.
As a huge fan of his debut mixtape nostalgia, Ultra, Athena is underwhelmed by Frank Ocean’s 2016 album Blonde.
Gabriel is excited to be introduced to For Good by Fog, a crowd-funded comeback from Minneapolis musician Andrew Broder.
Adam and Seb bring their drum kits along to talk to James about the virtuosic drumming on Jon Bap's 'What Now?'. Recorded at BBC Maida Vale Studios in London.
Rob Deering is up for the challenge of Jon Bap's 'What Now?', an album that James describes as one of the most life-changing from his whole 2016 project.
Nish is blown away by this concept album from Brockhampton's Kevin Abstract. The album tells the story of him growing up in Texas with homophobic parents and a racist boyfriend.
Sindhu is not judging anyone who wants to listen to Popp by Oval, a 2016 solo project by glitch pioneer Markus Popp.
Three of Noname's key collaborators from the Chicago scene share their memories of helping to create her debut mixtape.
Kemah is a huge fan of this beautiful debut mixtape, written and recorded by rapper Noname and collaborators in LA and Chicago.
Felicity is super in to Not Good At Spending Time Alone A.K.A. Cleanliness by Market, a project written and recorded by New York based musician Nate Mendelsohn.
Nathaniel would like to dig New Guitar Old Hat Knew Blues, an album recorded by Mike Cooper live in Geneva.
A Christmas treat for you featuring James, Matthew and Ed on seeing Jeff Rosenstock live and then an interview with the man himself about his album Worry.
Mae Martin is thrilled by the album from which the podcast takes its name. The final track on the punk musician's second solo album is called Perfect Sound Whatever.
James is attempting to win Jamali's support for 2016 with the album SUI // RAP by youngster jiji, the brainchild of Seattle rapper James Campbell.
Foonyap talks to James about the mental and emotional struggles that inspired her beautiful album Palimpsest.
Desiree is in two minds about Palimpsest by the classically trained Canadian musician Foonyap.
Phil absolutely loves Me Demandó DEMOS, recorded by San Cha on the farm where her mother grew up, without the opportunity to collaborate with a producer.
Evelyn is back and introduced to Boy Man Machine by Drose, an album that fuses experimental metal with sounds recorded in a factory.
Romesh is delighted to discover Badd Timing by The Sooper Swag Project, an album recorded with the intention of using as many different and difficult time signatures as possible.
James explores the mystery behind Song I-V by Rocks & Waves Song Circle, with the head honcho of one of the two record labels behind its release, Bongo Joe.
Sarah needs convincing about the story behind Songs I-V by Rocks & Waves Song Circle, supposedly recorded spontaneously by Swedish artist Isak Sundstrom at a Church in Mexico.
James has selected one of the biggest indie albums of the year for Joe's second appearance on the pod, Teens of Denial from songwriter Will Toledo's Car Seat Headrest.
Sophie is back! Last time she wasn’t completely won round, so James goes all in with the crowd-funded debut album Kiid from Mal Devisa.
Rachel is drawn to the folk side of Hands In Our Names, an album recorded by Karima Walker in the desert of New Mexico.
Kwame puts in the work for A Self-Help Tragedy by noise rock supergroup Doomsday Student.
James attempts to learn Morning Thought by Surface To Air Missive from scratch with recorder teacher Netty Rhodes and the SWeet Recorder Consort.
Eleanor is challenged by the album A V by Surface To Air Missive, a solo project from the musician Taylor Ross.
John prefers the second half of Out of Sight by the former Minneapolis rock band Falling.