You're listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I'm Eric Molinsky. When I walk home at the end of the day, I pass by a bookstore in my neighborhood called the Ripped Bautists. It's a romance bookstore. And sometimes there are lines around the block, as people are waiting for author signings or other events. I stop by recently to talk with a manager, Catherine Zofrey. Hi! Hi, I'm Eric. Hi, I'm Gowr. Nice to meet you. How's it going?
I asked Catherine to bring me to this section on Fantasy Romance. It's a big section. They labeled it fantasy and paranormal, but the term that is most widely used is Romantasy. I mean, definitely the big seller is Acorta Farns and Roses. I'm sure you will hear that one come up time and time again. Looking at a couple different ones that you have fourth wing. That's another one that is
very popular by Rebecca Yarros. Okay, you also describe them like what is fourth wing? So fourth wing is about a girl named Violet who goes to a basically dragon writing college, but basically she's like learning some different things about the society that she lives in that maybe she didn't really know about before all while learning to write dragons. Yeah. Cool. So where's some other ones?
I'd say a really popular one is actually a really fun title. It's called that time I got drunk and saved a demon by Kimberly Lemming. It's a really fun, I describe it as like a rom-com type fantasy romance. So it's very fun, very funny. So that wouldn't is definitely a popular one for sure. Romantasy is extremely popular. Half of the best-selling books in any genre this year are Romantasy novels.
The author that you're going to hear people mention a lot is Sarah J. Moss. She wrote a quarter of Thorns and Roses among many other books. And so far she is the best-selling author of 2024. Not just the best-selling fantasy author. She's the best-selling author overall. Here is the actor's Tanya Rich, reading from a court of Thorns and Roses. The main character has been transported to the Fey realm, a place that she spent her whole life being afraid of without really knowing what was there.
Everything about the stranger radiated sensual grace and ease. High-fay, no doubt. His short black hair gleamed like a raven's feathers, offsetting his pale skinned blue eyes. So deep they were violet, even in the firelight. They twinkled at the amusement as he beheld me. The half-smile played on his lips. What's a mortal woman doing here on fire night? His voice was a lover's purr that sent shivers through me, caressing every muscle and bone and nerve. I took a step back. My friends brought me.
The filming was increasing in tempo, building to a climax I didn't understand. It had been so long since I'd seen a bare face that looked even vaguely human. His clothes, all black, all finely made, were cut close enough to his body that I could see how magnificent he was as if he'd been molded from the night itself. And who are your friends? He was still smiling at me, a predator sizing up prey.
Two ladies, I light again. Their names. He prowled closer, slipping his hands into his pockets. I retreated a little more and kept my mouth shut. When it became apparent I wouldn't answer. He chuckled. You're welcome. He said, for saving you. I bristleed at his arrogance, but retreated another step. I was terrified of him, but I wasn't about to let him know.
Kaley Donaldson is a cultural critic who's been covering this phenomenon. I think what makes Romantic really interesting is to see how incredibly quickly it became commodified and how very quickly the chasing of the trend became. We went from suddenly, oh, there's this writer called Sarah J. Mass, who was rising when I was a blogger to suddenly every book wants to be Sarah J. Mass.
Bloomsbury publishing used the term Romantic to market Sarah J. Mass' books. They didn't invent the word, but they popularized it. What really made her work take off were the book influencers on social media, otherwise known as Booktube, Booktalk, and Bookstagram. Not every writer likes the term Romantic, partially because it's so trendy. Some of them prefer to describe their work as fantasy romance. That way you know it's not just a romance novel with the fantasy backdrop.
You're going to get a lot of the world building that you'd expect in a fantasy novel, but structurally it is still a romance novel. The basic definition of a romance novel is it has to have a love story in it and it has to have a happy ending. Often when people think of classic fantasy, the love story is usually a subplot or it's like a reward for the hero, it's not really the driving emotional or dramatic state of the story.
Whereas to compare it to something like Sarah J. Mass' books, which are all about the relationship, I would argue far more than the world building or any of the narrative heft, same with something like Rebecca Yaros' Imperium series, which is all about a school for people training to be dragonwriters.
So much of that is about not even just necessarily the romance, but the sexual tension. I think that's another thing that is really driving the current Romantic trend is there is a really big focus on the spice to use the kind of you from the sticheter. In fact, some of Sarah J. Mass' fans have jokingly referred to her work as Fairy Smut. Catherine Zofri at the Repbautist says some authors will market their books based on the level of spice.
So does that play out differently with fantasy romance when you have a spicy scene in one of them's of vampire or werewolf or a zombie like this? Does it play out differently in particularly interesting ways? I can, especially in terms of werewolves or vampires, they may have some different ways to express that. There's a really great book called Bride by Ali Hazelwood. She both does fantasy as well as contemporary romances.
And that one is about a werewolf and a vampire. So a lot of those things, a lot of the anatomy tends to come into play, which can be really fun. That story is about an arranged marriage to broker a piece between warring vampires and werewolves. This war of ours, the one between the vampires and the werewolves began several centuries ago with brutal escalations of violence, culminated amid flowing torrents of very coloured blood, and ended in a whimper of buttercream cake.
On the day I met my husband for the first time, which as it happens was also the day of our wedding. I did try to arrange a meeting, suggested to my people to suggest to his people that we could grab lunch the week before the ceremony. Coffee the previous day, a glass of tap water the morning of, anything to avoid her, how do you do in front of the efficient? He is an alpha, Miss Lark, too busy to meet. Busy with?
His pack, Miss Lark. I pictured him in a home gym, tirelessly working on his abs and shrugged. Ten days have passed and I have yet to meet my groom. Instead, I've become a project, one that requires a concerted effort from an interdisciplinary crew to look wettable. A faceless smacks my cheeks with relish, and a makeup expert paints a different face on top of mine, something interesting and sophisticated and zygomatic. This is art, I tell him, studying the contouring in the mirror.
You should be a Guggenheim fellow. I know, and I'm not done. He reprimands, before dipping his thumb in a pot of dark green stain and swiping it over the inside of my wrist. The base of my throat on both sides. My nape. What's this? Just a bit of colour. What for? A snort. I pulled strings and researched where customs. Your husband will like it. Another way Romandacy novels are marketed is based on the tropes. Anemies to lovers is a popular one.
Another one is grumpy sunshine, where maybe a plucky heroine will fall for a dark and brooding man. There's actually a wide variety of tropes and subgenres, but there's one thing every Romandacy book has to have, a happily ever after ending. But the books don't feel formulaic. Formula gets a lot of hassle from a lot of critics, a lot of readers. They don't like the predictability of that.
But I think they confuse a trope for laziness, the idea, well, there's no tension in a romance, because you know what's going to happen. No, you can do plenty of things in between those other 300 pages before you get to the ending. I mean, you could say the same thing about superhero movies. You're not really in suspense as to whether the hero is going to defeat the villain. What's interesting is how you play with a formula and defy expectations.
Now, I've tried reading Romandacy novels, and I'll get hooked, because the writing is very good. But after a while I realized this genre is not really for me. But that is totally fine. I'm actually very happy that people are really into them. In fact, when something is popular in a sci-fi fantasy realm, and I don't quite get it, that only makes me more curious. Who is excited about this? And why? And in this case, those questions overlap with larger issues, like gender and sexuality.
And given the fact that Romandacy is just dominating the charts of sci-fi fantasy novels, I wanted to figure out, is this a trend? Is this a publishing bubble that's going to burst? Or is it a game changer for fantasy as a whole? And the world of fandoms, the word shipping refers to an active imagination among fans who are rooting for characters in a fictional world to get into a romantic relationship. Even if the writers are not going to make it happen.
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The innovative tool that helps you turn your shipping challenges into opportunities for growth. Go to shipstation.com and use the code Imaginary to sign up for your free 60-day trial. That's shipstation.com code Imaginary. The first thing I wanted to figure out is where did this come from, and why did it take off in the last few years? A lot of people have pointed to the pandemic. I did an episode last year about how gothic novels were making a comeback. That was because of the pandemic.
The sense of isolation was so spooky, people felt like they were haunting their own homes. Romance is the other half of the equation, the yearning to connect. Marcella DeBlaze is a professor at Dartmouth, and her interest in Romanticy began during the pandemic. I was pregnant with my second child. I had a toddler who was at home because we were in lockdown, and daycare was closed.
I am a tenure track professor trying to put together a book project and the idea of doing academic work in those conditions was just like laughable, completely laughable. I found myself reading really widely in a way that I hadn't really since maybe grad school. That's when she discovered fantasy romance novels. In fact, she ditched the academic book that she was working on to write a different academic book about Romanticy. Her book is called Love in Other Worlds.
I think that I had underestimated the value of accessibility, and I'd also underestimated the importance of pleasure and escape. And love, right? Because in the pandemic, also people were sick, and elders were dying, and we didn't know what the future held. There was incredible uncertainty. And I think in the midst of all that uncertainty, romance, fantasy, and Romanticy were all really comforting, right?
Because in fantasy, you know what good is, you know what evil is, and you know that good is going to win. With romance, you know there's going to be a happily ever after. With Romanticy, you get both. Marcellus says you can draw a line from Romanticy back to Gothic novels of the 19th century, and even further back to classic tales from thousands of years ago. But she says it's not a coincidence that a lot of Romanticy writers are millennials.
The pop culture they grew up on was full of paranormal romance. The fact that we're also the Harry Potter generation is significant, right? We were by and large readers of Romanticy now were part of the Disney Renaissance, right? With a little mermaid and beauty in the beast. But like magic has been an important touchstone in a lot of our cultural products. And so I don't think it's surprising that that leads up through like Buffy and Twilight and arrives at Romanticy really.
CLPoke writes fantasy romances among many other novels. They think that Romanticy also came out of the YA boom of the mid-Ottes and 20 teens. That's why a lot of Gen Zers are buying Romanticy novels. YA books very often have a character who is contending with a romantic attraction while they are going on with whatever it is that they're happening in the book. The Hunter Games is pretty famously like this trilogy, this epic trilogy about this terrible Stopia and these awful things happening.
But Katniss has boy trouble while it's all happening. And that's just normal. And all of these YA readers in the teens are older now. They're adults now. And when they went to say adult fantasy and they weren't getting what they expected, they had been taught to expect what they actually genuinely enjoyed. It kind of turned them off of it. But fantasy romance gives them what they were reading in YA. But CL says it was ultimately romance fans who pushed it over the edge.
It is the romance readers enthusiasm and their eagerness to keep reading because they are voracious and they are fast. And what they came to when they went into fantasy and science fiction places were a lot of people who were very eager to tell them how romance plots were crash and unnecessary, untarable and eagerness. Let's just get down to it. And so they just kind of went, OK, find that and they left and the science fiction fantasy crowd didn't even really notice that they were gone.
And it's kind of sad to me. I have often felt like I had to kind of hold my tongue around people who were like, but then it got into the kissy beds and it's just kind of like, come on. Can't people have a romance? Is that not allowed? Thinking back five or ten years ago, the pop culture zeitgeist of fantasy and sci-fi was dominated by Game of Thrones and Marvel.
If there was romance in these superhero films, it was secondary. In the grim dark, sword and sorcery worlds, it was sometimes abusive or tragic. Fantasy fans who wanted to see more romance and healthier relationships were making that happen with fan fiction. In 2017, I did an episode about the popularity of fan fiction. And CL says, fan fiction was the final factor in explaining why Romandacy eventually took off. CL was writing fan fiction before they began running fantasy romance novels.
And what I discovered was that when I finally got up the gumption to write something that was longer than 10,000 words, I kind of chafed against some of the restrictions of fan fiction because a lot of people say fan fiction is great because you can do whatever you want. And that's true, but it's not true. You can explore all kinds of things in fan fiction, but fan fiction is not necessarily overly concerned with a story that reads like a novel and conforms to a novel's expectations.
And they are also very concerned with making sure that the characters that you are writing about in your fan fiction ring true to the canon. So I stopped writing fan fiction and started writing originals because I knew that what I wanted my characters to do were not necessarily what readers would accept from a fan fiction of the characters that started me thinking about that.
Kaley Donaldson says there's also a perception among fans of traditional fantasy genres that if you have too much romance, the stakes will go down. As if the need to save the world will take a backseat to if these characters are going to kiss. But Kaley says that is a misunderstanding of how Romandacy works. People call them page turners for a reason.
Many years ago there was this survey done about the best on screen kisses in film and the number for the top free were like scarlet and red and gone with the wind. It was the kiss on the beach in from here to eternity and it was Rick and Elsa kissing as france falls in Casablanca. Kiss me. Kiss me for the last time. And they're all tied together by this terrible danger and life changing events happening in the background.
It's war, it's destruction. I think there is an element of that in Romandacy as well. We have to save the world, we have to stop society from crumbling, we have to write this dragon up into the sunset and make sure war ends. But also there is an undeniable tension between us and we have to explore that. You know, the race stakes is very much the name of the game for a lot of this.
In fact, Romandacy writers have said the way to make a sex scene really spicy isn't as much about what happens during the scene. It's about building as much tension as you can before that passion explodes. And with fantasy, you can raise the stakes to other worldly levels. One of my least favorite parts in my morning routine is shaving. I'm always worried about getting nicks or cuts on my face, especially if I'm about to go on camera for an interview.
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CLPoke was one of the early writers who were breaking new ground with their 2018 novel, Witchmark. My first book, Witchmark, was always on lists for queer fancy, always, always, always, because there weren't that many to choose from. Now there are so many you get to cure it. You can be very specific. You can drill down into subgenre and situation and all of that. There is a very healthy variety of these books.
Is it ever going to be like enough? No, that's why we got to keep writing them. That's part of the fun. Witchmark takes place in a fantasy world that resembles early 20th century England. The main character is trying to keep his magical abilities a secret until he finds himself investigating a murder. Here's the actress Tanya Rich reading a scene where the character meets a handsome stranger.
You want me to get to the point? Mr. Hunter leaned on my filing cabinet. I need to know why magic is dying. I still...magic? dying? It wasn't. He was wrong. Blast. He shocked me with his pronouncement. I scrambled to make up for it. I see. I said, how am I supposed to know the answer? I want you to help me find it. You are Nick Elliott of the Ounu, which is I've met in Aland. Mr. Elliott is dead, but here you are alive and free.
Mr. Hunter wanted to help, but he knew too much about me already, too many of my secrets. I had no choice but to deny it. You want my help in finding out who poisoned Nick Elliott and knowing will lead you to? No, it's insane. I can't help you. You can, so Christopher. And I can help you. My breath caught in my throat. This was worse than blackmail. I had been found. Run. I told my useless legs. Run. You're afraid, he said. Don't be. I'm in as much danger as you are.
Mr. Hunter raised one hand, clenched in a fist. The edges of his fingers glowed red, and he opened his hand to show me a tiny light. The core of it glowed brighter than a candle, brighter than gas lamps, nearly as bright as ether. If he told the truth, it could only mean two things. He was a low-born witch in fine clothing, or he was a runaway mage like me. He offered me this show of magic as a token of trust. He could report me, but I could report him back.
I just basically went on the assumption that, of course, this man gets to have a romance with a man that he likes. Like, why wouldn't he? And then if anybody asked me, I would say, well, why wouldn't he? And then I would make direct eye contact with him until they went away.
Like, you have to kind of assume, like, if you're writing a story about people who are falling in love in the same sex relationships in our world, up until relatively recently, there was a lot of baggage attached to that. And I didn't want it in my book. So I just basically said, you know, a lot of people have same sexual mances, but they don't marry because of this other thing that's happening in the book.
You know, that's interesting though. I was just thinking as your time, but like, I think that's probably what's so liberating writing in fantasy romance with a queer relationship. Basically, all the baggage, the cultural political historical baggage. You're like, well, this is another world. And this is just an accepted fact. And this is just life in this other world. And that must be kind of liberating as a writer.
Yeah, you have a scale because then you can say, like, there's absolutely no problem with this whatsoever. Why would there be? Or you can slide it and make it a little bit heavier. If this particular piece of baggage is something that you really want to talk about, the matter, clean your story, you have full freedom of choice.
One of the things I find so interesting about Romanticie is that the writers come from so many different places. JD Evans writes fantasy romance novels that take place in a mythical past. Her previous career was in the military. I kind of bounced around between Doha and Cutter and Jordan and Bayroot Lebanon. And I was at the embassy in Bayroot. That inspired the fictional kingdom in her series of books, Mages of the Wheel.
Lebanon itself has this incredible, fascinating history because it's been in the middle of all of the empires, right? So it's just an incredible place. And it just captured my imagination. The main character in the first book, Rain and Ruin, is a princess with political ambitions and a palace of intrigue and magic. Then she meets a dashing prince.
She had seen men without their calfdans in the fields of the docks, but this was wholly different. He was different. A warrior, attested to by the hashwork of scars on his golden skin. Nime wandered at them, a thin one across his chest, a thicker short line over his ribs, and a long curved one that disappeared into his salva. Do you have clothes? Nime said, a pool that she'd been so preoccupied ogling him that she hadn't considered the fact she was lurking in an archway with a half-naked man.
I am wearing clothes. He said, more clothes. Nime tried not to sound desperate, but the weak tombre of her voice gave her away. I do. In the future, wear them and refrain from such inappropriate displays. Nime managed to find some composure once she wasn't looking at him. What exactly do you consider inappropriate display, Sultana?
Tamar is a place of restraint and decorumagasy. You are more than welcome to spar with the guardsman, as long as Commander Ion oversees it, and I would expect that you would not humiliate yourself by doing so half-clothed again.
Only in a place full of weak-bodied self-important pacifists would sword-practice count as humiliating. You find me offensive, he said, fine. There are few things I find more tiresome than someone who puts too much stock in pageantry and pretence, and you worship at the altar of pretence. Jen, and she actually told me to call her Jen, grew up in a military family. When she was a kid, they moved around a lot. It wasn't easy-making friends, so she became a big reader.
Now, military science fiction is a thriving subgenre. Actually, did an episode about it years ago, but she wasn't drawn to those books. No, if there was a female character that was considered like a heroine, we call them Stabby in the romance, in romance parlance, you know, like very kind of male-coded, masculine-coded, very strong, probably had a filthy mouth, not very emotional.
And so that was kind of what I was aspiring to, and I went into the military, and I did my thing, and I think, instead of becoming like really into that, I went the opposite way, and I'm like, you know, this is not exactly who I want to be. And so I went the other way, the softer way. Although not entirely, there's a trope that she fights against in her work. The trope is called, I'm not like other girls.
It's used in movies and books a lot, where you have your main character, who is, she's not caddy, she doesn't like makeup, she won't wear pink, she won't, you know, she's strong and fast and doesn't hang out with the popular girls, and is often disparaging of people that like those things.
And that particular trope, I don't like it, and I've talked about it before that I'm actually recovering, not like other girls, because I grew up in an environment where it was very much things that are classically considered feminine, are weaker or less than.
And so that not like other girls trope, if you will, plays into that a little too much for my taste. I feel like the only strength in the world is not being able to wheel the sword or run faster or lift heavier things or curse like a sailor or be emotionally distant, right? I don't have to be the only ways that we are strong in the world, and so the not like other girls, I feel is a bit lazy.
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Despite all the success that romanticies had in the publishing world, it still doesn't get a lot of critical respect. Marcelo de Blossie says that's especially true in academia. If you think about where the scholarship is, there is a lot of attention to science fiction. And then when we talk about romance as a whole, there is very little scholarship going on about any kind of romance. There is more scholarship on pornography than there is about romance.
You know, the accusation that people love against romance is that it's mommy porn. Actually, I've never heard that before. This is definitely a thing, especially in the context of the scholarly attention that pornography gets, I find this so revealing that when you have a genre that's written by women, that takes a look at the world we live in through the relationships we have.
And then when we add to that the fact that this is also a genre that can talk about women's sexual desire, and that it's still dismissed as unimportant or not serious. Yeah, I think that that's really revealing. Jen says even readers of romance novels, conventional romance novels, sometimes judge romanticy readers when they show up in their online spaces. Because they're like, we don't want dudes with bat wings here. You have to go somewhere else, right? There's no dragons in this space.
So I think it's, you know, people, they want a group where they're in essence kind of the same. And so there are always going to be people within genres that are like, we don't do that here. Please get out. And I argue that in many cases, that's less true in romance circles because women are kind of used to get in made fun of for wanting to read romance. So they're less likely to be harsh, but there are a few.
At the ripped bodice, they try to make the decor really playful to create an atmosphere of non-judgment. They suspend open books from the ceiling as if the books magically flow off the shelves and then stopped in mid-air. One thing we really wanted to focus on is making this space really bright, really airy, really not filled with the kind of shame that had been put on romance in the past. A lot of the times romance books would be put in a dark corner of the bookstore.
Have you had people visiting from out of town or even like international tourists or like we want, we saw this and we wanted to come here? Oh, yeah, we have people who come from all over, which is just kind of crazy to think about. We have people who come from Texas. We have people who come from Wisconsin. We've had people who come from Australia. And they're like, yeah, we're here because we saw you on book talk and we really wanted to make this part of our like New York trip.
Another place that romantic fans gather is at conventions. I'm not talking about San Diego or New York Comic Con. I mean, they both had panels about romanticy last year. But the real action is at Apollicon every year in Washington, DC. Apollicon covers all types of romance novels, but Romanticy is a big part of it. And that's because the event was created by a romanticy writer named Jennifer Armentroute. There are book signings, cosplay, panel discussions and parties.
Marcella de Blossie was thrilled she got to go. It's a hot ticket. Yes, it is really hard to get tickets to a polycon. I think they sell out in a matter of minutes. And fans will walk around with as close to a wheelbarrow as they can get essentially. And they are filled with books. And some of them I know are brought from home because they want authors to sign books that they already own. But a lot of them are purchased there.
There will be special editions of really popular series that are released every, I want to say every few years or by various different entities. So, you know, there are different subscription boxes, maybe one of them will come out with a special edition of thrown of glass by Sarah J Moss and then. You know readers who are fans of these series will collect all of them as many of them as they can. And I was talking with some fans who collect multiple languages.
They want first editions and as many languages as they can get you languages. They don't even speak presumably. And so there's a lot going on, but fans, not all of them, but many of them really go all out with the cosplay. It's extraordinary. Romanticity is still a hard sell for some people. But Jen says they should have an open mind. I think there's a mistake. I think they think that women are reading this for titillation, but really they're in it for the emotional impact.
So the plot is about a woman being successful in whatever she wants to do. And the man in there is putting her needs first. It is about women getting pleasure, whether that is an intimacy or in fulfilling whatever their dream is, but it not being taken away from them by this other character, right? This other character is participating in that. I mean real talk. Yeah. Again, CLPOLK. Sometimes I think that the dislike of romance is like basically collectively enforced.
Guys don't like romance because if other guys catch them liking romance, that will equal big social trouble. There could be a lot of shame involved. I think those barriers of breaking. And I think they have been breaking for a little while. And I think that we are going to see the whole wall get knocked down really, really soon.
And so if you're reading romance novels, you could probably see, if you read enough of them, you could probably get an idea of like the many varied interesting things that the writers of these romance novels who are mostly women are thinking about, talking about have on their mind, want for themselves, you earn for. If they are reading books about men with bat wings, it's probably not the bat wings they like. You know, it's like something else is in there that appeals to them.
And it might be worth it to read it and ask. And I've seen some really interesting social media where men have sat down and read their partner's favorite books with them and learned a lot. And almost exclusively have said, yeah, that was worth it. You would think at this point there'd be big budget Hollywood adaptations of romanticist books in production. The screenwrites were bought, they're in development, but it seems like they're stuck in development.
The only headlines I've seen recently are Hulu denying rumors that it gave up on its plans to make a TV show out of Sarah J. Moss's books. But in a way, I think it's better. I mean, Hollywood doesn't need the money. The publishing industry does. The generation on TikTok has made books sexy again. That is spicy. And for romanticy readers, having these worlds in their minds gives them a safe space to explore sexuality and relationships without social pressure, judgment, or baggage.
They can enjoy what they want and not what they've been told that they should want. So for romanticy fans, they already have their happily ever after. That is it for this week. Thank you for listening. Special thanks to Marcella De Blossy, Kaylee Donaldson, JD Evans, CLPOLK, and Catherine Zofrey for giving me a tour of the ripped bodice. Do you remember there's a pet store here beforehand? Yes. So we have dogs coming to the door all the time.
They remember that it used to be a pet store and are constantly like, no, this is where I got my treats from. And we're still getting treats. So we definitely have treats behind the counter. Also thanks to Tonja Rich, you did the readings. And one of my listeners, Maria Rose, who suggested this topic. I mentioned that Marcella De Blossy is working on a book about romanticy. It's going to focus on authors of color. She provided a list of recommendations, which I'm including in the show notes.
My assistant producer is Stephanie Billman. If you like the show, please give us a shout out on social media. Leave a review, or get your podcasts, or just tell a friend who you think might like the show. The best way to support Imaginary Worlds is to donate on Patreon. At different levels, you get either free Imaginary World Stickers, a mug, a t-shirt, and a link to a Dropbox account, which has a full length interviews of every guest and every episode.
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