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The Happiness Recipe with Gretchen Rubin

Jul 20, 202336 min
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Episode description

Gretchen Rubin is a New York Times bestselling author, podcast creator, and speaker who explores the concept of happiness and how we can implement different things into our lives to achieve it. Gretchen breaks down the strategies needed to create a more fulfilling life. Tune into this podcast to discover self-awareness, appreciation in the small things, and tune into your curiosity and creativity.

Subscribe to ideamix radio and stay tuned for new episodes every other Thursday. On ideamix radio we speak with entrepreneurs, solopreneurs, career changers, experts, and enthusiasts for insider tips that help you build the life, business, and career you want. ideamix is the go-to destination for entrepreneurs to turn their idea into a business. Check out our website at www.theideamix.com. For comments, questions, podcast guest ideas, or sponsorship inquiries, please email info@theideamix.com.

Transcript

Creativity and a learning mindset are essential to succeed. Learn how these innovators put these skills to use to become the best in their fields. Welcome to Innovators to Know. Brought to you by Idemas. It's a pleasure for me to welcome Gretchen Ruben to our show today. She's a friend and a driving force behind the book group we've belonged to for twenty years. She's one of today's

most influential and thought provoking observers of happiness and human nature. The specific niche she's carved out is breaking down abstract, complex ideas into comprehensible nuggets and, more importantly, practical strategies for individuals to implement to increase their self awareness and

improve their lives. Gretchen most often uses herself as the guinea pig, and her authenticity and self knowledge make her content compelling to her many many readers, and Gretchen's been interviewed by Oprah, eating dinner with Nobel Prize winning researcher Daniel Kahneman, walked arm in arm with the Dalai Lama, had her work reported on in a medical journal, being written up in the New Yorker, and being announcer on Jeopardy, which is probably the most interesting thing. Definitely,

that was the biggest excitement of all for sure. So Gretchen, welcome, Thank you for joining us today. So happy to be talking to So. You've written several best selling books, The Happiness Project, Better Than Before and The Four Tendencies in the Past. Your newest book is Life in Five Senses. Tell us what made you focus on the senses and decide to write about it. Well, it was right near here where we're talking right now. I had a bad case of pink eye, so I had to go to

the eye doctor. Yeah, I just walked nearby, and as I was leaving, he said to me very casually, like as if he were saying, oh, be sure to wear some or drink it up water. He said, be sure to come back for your regular checkup, because, as you know, you're more at risk of losing your vision. And I was what, I don't know, I don't know that. What are you talking

about? He said, Oh, yeah, you're extremely nearsighted, and that means you're more at risk of losing your vision so through a detached retina. So if that starts to happen, we want to catch it right away. Yeah, and I have a friend who lost some of his vision to it attached retina, so that felt like a very real possibility to me. So I go out onto the street, and I'm looking at this beautiful New York City city scape all around me and thinking how precious it is. But also

I didn't notice anything on my way over. I was like stuck in my head, lost in my own thoughts. I didn't notice one thing. And often, you know, we don't know how much we appreciate something until we lose it, or we fear that we might lose it. And so I was taking this all in and then in an instant, it was like every knob in my brain got jammed up to eleven and I could see every detail

with perfect clarity. I could hear every sound on a separate track. I could smell every smell in New York City, which is very small and lots of different bloods, of different smells, um, and you know what your neighbors are getting up to. And my whole walk home was just this sort of transcendent, almost psychedelic experience when I'm just feeling all these sensations just overwhelming me, and I realized, like, this is happening all the time.

There's nothing special about this. It's just that I'm paying attention, and usually I don't. Yeah, and I have been studying happiness for a long time, as you mentioned, and I had had a sense that there was something missing, that there was a puzzle piece that I hadn't identified, and that walk home really showed me this was the missing piece. This was the way that I could connect to the world and to other people and to myself through

kind of this intense connection with my five senses. That's u. I'm so glad you describe that experience because I think so many of us walk through our lives, especially near city. You know, we're sort of almost bread to believe that busyness and packing as many things into one day as possible, it's sort of a prerequisite, right, and it desensitizes you to all of the

everyday stimuli around us that we should be in fact taking it. Yeah, you're so busy ticking through your to do list that you just you don't even notice the blossoms on the trees. Yeah, yeah, so true. Remember, So we're going to take a quick look at this short video clip in which you talk about how you felt your brain was just driving the car that was your body. Let's take a quick look. A few years ago,

I had an epiphany. I've done countless things that made my life happier, and yet too often I felt stuck in my head, disconnected from the world and other people, and also from myself. I've been treating my body like the harror my brain was driving. In my book Life and Five Senses, I describe how I discovered that by tuning into my five senses, I could transform my everyday life by paying true attention to the richness of the physical world

around me. Through the lens of my research and adventures, I explore how our senses can help us cheer up, calm down, live in the moment, give us more pleasure, more energy, deep in our connections, and even allow us to touch the transcendent and catch up. Will never taste the same again. So Gretchen, tell us a little bit about this feeling of

disconnection from your body. I mean, there's so much now that's been research written, more and more talked about in all sorts of ways about the mind body connection, and that feeling of disconnection is common for a lot of people. How do we come back to that and how did you navigate that? What's interesting. I think a lot of people do think that they want to reum they want to appreciate the moment, they want to get back in their

own body. And I think it's because of two things that sort of point in opposite directions. I think, on the one hand, reality can feel sort of drained and flat because we're doing things through screens or like you know, um, so we're not we're not engaging, we're not picking up smells,

we're not we're not so much of it is flattened. But then on the other hand, sometimes things feel hyper processed or overly saturated, like a snack food that hits every bliss point and it just or you go to a movie and you see more details than you could see in a week, and you hear this music that's very emotional and stirring, but there's no smells, there's no air currents, And so I think people are trying to get back

into balance like they want to like. I think that's why things that are immersive are so popular, because anybody, anytimes something's build as immersive, it's like sign me up. That sounds amazing totally, and because I think it is that people are trying to get back into their bodies and anything that sort of helps you remember to just like experience your body, it's just very energizing.

So I did it by sort of systematically going through the five senses, which I don't think is the way that most people would want to do it. But I was so curious and just really wanted to learn more. So I did it by going through all five senses and looking for adventures or experiments. You know, the more you know, the more you notice. I

tried to really learn a lot more, a lot of different things. For you, How did you structure that exercise for yourself, because in a sense, you created a plan and sort of a mechanism to experience have different experiences involving each of the five senses, right, A lot of which you talk about in your book. Right. Yeah, It always for me starts with research. So the first thing I do when I get interested in a subjects, I got the library and get a giant stack of books. So part

of it was just sort of understanding. But the more that I would research, the more I would think, like, oh, I really want to learn more about this, or I want to try this, or I need to test this, and so it's sort of through the research or often they would mention things like one thing that's funny. This is fun to just do.

You know, it takes one second. So you know how with two eyes we have three dimensional vision, and with two ears we are able to locate things in space because we're comparing, so our two nostrils also pick up slightly different smells so that we have a richer smell. So you can do this. You can just like take something that has a strong smell and test it on one side and then the other and you can. And that's the kind of thing. I would read about it and I'd be like, I've

got to try that for myself. Where's a jar of capers and I mean to sniff it up. So a lot of times, just by learning about it, it made me think of things that I wanted to do. I read about Flavor University, which is this two day free course you can take in Jadeva, Illinois, and it's all about flavor and I was like, can I just email them and go? And it turns out you can't.

Yeah. They're like they're like, we're not sure that this is something that you'd be interested in, and I was like, well, I think so, so if you'll have me account and stuff, I went fantastic, Yeah, I love that story. So, Qutchen, you also host the podcast Happier, and you've built a Happier app in fact, which helps people track their habits really and it's been super popular with your followers. Tell us how you realized the Happiness Project needed to go beyond the book and be made accessible

to people in the various ways that you've now made it accessible. I mean it's such a you know, many writers write books. Many of those books do extremely well. Few writers, I think, are able to take their research and insights and turn it into this effectively practical tool for everyday living. Right. Well, it's interesting because because I think I am always interested in thinking understanding the abstract ideas. But then what could the average person do starting

tomorrow without spending a lot of time, energy, your money? So like, how would you make I'm kind of the Benjamin Franklin side of the Happiness studies, and so with Better than Before it is my book about how people can make or break habits, And so I did a lot of thinking about the different tools that worked the best for people, and why because I've the sport Tendencies personality framework on that divides people into upholders, questioners, obligers,

and rebels and which people can take gretchenba dot com slash quiz to find out what they are. But the kind of tool that you use effectively really depends on what tenancy you are, Like that that can really make you much more efficient in figuring out how to approach that an important habit change. And I just wanted to help people make that match because I get so frustrating when people.

I'm like, I've been talking to you for five minutes, and I know why this isn't working for you, Like you're just It's not that you're lazy or you can't make yourself a priority or you can follow through. It's that you haven't picked the right tool for you. And my sister calls me a happiness bully, which is true, you wouldn't be happy, yeah and so and so if I think there's a way for you to be happier,

I get pretty insistent. And so the app is something where it helps you figure out your tendency and then it suggests it's like, you can use any tool. Anybody can use any tool. But I'm just saying, if I know you're an obliger, I know that this kind of tool is probably going to help you more. Or if you're a rebel, I'm not going to suggest this kind of tool for you because often rebels don't have good, good success with that tool. But then there's also like I have, like I

love quotations, I love doing yourself better questions. I think that can also help us to become happier and to change our habits if we really like are you a morning person or a night person? A lot of people try to form their habits and ignore that. I'm like, if you're a night person, you're you're not going to get up early and work on your novel for two hours from six to eight am. I'm just that's not gonna work for you. Yeah, And it's not that it's not a good idea. I

can do that. I'm a morning person, yeah, but for a person, it's just but I think sometimes people just want to skip that stage. They want it the best way. They wrote the silver bullet. They want the silver bullet. They want like the most scientifically proven way and I'm like, such a thing can't exist because people are so different. Yeah, it's I always say to people, what's the best way to cook an egg?

Yeah, and they said, well, it depends on how you like your eggs, or they say, I don't even like eggs, right right, nobody can tell you the best way to cook an egg. Yeah, because it depends on how you like your eggs. Yeah, as you've done this would have been what have been some of your learnings as a as a you know, effectively it is having built this business around this concept. What are

the learnings that you've had from that? Well? I think the biggest learning is what we were just talking about, is that there's no one right way. And when I started out with the Happiness Project, when I wrote, when I started that book, I really believed that I could figure it out and present it. It's sort of like, if I could just present it clearly enough, everyone can read the book, everyone can figure it out. Okay, Now, if I thought about it, I might have said,

well, people have been thinking about this for thousands of years. If somebody could just figured it out, probably it would have been figured out, you know, before this. And that's one reason why I'm skeptical when people are like, oh my gosh, incredible new finding and what is there an incredible because it's probably wrong, but but just understanding how often the opposite things can

work for people. Okay, good example. Some people will say to you, if you want to make a change, what you have to do is small incremental change. Ye little, you know, step by step, floss one tooth, do one yoga pose, run for five minutes, and that's the way you've been. And there's all these reasons why that's true, except that some people get very bored with that. They want to go bigger but go home. They want bold, radical challenge, yeah, or they lose

it gist. So why would I say to that person, No, no, no, you're setting yourself up for failure just because that wouldn't work for me. So I think again, it's like it's like ext or if something doesn't work for you, like a lot of times with and I'm sure you see this in the coaching world. Some people there they feel like they shouldn't have to have accountability. Yeah, they're like, it's kind of like training wheels, Like some people just need accountability. Lots of people need accountability.

There is absolutely nothing wrong. That's what you need get yourself, what you need to achieve your aims for yourself. Some people resist that. They don't want anybody looking with their shoulder, they don't want anybody checking in with them. If you tell them to do something, they're going to resist. That's the oblige of rubble in my framework. Yeah, and that's fine too.

It's like, we don't have to change ourselves, and we certainly don't have to change other people, but we have to think about what works for us and not to me has been the thing that just do. And then with the five senses, how we all live in such a different sensory environments. I mean, it's genetics, it's upbringing, it's expectations. But like you

can't smell your home the way I guess smells it. You're so accustomed to it you don't even smell it. Yeah, where somebody walking next to you could have an overwhelming smell of lilies or air freshen or dogs or whatever. Um, probably dogs is what the smells. I mean, you don't know. And it kind of made me pronix. I was like the house, I'm like doc, because I wouldn't my apartment wouldn't. I got to go

away for months before I would be able to tell or something. Or we're in New York City, a big siren can go by, we probably wouldn't even notice, Yeah, because our brain doesn't flag sirens absolutely, whereas for someone else in LA they don't hear helicopters. Yeah, no, that's so true. I think, you know, in coaching we see this all the time, right. I think the personality types, as you've said, really

matter, and as a result, their level of self awareness. I mean, some people can have like almost too much self awareness to the point where they're super self conscious. Right, And equally you can get the opposite where there's zero self awareness and all the states in between, and and coaching, you know, is adaptive to that personality type effectively. Right, It's like, how is this person going to understand what we're trying to tell them in

the most most acceptable way possible. And the words really matter? The words matter. That is another thing that surprised me, because I'm like, what does it matter? The aim is the aim, But it's so it's really, do you practice piano or do you play piano? I mean it really or just the metaphor that you choose. So when I wrote the Happiness Project, several people said to me, we can't call it the Happiness project because

a project sounds like homework. Nobody wants to do a happiness project. And I thought, well, that's odd because to me, a project holds fun. To me, it sounds exciting. Um. But then a lot of people want to use the journey metaphor. I don't like the journey metaphor, maybe because I'm not well, yeah, I don't know why, but to me that it's not a compelling metaphor. But many people love. And so again it's like, it's not that one is. We don't need to argue

about whose metaphor is right. Um, it's but it's that the words matter. Well, this is reframing too, like this is the classic do I have to or do I get to? Yeah? Really matters, It really really makes a big difference, totally. Yeah, as we know from our experiences with our children, Yes, no, it's so true. So having known you as long as I have, Gretchen, it's hard for me to imagine you ever feeling blocked. That said, however, prolific any of us

is. The feeling of being blocked is very real right, whether that's in work or in writing, or as a parent or whatever, and it's super frustrating. Let's take a quick look at this clip in which you describe some of the strategies that you use to overcome the block. I discovered that we can use our hands to help our minds to think. Here's an example.

For years, on my computer, I kept a list of my indirect directions, short somewhat mysterious creative prompts that I consulted whenever I felt stuck, like skip the boring parts and break the frame. I loved these indirect directions, but it bothered me the this was just a document that could vanish or be forgotten. When I was home visiting my parents, I came across my father's

ancient rolodex. I loved it, and it hit me I could buy a new rolodex for my creative prompts to choose at random whenever I felt stuck. I copied my indirect directions onto the cards. First task, I needed a better name for this tool, which I was calling by the boring name of Rolodex of ideas at random. I pulled at a card find a fresh metaphor. After a few weeks of thinking I was inspired news machine. Putting an

idea in my hands helped put an idea in my head. So question, how did you start doing these creative exercises and what's the importance in your view of it? You know, sort of focusing actively on exercising the creative parts of our brain rather than the sort of more what i'll call the more routine ones where we just kind of do the things that we need to do on

a daily basis. It's so energizing to do something that's creative. And I think the word creative can can feel scary to people, and people will say, like, I'm not creative. My mother, who's one of the most creative people I know, she's always like, oh, I'm not creative. I just copy. I'm like, that is creative, Like what is it?

All the great artists copy? Yeah, And I think, you know, just tapping into something even like trying to have a funny intro to your annual report or doing a holiday newsletter for your family, like they're all like trying to figure out a way to make a birthday present for someone. There's all kinds of ways to be creative, and it just it's so energizing,

and I think part of it is the atmosphere of growth. It's seeing yourself do something and create something, build something, um, put something into the world that doesn't already exist. Part of it also, for many people's beautiful tools. Yeah, like it's so fun to use beautiful tools. Yeah, whether that's beautiful ingredients or or beautiful Like I love markers. You can believe have any markers we have in our house, It's like, I have way

more markers stickers. I'm really there's this point renaissance of stickers, of self intire I mean, there's just like there's just a playfulness that comes right. It's right on the food thinks. Somebody told me, they're like, you should buy any food because I was saying how expensive some ingredient was. He said, always buy anything you want in the grocery store because it's always cheaper to cook yourself that you eat out. And I thought, Okay, that's

good. That's permission to buy whatever you want. Um. But woodworking, knitting, entertaining, all these things can make it. I'm decorating from the holidays. These are all outlets that can be so pleasing and so energizing. And part of what they do is they connect us with our senses because we're

using our hands and we're looking, and there's often sounds involved. Why have we as a society, do you think come to define creativity as you know, some grand piece of output, like I wrote an essay or a book or different painting or whatever it is. It is how most people what you're describing about your mother, it is how most of us tend to view creativity. We don't think of it, and in that we all manifest it in

our daily lives in different ways. I think that is an excellent question, and I think we should lead a movement to identify as creative things that I would say are more or like are more immature, that are just not professional.

I do worry about that sometimes with like, like with music in particular, like you read about the old days, it was like it was very common for people to get together and sing, or you'd be in a village and there'd be one person who's like really good at playing the piano or the

guitar, and they would do it. They weren't professional, but they were just really good as sort of an ordinary person, and there was a lot of pleasure and a lot of community and of community and a lot of and like a person who wasn't good enough to be, you know, on the national stage could still get recognition and an audience and stuff. And now that

we have all this, you know, super professional artistic output. I worry that then people they don't it's not exercised as much and people don't participate in it as much. Um. But there's so many ways in just part of ordinary life that you are using your creative um, your career. I mean even something as funny is like um, working on life in five sents has

made me much more appreciative of things like cosmetics or like what color. I never paint my nails, but people have a lot of color, like picking their nails and they'll do every nail there's like a love. Or like the way a man will be dressed like all monochrome, but then have like a really bright sock and it's like this is where I'm having my fun. I worry about men not wearing times because that used to be a thing that guys

really had a motive self expression. Well yeah, it was like it was really fun at least like my husband, my father, like the men in my life. They really kind of had they like their picking a time, and now they don't. It's it's sort of like this, you know, the album cover, it's just gone away as something that people know. That's something that was like a creative form. That's that's going away. So but then there are all these other new creative forms. You see, see what

people can You can make a movie with your phone. Yeah, you can do an extraordinary presentation just you know, with free tools. So um, but people need to do it, you know, people need to do it. I think that's so exciting. That's uh the important point. I think in ways small and every day, rather than like trying to dream up some grand project that that may or may not happen absolutely yeah yeah no. Um. Sometimes people sort of have this idea that, yeah, that it has

to be so outstanding or so excellent or it's not worth doing it. Yeah, anything worth doing is worth doing badly for sure. A great I want to shift is a little bit now, Qutchen. Um, you know, we obviously spend a lot of our time thinking about coaching, coaching various individuals. Um, what role is coaching played in your life? I have never coached or been coached. Okay, And what about mentors who have been key

mentors? Had a mentor? You've never had a mentor, I don't think so, Okay, so this is the first because nobody ever got So what do you consider to be a mentor? I mean, I've had bosses, but I haven't anybody who liked took a long term Yeah, that's what I mean, a long term mentorest in your career, and that's never been the case. Fair enough, there are there sort of a couple of people that

you think have been particularly key at various points during your revolution. Funnily enough, I think the people who are most influential to me, or other writers whose work has really influenced me. Um, And this I don't mean. I know that this memory is false because I've tried to do the chronology, so I know that this memory is false. And yet it's a very powerful memory. So there you go. When I when I was still working as a lawyer, and I was thinking about and I was having an idea for

what eventually became my first book. But I had I had been an English major, I'd always read a huge, huge amount, But I didn't understand how I never even occurred to me to become a writer, because I didn't know how I would enter the writing world, because I thought people either wrote like novels or plays or poems, or they were academic writers, or they were journalists. And I didn't want to do I knew I didn't want to

do any of those things. But in my memory, I walked into the bookstore and saw the book cod The Story of the World to the Eyes of a Fish by Mark Kurlansky something like that, and it just blew my mind. And I was like, this is a whole different way to do that fiction, you know. And so there have been different books where I have been like, oh my gosh, there's a book called Jackie under my Skin by Wayne custom Bomb. Again I was like, this is a whole different

way that a person could approach biography or um, you know. I read the Pillow Book of say Shaunagun and I was like, okay, you can just pull pieces apart. I don't know. So I think those are the biggest influences are me. Are things that I read makes sense? Act your final question as we as we wind up, you talked in this clip, let's take a quick look then as people say, well, you have to. You have to appreciate the moment, live in the moment. The moment

is all we have. That's true. But a life that has that takes no consideration for the future is not a good life. And a life where you don't reflect on the past is also not a good life. And so how do we think about the present, the future in the past in the right way, Because there's it's sort of they all have to be weighed against

each other. Well, the one I think about the most is like, sometimes the solution to a problem or an obstacle or a situation is to zoom wagh in, to look at it super close, just the immediate thing in front of you, and sometimes have to zoom way and see it from a distance, see it, you know, in light of what's happened before and

what will happen after. And you might need to do one one minute and literally the next minute and the next situation do the exact opposite of what was just supposed to be this universal problem solving technique about the relationship the past, present, and future have to one another. So many of the influences surrounding our teenagers and young adults keep sort of telling them carp DM right, live in the moment, your mother of two young women, how have you tried

to frame this for them? On the one hand, live in the moment. On the one hand, we're such an outcome of our past experiences, and it's so important to look to the future because without it, there's it's hard to define that sort of a place where going to or moving towards. Right, tell us a little bit about that. I think that's very true because people will say, well, the most important thing to live in the

moment, it's you know, it's the only thing that we have. But a life where you only think about the present moment would not be a good life because you have to do things in the present that will set yourself, set yourself up for you know. But in the future, yeah, whether that maybe you're you're doing something that you don't want to do, or you're

not doing something that you would prefer to do. So I think with my daughters, I just but what I do not do with my daughters is trying to steer them in any direction because I think I don't know what the future really is going to look like, like certainly like the future of work. So I would never say to one of my daughters, like this is a good this is a good path or a bad path because I don't know.

Yeah, and probably they will have careers in things that don't even exist right now, which is you know, how many people do we know are in careers that didn't exist ten years ago, fifteen years ago, or how many people do we know who have changed careers, you know, four or five

times over the course of their working lives. I think was unheard of our parents generation, absolutely absolutely, And so with them, I'm much more about like skills, like is this a skill or like I have a daughter who's sort of like new in the order place, and I was like, everything, this is great because you're going to learn so many new skills. Everything's new to you. That's the advantage of being at the beginning, Like there's

no waste because everything is new. Everything is like positive because you're learning, even if it's really boring you like or you think it's you think you don't want to do it. I'm like, well, that's something that you know about yourself. Like some people are very attracted to scrappy, and I want one thing you've learned about yourself is you want to be in a very well managed place. You don't like scrappy, you know. She went to submates,

she said, do you guys have an organization chart? And they said, oh, if we had an organization chart, we wouldn't be in this situation. Like, and she's like, I would like to be in a place that has an organ or could even imagine having an organizational chart. But that's not everybody. So now she knows something about herself. So part of it is I do think the one thing that we can do as a parent

is out to them what their own strengths are. Yeah, Like one of my daughters is very resourceful, and I myself, I'm not resourceful, so I admire it in other people. But I don't think she knew that about herself until I said, like, you're showing me that you're very very resourceful, so that you have you And I think coaches can do the same thing. They can they can because they have a little bit more perspective. They

can illuminate strengths you might be taking for granted. It's very easy chose to take our own strengths for granted or think, well everybody, like everybody likes to get up in front of an audience and talk and like are you kidding or they don't. Yeah, So I think that's one thing they're trying.

Yeah. I think understanding our strengths is it happens with time, right, and experience, and for young people, developing an awareness of those strengths, both so that they understand that they are real strengths and they can lean into them, but also so that they don't just over index on them, right and then kind of constantly go to those strengths and ignore other other aspects of

that they need to need to go down. Is so key because we live in a world of sort of these kind of you know, sound by d moments, right, of these super oversimplified phrases of like lean into your strengths or pursue your passion or whatever, and they're sort of meaningless because, as with everything, it's never just one thing or another. It's it's a much more complex sort of amalgam of different things, right that have to be taken

into consideration. And that's why I think a lot of times somebody on the outside can help you see it, because since they're not all emotionally caught up with all the things, they can kind of say like, oh, well, it sounds like you have a pattern of this, or I see you light up when you talk about that, or you always are trying to get out of doing that. Is there a way you can just like drop that from your set of responsibilities? I think sometimes sometimes sometimes it's hard for us

to see ourselves clearly. I think that's one of the great challenges our lives. Yeah, I mean, one of the phrases we use a lot is this idea of coaching providing you with a balcony onto yourself as you can find me sort of step outside and kind of look at yourself in terms of your behaviors and how someone else is seeing it. Yes, and that kind of

one hundred thousand foot view is just so important. Well, a funny story along those lines is I do high intensity weight training, and my trainers said to me, he said, the same people are always late, and the same people are always on time. He said, the people who are later always like, oh, I'm always on time, except you know this, one day I had a bad traffic or like today there was really bad weather, And he said that sounds right, except that people who are always on

time are always on time. Yeah, and they're in the traffic and they're in the weather, and so sometimes I think a coach is sort of like, yeah, you're telling me it's the traffic and the weather, but not really. But maybe maybe maybe we can figure out a way so that you can still get there on time totally even if there's a bad traffic in weather. I thought that was just such a great small example of how it makes sense, perfect sense from the inside, but from the outside they're seeing a

very different pattern because they're on the balcony. Yes, exactly, well said any last words of advice, Gretchen as we wrap up for our audience on thinking about their curiosity, creativity, their learning mindset, One thing I would

say is just be interested in what you're interested in. I think sometimes people have a lot of ideas about what they should be interested and or can be very judgmental, and I think if you're not doing what you're truly interested in, you sort of can't maintain it. And so, you know, I think an amazing thing is to become a minor expert in something that you're truly

interested in. I mean, get interested in the life of Dolly Parton, get interested in, you know, Central Park, whatever, something that you're truly interested in and just because it's interesting to somebody else doesn't mean it's interesting to you. And it can be such a source of energy. And if you can incorporate the five senses, I think it's even more exciting and energizing. So maybe it's like all the work obtain a turner, you know,

like I'm gonna listen to all her music and learn about it. I went through this thing with the Beatles. I watched that Get Back documentary and it becomes so fascinated by the Beatles and it was so fun. It didn't last that long, but while lasted, I had a great time learning about the Beatles. Well, it's both the enjoyment and the learning always and the sense of growth and the sense of growth and self efficacy that you come from,

like mastering something that you don't know. Yeah, it is. It's fascinating how many people you know want to only do things that are useful or sort of part of the program. And so many of the greatest learning moments happen when you do precisely those things that are off the path or you didn't think of, or you got dragged into by accident or with reluctance or whatever, you know. I remember I went to a panel of comedy writers and somebody

said from the audience, how do you get a job writing comedy? And one of the panelists said, you do what you love and then your friends hire you. And I thought that was really good because it's like, if you're doing something that's part of just like what you want to do, that you do for fun, then you'll make connections and you'll be moving forward, whereas if you're always fighting against your nature, Like that's one of the reasons I love laws. It was like, these people love law. Yeah,

they talk about law morning and at night. They were reading law generals for fun on the weekend. That's not me. Yeah, I can't bring that level of engagement. So where can I find that level of engagement? Because it's right for them, it's just not right for me. Yeah. Wonderful. Thank you so much, Scratch, Thank you. I so enjoyed it. Thank you, Thanks for listening. Please subscribe wherever you listen and leave us a review. Find your Ideal Coach at www dot videamax dot com.

Special thanks to our producer Martin Maluski and singer songwriter Doug Allen

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