Upcoming Spring Classes!
Email Walker at questionsformilton@gmail.com for more information or to register.

Email Walker at questionsformilton@gmail.com for more information or to register.
In this episode, Milton shares an example of what it means to trust your creative impulses. This means allowing yourself the freedom to wander around until you find a connection to what you're talking about. Although you may know where you're going, you don't necessarily know how you're going to get there, or what choice you're going to discover that ends up bringing you to life. WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/sub...
“I’m so sick of Mark Ruffalo. Whatever that is, I’m so sick of it. I am so sick of him that literally there was a part of me that was flirting with disaster.” On the heels of his Academy Award nominated performance in the film Poor Things , Mark Ruffalo joined his former acting teacher and coach Milton Justice on the podcast I Don't Need an Acting Class to discuss his process. He has since been nominated for an Academy Award. “I’m always thinking I’m about four hours away from being fired!” He a...
“I’m so sick of Mark Ruffalo. Whatever that is, I’m so sick of it. I am so sick of him that literally there was a part of me that was flirting with disaster.” On the heels of his Academy Award nominated performance in the film Poor Things , Mark Ruffalo joined his former acting teacher and coach Milton Justice on the podcast I Don't Need an Acting Class to discuss his process. He has since been nominated for an Academy Award “I’m always thinking I’m about four hours away from being fired!” He al...
This week’s episode is based on a question we received about adding your own circumstances in order to increase the stakes, or help you connect. Here’s the question in its entirely: Is it acceptable to add your own specific circumstances or facts to bear down on generalities in the script? Or is this dangerous embellishment? David Mamet says to invent nothing, and that the author has given you only what is germane to the physical action of the play, as the joke-writer gives you only what is germ...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe This episode begins with the exercise of telling someone else’s story. It involves hearing a story from someone in class, and then retelling it as our own. This is a great technique exercise because it allows you to layer in your first impressions improvisationally. You don’t have to get it all the first time. And in the process, you find the details that stick with you—...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Milton begins this episode by emphasizing the importance of observing human behavior— our own and others. The reason is, it gives us clues to everything, from character to circumstance to what “playing an action” looks like. Milton gives the example of an audition Diego recently worked on, where he struggled to play the action “to seduce.” This is where observation becom...
This week, we go back to some of the fundamentals of acting technique. One of which is, The Biggest Sin: Thou Shall Not Make Performance Choices When You First Read The Script. But this is not something we’re always aware that we’re doing. We forget. Or— we have an immediate response to the character or the circumstances, and run with that first instinct. Or— because of our own personal beliefs and values, we unconsciously pass judgement on the character we’re playing. Regardless of the reason, ...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Have a question for Milton? Send us a voice note below or email us at: questionsformilton@gmail.com Also, check out our website: www.idontneedanactingclass.com...
“Don’t shop at Kmart if there’s a Tiffany’s at 57th and 5th.” -Stella Adler on Making Choices This episode begins with Milton’s deconstruction of an audition. He talks about the downside of adding a lot of plot points to your preparation for a scene: it means you have to earn every single one of them in a way that feeds you emotionally. “But the advanced work,” he says, “is making kick-ass choices. You challenge yourself to be smarter.” WANT MORE? Become a subscriber on Spotify for bonus content...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe There are some misconceptions about relaxation in acting. You want to be relaxed but not so relaxed that you’re not able to be active as your character in the given circumstances. As Milton says in this week’s episode: “I think a lot of it is figuring out where to put your focus in the work, rather than trying to solve the problem of being all over the place, or being nerv...
In this episode, actress Annabelle Dexter-Jones joins us on the podcast to talk about playing twin witches on American Horror Story. She discusses the extensive background and character work the did while working one-on-one with Milton, as well as the exercises that freed her up the most and allowed her to make ever more discoveries. WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Have a question for Milton? Send us a...
An excerpt from Milton's Masterclass at Spotlight in Stockholm, Sweden.
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe What do we mean when we say the Given Circumstances? According to Stella Adler, the Given Circumstances includes everything— all the facts. And as Milton puts it, it incorporates all the P’s: the play, the playwright, the plot, the place, the period, and the personality, past and profession of the character. Have a question for Milton? Send us a voice note below or email u...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe This is one of those ideas in acting that is almost scientific in its certainty. If you’re ever in a scene where your character is meant to be inactive, you must equally compensate for it by finding a way to make what you’re doing especially active. For example, your character is “bored” or “depressed” or “listless,” you cannot “play bored or depressed. You must give yours...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe The reason why “putting something in your own words” is such a useful exercise is because it covers so much territory: understanding the sequence of thoughts, owning the character’s point of view and the size of an idea, and what action we are playing. There are concepts that you can apply to any monologue, any scene. Since you don’t have time to memorize the words, (and t...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe This week, Milton muses about what we mean when we talk about connecting. How much to we, as actors, have to connect to the character’s point of view, and how it that different than the *character* connecting to their point of view? “I often say that you know more than your character knows,” Milton says. “But the question is: what do I know that my character doesn’t know? ...
Your shirt is blue. 👕
You promised to bring me the notes for the lecture. I waited for you and when you didn’t turn up I knew you’d forgotten as usual. This is a comprehensive list of what people in class said they would work on when given this one line of dialogue: Relationship to partner Where are we What is the lecture Are you teacher or student How long did you wait Where did you wait Who am I who are they Past of forgotten as usual What have they forgotten How do I feel about the fact that they’ve forgetten Wher...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe There are so many (upsides) to improvisation. For one, it helps you get specific, own what you’re talking about, and find choices that you love. It also forces you to listen because you’re constantly having to check-in with your scene partner to see if you’re getting through to them and solving your problem. It also, as witnessed in this episode’s exercise with JP and Aman...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Milton begins this week’s episode sharing memories about working with Swedish cinematographer, Sven Nykvist and Helen Mirren, and why “taking the time to build slowly and let it layer in” is such a wonderful way to work. And yet, there is no one way of working. This is why taking acting advice from other actors can be so misleading. What works for one does not work for all...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Your individual experience will inform your “way in” to approaching a role and of course, your interpretation of a character will be uniquely yours. But that doesn’t mean the character is you, and that you don’t have to move outside of yourself to create this other human being. A great way to begin imagining this “other” is to read. Reading feeds the imagination. It force ...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe www.idontneedanactingclass.com
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe One of the biggest contributions that Stanislavsky (and later Stella Adler) made was the clear logic they brought to the study of acting. This episode includes several ideas in acting technique that simply make sense: make a choice, move slowly, do research that feeds you, "keep moving. It may be forward." Have a question for Milton? Send us a voice note below or email us at...
WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe In this episode, Milton talks about the myths actors tell themselves about why they’re not getting hired. The bottom line is this: if you’re good, eventually you’ll start getting hired. In a culture obsessed with tricks, quick fixes, fast-tracks and branding, our abilities as actors has fallen by the wayside. Sure, it’s nice to have credits but the reason to say “yes” to eve...
There’s a difference between the preparation work we do when creating a role, and what we’re actually *doing* in the scene. For instance, in your preparation, you may have had to build a past so that each moment is emotionally filled, but that may not be what the scene is about. And so you don’t want to “play” the past, but instead, play what’s going on with you in the scene. This lesson is illustrated as Kaleb and Milton work together on a monologue from the Tennessee Williams play, Vieux Carré...
Welcome back everyone! Hope everyone is enjoying their fall so far. We’re beginning Season 6 with an overview of some of our actor-tools: exploring the nature of character, connecting to something honestly and interestingly, they importance of improvisation, visualization, and how music can influence your work. For anyone interested in Milton’s upcoming six-week Technique & Script Analysis Workshop beginning October 7th, there are still a few spots available. For more information or to regis...
Hey everyone, Milton’s 6-week Technique & Script Analysis Workshop will begin October 7th. Classes are Saturdays, from 2PM to 5PM EST and will be held over Zoom for six consecutive weeks. The fee for the 6-week session is $300. This is a great opportunity to get your foot in the door to one of Milton's classes, as he rarely opens up a class to new students. It's also insanely discounted, much to my (Walker's) dismay! 🤪 Anyway, if you're interested you can register or get more info by emaili...
www.idontneedanactingclass.com
Hope you've all had a great summer. Just a quick message to let you know we'll be back with Season 6 in September!