For this week's Gramophone Podcast, Jonathan Cohen, conductor of Arcangelo, joins Editor Martin Cullingford to talk about his new recording on the Alpha label of Handel's powerful late oratorio, Theodora, a work Cohen describes as Handel at 'his very finest and most inspired'.
The tenor Alessandro Fisher is a Borletti-Buitoni Trust Artist and a former member of the BBC New Generation Artists Scheme, and on February 23 Rubicon releases a solo album, 'A Gardener's World', a collection of songs about flowers and their symbolic significance. Joined by the pianist Anna Tilbrook, Alessandro explores the horticultural theme in the company of composers from many countries, including France, Germany, Scandinavia, Catalunya and Argentina. James Jolly went to visit Alessandro in...
Pianist Lara Downes joins Gramophone Editor Martin Cullingford this week to talk about her fascinating new recording of Gershwin's Rhapsody in Blue, as reimagined for today's world by composer Edmar Colón to mark the iconic work's centenary, and available from the Pentatone label.
Youth is an EP of solo piano music by Edmund Finnis and performed by Clare Hammond, and described as 'a set of brief pieces recalling an image, sensation of place, significant encounter or a moment of vivid perception'. Editor Martin Cullingford invited both Finnis and Hammond into the Gramophone Podcast studio to talk about this beautiful new recording.
Timothy Ridout won last year's Concerto category at the Gramophone Awards for his Harmonia Mundi recording, with the BBC Symphony Orchestra and Martyn Brabbins, of Elgar's Cello Concerto transcribed by Lionel Tertis for viola, alongside the Bloch Suite for Viola and Orchestra. His new HM release continues his exploration of the huge role that Tertis played in the history of the viola, as player, teacher, arranger and champion of the instrument. Ridout's new double album, for which he's joined by...
The great Polish pianist and conductor Krystian Zimerman came to London last October to collect his Gramophone Award, his seventh, for his latest DG album of music by Karol Szymanowki. James Jolly caught up with him on the morning of the ceremony, and their conversation ranged widely.
For his tenth album of music for trumpet and piano in the 're-imagined' series for Linn, Jonathan Freeman-Attwood has turned to a composer right at the centre of the period he's most associated with, the Baroque – and George Frideric Handel. 'Handel for Trumpet' features transcriptions of arias as well as theoretical 'sonatas', created from concertos and other works. As well as being a contributor to Gramophone , Jonathan is also Principal of the Royal Academy of Music, a record producer, teache...
The Tallis Scholars' acclaimed series of recordings of the Masses of Josquin Desprez is one of the great milestones to the catalogue. Featuring what may be the last Mass the composer wrote, the Missa Mater Patris , along with a Mass not by Josquin but once thought to have been by him, the penultimate volume certainly raises some fascinating questions! To discuss them, The Tallis Scholars' founder and director Peter Phillips joined Editor Martin Cullingford for this Gramophone podcast - which fea...
Dame Janet Baker's contribution to classical music - in performance and on record - has been remarkable, enriching both the stage and the catalogue with performances of astonishing beauty, power and vivid insight. To mark her 80th birthday in August 2013, James Jolly met with her at Wigmore Hall to talk about her career for a Gramophone Milestones Podcast, made in association with EFG International . She shared her memories of working with Sir John Barbirolli, Leonard Bernstein, Gerald Moore, Ra...
Esa-Pekka Salonen took over the helm of the San Francisco Symphony in 2020 from Michael Tilson Thomas. Both men have had a major impact on symphonic music in California, and Salonen is one of the three guiding figures – with the LA Phil's Gustavo Dudamel and the San Diego Symphony's Rafael Payare – behind the California Festival, a statewide celebration of music that launched in November. James Jolly spoke to Salonen at Davies Symphony Hall in San Francisco following an afternoon concert, as par...
This week Gramophone's Editor Martin Cullingford is joined by Owain Park, conductor, composer and founding director of The Gesualdo Six to explore the ensemble's new album, 'Morning Star', a programme of music for the feast of Epiphany, released by Hyperion Records.
The Deutsche Grammophon recording of Carl Nielsen's Fourth and Fifth Symphonies – with Fabio Luisi conducting the Danish National Symphony Orchestra – was voted Gramophone 's 2023 Recording of the Year, and in the December issue of the magazine our critics choose their personal favourite albums of the year. But, as is customary, this podcast focuses on some recommendations by Gramophone 's editors, Editor, Martin Cullingford, Deputy Editor, Tim Parry, and Editor-in-Chief, James Jolly. This Gramo...
The soprano Maria Callas was born on December 2, 1923, and during her short life – she died aged 53 – rose to become one of the most celebrated singers of all time. And even 46 years after her death she remains a unique and unassailable figure in the world of opera and its interpretation. She left a substantial recorded catalogue – both commercially for Columbia/EMI/Warner Classics and on the myriad pirate recordings that still circulate. To mark this milestone anniversary Warner Classics has is...
Composer Errollyn Wallen speaks to Hattie Butterworth about her new book, out now on Faber, mapping her trajectory as an artist, extensive recordings and philosophy on life. Errollyn Wallen: Becoming a Composer Check out Deutsche Grammophon STAGE+ Music clips used: Cello Concerto from 'Photography' on NMC horseplay: lively from 'The Girl in My Alphabet' on Avie Records daedalus from 'Errollyn' on Avie Records Dervish for Cello and Piano from 'The Girl in My Alphabet' on Avie Records Peace on Ear...
Composer John Pickard joins the Gramophone Podcast this week to talk to Editor Martin Cullingford about his new album, Mass in Troubled Times, available on the BIS label.
Bertrand Chamayou, who won Gramophone 's Recording of the Year in 2019 for his Erato album of two Saint-Saëns piano concertos, has turned his attention to two groundbreaking composers. John Cage was a great admirer of the music and aesthetic experiments of the Frenchman, Erik Satie - and Chamayou has created a programme for Erato that links the two, 'Letter(s) to Erik Satie'. James Jolly caught up with Bertrand Chamayou at his Festival Ravel in St Jean de Luz in south-west France this summer to ...
The music critic and regular Gramophone contributor Richard Bratby has just published a history of the Academy of Ancient Music, Re finer's Fire , the first book telling the story of a period-instrument ensemble (Elliott & Thompson; £25). James Jolly spoke to Richard about the book, about its charismatic founder and long-serving Music Director Christopher Hogwood, and about how a substantial recording contract with Decca'a L'Oiseau-Lyre label – masterminded by the producer Peter Wadland – sh...
This week's Gramophone Podcast explores the music by Gabriel Fauré for cello and piano to coincide with a beautiful new recording by Xavier Phillips and Cédric Tiberghien on La Dolce Volta - and the cellist and pianist join Editor Martin Cullingford to discuss it.
This week's topic is a new recording by Brecon Baroque of Bach's Goldberg Variations in a fascinating new arrangement by Chad Kelly who, together with violinist Rachel Podger, joins Editor Martin Cullingford to talk about it. This week's Podcast is published in association with Wigmore Hall.
Miloš's new album is a journey of music around the continent of Europe in the era of the Baroque, and is named an Editor's Choice in the current issue of Gramophone. Editor Martin Cullingford met up with the guitarist to talk about the story behind this beautiful recording, which is available on the Sony Classical label.
In this week's Gramophone Podcast we meet with Swedish violinist Johan Dalene, a former Gramophone Young Artist of the Year. He joins Editor Martin Cullingford to talk about his new release on the BIS label, 'Stained Glass', recorded with pianist Christian Ihle Hadland – a beautifully-performed programme of Ravel, Prokofiev, Pärt, Bacewicz and Boulanger.
In this special edition of the Gramophone Podcast, we explore the full list of winners from this year's Gramophone Classical Music Awards. Editor-in-Chief James Jolly, Editor Martin Cullingford and Deputy Editor Tim Parry talk through the Category Winners, the Special Awards, and of course the new Recording of the Year - complete with excerpts of every album.
The complete piano trios of Dvořák is the topic this week, as Editor Martin Cullingford catches up with pianist Boris Giltburg, violinist Veronika Jarůšková and the cellist Petre Jarůšek, who have just recorded them for Supraphon.
Jeremy Eichler's new book, Time's Echo, just out from Faber (HB; £25) tangles with memory – what we choose to remember, what to forget – as history takes hold, and he argues that music can become in many ways the most powerful form of memorial. To illustrate this argument, he engages with works by Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich and Benjamin Britten. James Jolly caught up with him recently to talk about the book. The musical excerpts which appear on the podcast, with kind...
The conductor William Vann discusses his superb new Chandos Records release of Parry's Prometheus Unbound, Gramophone's Recording of the Month, with Editor Martin Cullingford.
In a series of four Decca Icons podcasts, Gramophone 's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink , Vladimir Ashkenazy , Sir Georg Solti and, this week, Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist. In this final podcast, James talks to the Financial Times and Gramophone critic Richard Fairma...
The latest in our series of composer podcasts focusses on Dmitri Shostakovich. Edward Seckerson joins Gramophone Editor Martin Cullingford to share his insights with us into one of the greatest of 20th-century musical figures, with a particular focus on his extraordinary symphonies and what they reveal about his life.
In this third in our series of Decca Icons podcasts, James talks to the critic and broadcaster Rob Cowan about the Hungarian-born Sir Georg Solti who made his first recording for Decca in 1947 and remained a Decca artist until his death in 1997, leaving an extraordinary recorded legacy. The podcast is accompanied by a special Apple Music playlist which you can find at Gramophone's website.
Jennifer Higdon wrote her Concerto for Orchestra for the Philadelphia Orchestra and its then-Music Director Wolfgang Sawallisch who gave the work its premiere in 2002. Since then it's been recorded by the Atlanta Symphony and, on a new Naxos album just out, by the Houston Symphony - both conducted by Robert Spano. The new recording finds the Concerto for Orchestra joined by a much newer work, Higdon's double percussion concerto, Duo Duel (2020), played by the artists who commissioned it, Svet St...
Rachel Barton Pine's new album pairs Shostakovich's Violin Concerto No 1 with a new work by Earl Maneein called Dependent Arising, a heavy metal-influenced concerto written especially for her. In this week's Gramophone Podcast the violinist tells Editor Martin Cullingford about the recording, and explores some of the links between the two genres of music, classical and heavy metal. The album - called Dependent Arising - is available from Cedille.
