The Magic Flute: From Morehouse … to the opera house with Monostatos

Monostatos the Moor in Mozart’s “The Magic Flute” is one of the most famous representations of Blackness in opera - a genre with limited representation of characters of African descent. But many are interrogating the Black caricatures that European classical music long ago crafted and continue to cultivate to this day. 

In the debut episode of Every Voice with Terrance McKnight, we meet Dr. Sharon Willis, Dr. Uzee Brown, and others who are lifting the mask behind opera’s representation of marginalized voices to create something more inclusive and more beautiful for all of us. 

This episode is hosted by Terrance McKnight and produced by David Norville and Tony Phillips with help from Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Sapir Rosenblatt. Original music composed by Jeromy Thomas and Ashley Jackson.

This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.