Were a young writer to ask me for advice, and only had one minute to listen, here is what I'd say. Plus: how Louisa May Alcott worked. And, avoiding the blahs and self-doubts when writing. Support the show Buy the master class.
Remember the fabulous worlds that fantasy, sci fi, and historical writers create for us readers? How do they do that? What works so well? I'll talk about world-building, not just for those novels but for all genres. And also: more on the critical craft of character description. Support the show Buy the master class....
Many readers only give a story ten or twenty pages before putting it aside to look for something more interesting. A fast start is the best way to maintain the reader's interest. Here's how to write the fast start. Also, how Alice Munro worked, and Richard Ford's rules of writing. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full cla...
Manon in Paris asked, "Why do some novels move us more than others?" Here is the single best way to make our story unforgettable, a story that moves the reader. Also, have we heard the advice, "Write what you know?" It's bad advice, and here are thoughts on it. Support the show Buy the master class.
Edna Ferber was a master of character description. Here are a few of her characters, and maybe we can pick up some of her skill. Also, how many words a day do famous writers write, and how many words a day should we write? And showing pain, as opposed to telling about pain. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all ...
Charlotte Bronte's novel Jane Eyre is a classic of western literature, a novel that endures and still hugely entertains because . . . it's so great. (How that for being profound?) Charlotte Bronte offers an important lesson for today's writers, and I'll talk about her lesson in this episode. Plus, the trouble with prologues. Support the show Buy the master class....
Why are some novels so good? One of the reasons is that the author is a master at setting descriptions. How did Charlotte Bronte and Edna Ferber make their settings magical? We'll talk about their techniques here. Also, strong verbs versus weak verbs: how and why to choose the stronger action word. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 min...
My first encounter with Mad Magazine, a life changer. And dialogue techniques that can help make our characters' conversations fascinating. Support the show Buy the master class.
Good stories are filled with surprises for the reader. There are right and wrong ways for us writers to deliver surprises, and I'll talk about them here. Also, the importance of a tie-up-later list. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If ...
What do George Orwell, Sara Gruen, Jean Shepherd, and John Steinbeck have in common? Many things but foremost among them is their expert use of details that take readers away, that lift us readers out of our chairs and transport us to their places and times. Here are thoughts on their use of details. Also, we should avoid cliches like the plague. Support the show Buy the master class....
Here is a magical way to end a scene and to begin another without worrying about travel and time between scenes. Also: avoiding dangling modifiers. And how Bernard Malamud worked, and Helen Dunmore's rules of writing. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of fort...
What should we do if we must--absolutely must--have an element in our story that might not be fully entertaining and engaging? 1) Make sure it's important and 2) make it short. Here are thoughts about this critical technique. Also, details in our descriptions are important, but which should we use and which should we leave out? Support the show Buy the master class....
We writers can use lovely phrases and perceptive observations when describing our character in our story, and yet the reader may still quickly forget the character. Here's how to make a character stick in the reader's mind. Also, are you a born writer? Maybe so. Here's why you might be. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The fu...
We can show (as opposed to tell) as we create a setting for our story. Showing will make our settings vivid, and will allow the setting description to do double duty: describe the place and suggest a mood. Also, reasons to avoid meetings in our story. Support the show Buy the master class.
We'll build our character as we write along, adding descriptions and actions and dialogue. But there is a way with only one or two sentences to reveal something powerful and memorable about the character--in just a few words--and I'll talk about the technique here. Also, Joyce Carol Oates's rules of writing. And punctuating dialogue, with important techniques about our character's spoken sentences so that our dialogue is a clear window to the story. Here is a 20-episode master class on fiction w...
Jack Bickham's three sentences on scene construction are the best I've found regarding how to write a scene. Here are why these sentences are important for us writers. Also: Sarah Ann Waters' terrific ten rules of writing. And avoiding the word "not." Support the show Buy the master class.
Many listeners are writing literary novels and stories. Here is an important technique regarding construction of a literary story, and it also applies to commercial novels. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, conci...
The easiest thing for a reader to do is to quit reading our story. Here are ways to begin and end scenes that'll prevent that from happening. Our scenes' beginnings and endings will propel the reader farther into the story. Support the show Buy the master class.
Stephen King is a powerful storyteller, of course, and he is also a highly-skilled sentence-by-sentence writer. Here are his tips on writing dialogue, plus thoughts from me about making our characters' dialogue riveting. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of f...
Readers love first person novels, where the hero talks directly to the reader. Here are some techniques for first person writing. Also, famous novelists reveal the books that made them want to be writers. Support the show Buy the master class.
Usually I talk about writing techniques but here are some living techniques for us writers. And some famous writers' favorite writers and novels. Plus: what Ernest Hemingway did when he was stuck. Also: the magic of avoiding dialogue tag modifiers. And Snoopy. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is...
How can an injury be good for us writers? It was for Roald Dahl. And here are Strunk and White's twenty-one rules of writing. Also, Stephen King on descriptions. And several famous setting descriptions, settings so good they are magical. Plus, Toni Morrison reveals how she works. Support the show Buy the master class....
A strong way to make a character likeable, and to have the reader root for her, is to have the character experience "otherness." She's out of place. She doesn't fit. Here are techniques on how to do so. Also, how F. Scott Fitzgerald worked. And, no whining. Support the show Buy the master class.
Contrast is among the strongest tools we writers can use. It's magic. Here is a discussion of how and where to use contrast. Also, Henry Miller's rules of writing and how John Grisham works. Support the show Buy the master class.
We can show (as opposed to tell) about a character's personality by describing the character's face and body, so that our physical description does double duty. Jonathan Franzen's ten rules of writing. And techniques to add atmosphere to our scenes. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available ...
In our novel should we leave plot questions unanswered so we have compelling questions for a sequel? Here are thoughts on how we can approach it. Also, Hilary Mantel's ten rules of writing, how Anne Rice worked, and techniques for writing in the active voice. Support the show Buy the master class.
Why do readers put down a novel for good before they reach the last page? Here is a reason, maybe the main reason, and how we writers can avoid it. Also, examples of failed showing, as opposed to telling. And Margaret Atwood's rules of writing. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now f...
Here is a list of the top ten writing techniques in order of their importance, as best I can figure them out. Also, good comments from a book coach. And Zadie Smith's rules of writing. Support the show Buy the master class.
Here are Kurt Vonnegut's eight rules of writing. Also, why reading an Andy Weir novel is such a good writing lesson. And; character descriptions should do double duty. Here is how, with examples from legendary writers. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of for...
Here is a scene with a strong plot point important to our story. It should be powerful but it isn't because of technical mistakes in the writing. Can we spot the mistakes? Also, George Orwell's six rules of writing. And a review of how and why to avoid filters. Support the show Buy the master class.
