Tim continues to catch up with the MCU! This film is awkward to review nearly two years after it came out, with Tim going through the speculation about how this story will play out in Avengers: End Game that those who are already caught up, including Mulele, already know the answers to. Listen to relive … Continue reading “Avengers: Infinity War” (2018)
Cap and Falcon are trapped in an underground bunker where elites plot to destroy the Bicentennial celebrations and take away Americans’ freedoms. In Captain America and the Falcon 195-197, they participate in the “Kill-Derby” to retrieve Cap’s stolen shield break up the bad guys’ underground civilization. Tim and Emmet continue their look at Jack Kirby‘s … Continue reading #792 Jack Kirby’s “Capt. America and the Falcon” #195-197: “Kill-Derby”...
Monica is Dan Clowes’s richest and most rewarding book in years, combining the surrealism of early works like Like a Velvet Glove Cast in Iron with the multi-genre anthology approach of his more recent books. What does it all mean though? Kumar and Dana try to come to an understanding of it, spoiling almost every … Continue reading #791 Daniel Clowes’ “Monica”
Chantal Montellier‘s Social Fiction, published by New York Review Comics with a translation by Geoffrey Brock, is a collection of comics fueled by political anger, hauntingly farsighted satire and attacks on consumer culture. Emmet and Kumar review the collection, which still feels vibrant and at the same time prophetic, given the original publications dates of … Continue reading #790 “Social Fiction” by Chantal Montellier
When Jack Kirby returned to Marvel in 1975, the first series he worked on starred the character that was one of Kirby’s earliest claims to fame: Captain America, created in 1940 by Kirby and writer Joe Simon. Before Kirby returned, Cap’s book became Captain America and the Falcon. As Kirby begins his run, he deftly … Continue reading #789 Jack Kirby’s “Capt. America and the Falcon” #193-194: “Madbomb”
FLASHBACK! Planning a murder that you think will prevent future murders? That’s the premise — or, at least, one of the premises — of Monster, Naoki Urasawa’s 18-volume series. Set in Germany, the series focuses on the unintended consequences of Dr. Kenzo Tenma’s good deed; he saved the life of a boy who turned out … Continue reading #291 “MONSTER” (Justifiable Homicide? pt 2)
FLASHBACK! We begin a two-review series on comics that ask hard questions about whether murder can ever be justified. This week, Mike Baron and Steve Rude’s Nexus. Beginning in the early ’80s, Baron’s philosophical writing and Rude’s increasingly polished art presented the story of a far future in which a man kills mass-murderers — not … Continue reading #290 “NEXUS” (Justifiable Homicide? pt 1)
In 1993, the Image revolution was underway, itself a result of the 1986 earthquake brought about by Alan Moore’s Watchmen and Frank Miller’s The Dark Knight Returns. Moore was on a mission to counteract the wave of “grim and gritty” comics he had inadvertently helped to start. This led to Moore’s 1963 series, a combination … Continue reading #788 Alan Moore’s “1963”
FLASHBACK! Originating out of the same ’80s black-and-white/anthropomorphic boom that brought us the Ninja Turtles, Usagi Yojimbo is one of the few comics of that batch that are still going today. Stan Sakai’s work combines historical drama, understated violence, light comedy, and even some explanations of 17th century Japanese culture — and he can pack … Continue reading #462 Usagi Yojimbo
The run of Jack Kirby’s OMAC: One Man Army Corps was bright but short, lasting only through eight bi-monthly issues. This time Tim and Emmet discuss issues 5 through eight, covering a shocking, brilliant two-parter, another two-parter that brings the series to a crashing halt, and more evidence that Kirby was great at wild ideas, … Continue reading #787 Jack Kirby’s “OMAC”: The World That’s Going
