Season 2 Wraps Up
Sima responds to a listener email and bids farewell to season two.

Sima responds to a listener email and bids farewell to season two.
Sima gets together with her college pal Vika Teicher to talk about both West Side Story films. Spoiler alert: it turns out Vika is the love child of Tony and Maria.
Sima and Scott Duane share some real talk about gender, embodiment, and dance class.
Emily Hansel just premiered her first evening-length work, Four by Four. She and her collaborators, Alex Carrington, Mia J. Chong, Shareen DeRyan, and Chelsea Reichert talk with Sima about their experiences designing an equitable contract.
Award-winning dancer/choreographer and Artistic Director of Paufve Dance, Randee Paufve, talks about teaching dance and shares some pedagogical wisdom.
Sima waxes poetic and cranky about dance’s visual/kinesthetic divide and speaks in defense of emotional manipulation in art.
In this episode, choreographer, poet, and former Alonzo King LINES Ballet dancer Maurya Kerr speaks antiracist truth to ballet power.
This special live podcast recording features Sima in conversation with writer/choreographer Bhumi Patel to talk about the state and fate of the dance review.
Phil Chan, author of Final Bow for Yellowface , talks about his mission to eradicate Orientalist caricatures from the ballet stage.
Choreographer and Cal State East Bay Professor Nina Otis Haft joins Sima to discuss what “moving Jewish” means to them.
In this bonus companion episode, Monique Jenkinson, aka Fauxnique, reads from her 2022 memoir, Faux Queen: My Life in Drag.
It’s not every day that the author of a book and a subject of that book, who also wrote a book, appear on a podcast together. Well, today is that day. Drag artist Monique Jenkinson, aka Fauxnique, author of Faux Queen: A Life in Drag, and Selby Wynn Schwartz, author of The Bodies of Others: Drag Dances and their Afterlives, join Sima to deeply discuss drag dances in all their delightful daring.
Paige Morgan Johnson, Assistant Professor of Performance & Race, talks with Sima about how contemporary Waria (an Indonesian term for transgender women) nuance the relationships between language, performance genres, and the legibility of gender.
Sima has a heady discussion about dance photography and philosophies of capture with photographer Stephen Texeira.
Margaret Rennerfeldt, Professor of Dance at Austin Peay State University, joins Sima to discuss the Fox show The Big Leap .
To launch season two of Dance Cast, Sima invites listeners to share their dance stories and tells one of her own. A transcript of this episode is available at odc.dance/stories.
Host Sima Belmar reflects on the future of Dance Cast, plans for 2022, and tells a story about her dance life.
Chloë L. Zimberg (she/her), is a dancer, producer, curator, and arts program specialist currently leading ODC Theater as Creative Director. Her work centralizes on the strategic development of equitable performing arts platforms and the live arts sector. Zimberg is the Co-Founder of Chlo & Co Dance, which curates and presents Drove, a twice-annual evening of dance performance by West Coast artists, as well as Tabled , an interdisciplinary discussion series highlighting universal issue areas ...
Charlotte Moraga, Artistic Director of Chitresh Das Institute (CDI), and composer Alam Khan discuss CDI's new work, Mantram, an artistic creation exploring resonance through movement, music (composed by Khan), percussion, and vedanta, the world's oldest, unbroken oral tradition. Their conversation took place as part of ODC's This Is Also The Art series on October 14, 2021. CDI brings to the stage ground breaking, traditional, and collaborative performances exploring the depth and versatility of ...
Sima talks with Ann Carlson, Shinichi Iova-Koga, and Dana Iova-Koga about These are the Ones We Fell Among, a work that takes inspiration from the movements, myths, and metaphors of our endangered animal cousins – persons called by other names, like “elephant.” Conceived, choreographed, written and directed by award-winning interdisciplinary artist Ann Carlson in collaboration with inkBoat, These Are the Ones We Fell Among grapples with elegance in the face of extinction, looking for humor and g...
Sima talks with Christy Funsch, Artistic Director of Funsch Dance Experience, about her upcoming durational performance EPOCH , which takes place in-person and online on Saturday, October 2, 2021 from 10am to 10pm. In cheeky defiance of Doris Humphrey’s warning “All dances are too long,” EPOCH unfolds over 12 hours, in a gratuitous surplus of movement, interrupted by moments of nothingness, to challenge the valuing of acquisition and excess. Is endurance political? What bonds does an unlikely sc...
Raissa Simpson is an African American/Pilipino choreographer and artistic director of the San Francisco-based PUSH Dance Company. Her multidisciplinary dances are at the intersection of complex racial and cultural identities and centers around discourse on the complex experiences of racialized bodies. A graduate of SUNY Purchase, Simpson had an extensive performance career with Robert Moses Kin and Joanna Haigood’s Zaccho Dance Theatre. Her choreography honors include Magrit Mondavi Award, San F...
ODC Writer in Residence Sima Belmar talks with the artists responsible for ODC's first full-length film, Up For Air/Decameron: Brenda Way, Kimi, Okada, and Kate Weare . (NB: The fourth choreographer, KT Nelson, could not join us for the conversation.) The film features members of ODC/Dance and Kate Weare Company, and is inspired by Bocaccio's 14th-century novel Decameron. (No need to have read it to enjoy the film!) The novel is about the retreat of ten young Florentines seeking to avoid the pla...
Latanya d. Tigner has performed professionally with Dimensions Dance Theater within multidisciplinary works rooted in African diasporic dance forms since 1986. She holds a B.A. in Physical Education/Dance and a Master’s in Arts Administration. She directs Dimensions Dance Theater’s youth company and lectures at University of California, Berkeley and Mills College. In her 30-plus-year dance career, Latanya has created commissioned works for Dimensions Dance Theater, Black Choreographers Festival,...
Benedict Nguyen is a writer, dancer, and curator based on occupied Lenape and Wappinger lands (South Bronx, NY). Benedict's poetry has appeared or is forthcoming in AAWW’s the Margins, Flypaper, and PANK. Their fiction writing was supported by an AWP Writer to Writer Mentorship in 2017. They’re at work on a novel. Their criticism has appeared in the Brooklyn Rail, Shondaland, the Establishment, and Culturebot, among others, and in commissioned profiles for Danspace Project, Baryshnikov Arts Cent...
In response to COVID-19 and the dance industry’s pivot to dance for camera, the 2021 Opportunity Fund at ODC Theater helped underwrite the costs of producing a five-minute dance film for three artists: Jeremy Bannon-Neches, Nicole Maria Hoffschneider, and Noah Wang. The Fund subsidizes roughly 65% of the activity costs, which include film production, a mentorship series, and individual consultation for these young artists who participate in dance for camera training and feedback sessions in a 15...
Today Sima talks with Purple Fire Crow/Antoine Hunter, an award-winning African, Indigenous, Deaf, Disabled, Two Spirit producer, choreographer, film/theater actor, dancer, dance instructor, model, poet, speaker, mentor, and Deaf advocate. He teaches dance and ASL in both Hearing and Deaf communities and is the founder and artistic director of Urban Jazz Dance Company. Hunter has performed with many Bay Area dance companies, including Savage Jazz Dance Company, Nuba Dance Theater, Alayo Dance Co...
Still unclear what TikTok is and how it functions? You're not alone (but you're probably not a teenager). Today we talk with host Sima Belmar's 14-year-old daughter, Lucia Capezzuto, and Edgar Mendez, ODC's Digital Marketing Manager, about the platform and its intimate relationship with dance. Transcripts of this episode are available at odc.dance/stories.
Since founding Robert Moses' Kin in 1995 in San Francisco, choreographer Robert Moses has created numerous works of varying styles and genres for his highly praised dance company. His work explores topics ranging from oral traditions in African American culture, the dark side of contemporary urban culture, the nuanced complexities of parentage and identity, to the simple joys of the expressive power of pure movement. In addition to his work with Robert Moses’ Kin, Moses has choreographed for Alv...
For the inaugural episode of Dance Cast, ODC Writer in Residence Sima Belmar is joined by ODC founders Brenda Way, Kimi Okada and KT Nelson. They talk about the institution’s early days in Oberlin, OH, and how the company theater and school are responding to the COVID-19 pandemic. Transcripts of this episode are available at odc.dance/stories.