Hi, Curse Up listeners, I know you miss me on your feed. Don't worry. We're working on an all new season of Curse Of coming out later this year. In the meantime, if you can't stop thinking about the shocking stories you heard about America's Next Top Model, you'll definitely want to check out our new docuseries from E Dirty Rotten Scandals. In the series, you'll hear from the America's Next Top Model participants you heard from on Curse Of, and a few you didn't like former A and TM
judge Janis Dickinson. Dirty Rotten Scandals unveils the dark underbelly of the long running TV series through the untold stories of former contestants, and shows what happens when a golden opportunity for aspiring models unravels into a harrowing saga of exploitation, shattered dreams, and resilience. You can find the two part docuseries Dirty Rotten Scandals America's Next Top Model on E Network.
Check your local TV provider schedule. If you've ever watched America's Next Top Model, or even if you haven't, you probably recognize this scene coming.
Here with a defeatist attitude I don't have.
A bad attitude. Maybe I am angry inside.
I've been through stuff, so I'm angry, which is not anybody belot that's what is watching you.
But you're not bad on the surface. It's Tyra Banks finally losing her patients on a seemingly apathetic contestant named Tiffany Richardson. Tiffany had just been eliminated from the competition, and Tyra was disappointed in her attitude. But there's something deeper going on here. I've never in my life yolder the girl like this.
When my mother yells at this, it's because she loves me.
I was rooting for you.
We were all rooting for you. Out Damn you learn something from this.
It's become one of the most iconic moments in all of reality TV history, maybe in all of pop culture history. I was rooting for you. We were all rooting for you. Those words have trans sended their context. They've become a meme and a catchphrase. That moment aired on April thirteenth, two thousand and five, just a few days short of my seventeenth birthday, and I was one of the five
point five million people watching it live. For a long time, I thought I understood that moment, But after doing some digging and talking to the models and crew members who were there that day, I found out I had no clue.
If you were so rooting for her and saw her drowning, what did you help her?
I'm just clutching my pearls. Okay, at this point, it is ooh scary.
It's the same feeling that you get when your mom was cursing out your sibling.
There was a huge chunk that got cut out of that. Tyra got real personal with her and she hit her below the bell.
I cried every freaking episode.
I cried so much. I was just like, I'm not crying.
Them all gone, like I'm not.
Gonna beg to be here. People often wonder if that moment was staged, and while a lot of the stuff that happened on America's Next Top Model or ANTM was, according to everyone I spoke to and Tiffany Richardson herself, the I was rooting for you moment was not staged. That was real emotion and it's one of the few times we see Tyra's wiggslip, a moment where we see the real her.
You go to bed at night, you lay there and you take responsibility for yourself because nobody's gonna take responsibility for you. You rolling your eyes and because you've heard it all before. You've heard it all before. You don't know where the hell I come from. You have no idea what I've been through. But I'm not a victim. I grow from it and I learn take responsibility for yourself.
I've been looking into what happened on set that day, and I've talked to people from every part of the A and T and production, like Jose Torres. He was a sound mixer on the show for twenty seasons, and he was there during the we were Rooting for You moment.
Tyra took some mean shots, and a lot of it felt like she was personally invested in her. But she said some things to her about what are you going to do when you go back home and you're sleeping on that mattress again, when it's just you and your baby. You know, she got personal and she didn't need to, but I could see she was really pissed off.
For the past six months, I've interviewed dozens of contestants, producers, and crew members about their experiences on the show. I've been sent contracts and heard about dubious psyche valuations. I've been told about dangerous photoshoots and production standards that sound were like psychological experiments. I've heard about body shaming that caused lifelong trauma and edits that ruin people's careers. I wanted to know everything, from how this show got made
to what really happened behind the scenes. I wanted to figure out why A and TM had so many of us in a choke hold and the effect it had on us the audience. I wanted to know if the price the contestants paid for their fifteen minutes of fame was really worth it. And I wanted to figure out if the show was cursed like so many people say, and if it was, who are the real victims of the curse. Now, let's go on this investigative journey so we can figure this out together. We want to beyond some,
want to beyond some. I'm Bridget Armstrong, and this is the Curse of America's Next Top Model. A deep dive into one of the most iconic and problematic shows in American history. When A and TM premiered in two thousand and three, it felt like it was the first reality
show for so one like me. I wouldn't say I ever wanted to be a model, but I certainly thought that with my high top Melissa Jelly sneakers, the girls who Know Know, and my low rise Deilia's jeans, I was a fashion girly while my peers were rocking micro raids. I printed out a picture of Eva the Diva's makeover haircut from cycle three, took it to my stylus and said,
give me that. I don't think it's an exaggeration to say A and TM had an impact on the woman I became, and I know I'm not the only one. For millennial women. The influence of the show was inescapable. Even if you didn't watch, it was in the air around you, and in a way, it's still embedded in our pop culture all these years later. And I would know because I still love reality TV and pop culture so much so that I've made a whole career out
of it. I've spent the last fifteen years as a producer covering pop culture from NPR to box media to the skim. The thing that's always fascinated me about pop culture is that it's a reflection of our society, of who we are. It's what we choose to create and consume, and even if we don't want to admit it, it's a reflection of our values and beliefs. That's what makes America's Next Top Model such an interesting case study. In a lot of ways, it's a time capsule of us.
And when the A and TM time capsule was opened in twenty twenty, many of us were horrified at what we saw. And welcome back to another episode of why America's Next opp Model is the most toxic show up its decade.
Robin was getting body shamed and age shamed the worst out of all of them.
And I just need to talk about some of the makeovers that still make me mad to this day. A and TM, especially in the early seasons, it's riddled with body shaming and misguided and ignorant views on sexuality and race. The things that didn't seem deep to us back then now seem deeply problematic. In every speaking engagement Tyra's done
since twenty twenty, she's had to address the backlash. Here she is in twenty twenty five, accepting a luminary spotlight of work from Essen and she's still talking about the A ANDTM controversy. Did we get in right?
Hell?
No, I say some dumb shit.
But I refuse to have my legacy be about some stuff linked together on the internet when there were twenty four cycles.
Of changing the world. Tyra's right, they did say some dumb shit. But here's the thing, even with my twenty twenty five sensibilities and maturity, when I rewatched America's Next Top Model, there's something about it that's still so good. There's a reason why it lasted for twenty first seasons, and why it's been adapted in fifty countries, why there are so many Reddit pages with thousands of posts dedicated to reliving A andtm's best moments, and why at its
peak it drew over seven million viewers in episode. Even with all the problematic shit, there's something magical about America's Next Top Model, at least for the audience, But for the models it's more complicated. Today, many of them are speaking out about the negative experiences they had on the show. Take Yo Wanna House. She won the competition on cycle two, but in that year afterwards she didn't feel like she
won much of anything. She was flat broke and she wasn't getting any help from A and TM here's Yuanna.
It was really hard to not get in that headspace of being bitter towards the show because you spit me on as a winner. I won it rightfully so and now I'm having to look and be a million bucks, but I'm not making any money right now. I'm living on a couch from a makeup artist who extended their couch for me. Yet I'm famous.
And Cycle four finalist Kenya Hill, whose entire storyline on the show was about how much she ate. Kenya was thin, she just wasn't afraid to eat on camera, so producers decided a good storyline for her would be about her supposed overeating that caused her to gain weight uncontrollably, which wasn't true.
Even still to this day, I am mindful of is there anybody watching me eat right now? They believed what was portrayed on the show, and so that has actually been a struggle of just even eating in public.
I've heard a lot of disturbing stories and you will too as this season goes on. But out of all the criticisms and complaints, the contestants say, the biggest one is that the show was never really voting for them. That A ANDTM failed to deliver the one thing it repeatedly promised, a career in the high fashion modeling industry. In fact, only one contestant went on to achieve top model stardom that's anything close to Tyro's career, and that
was Winnie Harlowe. She's probably one of the most recognizable women in fashion today. She has a true, one of a kind look. She has been algo, a condition that causes patches of skin to lose their color. It makes her incredibly striking. When she was on A ANDTM cycle twenty one, she went by her real name Chantelle, and she was eliminated on the fourth episode, brought back, and then eliminated again on episode thirteen. When she was first eliminated,
it was for an optical illusion photoshoot. In her picture, she's perched in this awkward sitting position and she looks like she's wearing her shoulders as earrings. I don't know if this was her best picture, but you can certainly see why the judges sent her home.
Chantelle, here you are looking so beautiful, but we feel like all this beauty is being thrown away. The judges and social media are not happy with your photo.
After she was eliminated, Winnie went on to have a hugely successful career. She've walked the Victoria Secret Runway. She was in Beyonce's visual album Lemonade. She's been on the cover of Al Magazine, Harper's Bizarre, Vogue, Grease, Vogue India. She's that girl. But according to Winnie, A and TM didn't help her modeling career at all. Here she is on Watch What Happens Live. You were on America's Next Top Model.
You did great, but then you really broke through and here we are.
So I really started after the show because that really didn't do anything for my career, which it doesn't do anything for any model's career realistically. I went on because I thought like that was going to be a career starter, but it was really like a reality TV show. That's not what I signed up for. I mean, it is what she signed up for. She just thought she was
going to get a lot more out of it. Season after season, we saw dozens of models compete for a career making opportunity, and we watched one model be crowned
the winner of a and TM. But when they didn't appear on the cover of Vogue or walk the Chanelle or do your runways, when they didn't actually become top models, it didn't stop us from tuning in the next season because it wasn't about that the show was entertaining short Some contestants did work his models after the show, and some used their fame to launch careers in other areas
of entertainment. But if this was a show that was really about creating top models, why are there so many contestants who say being on it actually hurt their chances in the fashion industry. Like Angelie Preston, who first competed on Cycle fourteen and then later on All Star seventeen. After the show ended, she wasn't booking modeling gigs, and she didn't know why until a friend in the industry told her the truth.
My booker was like, he loves you, but he cannot sign you and he can't work with you because of how you were portrayed.
Basically, they not messing with you. And I was so gutted because I was just like, why did I go on the show? Angelie was portrayed as a girl who'd left the hood, but couldn't quite get the hood to leave her. But when she came back for the All Star season, she'd had a glow up. It wasn't that her look had changed, it was the way she carried herself and the judges noticed. She was crowned the winner of A and TM All Stars, but she didn't keep that title long. A and TM stripped her of her
win and after she couldn't book any modeling jobs. But that's a story we'll get into later this season. Angelie wasn't the only model who told me she had a hard time finding representation after being on A ANDTM. Gina Turner was on the final cycle of A and TM. You may remember her clean, bald haircut that gave her an otherworldly look. After she left Top Model, she had trouble of finding an agent who would sign her.
I did have an agent tell me she knew I was on America's Except Model and not as much as she loved my look and would have loved to sign into the agency. The agency unfortunately, does not typically affiliate themselves with girls who have been on the show. It's just really distracting for a lot of clients. And that you know, she was happy to meet me that unfortunately she couldn't sign me, and I was really bummed.
Out of course, for this show, I had to call Lisa Dematto. She's probably one of the most infamous contestants from ANTM because of her wild child antics, like the time she peeded in a diaper on the set of a photoshoot on cycle five. She's also known because to this day she still trashes ANTM every chance she gets. I couldn't get an agency.
They're like, we can't book you for anything.
The clients that I would normally see for like nutrient gene are crust or you.
Know, any type of catalog.
No one wanted to see me. After the show. They completely destroyed me. This is how a lot of contestants talk about Tyra and A and TM today, But I don't think it was Tyra's initial intention to ruin their careers. Coming up, we're going to dive into the origins of America's Next Top Model. When a young Tyra Banks came up with an idea to launch her second act, an idea that will propel want to be models into supermodel stardom.
But as we know, only one of those things became a reality when we talk about A and TM today, it's usually about how problematic it was, or the fact that it didn't really produce top models and that it featured rampant body shaming and so called race flapping photo shoots. Critics of the show usually fall into one of two camps.
You either believe Tyra was an evil mastermind responsible for everything wrong with ANTM, or you believe she was just a host, a pretty face brought in to anchor a modeling competition, just doing what she was told by sinister faithless execs. The first thing I learned in reporting this podcast is that the second option is not true. America's next top Model was Tyra's idea. It was her baby, her passion project. So let's go back to the beginning to figure out how this germ of an idea in
Tyra's mind became a pop culture phenomenon. Don't you get the idea for that show? That is such a good idea, it's a weird. It was two thousand and two. Tyra Banks was in her late twenty and looking for her next move. Oprah.
I looked out the window and have this beautiful view, and it came to me. I was like, I want to do like an American idol book for models, but they lived together like the real world.
A modeling boot camp based on her early career, those scrappy years when she was just trying to become a supermodel, Tyra started modeling she was still a teenager. A girl at school came up to her and told her she had the right look.
She was a beautiful girl, and she was like, you know, you look like you should be a model, and mighty tell you you'd model. You ain't model, And I was like, what, you know, people stare at me, but not for that. And she kind of took me under her wing and taught me everything, and she started modeling, I think later in the ninth grade. She started kind of early, and then I started in the eleventh grade when I was fifteen.
And at first Tyra actually got rejected by a lot of agencies. But all you need is one yes, and she got that when she was seventeen, so she packed her bags and went to Paris alone. She went to casting after casting, walked runway after runway to make it to the top. And this was a time when there were very few black supermodels, and Tyra was no Gigi hided she didn't have the benefit of nepotism. She had to get it out the mud. Here's a CNN segment about her rise to fame.
Nineteen year old Tyra Banks uses her chameleon likability to change her attitude as often as she changes her clothes. One minute, she shined, demure, the next salty and sex sea. Tyra stands five feet eleven inches and especially in her way to international fame.
In the span of a decade, which is quite a long career for a model, Tyra became the first black woman to do the cover of GQ and Sports Illustrated, and she eventually went on to become one of the most recognizable Victoria's Secret Angels. But from the beginning, Tyra knew her modeling career was temporary. She was always planning her next big thing. Here she is at age nineteen.
I'd like to reach my peaking around twenty three or twenty four, like five years from now, I guess, and move on to something else.
What can you want to do besides modeling.
I'm going to film and television first media as an actress, to learn that side of the camera.
But that's not my main though.
I mean that's not what I want to do.
I want to be on the other side.
Account like writing for film and televisions.
And she made the first part happen. Tyra did TV appearances like this one where she played Wilsmith's homegirl Jackie on The Fresh Prince. That's it.
I didn't come all the way here from Philly.
You are not even gonna change. Oh my gosh. I remember that episode, and Tyra nailed it. She had a pretty significant role in the nineteen ninety five film Higher Learning. She was even in a Disney movie with Lindsay Lohan called Life Size, where she played a doll come to life. So by the early two thousands, Tyra was a household name, but she was also in her late twenties. And if there's anything A and TM taught me, it's that if you're over the age of twenty two, you might as
well be dead. In the modeling industry, some models use their beauty to pivot into serious acting careers, like Charlie's Thereon or Cameron Diaz. Others were content to fade into the shadow to become fashion icons of yesteryear. But Tyra was determined to roll her fame into something even bigger.
Because I'm not satisfied with just my career now. I mean, I always want more.
I always want to do more.
I never like just stop and get satisfied with something.
So that's when Tyra got her billion dollar idea, a show that would use her expertise in modeling and launched her career in TV. And just like she had to fight to make it on the Runway, Tyra had to fight to get a and TM made. When Tyra initially came up with the show, her agent told her it was a bad idea.
I had a lot of people tell me that this wasn't going to work, that models are unsympathetic characters. Actually is my agent. He told me models are unsympathetic characters. Nobody wants to see this.
I hope she fired that guy. But Tyra knew she had something special, so she kept telling people about her little reality show idea until she found someone who saw the vision, an established television producer named Ken Mock. A friend introduced Tyran. Ken, they had a two hour meeting and he was sold. They decided to be partners on
this project. Ken had already produced a few reality shows, so we had some connections and he helped their set up meetings to pitch the show to networks, and they got a lot of nos.
And we pitched it like I stood up because I knew who I wanted my cast to be. I walk and acted like miss Jay Honeycappache, I think you don't.
I did the whole thing for all of the networks.
I sure did acted out everybody.
They must have loved it.
They loved it.
Not everybody bought it, but they loved it.
Tyron's over the top antics started before she even had a deal. She was in those boardrooms putting on a one woman show. She literally acted out her dream cast and people loved it, but not enough to fund the show. That was until she met with an exec from CBS named Ken Maynard, who also told her it was a no for CBS, but he did think it could be good for a smaller network. He oversaw UPN UPN didn't
have as wide of a reach as CBS. It targeted a smaller demographic, and I was in that smaller demographic. By two thousand and three, the golden era of nineties black sitcoms had ended, so UPN stepped in to fill in the gap, and I used to Love Me Some, UPN, Half in Half, One on One, Moesha, The Parkers. While it didn't cast as wide of a net as other networks,
a lot of UPN's programming was younger and blacker. It featured shows that starred black leads and majority black casts at a time when other networks were basically presended like black people didn't exist for a while. That really worked for UPN. They had the market cornered on scripted programming
with black leads. BT obviously was the other network that featured black celebrities, but they had more unscripted shows and music countdowns, and that was really it if you wanted to see more than two black people on TV at the same time. Here's Raquel Gates, an associate professor of film at Columbia University. She studies, writes, and teaches about television, particularly through the lens of race and culture.
UPN and the WB really follow in the line of Fox Network in the nineties, where you have these new networks that realized that younger audiences, black audiences are a really safe bet in terms of getting eyeballs on the screens and on the programming.
Initially, UPN heard the pitch as a courtesy, but after meeting with Tyra, they realized she wasn't just a pretty face, she was an entertainer, and they decided to take a chance on the show. They greenlit it for one season. Tyra was a little disappointed at first. She envisioned her project on a more mainstream network, but to me, the
placement on UPN made a lot of sense. Tyra was one of a small handful of black supermodels, and from the beginning, Tyra said she wanted A and TM to feature diverse beauty to challenge the rigid standards of the high fashion world. Here's Tyra reflecting back on her initial vision for the show.
The why for me with this top Model show is because I want to expand the definition of beauty.
I want to kick to the curb.
This thing about this cookie cutter and you have to be six feet one hundred and twenty pounds, have.
Blonde hair, and you know like all that.
I was like, I want to kick that to the curb. That's funny because at least when it came to looks, the first two winners didn't exactly break the mold. They were both six feet tall, skinny, white women, they just weren't blonde, But that's a different conversation. For Tyra, getting the opportunity to bring this show to life overshadowed her disappointment of not being on CBS. Plus, she realized one of the perks of being a big fish in a
small pond was that she had more control. Tyra owned twenty five percent of America's Next Time Model A and TM was part of Tyra's larger plan for her career. She wanted to be Oprah, and she said as much in a two thousand and four interview with Newsweek. Top Model was supposed to be her first step towards becoming a media mogul. After the break the story of how Tyra's big idea made it to our TV screens. Tyra Banks had drive, she had vision, and she certainly had
that it factor. The only thing she didn't have was reality TV production experience. That's where her new collaborator, Kim Mock came in. Here's an interview with Kim Mock from twenty sixteen where the interviewer talks about Kim Mack's reality TV.
Legacy even called the godfather of reality TV. You produced making the band, which I think was the forerunner to all these singing audition programs that we have today. I did Pussycat Dolls Present and of course your most successful hit so far, America's Next Top Model.
Let's talk about Kim Mack's formula for making a good reality competition show. First, you find people who are desperate to attain something they couldn't otherwise get. Then you offer them that thing in a way that seems like a shortcut or a cheat code. Next, you turn on the cameras, and this is very important, you put them through embarrassing, stressful, and demeaning experiences in order to prove their worthiness for
the grand prize. This was the formula kN Mack used before on another reality show you may have heard of that hasn't aged well. It was called Making the Band.
The Big figure over it was Sean Poffstati Calms.
That's Amanda Kline, a reality TV historian and expert. Making the Band was like A and TM, but for music groups. The show was famous for making These young musicians performed demeaning task at Shawn Combe's request, like the iconic Cheesecake incident where Diddy asked the contestants to walk the six plus miles from Manhattan to Brooklyn to deliver him a piece of cheesecake from Juniors. The rumor is the cheesecake was actually for Beyonce, who was working with him in the studio.
Puffy just told us to go to the store in Brooklyn and bring about the cheesecake and walk as well.
Making the bitch not making back and tell them when you're doing it.
And God.
Here it was a task that had nothing to do with how well these people rapped or sank. It was about entertaining the audience. I don't know whose idea that was, but America's Next Top Model is also notorious for putting models in difficult and yes, sometimes demeaning and even dangerous situations that seemed to be strictly for our entertainment and had nothing to do with modeling. And that isn't the
only parallel. The last part of Kim Mack's formula is an expert host with a larger than life personality, someone who could get the contestants to do the demeaning tasks. The host needed to be someone who could make or break the contestants' careers. Know whether they would actually make their career that's another story. But Ken Mock needed someone who's very presence on set raised the stakes for the contestants and for us, someone who these contestants would do
anything to impress on making the band. It was Sean Combs. He'd already launched the careers of some of the most successful artists in hip hop, and when Ken met Tyra Banks, he saw the same potential. She was a veteran supermodel who'd climb to the top of the fashion industry.
It makes sense that ken Mock would kind of stick with that idea of a kingmaker. Tyra Banks has this eye right where she can pick out the model.
Now here's where we need need to talk about some disturbing coincidences. The first three seasons of making the band before it went to MTV and Diddy became the host, followed the journey to bring together train and launch a boy band called O Town. Their first music industry expert and guide was a man named Lou Pearlman. Hey, all you singers out there.
Lou Pearlman, the mastermind behind such bands as LFO in Sync of the Backstreet Boys.
As looking for five talented young men to form a new band.
Lou Pearlman made his name by launching and managing some of the most successful boy bands in the nineties and two thousands. He died in prison in disgrace in twenty sixteen after being convicted of running one of the largest Ponzi schemes in US history. He was also accused by
multiple young male performers of sexual misconduct. The person who took Pearlman spot on Making the Band after he left was Sean P. Diddy Combes, and we all know what he's been accused of, including allegations of abuse, sexual misus conduct, harassment, and intimidation by former Making the Band cast members. At least one of those contestants, Sarah Rivers, sued Ditty for sexual harassment she said took place during the taping of
Making the Band. To be clear, there's no evidence kN mak knew about any of that while the shows were airing, and while he remained credited as the show's creator during Ditty's tenure. He reportedly took a more hands off role in later seasons. But it is striking that on both these shows, the kingmakers at the center were later accused of abusing their power. And here's the thing. Years before these serious allegations against Seawn Holmes and Lou Pearlman came
to light. Both of these men already had a reputation for shady business dealings. In the late nineties and early two thousands, Ditty was accused of unfair business practices by several of his artists, including Mace one twelve and hip hop group The Locks. Here's a two thousand and five radio interview with The Locks where Jadakis confronted.
Ditty stopped pumping on the radio.
Now you because you just don't want to know what you was done. We made one record with you money to out of respect. It's ten years later, and you showed got half about publishing. That wasn't all. Diddy was literally on trial for shooting someone in the nightclub in nineteen ninety nine. He was acquitted, but the rapper who was convicted, who was also signed to Bad Boy, has strongly implied that he took the fall for Ditty and Lou. Pearlman's affinity for three sixty deals was well known in
the pop music industry. Here's insincs Lance Bass talking about him.
Lou really thought he was just entitled to all of this. You know, if it was idea, you know, to do this, and he introduced you to this person to get you that record deal. Then yeah, he was entitled in ninety percent of your business because if it wasn't for him, he'd be nothing. So you want ten percent or nothing.
That was all out in the open before either of them was hired on making band, So even if the show's producers didn't know about the more serious allegations, they seem to have turned a blind eye to the allegedly unethical business practices making the band. Worked with the con artists because he made good TV. Then they worked with a guy who was accused of shooting someone and cheating his artists because he made better TV. Now I'm not saying Tyra was on the same level as Ditty or
lu Pearlman. She's never been accused of sexual misconduct or any other crime. But the point is in the early days of reality TV, the ethical lines were quite blurred. The only thing that mattered was if the show was a success. And the show Ken Mob created positioned not one but two ethically dubious men as mentors to impressionable young people. And while Tyra may not be of super villain like Ditty, she chose the partner with the man
who gave him and lu Pearlman a bigger place. And just like we saw on making the band, she was willing to make humiliation a big part of America's Next Top Model. The models safety, their bodies, their appearance, their identity was put on the line and picked apart for our entertainment.
Do you really think he can have a cover bell contract with the gap in your room?
Yes?
Why not?
This is all people say Israel's beautiful cover girl.
She felt twice. I was like, oh my gosh.
You're trying to be so sexy and so girly and you.
Look like a man in a dress.
Girl. Now. I never thought I'd be mentioning Tyra Banks's name next to these two criminals, But her legacy is tied together with Ken mox and the shady early days of reality TV. And Ken wasn't just an EP on paper. He was there calling the shots on set Harri's former a and tm soal mixer Jose Torres.
Any of the major events that happened on that show, they did not happen without Ki approval, without his say so good or bad. If anything happened on that show, Ken Mock.
Signed off Tyra could not have made this show without her co pilot Ken Mock. Sure, they were just a production team making another reality show when Reality TV was still in its Wild Wild West era. But what I've heard from models over and over is that America's Next Top Model took advantage of their dreams, and the models who were on the earlier seasons had no idea what this show really was. There's something kind of cruel about
embarrassing young people who trust you with their dreams. These aren't the same people who signed up to starve on Survivor in order to win a million dollars. These were mostly teenagers and young adults who were told this opportunity could give them access to the otherwise inaccessible career they desperately wanted. There's this idea that ANTM was cursed because so few of the contestants went on to have successful careers as models. When I first started reporting, I thought
this was an unfortunate reality of the modeling world. Maybe the winners turned out to be fashion industry flops because they didn't have what it took to be on top. But now I'm wondering if the show was a setup all along.
America's Next Top Model is about dreams, plain and simple, and it's about accomplishing these dreams through hard work and talent and passion. I worked my boat off to get to the top of the modeling industry, so I know exactly what.
It takes to make the star.
Tyra wanted us to believe she was wholeheartedly invested in making these contestants dreams come true.
I was rooting for you, We're all rooting for you out damn you.
But after talking to the models and the people behind the scenes, I'm not too sure. On this season, you're going to hear from A ANDTM fans and critics, the show's producers, and of course the models themselves. Being on America's Next Top Model actually saved my life.
Did they even know that I was in debt after the show?
They just kept focusing on me being suicidal. To try to figure out if A and TM was really cursed and what that means for the models, judges, Tyra, and us the audience. On the next episode, We're going back to where it all began. Cycle one, a season that looked like it was shot on a camcorder, yet somehow launched a global franchise. We'll meet the very first contestants, revisit the chaotic production, and uncover how A and TM deceived us and the contestants. Right from the start.
Tyra Banks did not follow through on any of the winnings.
Thanks for listening to the Curse of America's Next Top Model. We really appreciate the support. We'd love for you to really show your support by subscribing to our show on Apple Podcasts, and don't forget to leave us a five star rating and review. If you love the show, tell your group, chat, your co workers, your friends, your mama to check us out. And if you don't, maybe keep that one to yourself. Thanks again to all of our listeners.
The Curse of America's Next Top Model is a production of Glass Podcasts, a division of Glass Entertainment Group, in partnership with iHeart Podcasts. The show is executive produced by Nancy Glass, hosted and senior produced by me Bridget Armstrong. Our story editor is Monique Leboard, also produced by Ben Fetterman and Andrea Gunny. Associate producers are Alisha Key, Kristin Melcriy, and Curry Richmond. Consulting producers are Oliver Twist and Kate Taylor.
Our iHeart team is Ali Perry and Jessica Kroncheck. Audio editing and mixing by Andrew Callaway and Matt del Vecchio. The Curse of America's Next Top Model theme music was composed by Oliver Bain Music library provided by My Music Special Thanks to everyone we interviewed for this podcast, especially the models for sharing their stories. And For more podcasts from iHeart, visit the iHeartRadio app, Apple Podcasts, or wherever
you get your podcast. Also check out the Glass Podcast Instagram at Glass Podcasts for Curse of America's Next Top Model, behind the scenes content and more.
