Garrett Hope has drawn composing inspiration from spider mating calls, Joan of Arc's trial transcript, oil spills, and rape survivor stories. In this episode of Composer Quest, I ask Garrett about these composing projects, and I ask what he's learned from his podcast Composer on Fire. He shares some words of wisdom from his interviewees, and things he's learned through his own composing journey.
Bubba Hollenhorst is a songwriter friend who I often only chat with during loud concerts or on the dance floor. In this episode of Composer Quest, I get to know Bubba a little better. He shares stories from his albums Enter the Enchanted Whiskey Forest and Space Love, along with tips on writing a post-apocalyptic space-themed musical. I also ask him about the dozen or so hilarious jingles he's written for segments on his podcast The Weekly Awesome.
Video game composer Lena Chappelle worked her way into the game business by starting as a quality assurance tester. Now she’s both designing and writing music for games like Guild Wars 2. In this Composer Quest interview, Lena shares some of her music and creativity tips, including her method of composing songs during her bus rides. She shares how to write a good melody, and how her experience as an author has influenced her musical storytelling. I also ask Lena about her perspective as a transg...
Cyriak Harris has wowed the internet with his weird YouTube animations, which often feature dancing, mutating animals, like his 34-million-views video "cows and cows and cows." But he's very rarely asked about his soundtracks, which are equally intricate and wild. In this episode of Composer Quest, I interview Cyriak about his composing methods and creativity tips.
I’m excited to announce our next composing quest, courtesy of Tim Cheesebrow and his forearm. Tim has been looking for a way to commemorate his family tree through music, and he’s decided to leave it to Composer Quest listeners to write a “Cheesebrow family” melody. Tim will then choose his favorite composition, and TATTOO IT ON HIS ARM.
Jonathan Rundman’s songs have appeared on the Ellen Degeneres show, the CBS Morning News, and NPR. He realized the success of these songs have been due in part to their narrow topics, like insomnia and wearing glasses. But Jonathan has recently shifted to writing songs with more “heart” than his journalistic lyrical past, after somewhat of a mid-life crisis and a purifying experience playing ancient Finnish music. In this episode of Composer Quest, Jonathan shares words of wisdom from his 25 yea...
Sam Matla admits that his hometown of Wellington, New Zealand doesn’t have a big electronic dance music scene. But he’s been hard at work producing EDM tracks and educating people about electronic music through his blog and podcast at EDMProd.com. For today’s episode of Composer Quest, I interviewed Sam about his production techniques and advice for new producers.
Reel spins, rollups, symbols, celebrations, underscores - they're all different sound ingredients that go into a slot machine. In this episode of Composer Quest, I interview three guys in the sound department at High 5 Games about their unique challenge of making music for casino slots. We talk about the composition techniques they use to hook players into these elaborate slot machine story worlds. I also ask them how they feel about using their musical skills to get people to throw down money a...
If you’ve been to an indie film fest, you’ve probably seen Kevin MacLeod in the credits. Or maybe you’ve heard his music in a cute cat video, or a Minecraft video, or in a department store, cab ride, or on hold. By writing an enormous amount of music and giving it away for free, Kevin has built his reputation as the single biggest royalty-free music composer.
Tomb Raider, Until Dawn, and the Dead Space series are some of the big-name video games Jason Graves has been scoring recently. In this episode of Composer Quest, Jason shares a ton of great composing, production, and music business advice, along with lessons he learned from his in-depth study of John Williams scores. We also get to hear his apples-to-apples comparison of the Skywalker Sound studio and the Abbey Road studio.
What is life like as a blind composer? It’s a question I’ve wondered about, but haven’t been able to ask until this interview with Stephen Letnes. In this Season 5 premiere episode of Composer Quest, Stephen shares his adventure into the unlikely field of film composing. We talk about Stephen’s love/hate relationship with epic music, his advice for working with directors, and the piano performance that changed his life forever.
Emily Reese (Joon Media), Tim Turi (Game Informer), and Thomas Spargo (Gamer’s Rhapsody) join me for this quest announcement episode. This fall, we’ll be teaming up composers, game developers, artists, etc. to create new video games from the prompt, “I Barely Survived That Game Jam.” Visit http://composerquest.com/quest16 for details. Visit http://composerquest.com/quest16 for details.
For the Composer Quest Season 4 finale, I asked Jon Brantingham back to chat. He shares some great insights on musical form, film scoring, and the Gustav Mahler orchestration style.
Siama Matuzungidi played guitar on and wrote some of the biggest pop hits of the 70s in Zaire (now the Democratic Republic of the Congo) and Kenya. In today’s episode of Composer Quest, I talk with him about the soukous style of creating interesting rhythm guitar parts and lead parts to complement them. We also talk about Tim, his talented cockatiel who can improvise in the right key over Siama’s guitar playing. As a bonus, Siama writes a song on the spot in honor of the thief who stole his shoe...
I’m excited to announce this Composer Quest double episode with TV composers Fil Eisler (Revenge, Empire, UnReal) and Mac Quayle (American Horror Story, Drive, Mr. Robot). First, we hear from Fil about what he learned while composing for an orchestra during four seasons of Revenge. He shares his tips on getting hired for composing gigs and his tips on scoring the entire arc of a show without getting musically stale. Next, I interview Mac Quayle about how his dance music background (41 #1 Billboa...
In today’s episode of Composer Quest, I interview Noah Keesecker about everything from the perils of grad school to making musical ping pong tables. Along the way, I discover that Noah is on the “spectrum of synesthesia” as he calls it. For example, he often experiences smells when he hears things (bassoons smell like mossy logs), and he strongly associates visuals and sounds, which has led to some really cool multimedia works like Tonegoblin. Noah shares some great tips on being both a creative...
Composer and Baroque music specialist Michael Dodds is the subject of an upcoming documentary called Blessed Unrest (currently being Kickstarted) about the personal challenge of creating a 40-minute choral symphony. Michael joined me on Composer Quest to talk about the techniques he used in writing his symphony, like borrowing from the beautiful Romantic harmonies of Richard Strauss. Michael also explains how Baroque composers are like jazz musicians, and how music theory is linked to the histor...
Lisa Walkosz-Migliacio is a video game designer who also specializes in composing sparkly “tingy tingy” music that perfectly complements her games like the cute, bunny-filled Usagi-chan. With about 350,000 downloads of that game, she’s clearly found a niche: young girls who don’t have many games designed with them in mind. In today’s episode of Composer Quest, I talk with Lisa about her creative process as both a composer and game designer. We also get to hear about her first ever game, a floppy...
Over the past few years, Bob MacCallum has been focused on one question: can music evolve through natural selection? In this episode of Composer Quest, we discuss Bob’s amazing evolutionary music project, DarwinTunes. In the DarwinTunes experiment/game, participants rate and “mate” short sound loops to breed new musical offspring. Although it started with randomly generated sine waves and noise, the evolved sounds are now surprisingly musical. Also in this episode, we talk about Bob’s scientific...
Ian Dicke has secrets, but not the scandalous kind. In this episode of Composer Quest, we talk about his tricks of the trade when it comes to structuring his compositions and developing musical ideas. Ian also shares his approach to teaching post-1940s art music, which usually only gets about a week of attention in undergraduate music programs.
Jason P. Schumacher has made a name for himself as a filmmaker in the Twin Cities, but he’s also had songwriting in the background of his life since high school. In this episode of Composer Quest, we talk about Jason’s first official EP, Dumpster Baby, which is kind of a retrospective of his melodies and guitar riffs from his earliest songwriting days. Jason also shares some great advice on freelancing, and we talk about some of our favorite film scores.
Andy Thompson is the guy who’s made Jeremy Messersmith’s albums sound incredibly good. He has also collaborated with Dan Wilson of Semisonic, Belle and Sebastian, and he even added some instrumental parts to Taylor Swift’s record Red, which earned him a Grammy nomination. In this episode of Composer Quest, Andy shares his ideas on arranging strings, mixing pop music, and making generative music.
100 years after the death of Alexander Scriabin, his music lives on in a form he would never have expected. A week ago, I announced the Patchwork Scriabin quest along with UniqueSound, and 49 people contributed to our Scriabin sound quilt by recording a measure of his Prelude in A minor, Op. 11 No. 2. I’m excited to present our final mashup, with 68 uniquely-produced measures. You’ll hear trombones, bells, accordions, chiptune synths, wine glasses, dog growls, dance beats, and much more.
Hrishikesh Hirway removes as much of himself as possible from his interviews with musicians in Song Exploder. In today’s episode of Composer Quest, we get to hear from this mysterious podcaster about his own songwriting process. He also shares what he’s learned from all the talented songwriter guests on Song Exploder.
Film Score Fest is back in 2015! MNKINO and Composer Quest will be pairing up filmmakers and composers to create new short films, and the Composer Quest orchestra will perform the scores live at the screening on August 13th (7pm, Landmark Center in St. Paul, MN).
In honor of the 100th anniversary of Alexander Scriabin’s death, Composer Quest and UniqueSound are teaming up to bring you a collaborative music production quest. We’ll be creating an “audio quilt” based on Scriabin’s Prelude in A minor, Op. 11 No. 2. Your goal is to record one measure from the score using whatever instruments or synthesizers you want (sign-up form below). I’ll unveil our stitched-together masterpiece on the Composer Quest podcast on April 27th.
Roger Dumas was a synthesizer whiz kid back in the 70s. He wrote manuals for early Moog synthesizers, and he helped out Prince, Janet Jackson, and even John Lennon. He’s also the guy behind the catchy synths in the disco hit “Funkytown.” Now Roger has a new passion: studying the brain’s response to music. He’s done some pretty amazing work, including re-creating a melody out of the pure data from brain sensors. In this season premiere episode of Composer Quest, I talk with Roger about his resear...
Welcome to this special Christmas episode of Composer Quest! Since I’ll be taking a break from interviews (until I find a few more patrons…wink wink), I thought I’d share a few of my favorite music composition and music production podcasts. If you’ve been listening to Composer Quest, you’ve heard from many of these podcast hosts before.
It was an honor interviewing legendary composer Grant Kirkhope about his time at Rare, where he worked on some of the most popular video game soundtracks of all time. In this episode of Composer Quest, Grant talks about composing within the very small limits of the Nintendo 64 cartridge, and he shares some stories behind the soundtracks to Banjo Kazooie, Banjo Tooie, GoldenEye 007, and Perfect Dark. We also talk about Grant’s more recent orchestral work for Kingdoms of Amalur and Civilization: B...
In today’s episode of Composer Quest, I talk with fellow Minnesotan Ben Burnes, who has been writing chiptune music for games (12 games in 12 weeks, as a matter of fact). He just released them in his album Three Red Hearts, and in our talk he shares some tips on creating video game music. We also talk about creativity and the business of indie game composing.
