Cinema_PSYOPS_EP452: Al Adamson Fest: Brain of Blood 1971 (Main Feed) - podcast episode cover

Cinema_PSYOPS_EP452: Al Adamson Fest: Brain of Blood 1971 (Main Feed)

Apr 14, 20241 hr 12 minEp. 452
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Cinema_PSYOPS_EP452: Al Adamson Fest: Brain of Blood 1971 (Main Feed)

A ‘benevolent’ ruler is dying, but there is hope.  He is flown to the United States where Dr. Trenton transplants his brain into the body of his assistant.  Dr. Trenton has a few nefarious plot twists of his own in mind, and It’s up to Amir’s friend Bob and wife Tracey to try and salvage their ‘benevolent’ ruler.

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Transcript

SPEAKER_2

And welcome to the 452nd consecutive week of Cinema Psi Ops. I'm your host, Cort, the guy that got a little too high for the show and is now not even sure if that number is correct. And joining me in the confusion of the show number is my co-host, Matt.

SPEAKER_3

The confusion of war, the fog of war, man. The fog of war.

SPEAKER_2

No, it is 452nd. This is 452 weeks that we've been doing this bullshit for everybody, even though we only record bi-weekly.

SPEAKER_3

Bi-weekly, we're totes bi.

SPEAKER_2

Weekly.

SPEAKER_3

Weekly.

SPEAKER_2

We're weekly bi.

SPEAKER_3

We're weekly bi.

SPEAKER_2

Fuck sakes. God damn Al Adamson, dude, we got a long way to go.

SPEAKER_3

I know, man, this is fucking, at least this isn't a clip show. I mean, really, at least we got something new this time around.

SPEAKER_2

It certainly feels like it is one because his stuff is so disjointed and he seems so unconcerned with conventional storytelling in that it should make sense and at least have a through line that you can follow because filmmaking is storytelling and storytelling usually involves a beginning, middle and end.

SPEAKER_3

Yeah, right. And I don't know. You know what though? Unlike last week's movie, this week I got a beginning, middle and end. At least this flowed and it had a story. Unlike last week's. I mean, say what you want about everything else about the movie, at least the story was there this week.

SPEAKER_2

Yeah, it's a story.

SPEAKER_3

For me at least, unlike yours, for me.

SPEAKER_2

It's a story for you that flowed very similar to like Hell's Bloody Devils, right?

SPEAKER_3

Yeah.

SPEAKER_2

Where it's still very disjointed. It still jumps all over the place and still really weird about it, but there is a beginning, middle and end for the most part.

SPEAKER_3

At least, and at least in a really demented way, it kind of makes sense. The plot, the people's, I don't know plot, but the people's plans in the movie, what they want, it all kind of makes sense. And it's not just, hey, are you searching for vengeance for, I don't know, whatever. Yeah, okay.

SPEAKER_2

Yeah, Adamson's a weird dude, man. And your flick is definitely, definitely out there. So you had brain of blood, correct?

SPEAKER_3

Brain of blood.

SPEAKER_2

Yeah. Now, a lot of people may not realize this, but brain of blood often got packaged in as a Blood Island film. Remember we covered the other Blood Island films before?

SPEAKER_3

Oh, yes.

SPEAKER_2

Yeah, but we didn't cover this. We did not watch this film. But originally, at some point in time, it was sold as a Blood Island film.

SPEAKER_3

Interesting.

SPEAKER_2

Right. Also got to say brain of blood's artwork on the cover with the zombie looking guy with the exposed brain getting the shockwave of like electricity being drilled into his brain by the mad scientist. Very cool cover artwork.

SPEAKER_3

Yeah, that is kind of cool.

SPEAKER_2

Very cool. I used that as my phone wallpaper for a while without even knowing it was from this film because I was just like, this is so fucking ridiculous. I love it.

SPEAKER_3

Fucking, I mean, how could you not?

SPEAKER_2

Right. So that's how Adamson really gets you in is he's got some great posters. If you look at some of his posters, even the stuff like Psycho Agogo and everything.

SPEAKER_3

Yeah.

SPEAKER_2

If you take into mind the context of the year that you would have been seeing this being advertised, right? You totally would understand and you would totally get why somebody would go see some of his films when you look at the posters. That's part of his exploitation is the marketing of it. Yeah. Because he wants to put-

SPEAKER_3

Oh yeah, it's one of those, hey, look at this, isn't this cool? Right.

SPEAKER_2

He wants to put as little into actually producing product so that he can get the biggest return on his investment. It's not about art. It's not about even producing legitimate content. It is about, what can I-

SPEAKER_3

The dollar.

SPEAKER_2

Right. And it's literally like, what is the minimum amount of work that I need to do to be able to provide a film so that you won't walk out of the theater and demand your money back?

SPEAKER_3

Yeah.

SPEAKER_2

That's literally the minimum viable product is literally what he is going for every single time.

SPEAKER_3

What can I do to make you, to fool you assholes to give him your money and then not ask him for it back?

SPEAKER_2

Right. But like, he's making movies, right? He's still going. Like, I mean, he's been doing this enough. He's got his own company at this point. And he's found a way to take every single turd and polish it up just enough to sell it as Shinola. Every single one we've watched so far, because I can't really think of one that I really super would want to watch again, except for maybe the biker ones. And even those are the lesser biker movies that I wouldn't go to as often.

To just be perfectly honest, right? I mean, like, I'm just gonna say it. None of these have been what I would call a good movie. For you, has that been true?

SPEAKER_3

Yeah, no, yeah, no. None of these have been good movies. Yeah, that's a fact. I'm just stating that at least in this movie, it had more of a, at least an understandable, again, I don't want to say plot so much as flow to it.

SPEAKER_2

But more than the last one, there was a clip show, there was a through line you could take notes on that made sense for you.

SPEAKER_3

Yeah, I watched yours and I'm like, I don't know how you took notes on that. When I watched yours, I was like that, this would be the most difficult thing that for fucking anything.

SPEAKER_2

I put as much effort into my notes for last week's film as Adamson put into making last week's film.

SPEAKER_3

Yeah, there you go. That's about it.

SPEAKER_2

That's kind of the only way that we're gonna be able to handle this, right? At this point, it is beyond an endurance run for us because we had a taste of what it was like without Adamson in our lives for one fucking week, and it was so good, Matt.

SPEAKER_3

It was so good.

SPEAKER_2

Yeah, and now we're back in the fucking muck, and I don't want him to fucking beat me, man. This is like fucking trench warfare with this cheap motherfucker at this point. I mean, we need to take another week off. That's totally fine. We have another fucking, we have one more. I did a show with Richard that we have a canned episode for that we can totally use. If we need to take another break, and I'll drop one more Adamson film off the list, and I'm already gonna do that no matter what.

Even if it's like the next to last episode of the year. I'm gonna just-

SPEAKER_3

We're just gonna take a week off?

SPEAKER_2

We're just gonna take a fuck, at least one episode off, right? One of us won't have to take notes for one week. Even though reality will still have to do it, it'll just basically be a way for me to be able to record your 10 in advance. Anyway. Anyway, like, we're gonna get at least one more break coming up with this, but essentially, Adamson is not gonna be this. We're gonna drop one more Adamson film, and that's it. And then the rest of them, we're just gonna power through.

Like. Yeah. Oh, fuck, man. And it's gonna be worth it. Like, for your 10, it's so gonna be worth it, I swear. This is not a carny trick, guys. I just don't wanna fucking spoil it.

SPEAKER_3

We're not trying to fool you, all right?

SPEAKER_2

I'm literally standing up at this point right now to record because, one, my watch told me to, and then, two, because I'm so fucking bored, I'm gonna go to sleep.

SPEAKER_3

Hey, hey, hey, you gotta stay awake. If I gotta deal with your pablo, you gotta help me out with my pablum.

SPEAKER_2

That's fair, that's fair. So why don't we take the break here, since we've delivered, I think, more than enough pablum to pad out this episode. For the pirate radio edit this week, up first is not gonna be The Who for you. It's gonna be one of the other bands from the 70s that I said there was gonna be a nice little treat. And in this case, it just so happens to be slayed with the song, Cause I Love You, and it'll be played right after this.

SPEAKER_6

This'll keep it quiet. Oh, hi there. I didn't see you. You called me cutting a new show. I'm Bo Ransdell, and I'm one of the many creators you can find on Legion Podcasts. I said quiet. My fellow podcasters and I work hard to bring you the best in horror podcasting, but that comes at a cost.

SPEAKER_5

Wouldst thou like to live deliciously?

SPEAKER_6

Not that, but also, yes. No, what I'm getting at is that there are server costs, costs for good microphones and software for editing, all the things that make our shows fun to listen to. And you can help. If you're enjoying the shows on legionpodcasts.com or in the Legion Network available on iTunes and Stitcher, just about anywhere you can download a podcast really, you can help us out and get a little something for your trouble at patreon.com forward slash Legion Podcasts.

For just two bucks a month, you get a pair of movie commentaries exclusive to Patreon. And for $5, you can also join us for a monthly screening of a movie. All of that available on patreon.com/LegionPodcasts We appreciate it and thank you for listening. Now, back to the cutting room.

SPEAKER_2

1971, Slade was recording shit of that caliber, folks. Like, get with fucking Slade if you haven't already.

SPEAKER_3

Yeah, right, no shit.

SPEAKER_2

Well, why don't we give the audience what they want, and let's get with Brain of Blood from 1971.

SPEAKER_3

The Brain of the Blood, woo! The first 20. We open at a palace, and two dudes are talking, and, cause there's dialogue, it's gonna be our first flip there.

SPEAKER_4

I brought the American woman as your order.

SPEAKER_7

Tracey, I'm glad to see you.

SPEAKER_8

Amir, have you decided?

SPEAKER_7

Dr. Nick Sirian?

SPEAKER_1

The uranium treatments have failed. Cancer is spreading.

SPEAKER_4

See?

SPEAKER_5

I am dying.

SPEAKER_4

We pray that Allah will spare our leader.

SPEAKER_7

What about the people?

SPEAKER_4

They suspect nothing. All Kali believes that you are vacationing at your villa.

SPEAKER_5

Very good.

SPEAKER_7

Leave us now, Mohammed. I would like to talk to Miss Wilson and Robert.

SPEAKER_1

I want to leave. Then you'll have to risk the operation. As soon as you are passed away, your body will be flown to the United States.

SPEAKER_9

And within 15 hours, your brain will be transplanted to a healthy body.

SPEAKER_8

And in a week, you'll be back ruling Khalid.

SPEAKER_7

But why can't the operation take place here in Khalid?

SPEAKER_8

Dr. Trenton cannot leave. Besides, there's the question of secrecy.

SPEAKER_7

Yes, it must be a secret.

SPEAKER_8

I'll see to that. You are too great a man, Amir Tepes. Your people need you.

SPEAKER_7

If Dr. Trenton does succeed, he must be paid no matter what he demands. And I owe you a great deal too, Tracey.

SPEAKER_8

Your gratitude is more than enough, Amir.

SPEAKER_7

I've grown very fond of you, Tracey. What would you say if I were to ask you to roll Khalid with me as my wife?

SPEAKER_8

Oh, Amir, that would be more than wonderful.

SPEAKER_7

Then make sure the operation is a success.

SPEAKER_2

All right, so I cut out as much dead space as possible, but there was a lot. Yeah, there were a significant amount of pauses between that. The dialogue you are being delivered now feels like a 1960s TV drama, like you would get on Dark Shadows, right? Like it's that level where they're talking, but they're just close up and getting the dialogue and everything seems to be working. It's just a bit over dramatic.

Now enter into the Shatnerian pause that happens in between those lines being delivered, and you can kind of see some of the people glancing down at something to read, like a picture or something like that before they deliver the line of dialogue. And that is the level of movie that you didn't watch and only listened to this episode about.

SPEAKER_3

Yeah.

SPEAKER_2

Unless you actually watched it, then good on you, because you are suffering right along with us.

SPEAKER_3

Yes. You know what? Thank you. Thank you for suffering with us.

SPEAKER_2

We appreciate your support.

SPEAKER_3

Yes. Your sacrifices have been noted. So anyway, while the dudes, the guy dies and they bring his body to this doctor, they uncover the body and hey, more dialogue. It's our next clip.

SPEAKER_2

That's fair.

SPEAKER_4

No one can replace you. You are a light to our people.

SPEAKER_10

And it will be again. How long has it been dead?

SPEAKER_1

Fourteen hours, twenty-five minutes.

SPEAKER_10

We don't have much time. Wait, let's get started.

SPEAKER_1

I'll just be a moment, doctor.

SPEAKER_4

Dr. Trenton, where is the body to replace Amir's?

SPEAKER_10

He'll be here soon.

SPEAKER_4

In my country, many would joyfully die to save Amir, many with the right bodies, the same physical characteristics.

SPEAKER_10

I know, but we haven't time. We must finish what needs to be done in a matter of hours.

SPEAKER_4

Replacement must resemble Amir.

SPEAKER_10

In general, physiognomy, yes. Plastic surgery will take care of the rest.

SPEAKER_4

Dr. Trenton, Amir is a legend in Khalid. Without him, it would be another poor nation struggling to break out of centuries of stagnant feudalism. He must live on. He must. Yet, if we fail, the people discover that we have deceived them.

SPEAKER_5

Alas.

SPEAKER_10

We will not fail. You see what I'm about to perform as a dangerous, even illegal, surgical experiment. I look upon it as the culmination of centuries of research by myself and my colleagues all over the world. Every aspect of this operation has been considered. There isn't one chance of failure. This incredible machine allowed me to advance in my medical skills far ahead of my colleagues. It's permitted me to cut through the skull without damaging the brain.

SPEAKER_3

All right. So then we cut to some duties, wandering around alleyways, more of the operation. This is all kind of just visual now. Then we see that dude who was in the alleyways. He's scaling a building. He's obviously a thief. We go to more surgery. This guy, he breaks into a room, through a window in an apartment, he's stealing stuff, and a lady comes home. So he hides in a closet. Well, the lady takes off her top, looks around, and then there's this really big, tall dude there.

She screams and faints, and the huge man grabs the thief and throws them off the building, lands on the ground, and that takes us to the end of the first 20 minutes.

SPEAKER_2

We need to talk about this surgery footage a little bit here.

SPEAKER_3

Yeah.

SPEAKER_2

It looks really real because it is.

SPEAKER_3

Yeah, we gotta look at that red paint.

SPEAKER_2

Yeah, but it is real. There are some components to it that are real. It's not really surgery, but what it is is things being cut open and moved aside to reveal actual, like, well, awful, O-F-F-A-L. I think it is actual brains from an animal that was provided by a butcher, and then other guts and things to simulate for cutting and to look like this. Yeah.

SPEAKER_3

Because what they make human brains look like, it looks like just like a steak, man, a raw steak or something. It doesn't really look like the human brain as we know it.

SPEAKER_2

Right. It was just some leftover awful stuff that a butcher dropped by for them to use.

SPEAKER_3

Exactly.

SPEAKER_2

So it is real animal matter of some sort, just not the correct animal matter to sell this sequence, and he's really hoping that just the grossness of the animal will make you feel awkward and uncomfortable enough that you won't care that it doesn't look anything like an actual brain.

SPEAKER_3

Yeah, that is definitely what he's doing, but at least they're using stuff.

SPEAKER_2

Right. I mean, like, he's making a half-hearted attempt at somewhat trying to satisfy the customer because he knows that if it's too awful, you're just going to get up and leave.

SPEAKER_3

Yeah, you're going to want your money back, the worst thing that can happen, ask for your money back.

SPEAKER_2

Yeah, that's the thing that he doesn't want to have happen. We can move on.

SPEAKER_3

Of course. We're good?

SPEAKER_4

Yeah.

SPEAKER_3

Well, the brain then comes out, and this leads to our next clip.

SPEAKER_4

I thought the transplant would be affected immediately.

SPEAKER_10

Oh, you were mistaken, Mohamed. But don't be concerned. Everything is going as planned.

SPEAKER_4

But they told me that the brain cannot be kept alive independently of blood circulation.

SPEAKER_10

That's been taken care of. We'll need to replenish our blood supply.

SPEAKER_5

Would you? Please, go away. Ha ha.

SPEAKER_12

And I make the rules.

SPEAKER_8

No, she has still quite a way to go.

SPEAKER_5

No, but why do you always take what's from her? What's not from me?

SPEAKER_11

You want me to call Gort to help you?

SPEAKER_10

If there are no complications, he should be ready to move in a few days. He'll be strong enough to travel by then.

SPEAKER_4

And if there are, it depends on what the complications are.

SPEAKER_10

Don't try to impress me with the risks we're all taking. For 20 years, I've endured public humiliation and professional ostracism for this opportunity. And you, Mohammed, you came to me because you had no other place to go. So I think we all understand how important it is that absolute secrecy be maintained.

SPEAKER_4

We will be staying close to the airport. In three days, we will return to take Amir home.

SPEAKER_1

I apologize for Mohammed, doctor. Amir was, I mean, is a god to him.

SPEAKER_10

An emotional factor that must remain irrelevant to what we're doing here. I can't own you to understand that.

SPEAKER_1

I promise you, he won't interfere again.

SPEAKER_10

Oh, will anyone else? Goodbye for now, doctor.

SPEAKER_1

Goodbye. But doctor, the transplant, the most sensitive part of the operation, surely you'll want my assistance.

SPEAKER_10

Yes, doctor. Bring Dr. Nixarian's code and hat. You know my friend?

SPEAKER_1

Yes, of course.

SPEAKER_10

Now, this may come as a surprise to you. He's been well trained in my techniques, far beyond your wildest dream.

SPEAKER_7

He will assist. Doctor, without proper help, the risks involved.

SPEAKER_12

Risk?

SPEAKER_7

There's no risk?

SPEAKER_11

What do you think I am, an amateur?

SPEAKER_12

Doctor?

SPEAKER_1

No, of course not. I suggest 48 hours, sufficient time for you, Al. I'll be back then, as you wish. Well, they're just left. You know what to do.

SPEAKER_7

Do you really trust that man?

SPEAKER_1

To succeed in this? Yes.

SPEAKER_4

What will it cost our country?

SPEAKER_1

You don't know him. He's not after money. What is he after? Personal vindication, influence, power.

SPEAKER_7

It makes him even more dangerous.

SPEAKER_12

When has there been a nation without danger?

SPEAKER_10

What good is this broken-up mess?

SPEAKER_11

You're a fool. The blood doctor?

SPEAKER_10

Young healthy male body, the central element of this entire project. And I entrusted it to that imbecile.

SPEAKER_11

But he can get you another body. I'll be working this time.

SPEAKER_10

We haven't time. I need a body now. You're not taking up the core. His mind is out of a child's hand.

SPEAKER_11

Gore, the doctor, he won't serve your purpose.

SPEAKER_10

But he can buy us a little time.

SPEAKER_2

Did you recognize the little person in the film that's playing the evil, wicked, sadistic assistant?

SPEAKER_3

I'll be honest, I didn't.

SPEAKER_2

He is Master, as in Master Blaster, from He Who Runs Barter Town. This is a much younger version of him, like in the 70s. And I believe some of our more classic film watchers would probably recognize him. I think he was also one of the performers in the sideshow for the movie Freaks from Todd Browning. I think he may be the one that talks about the Loving Cup. One of us, one of us. I do believe. I'm not 100% sure. But I know for sure he is Master, from Mad Max Beyond Thundertown.

He Who Runs Barter Town, folks. That's a sadistic assistant in this.

SPEAKER_3

That's awesome.

SPEAKER_2

We can move on. I just needed to say that. I'm sorry.

SPEAKER_3

Hey, man. No, that's cool. That's a good bit of trivia. So the group that is now leaving, you know, the leaders men, as they're driving, another man is driving and runs them off the road and the car crashes. The doctor is able to jump out and is the only survivor, the not the doctor, scientist doctor that removed the brain, but the guy who assisted him in who is the personal physician to the leader.

Well, we come back to Gore is going under now and the doctor reminds him that he saved him after an acid attack. Well, this leads to a Gore flashback where he's just a guy playing with a toy, you know, he's developmentally disabled. And then two guys who are working on a car start messing with them, break his toy. So he punches one of the guys and then the other guy knocks him out. He falls down and they pour battery acid all over his face.

SPEAKER_2

This feels like it was taken from another movie, like that could have been. Yeah.

SPEAKER_3

Yeah. And like it just feels very well could have been.

SPEAKER_2

Yeah. I don't know what it was taken from, if it does. But everything of Al Adamson feels like it was cut from something else.

SPEAKER_3

Everything, everything all the time. Even if this wasn't, it still feels like it. I get that. But at least this fits in with the fucking story.

SPEAKER_2

Yeah, that's that's fair.

SPEAKER_3

Yeah. So anyway, surgery is then complete. And this leads to our next clip.

SPEAKER_10

He's very strong. Won't take him long to recover from the anesthesia. Gore. It isn't Gore anymore.

SPEAKER_11

I don't miss him.

SPEAKER_1

He was the only friend I had.

SPEAKER_11

Such as he was.

SPEAKER_10

What about your friends in the cellar?

SPEAKER_5

Oh, he can't.

SPEAKER_11

Just like I play with your pretty.

SPEAKER_5

Ha ha.

SPEAKER_11

Don't take her away.

SPEAKER_3

So then the other lady, who I believe is also from the apartment, she's able to get free from her shackles. And she makes her way around this dungeon, whole area, cellar. She finds the dictator's, the leader's body. I call him a dictator, the dictator's body. Really, it's a lot of crawling around. And that ends that 20 minutes before we go into the next.

SPEAKER_2

Yeah, it does feel like about 20 minutes of crawling.

SPEAKER_3

Yeah, that they do it again. She crawls around. It's a real kind of basic dungeon set. And if they kind of have actually put together like fake rats around all that kind of stuff. So whatever you're going to see, it is what it is.

SPEAKER_2

Later on, she finds a fucking spider just resting.

SPEAKER_3

Yeah, it's on her arm.

SPEAKER_2

Yeah. And it's definitely a fake spider that they're pulling a string on to make.

SPEAKER_3

Yeah.

SPEAKER_2

Oh, for fuck sakes. What have I done, Matt?

SPEAKER_3

I don't know, man. You bought these box sets and then you felt like, you know, everyone should have to suffer.

SPEAKER_2

Yeah, I bought this box set, Matt. I did.

SPEAKER_3

Yeah. You did this to yourself. You spent, you worked hard. Kurt, I know you. You work hard for your capital gains in this world. I know you do. And you spent, so you worked hard to watch this. Just think of that. You worked hard to put yourself through this. I don't know what else to tell you.

SPEAKER_2

Yeah, but on top of that, Matt, not only did I work hard to be able to purchase the box set, but I also work hard to produce this podcast about this box set.

SPEAKER_3

Listen, man, I rarely call your ideas into question, but.

SPEAKER_2

Oh, dude, it's making great shows though. I know it really is.

SPEAKER_3

Sometimes our suffering is the best thing you can have.

SPEAKER_2

I think for a generally sadistic audience like ours, this is the gold that they've been waiting for.

SPEAKER_3

Yes. Yes. It's not just one of us suffering. It's both of us suffering.

SPEAKER_2

And it's all of us together.

SPEAKER_3

Yeah, everyone together. No one's having a good time. So, Tracey, the lady from the beginning of the movie with The Dictator, she lands and is met by Bob. And that is our next clip.

SPEAKER_1

I'm afraid there's been some trouble. Come on, I'll tell you about it.

SPEAKER_8

What's happened? Is Amir safe?

SPEAKER_1

Yes, but Mohammed is dead. Our car will return this morning.

SPEAKER_9

He was killed instantly.

SPEAKER_8

I won't pretend to be sorry. He was always jealous of my influence on Amir. What's happened to your hand?

SPEAKER_1

Just a cut.

SPEAKER_9

From the accident?

SPEAKER_1

It wasn't an accident, Tracey. We were deliberately forced off the road. I saw the man who did it.

SPEAKER_9

And what was he after?

SPEAKER_1

Maybe he wanted Amir's body. You know, if the world believed he was dead, all our plans would be worthless, even if we managed to keep him alive in another body.

SPEAKER_9

There's no way anyone outside the group could know.

SPEAKER_8

Amir and I saw to that. It's impossible.

SPEAKER_1

All I know is that someone is trying to stop us.

SPEAKER_8

Do you think he could be involved in this?

SPEAKER_1

It doesn't make sense. His only hope of vindication is in our hands.

SPEAKER_8

In Amir's hands, not ours.

SPEAKER_1

Tracey, you brought Dr. Trenton to us. You continue to believe in him even after every major medical institution in the world had blacklisted him. Why should you have doubts about him now?

SPEAKER_8

I know him better than you do. I've always respected his skills, not his motives.

SPEAKER_3

Well, we're back to the dungeon, lady, and she finds a dude all chained up who's just kind of muttering shit. And then we cut back to the hitman who drove the car off the road, and he calls the doctor and tells him the job is done. And the doctor says if he left the car where he told him to, and the guy goes, I did, he goes, well, then your payment will be at the car. Well, the guy driving Bob, he sees the hitman, knows what he looks like, so he stops.

And then we get a bit of a chase slash fight scenes where he's fighting them. And then they chase, fight and chase. Eventually, the hitman gets away from him, gets to his car, turns it on and it blows up on him. So the hitman is killed. So then we cut back to Tracey and Bob and they are driving away. And that is our next clip.

SPEAKER_1

I'm certain it was the same man who forced me off the road.

SPEAKER_11

How can you be sure?

SPEAKER_1

Oh, I'm sure. It doesn't matter now anyway.

SPEAKER_8

Do you still think someone's trying to destroy Amir?

SPEAKER_1

Well, I can't think of any other explanation unless...

SPEAKER_11

What?

SPEAKER_1

Well, moving.

SPEAKER_11

Where are we going, doctor? In a country that appreciates me. Is that girl going with us? No, she stays here. Ah, good. I didn't like her anyway. Doctor, is Gore dead?

SPEAKER_10

It depends on what you mean. They'll be waking up soon. You realize what I've done. I've proven that the brains of great minds can be transplanted intact, and passed on from body to body for generations. Great minds can live forever, or the world will be ruled by a race of immortals.

SPEAKER_11

But what will happen to your brain, doctor? If no one else knows your secret, who will operate on you?

SPEAKER_10

Someday I'll teach my secrets to others in a country controlled by me and dedicated to my science.

SPEAKER_11

Then will you put my brain into a bigger body?

SPEAKER_10

No, Doro. I like you just as you are. I wouldn't trust you in a taller body.

SPEAKER_11

What a jerk.

SPEAKER_2

I just want to point out, too, by the way, this is basically the plot of Ghost of Frankenstein, where Igor wants to have his brain put into a bigger body, but you obviously can't trust Igor to put his brain into a bigger body.

SPEAKER_3

No, I mean, Jesus Christ.

SPEAKER_2

I'm pretty sure it's Ghost. It's the one where Bela Lugosi plays Igor, and he's like the creepiest Igor, because he's got like a broken leg and shit. I'm pretty sure that's... No, Son of Frankenstein. It's probably Son of Frankenstein. Ghost is the one after that, when Bela Lugosi is the monster, and that's still more fun to talk about than this shit.

SPEAKER_3

Well, then this leads to... This is where we cut to the lady with the dungeon and the spider, the very fake-looking spider that's obviously being pulled by a string.

SPEAKER_2

The front two legs keep dipping down into her hand as if it's biting her, but she doesn't notice it, and that's the only thing they get to move, and it's because her hand is hiding the string they're pulling the spider with.

SPEAKER_3

Obviously, something's infecting her, because now she's just barely crawling around, and she's all acting like she's poisoned, and she finds a lot of dead bodies, including the one of the young woman who was chained next to her, and she promptly faints. Bob and Tracey show up, the small man sends them in, and then starts fucking with their car. They meet with the doctor, and that is our next clip.

SPEAKER_10

Tracey, I've been expecting you.

SPEAKER_9

Doctor.

SPEAKER_7

Robert, back so soon?

SPEAKER_12

I think we're in very serious trouble that something happened.

SPEAKER_10

So, Mohammed and the man who killed him, both are dead? You were most fortunate.

SPEAKER_9

Indeed.

SPEAKER_12

What is it only?

SPEAKER_9

Bob believes someone is trying to kill Mohammed.

SPEAKER_7

I find that difficult to believe.

SPEAKER_12

After all, no one knows we're here. Well, the man who killed Mohammed certainly did. And we can't assume that he's working alone. Doctor, I want Amir back in Calede as soon as possible.

SPEAKER_10

So do I, but for the time being, he can't be moved. After all, we can't take the risk of any unforeseen complication.

SPEAKER_12

Well, can I see him at least?

SPEAKER_10

Of course. I'll take you to him myself.

SPEAKER_12

Where is he?

SPEAKER_9

There's no one here but God.

SPEAKER_10

Well, there have been some unexpected developments.

SPEAKER_9

What?

SPEAKER_12

Didn't you perform the transplant? Couldn't you find a suitable body? That's been done.

SPEAKER_7

Are you awake?

SPEAKER_12

Who are you?

SPEAKER_7

Surely you remember.

SPEAKER_12

Thank you, doctor, for what you've done. My head feels so heavy.

SPEAKER_10

You must rest.

SPEAKER_12

Lots of rest. How dare you?

SPEAKER_10

I'm done upsetting you.

SPEAKER_12

Amir, is that you, Robert? How do you feel? I'm somewhat, much stronger. You were right about this operation, Robert. Was I?

SPEAKER_9

Tracey, with you? Yes.

SPEAKER_12

And where's Mohammed? You must rest. Where's Mohammed? Why isn't he here? Rest. There's no time for that now. We've wasted too much already. I must send Mohammed back. Dead? You mustn't get upset, Amir. Get me out of this. You mustn't oppress yourself. I'm controlling you. What's wrong? What's the matter with me? Amir, listen to me. Stay away from me.

SPEAKER_7

Drive your dumbness to me.

SPEAKER_12

It's only temporary. I had to make the transplant on the only accessible body to keep you alive. I'd rather be dead. Gaur!

SPEAKER_5

Don't hurt him!

SPEAKER_11

Please, Gaur!

SPEAKER_12

I don't know what's wrong with me. I feel strange.

SPEAKER_9

Amir, I think there's something you should know. Mohammed was murdered.

SPEAKER_11

Tracey, no!

SPEAKER_9

We believe it's a plot to overthrow your government, to make Khalid believe that you are dead.

SPEAKER_8

Then, then I must return immediately.

SPEAKER_12

Amir, Amir, don't, don't, don't, please, please don't. Are you trying to stop me, Robert? You're not well. The operation isn't complete yet. Dr. Trenton can do it himself, believe me.

SPEAKER_9

Yeah, well, listen to him. He's one of them.

SPEAKER_11

Tracey, are you out of your mind?

SPEAKER_12

I must have a car.

SPEAKER_9

I need to get to the airport. Come on, we'll get one on the road.

SPEAKER_12

Where's Amir? They must stop him.

SPEAKER_11

He won't get far, I'm sure.

SPEAKER_9

I'm going after him.

SPEAKER_12

Put him in the cellar.

SPEAKER_11

He's our final guest. But take good care of his body.

SPEAKER_3

And that will lead to the final 20 minutes.

SPEAKER_2

All right, so I want to just make sure that I'm following the story here, right? This dictator guy, or who you think is a dictator, but the ruler of this Muslim-

SPEAKER_11

Land.

SPEAKER_2

Muslim-

SPEAKER_3

It's obviously a Muslim land.

SPEAKER_2

Yes, right. He was dying of cancer, and as a last ditch effort, they're going to do this illegal brain operation in the United States. So they fly him there to do that operation. Is that correct?

SPEAKER_3

Yes, and here's what it is. They don't feel like anybody else can lead the country other than him. They feel like the country will go, like I think even Muhammad even said that they would end up like other similar countries. It just would be a mess without his leadership. So yes, they want to all do that for him.

They want to take the brain, put it into another able-bodied person, then do some cosmetic surgery, and everyone will just think he's still alive and everyone will just think that that's how it is.

SPEAKER_2

Right, okay, so that's the plotline, but they have the car accident, so the guy that they were gonna put him in dies, all of the people protecting him die, right?

SPEAKER_3

No, no. They were gonna find a body, and Gore found this thief who would enable body, but the problem was Gore being kind of clumsy, instead threw the guy off the roof, breaking his body. So that's when the doctor's like, I can't use this body. It's completely and utterly broken. All the bones were broken. So that's why they put him into Gore to hold it over until they could do another surgery and put him into somebody else.

SPEAKER_2

Yeah.

SPEAKER_3

But it sounds like there are ulterior motives because the doctor's obviously wanting to kill off all the people surrounding the leader. And we see that the doctor keeps talking about how he wants to live in a country, his own country, one that supports his medical and science and all that. So now you start to think maybe he's trying to use this to get into that country.

SPEAKER_2

Okay, okay. That's making a little bit more sense. And you definitely followed the dialogue a lot more closely than I did at this point.

SPEAKER_3

Well, probably because I was doing the notes.

SPEAKER_2

That's fair. I just guessed that I wasn't getting, like I knew that the doctor was bumping all of the guys off, but I assumed that it was one of the guys that came with him that they were gonna do the surgery with.

SPEAKER_3

And that they were gonna provide the body, the doctor was.

SPEAKER_2

Right. So, and I knew that the guy getting thrown off the roof was like going to be the body. I just thought that that was one of the guys that came with them. That was where I was going.

SPEAKER_3

Oh, no, no, no. That's just some thief.

SPEAKER_2

Yeah. So essentially Gore is just basically like a Frankenstein's monster character that he can kind of-

SPEAKER_3

But he was just, what it was, was a bigger guy who was mentally, developly challenged, but he had super hardcore strength and he had acid poured on himself. Most likely this doctor found him and helped save his life. And so then Gore became just his henchman.

SPEAKER_2

But he also has kind of got something that he can control him with now too.

SPEAKER_3

Yeah. But now there is no more Gore. Now Gore's gone.

SPEAKER_2

Right. It's the dictator guy that he is going to control.

SPEAKER_3

Yes. That's why Gore agreed to this surgery. I mean, not that he had to agree. It's just Dr. Tolman that's what's happening.

SPEAKER_2

Let's just finish this off or whatever time we have left this week.

SPEAKER_3

Let's head to this last surgery. Hey, man. Again, acting wise, you get the sets, everything. Yeah, it's all cheap and all that. But the story is actually kind of interesting.

SPEAKER_2

It's more tell than show. So if you're not prepared to tell then and you want to see show, you're not going to get that.

SPEAKER_3

Exactly. All right. So the final 20 starts. The doctor goes looking as little man moves the unconscious dude to the cellar. He finds the lady missing and he's kind of pissed about that. Tracey and the leader, they try to get a car and they get one to pull over. The leader kills the passenger, but the driver is able to get away with the car. The doctor starts using this machine he has and it starts sending scans to the leader's head so it's causing him pain.

Tracey says there's a car a mile away and they will have to try to make it there. Then we see little man has found the lady and drags her back to the main room, but then she's able to get free and stabs him with a needle, killing him. Bob wakes up and that is our next clip.

SPEAKER_1

They called him Gorg.

SPEAKER_5

Nothing.

SPEAKER_1

Thank you. Come on, let's try and find our way out. I'm afraid this is done for. Hold this. We're going to have to walk it. I have to find... I have to find someone. The man you call Gora. Come on.

SPEAKER_3

So then we cut to the doctor finds, as he's searching, finds that passenger on the roadside dead. Then Bob and the lady, they, of course, we see get the gun from the car. They find the dead guy as well. And this leads to our next clip.

SPEAKER_1

I've got to find him before he kills someone else.

SPEAKER_9

He'll kill you too.

SPEAKER_1

No, I don't think so.

SPEAKER_5

He can't take that risk.

SPEAKER_11

Wouldn't stand a chance against him.

SPEAKER_1

You don't understand. He's my friend. Or was. I can't just leave him.

SPEAKER_11

Creature like that can't have friends anymore.

SPEAKER_1

Look, this road, it goes into town. You'll be safe there. Aren't you afraid?

SPEAKER_11

Yes, I am.

SPEAKER_1

But I want to stay.

SPEAKER_3

Well, then we cut to a little kid's running around playing, and he sees the leader and the he has a toy gun. The leader sees him. It's just start saying mine, mine and chases after the kid. Now, there's a lot of more cat mouse running around for the kid, and he runs into Bob and the lady from the basement. He points them to where the dude is, and Bob gives lady the gun and says, Listen, he's going to head over there. If you see him coming at you, use the gun.

The doctor catches up to Tracey, and that is our next clip.

SPEAKER_9

I was beginning to worry that you couldn't find us.

SPEAKER_10

Were you? Or were you planning on using Amir for yourself?

SPEAKER_9

If we stayed at the house, he would have killed you. Anyway, as soon as Amir started having headaches, I knew exactly what was going on.

SPEAKER_10

You knew that the electrode I placed in his brain could be used to Tracey?

SPEAKER_9

I'm not a scientist, Dutch, but I know you better than you think. Do you know where he is now?

SPEAKER_12

Not far away.

SPEAKER_9

He'll be back. What was that?

SPEAKER_12

Put the gun away. I won't hurt you. Don't come any closer. Don't be afraid.

SPEAKER_9

Just keep away from them.

SPEAKER_12

You don't understand. This body isn't mine.

SPEAKER_10

I can't control it.

SPEAKER_12

I've been betrayed.

SPEAKER_9

I've been used.

SPEAKER_12

I need help. My country is far away. Their people aren't afraid of me. They love me. They need me.

SPEAKER_9

Then go back to them.

SPEAKER_12

I will. But there are people who would try to stop me. You must not tell them that you will see me. You must not go.

SPEAKER_9

What is it? Are you hurt?

SPEAKER_12

Don't touch me. He'll soon learn what's causing the pain. Who can stop him?

SPEAKER_10

Then he'll have to come to me. He can. You see, this being energizes the detective electrode I placed in his brain. It causes great pain. I'll control him. He'll obey me.

SPEAKER_9

Why did you turn him into a killer? He's monstrous.

SPEAKER_10

That's a complication I hadn't expected. But at the moment, the important thing is that we find him, and he must be controlled.

SPEAKER_12

I heard a scream. This way. Come on. I couldn't understand him.

SPEAKER_9

He was from a country far away, where people loved him.

SPEAKER_12

They do. It's your country too? It is now. You see, I was raised in England, but my father is from Calais. You might say I have sort of a heritage to live up to there.

SPEAKER_9

What do you do there?

SPEAKER_12

I'm a doctor. I'm not one of those men. No, no, I'm not responsible for holding you in that house, but I was his assistant. I worked there. I didn't know, you know, that's not true. The bodies, the experiments, the blood, they had to come from somewhere. The truth is, I didn't want to know. I was too, too fascinated with the project, too concerned about Amir, too ambitious. Well, it's all over now. It's all finished.

SPEAKER_9

You're not.

SPEAKER_12

You don't know anything about me.

SPEAKER_9

Who knows about you?

SPEAKER_12

My brother perhaps, my mother, a few friends back home, Amir. Do they love you? I'd like to say so. Do you love them? You know, you're a very rare sort of person. I wish, I wish we had... He's dead to the road, isn't he? Catherine, I want you to do what I tell you. I want you to take Jimmy and go up to the highway. Please, please, catch a ride. Go into town and stay there. Try and forget what you've seen here today. Tomorrow we'll all be gone. We'll be back, we'll be gone. Can't go back.

But that's my home. Now this is world. Now do what I told you. Come on, old boy. Wake up.

SPEAKER_9

Will I see you again?

SPEAKER_12

I don't see how.

SPEAKER_9

Where have you been? Did you kill the boy?

SPEAKER_12

Amir, what are you doing? Nothing.

SPEAKER_9

Amir, you're acting like an idiot.

SPEAKER_10

After all, you're about to pay me the biggest medical fee in history.

SPEAKER_12

What do you want from me?

SPEAKER_10

Isn't that obvious? I want your country.

SPEAKER_12

You're insane!

SPEAKER_10

You're hardly qualified to call anybody that. Never! You're a traitor!

SPEAKER_12

Yes, how did you find us? It's a very noisy little gadget you have there. Kill him, Robert, shoot him now. No, Amir, there's been enough killing. Kill him or Khalid is doomed. Not Khalid, just the four of us. Robert, listen, there are others who still can be trusted. To say you can't be saved, that's a lie. This whole experiment was nothing but a horrible mistake, the kind of mistake only madmen make.

Amir is dead, this whole creature is up, an abortion, horrible chavisty of what Amir was, of human life itself.

SPEAKER_10

Evil, is it evil to try to save your leader?

SPEAKER_12

Yes, what is. He serves you and betrays our country. I'll have to serve him unless you kill him.

SPEAKER_10

Kill him and I'll obey you.

SPEAKER_12

We'll rule Pauley together. You don't even sound like Amir. I am Amir! I'm sure you think so. Then you'll have to kill whoever you think I am. Amir, go after them. Bring Bob back. Done damage.

SPEAKER_3

All right, so we got some more chasing. After a while, Tracey's captured and he throws her down the cliff killing her. Then Bob and him get into a fight and Bob is knocked out and he carries him back. The doctor then transplants the brain again into Bob. We go, we're back into the palace of that other country for our final clip.

SPEAKER_11

Stand by. People of Khalid, Allah has answered our prayers.

SPEAKER_1

And now I give you our beloved leader, Abdul Amir.

SPEAKER_7

People of Khalid, I am here this evening to lay to rest all rumors about me that have been circulated among you by enemies of our country. During the past several weeks, I have had to work in seclusion, completing plans to enhance the greatness of our country. I have laid the plans for a great institution, people of Khalid and of the world. The presence in my house of a great American surgeon is not for the benefit of myself, but for the benefit of our nation.

Tonight, I announced the appointment of Dr. Lloyd Trenton as Director of Khalid's Ministry of Science, a department of government that is to be the largest, the best endowed of its kind in the world. My people, harsh sacrifices will be required to advance the great and revolutionary plans of this unprecedented ministry. But what sacrifice would we not joyfully accept? For Khalid, our nation, has a new destiny, one to be shaped by science.

My people, together, we must face changes which will require great strength and patience. Much will be asked of you, just as much will be asked of me. But as your leader, as one who loves you, I ask you to come together with me and face with courage the greatness which Khalid will know. And together, we will find the glorious future that science promised.

SPEAKER_3

We see that the new leader has that cut in his hand, the same cut that Bob had to the plastic surgery success. All throughout his speech, we see images of all the death and mayhem that has happened in the movie. Roll credits.

SPEAKER_1

Roll credits.

SPEAKER_2

I have said that there has been no good Al Adamson film that we have covered on this series yet. This is approaching the closest to one that is almost entertaining enough to where you would call it good. I agree.

SPEAKER_3

This is as close as you're gonna get.

SPEAKER_2

Yeah, so far. I do wanna state that we're not covering Nurse Sherry on this go around, or the possession of Nurse Sherry because we've already done that a long time ago. And we talked about the various versions, the porn-induced version that I watched versus the regular rated R version that you covered that was in your notes. So that is one that, I'm just gonna say it, I would revisit Nurse Sherry, particularly the pornographic one, if you know what I mean, and I think you do.

SPEAKER_3

Link, link, nudge, nudge.

SPEAKER_2

Right, so that is sort of like my template of a Al Adamson film that is entertaining enough. And I would watch even the R rated one because they're still nudity and it was entertaining and fun, the possession of Nurse Sherry was. So I would watch that one again, for sure. The Wild Angels and that sort of thing, I would probably watch that again. Hell's Bloody Devils I might, probably not. But the Wild Angels I would probably watch again.

And as well as the Satan's Sadist, I definitely have watched that more than once or twice. And there's another film coming up that we're gonna be doing soon that I mentioned that I've watched a few times as well. But this one is approaching one that is really close to the possession of Nurse Sherry in that I actually would look forward to watching Possession of Nurse Sherry again. And this one, Brain of Blood, is pretty fucking close to one that's like, yeah, it's cheap.

Yeah, I've had a lot of complaints about it. And yeah, I've said a bunch of things that were definitely wrong with the film, absolutely. But it's still got just enough gusto in entertainment, even though it's more tell than show, to where it almost makes you want to have a rewatch of it. And you definitely, the first time you watch it, this is not a I'm gonna go to the lobby to demand my money back level of bad like some of the other ones were, right? So that's all he cares about now.

It's no longer a carny trick to make you think that you're entertained. It's literally just keeping you from being that pissed off enough to demand your money back. And that's the level of quality we're at.

SPEAKER_3

Just, yeah, right. That's pretty much it, yeah.

SPEAKER_2

And this one-

SPEAKER_3

But at least it had a story that made sense really.

SPEAKER_2

Yeah, it's kind of comic booky and a little bit weird. And it feels like a Dr. Evil plot and some James Bond kind of shit, which is very much with the times of the kind of movies that we'd be coming out around this era too. So, it's not all that over the top and weird, but it's just enough over the top and weird. I mean, the main thing that Adamson is missing is he just needs to throw more tits in his films, right? I mean-

SPEAKER_3

Come on, man, isn't it that hard?

SPEAKER_2

Yeah, I mean, if you wanna just keep people in a theater no matter how bad your film is, just pop up tits every 10 minutes. That's what slasher films did.

SPEAKER_3

Yeah, exactly.

SPEAKER_2

And there are some really bad slasher films that I love rewatching.

SPEAKER_3

Because there's titties in it.

SPEAKER_2

Yeah, yeah. I mean, once he crosses that line like he does with Nurse Sherry, where it's not even just nudity that he's including, but he's including hardcore fucking sex in different versions of it, it's game over, man. You've won the audience over. It doesn't matter how shitty your film is because you gave them something that they'll wanna see.

SPEAKER_3

Exactly.

SPEAKER_2

And they won't complain about how bad everything else is so long as you keep that shit flowing. Once he discovers that, we're gonna be golden. But the thing is, is I think he resists that for the bulk of his career.

SPEAKER_3

Yeah, he's like, no, I have to have some sort of moral upstanding about my movie.

SPEAKER_2

Either that or he's so cheap, he doesn't wanna pay actresses to get naked or actors to drop the kid. That's true.

SPEAKER_3

Yeah, that's probably more along the lines how it is. That's a weird, weird morality about I'll rob you of money, but I won't show you naked women. It's definitely the, God, I don't wanna pay them extra.

SPEAKER_2

All right. So you're gonna have a story time then, I take it this week.

SPEAKER_3

Yes.

SPEAKER_2

All right. I'm done talking about the movie. So let's take the break here. We're gonna play the Kinks song that I promised everyone at least one for Matt. There we go. It's coming up next with the Kinks and alcohol on the Pirate Radio Edit. And immediately after that we'll have our story time. Goddamn, the kinks are going after alcohol, and I'm loving that song, that's great.

SPEAKER_3

Hot damn.

SPEAKER_2

So, let's actually hear your story time and see how it might fit in with alcohol, because, well, that's your lifestyle.

SPEAKER_3

Right.

SPEAKER_2

And that's our story time. I know how you like to hear it every time, so might as well play it for you.

SPEAKER_3

I really do.

SPEAKER_2

I'm going to do that to get sick of it.

SPEAKER_3

That has nothing to do with this movie or anything else.

SPEAKER_2

Well, it might have something to do with alcohol, if it's a story of your life.

SPEAKER_3

It doesn't actually this time. I am shocked. It's a fun adventure I had just this past weekend. My father turned 80 years old. And so we went down to where he lives for, he was having a big birthday party. My car eats oil, the engine eats oil. Its brand always does and always has, it always will. Well, on occasion though, that oil can get into the spark plugs.

So my adventure was as I'm on the interstate, about two and a half hours away from home, my car starts chugging and my check-in July comes on. And I realized what that means. It means oil got into the spark plugs and it's causing issues. So I get to an exit out in the middle of nowhere. There's no nothing. Now, luckily, I brought extra spark plugs with me and all the tools I needed.

But in the middle of gusty, 35 mile per hour winds, next to a farm where I'm pretty sure if they consider that their property where I'm pulled over, there was like this little turn area. It was all dirt and everything, but at least I could park there off the side. They will shoot me. This is Missouri, rural Missouri. And so with a hot engine-

SPEAKER_2

They might just shoot you for being there anyway.

SPEAKER_3

Yeah, with a hot engine. And I changed out my spark plugs in like 10 minutes on a hot engine. Everyone was like, wait, you did it with a hot engine? I go, yeah, it wasn't the most comfortable thing in the world, but I didn't really have a choice. We were nowhere near. And then my wife was like, well, do you want to trust the car or the rest of the way? I go, no. So we got to St. Joe, which is a town, bigger city kind of in Missouri. And I rented a car from there and left my car.

They're like, the guy was like, yeah, you can leave your car in our parking lot, but we're not responsible if it's stolen. I go, if they steal it, they're doing me a fucking favor at this point. They'll catch them years later. They'll be like, oh, they'll catch them like a few weeks after the car chugs on them. I'd be like, well, then for more fun, just with car shit, my car wouldn't start yesterday. And it was obviously the battery.

And I got a battery port on it, and probably, you know, the battery charge wasn't all that great. So I had to go buy a new battery, replace the battery. So I'm quickly becoming someone who could do things with the car.

SPEAKER_2

Yeah, that's actually kind of what I wanted to comment on. The Matt that I have always known didn't know shit about cars and could not change his own spark plugs. So the Matt that I know now taught himself that in order to save himself money, right?

SPEAKER_3

I taught myself how to remove a battery, and I've done that before. I've taught myself how to change a tire, not all that hard. And I've changed headlights before. I have no idea. I probably could teach myself. I have no idea how to change my oil. Now, I know how to add oil to a car. That's pretty easy. But I've never actually done a full oil change. So that's still something that's serious.

SPEAKER_2

You gotta have a way to get the oil out and something to store it in, and then a way to dispose it. It's kind of a pain in the ass to do it yourself.

SPEAKER_3

It is. With the spark plugs, a mutual friend of ours helped me out with that. He gave me a good walkthrough because he's been renovating a very old car that he bought. And that's kind of become his pastime, is renovating that car. So he kind of has self-taught himself. So he taught me how to do the spark plugs. The reason I can guide to do it fast is I've had to do it a couple of times, so.

SPEAKER_2

That makes sense. Yeah, like I said, the Matt that I have always known up until just very recently of you telling me this story.

SPEAKER_3

Shit about cars.

SPEAKER_2

Right, right. Like I've known you that you had thrown a rod and drove the car around until it fucking died after that happened. So that's the Matt that I have always known.

SPEAKER_3

Exactly. Fun fucking times. But yeah, there's my story doing 75 on the interstate and all of a sudden the check-in to like comes on charts chugging. And we had passed 10 minutes ago, the only exit of population world, you know, where there were people. So now I'm out in the middle of fucking nowhere, changing out fucking spark plugs.

SPEAKER_2

I've seen like a billion horror movies that start that way. So I'm glad you guys made it out with your ability to change spark plugs before.

SPEAKER_3

And because of the show, so have I. And if you think I wasn't thinking it, I'm like, God damn it, this is where the dad dies.

SPEAKER_2

I've seen this shit and I'm the dad, I better change these spark plugs too quick.

SPEAKER_3

I'm the dad, shit. I'm used to this shit.

SPEAKER_2

Oh, that's awesome. That is the bright note that we need to end this on. So I'm gonna play the show Housekeeping and then immediately after that, I promised it. And now Matt's song from The Who, that is Behind Blue Eyes, right after this.

SPEAKER_3

Yeah.

SPEAKER_2

If you've decided you can't get enough of the show and would like to check out more of it, we're available at legionpodcasts.com Just do a quick search for CinemaPsyOps or just enter this entire URL into your browser, www.legionpodcasts.com/cinema-psyops-podcast Also available along with all of the fellow Legioneers on the Legion Discord chat. And now let's give you a rundown of the memes and how you're gonna get them through CinemaPsyOps.

The easiest place to go is to subscribe to our Instagram feed, which is our main meme repository at cinema underscore sciops. Or you could also follow the Facebook page of CinemaPsyOps because they are immediately posted there after they get posted to the Instagram repository. And you can also check out the Facebook group of CinemaPsyOps and the memes are shared there. I am available on Facebook as CortPsyOps because the memes are also shared there as well. Thanks for listening to the show.

I still can't believe that you're subscribed to us or here every week, just like us. Oh man, that song gets dark fast, doesn't it?

SPEAKER_3

Yes, good shit though, that's a good fucking song.

SPEAKER_2

Yeah, I figured that would be the one that you would want more than Bob O'Reilly, even though I figured you would be fine if we switched them that way too.

SPEAKER_3

I'd be fine if we switched them too. They're both good songs, so yeah, I'm happy.

SPEAKER_2

You got to work pretty hard to find a who song that's not fucking great, to be honest.

SPEAKER_3

That's also a fact.

SPEAKER_2

Well, while you're out there shaking your fist at me, declaring every who song is not the greatest, kick the fuck out of this week and make it your bitch, while you hopefully enjoy at least T-Rex with the song Bang A Gong on the pirate radio headed.

SPEAKER_1

Headed.

SPEAKER_2

Let's get it. All right, and.

SPEAKER_8

Recording in progress.

SPEAKER_2

All righty, both recorders are rolling, so we got back up. I just need a second because I need to clear off this stuff, which I've just done.

SPEAKER_9

Oh, it's open up here.

SPEAKER_3

Time for me to start drinking bourbon.

SPEAKER_2

As long as you can finish your notes.

SPEAKER_3

I'm just kidding, it's Mountain Dew. The bourbon's in the garage, Cort, come on. Where's my, keep my cigars now. I got a new garage bar. Maybe that'll be story time. I don't know. I got a few story times, so I got some things loaded up.

SPEAKER_2

All right, let me make sure this is playing. Yeah, I heard that. You can't hear it too, then. So we're good to go. All right.

SPEAKER_3

We're good.

SPEAKER_2

All right, let's just give it a minute for the intro and for me to take some more hits because I sobered up during the last episode. So here we go.

SPEAKER_3

And that takes us to the end of the first 20 minutes.

SPEAKER_2

Okay, now I know why you barreled through. I mean, yeah. It's fine. This is like five minutes. You want to just skip it? Yeah. Oh, okay. Find your place in your notes because I got something to say for the end of the clip here.

SPEAKER_3

Yeah, I've got it.

SPEAKER_2

Okay. All right, Cor, clip number eight needs cut the fuck down. There's a whole bunch of heavy, weird breathing you need to cut out.

SPEAKER_3

Maybe people like that.

SPEAKER_2

It's just for time, man. Clip number nine can be cut down, too. Cut this down significantly, but it's still four minutes.

SPEAKER_11

See you next time.

SPEAKER_2

Thank Well, you hopefully enjoy at least T-Rex with the song Bang A Gong on the pirate radio edit. I feel like everybody's heard that song even if they don't know who the fuck T-Rex is.

SPEAKER_3

Yeah, I think so, everyone's heard that song.

SPEAKER_2

Absolutely, and that's a great way to end your show.

SPEAKER_3

Yeah, everyone's heard that shit.

SPEAKER_2

And let's end it.

SPEAKER_7

Recording stopped.

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