010: Frances Yllana of AIGA Dallas/Fort Worth - podcast episode cover

010: Frances Yllana of AIGA Dallas/Fort Worth

May 10, 202539 minEp. 10
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Episode description

Rachel Elnar and Erik Cargill welcome Frances Yllana, a branding experience and community strategist, to this episode of Cheers & Tiers. Frances shares her journey with AIGA from the Dallas/Fort Worth chapter to her National involvement, discussing her leadership roles and the impact of community on her career. She reflects on her experiences at leadership retreats, the importance of writing for personal healing, and her involvement with Design for Democracy. Frances also talks about her transition to design operations and how AIGA has shaped her professional path and personal growth.

Key Takeaways

  • Leadership roles in organizations like AIGA can significantly impact personal growth.
  • Writing can serve as a therapeutic outlet and a way to connect with others.
  • Design for Democracy showcases the role of design in civic engagement.
  • Frances's journey illustrates the interconnectedness of design and community service.
  • Leadership retreats provide valuable experiences that shape future leaders.
  • The role of a leader is to empower others and create a supportive environment.
  • Civic tech is an emerging field where design can make a significant impact.
  • Frances's experiences highlight the importance of adaptability in leadership.
  • AIGA serves as a vital network for designers, fostering connections and opportunities.


Episode Chapters

01:48 Frances's Journey with AIGA

10:07 Leadership Retreat Experiences

22:20 The Importance of Writing and Community

25:42 Design for Democracy and Civic Engagement

30:03 Transition to Design Operations

34:10 The Impact of AIGA on Personal Growth

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Transcript

Intro / Opening

Rachel

Chapter two.

Erik

I'm Erik Cargill.

Rachel

And I'm Rachel Elnar. And this is Cheers and Tiers.

Erik

Design Leadership Tales Retold.

Rachel

Hey, Erik. Today's guest is a branding experience and community strategist, a designer, teacher, speaker, and consultant for businesses and nonprofit. Currently, she is a principal manager of design operations at Coforma, dedicated to making work more seamless, fulfilling, and impactful. And since 02/2001, she's led projects and programs from briefing to launch and beyond, ensuring not just great outcomes, but also the growth and well-being of teams she supports. With a keen eye for strategy, concept, and execution, she thrives on empowering others with tools and resources that they need to do their best work.

Because when teams flourish, great design follows. Let's welcome Frances Yllana. Hello. Hi.

Erik

Hello, Frances. It's been a while.

Frances

Yeah. It has been.

Erik

Been a while.

Frances

How long has it been? Great till I've seen you, but Erik, it's been a while.

Erik

Yeah, so it was Grand Rapids. So that would have been, what is that, 2015, '20 '16? Almost ten years.

Frances

Woah. Yeah. Frances, you're right.

Rachel

I saw you last year, two years ago in New York, I think. Yes. Yes. Yes. Yes. So just to acquaint everybody who's listening to this podcast, can you tell us a little bit more about yourself in relationship to AIGA? Like, what was your role in leadership? What chapter? How you got into AIGA?

Frances's Journey with AIGA

Frances

Yeah. So, to preface is like a long time ago. There could have been a whole person growing up and you can pay for their car insurance. They can drive a rental car now from the day I started. So, I joined AIGA after leaving a local organization, that was just really like powerful in the community.

And AIGA Dallas Fort Worth wasn't super, it wasn't attended a lot but they only had like one or two events a year. And so I reached out to the board and was like, hey do you guys want somebody to do communications or anything for you? And they're like yeah we actually do need that so I was I became their communications director and so that was one of the ways that I pretty much, I think became relevant was because I had to type all the things and everything and so I managed all the social and yeah. Basically, all the social. And then in the same year, one of the the president rolled off.

And so, vice president seat was open. So I jumped into the VP's seat and still did communications because we were small. Dallas was, I think, that point, maybe a board was, like, five people, and we had membership of like maybe 70. And in that first year, me and Gus Granger, he was the president, helped kind of build up the chapter a bit more. So we went from like two events a year to maybe two events a month and we grew the board and we went from I think maybe like I said earlier 70 to like 150 members because one of the things that we did, the strategy was the other organization offered one thing and we made sure not to cross over.

They would bring a speaker in every month from outside of Dallas and we would bring speakers up from Dallas. So people who should be in front and who could inspire people, like in person and so that's the type of programming that we had and then it wasn't the first year but the next year I was brought to the retreat and then it's all uphill and kind of not clear, but fuzzy in some areas, but like it's just been the best decision that I ever made in my twenties because it didn't just open you to all the leadership. Right? It made you feel like you could be like one of them. And so you're like, Starry, like, Oh my gosh, there's this person and this person.

And then they just like, Hey Frances. And like, Oh my God, they know my name. And it was just so cheesy. Like whenever that first year, was just like, know, I was like, This person's in my I think Matt Munoz was one of those that was like, he knows who I am. And so it was just kind of really awesome to have that community around you, and you had people to compare yourself to that are outside of your community.

So you're seeing I love I love Dallas Design but you're seeing more things than you see in your local community. So I was seeing and meeting people who you know just by some of the things that they were doing and some of the leadership stuff at their leadership retreats like made me into the director manager person that I had today because I was getting leadership training at each one of those retreats. And so was president, ended up being president And then after that, joined, I went to the rally. So I was trying for the years. It's it was all one chunk.

So there wasn't any gaps. Then I joined, Design for Democracy and that's, and I was brought on with, Jen and, worked with Karen and so we worked on a project together and then ended up being co chair Design for Democracy and then they had the PPC role open and I was like just throw my name in there and I got it and so I was like okay and then went from PPC during COVID and George Floyd was whenever I was PPC. So I was like, what a time to lead, you know. It was again, of those things that I think prepared me for everything that's happened since, right? Because you're like, oh no, I've dealt with crisis, you know.

You see a lot of things that are relevant to you and their relevance to other people and so you have like a better view, right? So I heard all the voices within AIGA and they kind of represented what was happening in the country, right? Then my term ended and they asked me to join the board and so I filled someone else's seat and then December 2023 I rolled off and I was just like, I'm just going to take a break and it has been everything not to volunteer like, oh, there's, hey, there's this board position open again and I'm like, don't do it, don't do it, you've already signed up, you already have another project right now. I just really miss those conversations, you know, and like it was 2011 to 2023, so that's like ten or eleven years and it's all come full circle. Sometimes like there'll be things that I learned at the beginning or aspirations I had at that time in my life that I'm like, oh I did it and it's just this beautiful ecosystem really, that makes designers better designers and also better people.

A quick question, what is PPC? Oh, President's Council Chair. You start as IPCC, so incoming President's Council Chair. You serve one term as, incoming and you serve that with the current president's council chair. When it was started, it was, you are going to pretty much manage communications and encourage the presidents.

And by the time I got into the PCC seat, like it was everybody. There's just things that the presidents have to do and they also need to be able to like talk to each other and like talk about what the common problems were and the things that, you know, just kind of having a cohort of folks that are doing the same thing as you but different. It's such an honor to be in that seat because you're like, you do get all the complaints, you know, you get the side conversations like, hey, I need your advice on the thing, but you also just get to, to know people better and really get to communicate with them and see all the different goals that the chapters have Like, it's just amazing.

Erik

So Frances, I don't know if you remember this. It was several years ago and I was actually, on an assignment for my previous job and I was down in Salt Lake City and I got a random call from a recruiter. And I don't remember what company it was, but you worked for them and you recommended me for a position. And talked earlier about, oh wow, they know who I am. And I know we had met over the years, but it touched me.

And the fact that you recommended me for a position, I didn't think you knew who I was.

Frances

And

Erik

anyway, nothing ever came of it, but it was a good conversation with the recruiter and I really appreciate that you did that. So thank you. You're welcome. Back to the agenda at hand here, when was your first leadership retreat and where was it?

Leadership Retreat Experiences

Frances

Philadelphia, and I think that was like 2012 maybe. It's all fuzzy but I remember Philadelphia.

Erik

What do you remember about it?

Frances

Oh, I need to send you guys a picture of this when I found it. At that point, I hadn't been in front of a lot of, like, people, like, hi, I'm the president of AIGA, and I was still incoming at that point. And so I was really shy. And there's, like, again, like, all these amazing people. And for some reason I was like, I'm gonna ask, there's a conversation and I always take a conversation too far.

So like there's a conversation about like, are you a hugger? And there's a couple of people on the AIGA board that are like full huggers, right? They will go, you know, big bear embrace and there are definitely some people who are like side hug. And I was like, I brought one of the like field notes books that we got in our bag and I went to like, I think the last party and was like, Hey, are you a hugger or not? And I basically asked everybody, I had the balls to go up to and ask, Hey, random stranger, we're getting, we're looking at a survey of like what percentage of AIGA leadership are huggers or not huggers and I found that book and so I have like people's lists on there, and their handwriting and I keep on, it's, I've kept it because I'm a hoarder of cool things.

So basically all the AIGA stuff, I have it. Alicia's on there and at that point I didn't know how to say her last name and now she's like one of my best friends. She's at my wedding and I just looked, I was like, oh, that's when we met, you know, and they're like, Brian Singer's in there. Like there's so many folks in there that I introduced myself to that probably are like, that's when I met you? But they still like remember me now because I've been interfaced so many times with other things but that was what I did in Philadelphia.

That's why I really remember it.

Rachel

So I remember you at a retreat where you were walking around with a inflated banana. Is that correct?

Erik

Yes.

Frances

Where was that? We had a president's, like a chapter president's panel, and I know it was like Gage and, Nick, a couple of, and me and maybe Brendan, we were in presidents, like it was a panel where we just talked about being presidents and before Miranda from Atlanta, I think. We basically were talking about, you know, what are the struggles kind of, what are the things? I can't remember. I think that was Grand Rapids.

I'm not sure, but Gage brought props. Gage or Nick brought props and one was an inflatable banana and we're like joking around with it at the bottom and I was like, let me take this. Because that's one of the things that happened at a lot of the retreats is like, I would find a thing and carry it around and try to give it to somebody and so I gave it to Atlanta and I know they had one picture of it in one of their board pictures but it's gone. I don't know where it is but yeah I was, I was yeah, I was carrying around an inflatable banana.

Rachel

So that's how I remember you as you were going around asking people to sign your banana and I was like, who is this girl?

Frances

No, I'm actually wrong. Philadelphia was not the first one. Salt Lake City was the first one. That was a real fun one. The first time I saw like a giant pyramid and me and Whitney, who was on the Dallas board, we stayed in a hotel like down the street because I think it was like this grand hotel was where the Salt Lake City Hotel was.

And I was like, we can't do this. And that was also oh, I don't know if I should say that. That was a year that I took a door off of a hotel room bathroom. No, that's a different year. I took the sink apart.

Rachel

Sorry. No, that's okay. We heard about the sink.

Erik

We've heard about the sink you can you tell us about the sink? Can you tell us how that played out?

Frances

What happened was it was the last night and I think it was the after party, like the after party where everybody, you have 50 or so folks in a bedroom, right? And, Whitney actually, lost her wedding ring because she needed it to be resized and so she lost her wedding ring and so I was like, where's the last time you had it? And she's like, in the bathroom. And I was like, okay, let's go in there. And so I went to the bathroom.

We looked everywhere, almost everywhere. And then so I was like, what, is it in the sink? So I took the sink apart, no tools. I don't know how I did it. And it was Nate's room. Anyway, so it wasn't in there. So I was like, I left the sink apart because I'm a horrible person to meet the first But I did find the ring because I was like, we haven't found the ring. So I was like, maybe you threw a tissue away. And so I emptied the trash can and it was in the trash can. I was like, here's your ring.

And it was like, because she was so afraid. Was just like, I have to tell him I lost the ring, her husband. And like, I was like, I'm going to take care of you, you know? And then, and then like, like Nick had always said, like, you took the sink apart in her room. And I'm like, sure did, you know?

Hopefully people know that I will take things apart for them as anybody on AIGA team and so there was a door in Atlanta that somebody like had locked the door so I helped take it off the hinges so that we could get in. We got it back on the hinges but like, I don't know where that comes from. I used to watch a lot of Home Time when I was a kid, I was like, I know how to take these things apart but, and I think part of me wants to be like that, you know, like contractor, but I can take things apart very easily. I don't know why it's because I'm the youngest child and also grew up like in an immigrant family where I just made things for myself. And so I could just, Hey, I'm crafty.

You need anything taken apart? Call me.

Erik

I mean, imagine that comes in handy in your professional life too, because I imagine, you know, in terms of approaching, you know, creative pursuits, a lot of times it is having break things down and take them apart to see how they function in order to put them all back together. Can you point to anything in particular during these retreats that have influenced your career, I mean, aside from taking apart sinks and doors, you know, notwithstanding?

Frances

So I think somebody on a board made a joke about, like, you become a better leader, for work whenever you are on the board of a volunteer organization because you can't fire volunteers. You have to make it work and you can't do their work either. And so I don't think I was the best president when I was president because I was still kind of like kind of a jerk and command and control. But everybody that was on the board then, I think, you know, stayed on for a really long time. Then I went to a design for democracy.

But I learned kind of humility and like even if I'm as excited about something because the retreat came to Dallas and I was like super excited because I had been bidding for that and I was just so excited but when we did the presentation, I didn't involve the rest of the board. They were involved in like the t shirts and the other things and the party, right? But like, I was like, I'm gonna put the presentation together and I like still look back at that time and kind of like, I regret it, but don't, because I don't, I think those things are there to teach you, but if anybody remembers that, the board wasn't asked, I just kind of put this presentation together because I was really just overly excited and just didn't think about the board. I was thinking about the whole leadership group and making them, like, excited about Dallas. One of the things you learn is run an organization, an AIGA.

If you're in a leadership position and you put things together, you put events together, you put retreats together, you put these things together that enable an organization to be successful and you learn from other orgs. And so as a manager, I would take care of everything like here's the creative stuff, but also here's the processes so we don't have to restart it. You can start from here. Here's, you know, a whole library of things. And so I started doing that because I was like, let's provide this stuff for our team to be successful.

And that happened at every job. We were just kind of cleaning after people like that kind of job. I did those things like made sure that something was well presented or like here's the structure, the scaffolding for each project and then here's like a list of the checklists and stuff. But that got me into design operations, which is just, I just love. But if you look across my class, I guess some of the folks who are exactly like the same age and same amount of years, Like there's a couple of folks in design operations and I think Kevin is chief operations, chief of operations officer or something like that.

And I was like, okay, like I see a lot of design operations type roles across the cohort that I was part of and it's because you've helped run organisations and help people succeed. You're not necessarily the one that's like, I'm going to shine, right? You're like doing everything that, allows people to be successful because that's your role as a leader in AIGA and so that was just how I knew how to do things and so it transferred its way to work and hopefully my, you know, former reports deal, like I set them up for success. You know, one of them is like so good and he just sent me a note that was like, I put you as my first creative director. And I was like, I was a senior.

I wasn't the creative director, but thank you for putting me there because he put me on there with like Chris Simmons and you know, some of the other people was like, oh my name's right there. I was like the senior art director and he's like, yeah, but you were the one that took care of me and made sure I learned things stuff like So I learned that from the leaders at AIGA. It's the reason why you do systems thinking, right? The reason why you put systems together is for people, not just to make a workflow. It's not an efficiency thing, it's so that the people can succeed because you're thinking more of the outcome rather than the thing you set up.

The Importance of Writing and Community

Because you can set that thing up and it'll need to change. Like it's never, it's like everything's iterative now, right? So you have a process and then somebody is like, this is really great, but what about this? I'm like, cool, cool, we'll redocument it, you know? But that's not the thing that you would ever get like bummed about changing, right? You get bummed if the outcome is not there.

Erik

I heard you mention earlier about writing. I know that that's something that you've done a lot of.

Frances

A lot of the personal stuff was like me healing on one part, but also I wanted people to feel like they could come up to me, like in, you know, the Dallas community, you can come

Erik

up to

Frances

me at an event, right? I'm not, I'm not special, like come over here. So I'd reveal things, but I also was like, if you're feeling something, you know, and you, and you know that there are people out there that care about you, they might be experiencing the same thing too. And it was really just therapeutic to write about some of the things. So right before I joined AIGA, my parents had passed separately, but in, before I turned 30 and then I turned 30 and joined EIG.

So it was like, I was the hard worker. I was the person that got things done. And like I had the, during that grieving period, I was the person that people were like, you're so strong, you know, but I also was drank a lot. So a lot of the, you know, you put the muscle on, right? But you're still not dealing, but you think you're dealing because everybody tells you that you're dealing well.

And so I just started saying like, here's the things that make me proud. This is why I do these things. And the motivation was, you know, no one knows how to say my last name. And I think I've said this on a podcast with Diggy. My last name is Yllana Yllana. And everybody, I even pronounced it wrong when I was like eight years old and my dad was like pissed. He's like, what'd you say? And I was like, Yolana? And he was like, no, absolutely no.

And so he made me sit there and say the name for maybe an hour until I was like five in a row, perfect. And so what I used to say was, I, you know, when I leave things behind, I want people to be able to say my last name. Some people do and it's like, it's a and it makes sense. Like it's a really odd last name. So I'll answer to anything that's related to it.

Philadelphia actually took my last name and made a meme. No, Pittsburgh. Yeah, they sent it to me, it's Frances Yama, llama. So it's like a, it's me doing this and then there's a llama. Yeah.

Design for Democracy and Civic Engagement

Yeah, I'll send that to you too. Because I saved that because I was like, I am a meme now, this is amazing because they would send it to each other and I was like, that's very flattering. You know like,

Rachel

thank you. I am so sorry I mispronounced your last name Yllana

Frances

Oh, did you? I don't even know anymore.

Rachel

Also, your story is so inspirational, and you're talking about, really contributing to things that are outside of work, having your heart in there, doing things for people who are within your AIGA network. Can you tell me a little bit more about Design for Democracy and what that is about?

Frances

Yeah, so, Design for Democracy was just one of those things that I had always, like, really looked up to. I was like, that's really cool what they're doing. And when I started, volunteering for AIGA, I also was asked to join a pilot leadership program, in Dallas. And so it was like nine months, and you went and you met, like, there's one full day of like going to a different organization like to learn about that part of Dallas. So one one was at the prison, one was at like, didn't know that But like you got to see health, you got to see the architecture, like here's what city planners do and like you had these conversations and you kind of knew what was coming before, know, and so I started getting really involved in the civic aspect of Dallas, so not just design and that's when I was like, yo, like designers do so much more than what people think, right?

To be able to do design well and make it look easy, you have to understand strategy, you have to understand empathy, and you also, you know, all of the things, direction, but you also have to know execution, right? So there's a lot of people that'll be like, This is design, and but you're like, I can do this, right? And so if you put those people within a civic serving organisation, like, you're just going to benefit not just that organisation, but also, you know, design because you're spreading why design is good. So I was really like in between. I had a Dallas necklace.

I still have it, but I wore it all the time and I did a lot of volunteering. We had a lot of like civic issues that I was part of, like tearing down a highway, making sure a tollway didn't go up, just really kind of trying to make Dallas better. And so that kind of kind of absorbed it and then it became like, if you asked me what I do, it's basically like civic tech. I want people to, in civic tech to be able to do their best work. Like the dream is that those commercial organisations will have to care more about design because the government cares about design, so it's default, Right?

And actually, so design for democracy, we did a for each election cycle, we did the get out the vote campaign. And so that's where you ask everybody in AIGA, members and leaders, everything, to contribute a poster, and poster joins a gallery. And that gallery is available to anybody who wants to download a poster to be able to spread the message of democracy to their community because, know, some election places, some, libraries, students, right, they might not have the resources to do this work or hire like an amazing designer, but you have with Get Out To Vote, you have this. So you're able to get the, you know, kind of people out to vote. And Design For Democracy was started because of a design snafu.

I'll let everybody look that up. But I just stayed on and it just got like cooler and cooler to see how it could evolve. And then it really just became the same thing. But one year you would have a hundred designers that you pick to do a special poster and that one went on tour. So like there were things involved with it that got a lot of traction, but it was just really like, hey you guys get to design a poster, which is if you're a designer you're like, I'm gonna do this, you know, but then you're putting this really impactful message in there and so you're exercising your skills and everything and it's part of something bigger too.

Transition to Design Operations

Yeah, that's what Design for Democracy is and I basically, whenever I retired from the board was kind of the same time that I kind of retired from Design for Democracy but it still helped put graphics together. That's what actually got me into the role that I'm in now. So like about four years ago, three years ago, well, I had asked Ashley Axios, former president of AIGA National, Hey, do you know this person or this group? Let me know about him. And it was like, like an organisation for executive women, right?

And she's like, I'm just a member of it. It's on her, you know, it's on her LinkedIn because she's part of it, but not because she's part of it. And then she said, we're actually hiring for somebody in design operations. I'll send you the JD when it comes out. And at that point she sent me to JD and I had no contact with her until I was hired.

Like, and pretty much it was like, Hey, congratulations. When can you start? You know, because one of the things I learned from Ashley is like they took bias out of like everything, right? And so if you've ever sent me an email about like, can you tell me more about this job? I'll be like, no, I can't.

Erik

Was one of those people. So sorry. I get it, I get it. I totally respect that.

Frances

Yeah. Yeah. So, and I was just like floored with that because I didn't know it until after that, she couldn't, like just by, from a value standpoint would not, you know, be part of it. She was like, I just referred you. And so what's really great about that is like, I got the job on my own.

I'm Coforma's first design operations leader. I got to stand up, you know, the practice and it's just been, it still is like such a such a glorious feeling to be part of that organization. Even whenever things really rough, is right now, see the best of people though that are dealing with some of the worst things, but you still see the best of people. So it's very, you know, it's very inspiring and I don't think that I ever would have imagined that I would be doing design operations for a civic tech company, but it's like dream job because I get to support all the designers and researchers and some of the, sometimes the engineers and, they are doing amazing work, you know, so, you get to be part of that a little bit, but without having to do it because I've been doing design for a really long time, so I'm old, so I'd like to support it but I can't just do all the time, you know, like, and I think I have the special skills of having done the design, every kind of type of design. So I know like, that's not the right tool, you know, maybe you should try this because I've done the work.

I've done the work in many ways, like from AIGA, also as a designer and then design operations, like, it's just kind of like dream job. I get to do civic tech and design operations and service all in like one job. And so AIJA is kind of like the door to other paths. There's just all of these. And so, I wouldn't change anything about that path, right?

The Impact of AIGA on Personal Growth

Because everything made me better for the next. Like if you take AIGA out of my timeline, I would just be such a jerk. But,

Rachel

You know, same for me. Like, if you took AIGA out of my timeline, I don't know where I would be. I don't know where I would be without this network, without the community, without the inspiration, without just having the connections. Like you said, you just have you do it on your own, but having that opportunity through those connections makes a huge difference

Frances

on where we all are. I can sleep on somebody's couch in almost every zip code, at least 70 zip codes. I could get, you know, a floor palette set up for me, you know? And it kind of was like, well, you're not really supposed to do this because of security now that you post on Facebook. I'm gonna be in New York in five seconds.

I'm in there too. I'll be there, you know, let's get together. And it's never been like, you know, you don't have somebody to see whenever you go to like a, to anywhere. And that's just really kind of cool too. Like you just feel warm, you know, and it makes you kind of feel very welcome and like you, you belong. Right? And so that's just, that's another bonus. There's just all these bonuses to being part of it. It's it's, yeah, been a huge impact on my life.

Rachel

Frances, thank you so much. That was great.

Erik

Very positive. You have a very uplifting attitude about everything. And I, you know, I appreciated hearing that. Thank you.

Rachel

It's so weird that we live so far apart. You haven't seen Erik for ten years, and yet everyone's on a first name basis. Like, you're talking about Jen. That's Jenny Price. Talking about, you know, Kevin. I'm thinking that's Kevin Perry? Yes. Yes. See, that's always like everyone's on a first name basis, I haven't seen anyone for, like, twenty years. It's just like these bonds never die.

Frances

Yeah. It is it is like you we were at the retreat yesterday. Yeah. I'm the kind of person that if you tell me out you like giraffes, I'm gonna send you a giraffe every Christmas. And so because I think that's one of the things too, just a lot of the just the inside friendships and, like, the little happenings that you might remember that are just so cool. Like, it's those are also just really great accents, know, this kind of like rich, warm blanket that's AIGA.

Rachel

Yeah, I love it. Well, thank you again, Frances, really appreciate the time. It was great reminiscing and hearing about what you're up to.

Frances

I'm honored, to be part of this, yeah. Have a good evening. Thank you.

Rachel

You too. Thank you, Frances.

Erik

Take care Frances.

Frances

Bye. Bye bye. Bye.

Rachel

Cheers and Tiers will be back next time with more Design Leadership Tales Retold.

Erik

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Rachel

Cheers and Tiers Design Leadership Tales Were Told is a production of chapter two and hosted by us, Rachel Elnar and Erik Cargill. This episode was produced and edited by Rachel Elnar. Podcast graphics by Erik Cargill. Animation by Verso Design and Megatoe Design.

Erik

The theme music track is Loose Ends by Silver Ship's Plastic Oceans. Follow Cheers and Tears on Apple, Spotify, or YouTube podcasts, or wherever you get your audio and video podcasts. Subscribe to our email list at cheers and tiers dot com so you don't miss an episode.

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