The 1960s - Fantastic Modernism (de)
The 1960ies: a fantastic modern in the MUSA Vienna reveals the spirit of a decade marked by radical upheaval, along the way the entire who’s who of Austrian art is displayed.

The 1960ies: a fantastic modern in the MUSA Vienna reveals the spirit of a decade marked by radical upheaval, along the way the entire who’s who of Austrian art is displayed.
Aivazovsky is regarded as the master of seascapes. In his lifetime he dedicated himself to this motif as a metaphor for life, of desire as well as the struggle between nature and culture.
It is almost impossible to breathe and move within the linguistical system in which we are embedded. Art brings new movement into our consciousness. A portrait.
Audio Interview with Karlheinz Essl about his Sound Installation in the exhibition of Kucsko in Bank Austria Kunstforum in Vienna.
Audio Interview with Kucsko about Intellectual Property and his exhibition in Bank Austria Kunstforum in Vienna.
This project of Kucsko in cooperation with Karlheinz ESSL at the vault of Bank Austria Kunstforum uses the space as ready made questioning issue of Intellectual Property.
By means of drawings and photography Birgit Jürgenssen develops surreal and subversive counter-concepts to female gender stereotypes of the 1970ies, with a sprinkling of humor and poetry.
His fleeting works are based on an idea of the transitory and question the notions that define sculpture: permanence, tradition, historical memory... all are essential to the traditional notion of sculpture.
As a former location of princely representation the province gallery, founded with the collections Czernin and Schönborn-Buchheim, illustrates an essential part of Salzburg’s history.
Hollerer makes conceptual extractions from urban space – yet there is no way of a back transfer as he abstracts to signs and thinks in and with the exhibition space.
Das Bild trägt immer einen kurzfristigen emotionalen Sieg über das geschriebene Recht davon. Ein Gespräch mit dem Künstler und Juristen Michael Maier.
Im vierten Beitrag der Pilotserie Prof. Joseph Marko bespricht ausgehend von Ambrogio Lorenzettis Renaissance Freskenzyklus Grundfragen der "good governance" oder wie es bei Lorenzetti hieß: des „buon governo“.
Für den dritten Beitrag der Pilotserie haben wir Prof. Dr. Peter Strasser, Philosoph mit Schwerpunkt Recht, Moral und Gerechtigkeit interviewt. Sein Einstieg ins Thema: Überlegungen zum Verhältnis von Kunst, Moral, Religion und Recht.
Für den zweiten Beitrag der Pilotserie haben wir Anwalt Dr. Andreas Cwitkovits, u.a. spezialisiert auf Kunstrestitution interviewt. Sein Einstieg ins Thema: Überlegungen zur Restitution und Provenienzforschung im Bereich der Kunst.
Für den ersten Beitrag der Pilotserie haben wir Ass.-Prof. Dr. Armin Stolz interviewt. Sein Einstieg in die Thematik: Überlegungen zum "verrechtlichten" Künstler.
Fritz Panzer relieves objects of his immediate reality of their significations and shows them in their half present - half absent nature.
It is often said that an every portrait is a self-portrait of the painter in a sense and every painter is painting himself - Baldingers portraits show the presence of the absent.
Platz da! Consensus or conflict? The exhibition in AzW has a definite answer: both
In his dream scenarios, Komet has the role of the stage director.
Finely balanced, almost weightlessly, the pencil seems to find its place in the center of the image, it de-picts simultaneously time itself. A Portrait of Peter Fritzenwallner.
"The First Hit of PHANTOMAK: The Ear Problem. No Problem." Masquerade, demasquerade, illusion, delusion, covering, decovering, position, superposition. CastYourArt presents the first series of works of the PHANTOMAK project by TOMAK and Alek Kawka.
Irene Andessner resuscitates the Tableau vivant with “Art Protectors” in the Kunsthistorisches Museum Vienna.
Frida Kahlo’s work oscillates between self stylizing and radical authenticity, relentlessly facing the question of her female identity and at the same time touching the search for identity of an entire nation.
Dealing with art institutions as well as private collectors requires the insurer UNIQA to secure value, promote culture, and bring people together.
As a sign of our solidarity within the fight against HIV and the social exclusion of HIV positive people. A flash mob, initiated by the Viennese Museum Belvedere - we filmed at Kiss@Belvedere ...
Kontakt is the Erste Bank group’s collection of contemporary Eastern European art. But there is more to it…it allows new insights and a deeper understanding of current trends
Edgar Hontschlaeger tests the boundaries of the possible, always along the limit in order to question the existing standard, the process being as important as the results.
Brigitte Kowanz challenges us to question things, perception processes become cognition processes.
Artist portrait Hermann Nitsch. The fact that the world exists is primary for me. The art of celebrating existence.
"Small is the new big" interview with Jessica Bradley owner of the Jessica Bradley Art Projects.