Hello and welcome to Big Gay Energy. I'm Caitlin. And I'm Fiora. Come along with us while we dive into the fun and nuances of queer media. Representation matters, and we're. Here to talk about it. Cheers, queers. What's on the big gay agenda today, Fiora? Today we are wrapping up season one of our flag means death. Woo. Woo. Yes, we made it. And joining us today is Zoe. Hello. Yes, because we sometimes forget to introduce people. So Zoe is here. Yes, for the audio only people
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Your interactions mean the world to us, and these actions contribute to our ongoing celebration of queer media and advocacy for better representation. Thank you. Please do all the things. Thank you, Caitlin. All right, let's jump into episode 10. Yes, we got a lot to cover in this episode. So episode 10 begins with Steve returning and Mary has to face that she isn't actually a widow. Yeah, she's not happy about that.
If you know that someone's not actually dead, you probably shouldn't pretend like they are, because they. Probably will show up. Back in your life. To be fair, how would she know? That well, he said that he left her. Yeah. And. And she put together that he bought the ship to go be a pirate, which is dangerous and he's not qualified for. So, like people die at sea all the time back then. So, like, it's not that big of a leap to be like he probably died.
He was incompetent. I mean, to be fair, he was already technically dead to her anyways, even when he was. Loving with her. So. Guaranteed for her, he died at the wedding. Yeah, it was a transactional relationship, nothing at all. That's fair. Well, Mary is rightfully pissed to see Steed and no one is happy he is back, including the children I love. The kid that's like, Who are you again? Yeah, but Mary is flourishing with her painting career and new guy Doug.
Yeah, Doug's great. I do OK. I love the way this opens with her and her like, feminist meeting of like, widows and like, if you look at the way he's dressed, she's very like a little bit more mask coated like like with the cravat, like the loose cravat kind of thing. So like she's like got her independence and she's like confident and shit. And then here comes Steed and just her reaction with the shaking cough and stuff like the rage emanating off of her. Quite literally raining on her
parade. Literally. Yeah. Oh my God. Poor Mary. I'm singing in my head now. Thanks a lot, Zoe. You're. So welcome. Mm hmm. What you singing, Kaitlyn? Don't rain on my parade, oh. Yeah, yeah. Yeah. Sorry, I missed that. That's a. Good song. Don't worry the listeners, some of them might have the same question, so it's very valid. That's a good song. Anyway, so OK, so yeah, basically, like, in Steed's absence. So this is a shocking return for all the parties involved.
So it starts with Mary being like, oh fuck, he's alive, damn it. And then Steed comes to realize that, like, oh, everyone's doing super well without me. Like, even his children are thriving. So it's almost like, like, Steed's selfishness was like a plague on his family, 'cause if you looked at like, before and then after, like, they were all almost like, caged together. And like, any time they show shots at, like, the dinner table, like, Steed is like miles away from his family.
Like, yeah, he's at the head of the table. But, like, everyone's always clustered around Mary like the kids. So it's almost like this divide was always present. And then once he was removed, everybody kind of like flourished in his family. And Mary has like her widow's support group, which I I love because this is such a real thing that was like never actually talked about out in the open cause patriarchy and shit.
So like in the opening sequence, one of the new, it opens up like one of the newly widowed women is like joining the group and she's talking about how she feels and she's like, I feel so, so happy. And Mary's like, exactly. Never fucking apologize for that. So I love this depiction because it's true. Like widowed women were some of the only.
Like, it's one of the only avenues where, like, a woman could be, like, single and financially independent and it's socially acceptable because she had a man but he died. Oh, how sad. So like, all these women are like these awful men are gone and we're just like living our best life. So I do love the realism of the widow support group, even though it's like presented in a funny way 'cause it is. How many of them are lesbians?
That's what I'm saying. Where's their spin off the widow support from here if you haven't got like, comments? That'd be a good web series type like miniseries. Yeah. Oh, hell yeah, just women with money and just hanging out with each other. That right itself. I did think it was kind of odd how like Steve was acting jealous of Mary potentially being in a new relationship when she wasn't fond of him when he
was around in the 1st place. Like you expected her to not move on when she was literally only staying for the kids. Like literally. She she was legally binded into staying. And you're surprised. It's like Steed. Steed is very much in fantasyland at all times. Is kind of the thing. So yeah, like, that's a really good point. Like, what really was his expectation with Mary specifically? Like she was just gonna wait for
you to come back on a whim. He clearly didn't know, Mary, if that's what he thought was going to happen. You know, which I guess the point. It still makes it even funnier when like, like a couple episodes ago when like he was like going to, like the British camp and they were like, he's dead. And he's like, I'm not dead. I'm right here because because I'm Mary just being like, oh, I'm a woe is me, I'm a widow. Oh, so sad. Oh no. He died. Rubs onions on eyes. Oh no. Oh no.
Look at that tear. What a trap. I could not imagine rubbing onions on my eyes. I feel like I'd just be screaming in pain. Well, that's what Mary's going for. She's got to feel something, even if it's artificial. It's like feminine rage, but like captured, actually. Yes. If only they had artificial tears back then. You know who would have him? The lady with the Jaguar or whatever she would have. Articles of eye patch. Let's be real, Yeah. Eye patch lady whose name I can't remember.
I apologize. Yeah, she definitely invented that after her husband mysteriously died. Yeah, husband #1 or whatever. I don't even know what number she's on. She's as bad as Jackie, but her husband's don't live. Yeah. Anyway, I also found this conversation really interesting, 'cause they're talking about happiness because in like the prior episode, like, Steve was having a similar conversation
with Ed about this. So it's interesting the way that's kind of paralleled with, like Mary and her widow support group. So bottom line is that Mary has found happiness now that she was given the freedom to basically explore her own passions because before that she was trapped and stifled by Steed, which is like how the heterosexual marriages worked. Back then. It was man was the head of the house. It's his last name. It's his family, his lineage.
So like, Mary was stifled by all of this and like basically a bargaining piece for her family to get money by marrying her off to Steed. But here she is. She has the the opportunity to like do something on her own terms and like enter Doug who's like the she's like, oh, I can finally explore my passion for painting and like found like actual love through that. And so like, Mary is just like
thriving on her own terms. So it's really interesting that Steed comes in and doesn't understand this. Like you were saying, Zoe, because This is why Steed left in the first place. Like to explore his passion and who he is and be his own person on his own terms. So it's really weird that he doesn't understand this coming from Mary, 'cause they're basically doing the same thing, just one's on land, one's at sea. So to me it kind of indicates that, like, Steed is just
wrapped up in Steed, per usual. Hi, Brooklyn. Sorry, she wanted to. The dog wanted to join the podcast. I I was not expecting just Brooklyn to, like, slowly emerge. That happens sometimes. Sometimes little dogs join ours and just go Caitlin's sweater, all right. Anything else to say about this opening scene before we move on to what's going on on The Revenge? I've got a lot of merry things, but not right now, I. Do too, Yeah. OK, Mary's awesome.
I do love her. I liked we got to see more of her in this episode because I did not like her until this episode. Yeah, that's fair. But, like, to be fair, it was also coming from the standpoint of how Steed perceived. So she was already like, kind of painted as a villain. Because it's like I'm stuck with this woman who doesn't love me. I don't love her. She's just always nagging me. Like, just like the stereotypical like man in a marriage anyways.
On train that thing, yeah. He had that mentality, even as like. He did at. The time closeted gay man, because he was raised around that that's how his dad essentially treated his mom. Like that's all he knew. And like that just kind of like adds to the effect of he's so wrapped up in his own world that he doesn't see like, the harm he's actively causing around him because like he wasn't raised to express his emotions. That's why it's he's so like gung ho about wanting to do that
like with his crew. But even then again, he still can't see like when he's causing harm. Like it's it's giving autism coded as an autistic person. That's a really interesting. That's an interesting take. Yeah, I can totally see that from Steve. Yeah. Yeah, that is a major problem. He's always spiraling with him, his own thoughts, and then he literally can't see the people around him.
It comes up again later, like in Season 2 of like, Lucius and like things like, like this is a pattern with Steve for sure. So that's a really good point. All right, cool. So we'll move on to The Revenge, because things on The Revenge are weird. So Jim is back on the ship and finally gets together with Ulu or Ulu. Why can't he never say this? I I was saying it correctly all week and then I read it and I'm like, how do I say this word? My good luck, God. Damn it. Ulu. I think it's Ulu.
Ulu. Thank you. I apologize. I swear I know his name. I just can't. When I read it, it's pronounced differently. Something. Ulu. Something triggers wrong in my brain when I read it. OK, so they finally get together, which is great, that long time coming. So I'm glad that they're happy. It's. Been a long time coming. See, I want the rock version. That would be interesting. That would be interesting. OK, also on the on the Revenge, Izzy is trying.
Now Izzy's in charge and he's trying his best to keep the crew in line because Ed is completely heartbroken and just like Mya and like he's spiraling in his own way. And so Izzy in a goes up to Lucius and he's like, listen, I'm gonna the captain has summoned you, and you're just gonna have to shut the fuck up about what you see in there. And Lucius is like, oh, weird, But OK, so he goes into like, Steve's old room, which is where Ed is, and it's just like the
room is completely dark. It's just like emo as fuck, basically. And he's like, what the Hell's going on? And he finds Ed in a blanket Fort, which is something Ed does when he's sad like multiple times throughout the show. He just hides under blankets, which is very, very cute cause like, I figure like he's never really had his own room or anything. So like that's just like that's the way you get privacy in these like communal spaces. He just makes blanket forts,
which is really cute. And De Lucius joins him in the in the blanket for it. And just Ed is just doing like the classic like breakup things. He's like wallowing, eating sweets, writing terrible, terrible songs. Terrible and just like stabbing everything. Knives. There's so many knives in this room. It's it's insane. How much knives does one person need? And like, that's a serious question. Like how much do you need? I mean, if you're a pirate.
If you're a pirate in the business of stabbing, I would assume more than the average human who's not in the business of stabbing anyway. Oh, sorry, Dog attack. While we're on the business of names, it's it's Lucius. Lucius. Mm hmm. Lucius. All right. Continue. Sorry, Thank you. That's OK. I will probably still say it wrong. All right. And then I I love later, like he finally emerges at some point Ed like after like quote writing the terrible song.
And then he comes out and like sings it with Frenchie playing like guitar. And it's just like he's just so in his feels like and just wants. I don't know, like community with them. It's very like, it's a weird move coming from like Blackbeard, but I love that Ed does this. He's just not ashamed of his like sadness and his feelings. And it's a very like, I don't know, it's brave in a way that
he he even did that. It kind of counters Mary's support group where he's trying to like bring everyone down to. His Oh my God. She's trying to uplift everyone. It does uplift them though. When he's like, does anybody else have any songs? And then like Buttons does whatever those he's like, my noises don't translate to human speech and he does some like, see which noise and then it's like we should start a bang on everyone. That's like basically where that goes.
And it's funny, 'cause like it like that just kind of goes to show, like, how much like Steed has rubbed off on Ed. Because Steed was always the one that was like, all right, circle time, let's share feelings. Here's the talking stick. You go, you go, you want to go, Got anything to be off your chest? And then Ed is just like, needing that extra comfort. Cause like Steed's not there to be like his, like emotional support human. Yeah. No, that's so true.
And so, Yeah, exactly. So like Steve, this is, this is all Steve behavior that's like coming out of him, which is really. I would like to see the Republic of Pirates battle of the bands. That would be amazing. Battle of the Crew. Oh no. If you do Battle of the Crew, they're gonna literally fight each other. That is true. That's maybe not Balance of the Crew. How about that? That's. The first album. Title. I'd be into that. All right.
So while we were back in the Fort, Lucius, Lucius, whatever steps in as like therapist Ed. And he's basically like, he like, OK, so he's probably the most perceptive person on the in the in the show. I would say it's like when it comes to like, he's very much like sits on the sidelines, notices people and can put together what's happening. He's pretty emotionally intelligent, just observant. So he's like, OK, this this screams heartbreak.
Cause Lucius has said he's great at breakups, so he understands what this is. So he gives Ed the advice to like, try and move on and stop with the wallowing and the spiraling. And Ed's freaked out by that, 'cause he's like, he's like, I should move on, like die, right? Like that's where Ed's brain goes. He's like, there is no moving on, there's just the next step
is death. He's like, he's never probably been in a position like this before and doesn't know what to do. So he's like die got it. And Lucy's is like, why, why, why does this have to be an end? What if this is a new beginning? So I like this line. It's basically setting up like basically the arc of Season 2, which is like changing, not necessarily just like dying in the face of AD, you know, adversity, which is a hard lesson Ed learns and a lot of other characters, like Izzy, for
example. Oh, Izzy goes through it. Izzy has a beautiful character arc in season 2, and I'm emotionally attached to that arc. Karma definitely bites in the ass, but like, it's a nice arc. Yeah, no, for sure. But like, I mean, they are Pirates. We have to remember that day is a dangerous lifestyle. But yeah, Izzy was great Season 2, but anyway, we have to finish season one. So OK, after that we can't. For some reason I thought we were in season 2. No.
God Caitlin. I understand you want to jump to see his dude because Jang's there. I get it. All right? So I love her. I love her. All right. Anyway, so we cut to. After that, we cut to Steed, who's basically on the exact same journey as Ed at this point, where he needs to realize that his family has 100% moved on from him and they're have it like moved on for real. And they have had these, they have these happy new lives that makes them happy.
And one of the things that like, really sells this, I guess, is when he's like going through the house and he finds the family portrait we saw like at the beginning of the season that they were taking. And he's been completely blacked out. So like, he's gone. Mary took this photo and was like, fuck this and like painted over Steed already. And he's like looking at this painting, trying to process this.
And I think so. I think the problem with Steed is I think he came home, like obviously he fled because he was scared and all that stuff. But Ed, because he was scared and came back here to like, quote a safe space for him, like the familiar, right? And I think he came back home and thought he was going to be this hero that was welcomed with open arms And because like, he's trying to like tell them exciting pirating stories and show them his treasures and his
adventures and stuff. But his family doesn't give a a flying fuck about any of this. Like they're not interested in his pirate tales. They're like, what is this weird orange you're trying to give me? His son doesn't even know who he is. So, like, he abandoned them. Yes. No. Absolutely. But like in Steed's fantasy brain he's like I'm gonna be a hero and be and they're gonna think I'm so interesting and and everyone's like no. Like we we we've moved on from you and like.
Now he's the home wrecker. They're pretty. Literally. Literally. He's a homeless girl. He's traumatizing his children. It's not good. And like, I will say though, like I I get his thought process. He's definitely, like, like still wrapped up in delusion for thinking that like he'd be welcome home with like open
arms. But at the same time, like, I get it, like with what you were saying about it being like a security blanket because like it is quite scary having like like making a relationship official and trying to take like the next step. And he's pretty valid for wanting to, like, run away because, like, it's essential, like fight or flight. You either fight it out with your partner and continue it on or you just kind of run away because it's like, ah, this is scary.
Why why am I doing this? I love this person. But like, I don't know if I'm ready yet. So that is a pretty big step. And that's essentially what he was doing with Ed the entire time was a bunch of like, went from like, well, they won't, they to Oh my God, they are to are they like. It's like such a confusing relationship because like they both of them love each other deeply and like that's shown like throughout like multiple
episodes. But it's also the fact of they're both too insecure with themselves to allow themselves to be happy and have their own peace without like them wanting to start their own arguments or fights because that's what they're used to. That's like the norm. So I it's. I definitely feel for both of them and, like see it. Especially just because like he has somebody to go home to and doesn't.
And even with wanting to go back home and trying to like go back to like the norm of it all and stop pirating and everything like that, he's not welcome. And like that kind of just circumvents like, well, I'm not welcomed as a pirate in most places and I'm not even welcomed home. Where am I welcome? Where do I fit in when in reality he fits in with Ed? They're just being Dicks to each other. Yeah, no 100%.
And like, if you think about from Steve's point of view, too, like what is the only relationship he has to compare with Ed, and that's with Mary. And look how that ended. So like, I don't think he really knows what a healthy relationship looks like. And I think on some level, he recognizes what him and Mary had wasn't exactly healthy. It was just like a force in marriage. And they learned to, like, deal with that, basically.
And perhaps, like, because Steve is so delusional, you know, parentheses, affectionate, like he's delusional, but like, perhaps, like in his brain because he, like, spent time away from Mary and was out at sea. He had time to, like, reframe all of that in his head as more romantic and happy and loving than it actually was, 'cause that's something Steve would absolutely do.
And then he comes back and he's like, oh, expectations do not meet reality, you know, and has to unlearn what he was like. Framing in his head is like wonderful and things like that, maybe. And like, it definitely is like, one thing to come home and like your wife no longer. Like or not even no longer. She didn't really love him to start off with. But like, it's a totally different other type of heartbreak for your kid to be
like, who are you like that? Oh, that's a nice thing right there, 'cause Oh my God. And like, given, like his son was quite small when he left. But like, how? Fuck. Yeah, I mean, he hasn't been gone that he's been gone on the order of months. You know, like that's very quick for a child to forget you. Yeah, I mean, if I was that child, I'd be like, why'd you leave me? But he's like, Doug's my new dad now. Yes, and that does not go over
well. If anything, that just kind of shows like the disconnect between Steed and the kids. If, like, it's only been like a matter of months, maybe a year, being generous and the kids like, where where are you at my house? Who right? What are you doing here? Yeah. I think that also speaks to the impression that Steve left, left
on him. And I think that's why they're always, anytime they show the family, I think that's always why they're showing the the physical distance at the dinner table with Steed and like the rest of the family, 'cause like, I don't think he was really connected with them. And like, if you remember like the, I think it was the first episode or early on when Mary's the one who had to, like, force
him to play with his own kids. So, like, who knows how much time he was even spending with them, you know? And it was a game he wanted to play. He's like, let's play Pirates. That's my game. Like, I don't think he knows his kids is like the other problem. But, you know, not uncommon for a man like a male person of that time. But still like, yeah, expectation versus reality. Steve's not great at that in general, OK? But Steed has to confront Mary.
So one night Steed witnesses Mary and Doug getting it on in the art shed because he was suspicious. And then he's like, oh shit. So the next morning, So Steve, being the petulant child that he is, he tries to confront Mary over breakfast, but like, Mary is not having it. She's just reading her newspaper, doing her routine, being very short with him until finally like she's like steals herself to like have the conversation with him.
But she like it's A1 sided one. She's like, I'm just telling you what it is, I'm not taking your input right now. Steed and I love the sequence and the speech when this happens. So like the way it starts out is the camera starts out at Steed's level, basically across the very long table and then it slowly zooms into just till the frame is basically just Mary. Bye, Caitlin. And yeah, and and so, like, I love the power of that zooming, 'cause it's just like Mary, cause like, it's Steve's
perception, right? Mary's this small person that he like Lords over and then it becomes, she's imposing. And like, I I think it like hits to the impact of like Steve processing this whole conversation and she's basically saying, like, you're home, fine, we're married, fine. But she's basically like, I've created a life for myself that I really enjoy. And like, I'm finally living my
truth and I found happiness. And I'm not destroying this because you suddenly unabandoned your entire family on a whim. And I love that she says the word whim, 'cause this word comes up over and over and over again throughout the rest of the show. And it's a word. And that's the word that offends Steed the most, because I think it holds the most truth. Not just the the abandoning, unabandoning. It's the whim part that he just
did it just because. Because like, yeah, like his his like win prone nature is what led to the rift with Ed to begin with and it's something that causes him and Ed to have problems like throughout the rest of the show. Like that is a real problem Steed has and I don't think he really confronts that about himself or starts to until Mary brings this up and like makes it real, you know.
So yeah, so Steed, like, in order for him to be happy, like basically he has to learn to move on completely from his past life, you know, with Mary, the kids, the son of his father, the landowner, that kind of stuff. And he really has to embrace Steed, the gentleman pirate. Like he, he has this delusion that he can live in both worlds a little bit. But while he's doing that, he's making everybody miserable.
Like, he can't be the captain to his crew if he's at home with Mary. He can't be with Ed if he's at home with Mary. And then vice versa. Like, you can't be like I'm still Mary's husband while you're off gallivanting across the ocean, like you know you're making everybody miserable. He. Did not think about her or those kids one time. Not once, no just. During his near death experiences, but that's about it. Also, I don't blame Mary like 1 fucking bit 'cause I love my
boyfriend to pieces. I'm gonna marry that man. I love him. But if he abandoned me and our hypothetical kids and came back and fucked up my bag because her whole thing was the widow Mary, that was her painting spiel, everything, that was the appeal of it, 'cause people were like, oh, poor, poor Widow Mary. Yeah, of course it's biopainting. But again, if my if my man did that, oh oh, wrath of a woman scorned right there. For real. Like it's fucked up to do that
to anyway. Like it just completely bulldoze over somebody else's life. Like, you know, so. Something that I really liked in this episode, this is actually one of my favorite episodes, is that we do get to see more of Mary and Mary alone. And I don't remember the character's name, but she talks to some. Yeah, the iPad. Scratch lady. I have, I call another person knows dude later in season 2, so I have no idea. I have no idea what the names
are. So yeah, I patched lady and she's like, you know, there are other ways to handle that. And like basically telling her you could just kill him and then your problems will all be gone because that's the answer to life. I mean, back then it was so. For women it is actually like there's because Mary says that basically in the conversation with Steve, she's like I am, we got married under God and the law so I am legally bound to honor this marriage. There is no escaping the
marriage unless you die. So like yeah, if women were trapped in on that was a common thing. Women were trapped in on happy marriages with poison kill their husbands. That's the only way out of that situation. So like actually that is true. Like that is the out, unfortunately. And it's pretty fitting for this time period because Aqua Tafana was made around like 1651 by Giulia. It's GIULIAI cannot pronounce it to save my life. But Tafana and it was literally like her marketing like, hey, I
have a solution. You you need an answer to your problem. You want to get rid of your little hubby? Well, buy this magical serum, slip it into his morning coffee or tea or whatever. There you go. Problem solved. Yeah, like it's very interesting. Yeah, I know that TV's and all that didn't exist back then, but in my head I'm just like picturing this as a marketing campaign with ads and everything. I'm. Like, how is that today? Do you need to get rid of your spouse?
Like the weird I go, Do you have $10? Well I got the solution for you. Act now and we'll give you 3 doses for the price of what? Right, that feels weird. At the 1:00 AM. That especially would play at 1:00 AM like that, like 1 to 3:00 AM. Oh, 100% like. Got to be discreet. Got to be. Discreet. And for the younger people who definitely do not understand, if you fell asleep with the TV on on a cable channel, you'd wake up to the most terrifying or weirdest commercials at those
times. Sometimes they're selling you religion. Sometimes I don't even know what it was. Oh, choppers. A lot of different like kitchen gadgets. Or if you weren't. Fortunate enough. And you fell asleep with Cartoon Network on. You woke up to Robot Chicken and we're horrified. Yeah, basically 1:00 AM to 3:00 AM was just you were is the Wild West of television. And if you were really unfortunate, you got those sex ads. For the one 800 numbers, I don't know about those.
No, I've I've even gotten them like on Hulu. I'm like, why is this targeting a bunch? Of. Crime anime and horror. All right, we're glad you're married because Barry's like, I don't want to, but you know, it's sounds appealing. So when Steve goes to bed, 'cause we know he falls asleep first or he falls asleep first quote, yes, she is it. Paris isn't. What is it? It's a OK, so when she was at the the dining hall or whatever with eye patch lady, she saw a guy with a skewer who's like,
skewering. Yeah, yeah, yeah, making a kebab. And then she's like, hmm, so she took one and she's gonna poke him through the ear and, like, Pierce his brain, which was actually pretty clever. Yeah, I gotta say, that is like the most, that's like the tender part that you could actually stab, right? We're not endorsing murder, but like we are saying, good job
Mary in this fictional scenario. I'm just glad she had enough sense to not like try to kill him with like painting utensils like the little like like the pallet scraper or something like that. Just because that would have been like like if she did get away with like killing him and they were trying to look for the murder weapon, it'd be like, OK, well this is kind of obvious if who killed him? But like, it was in their bed though, so there's really no
other suspect. Well, OK, you just, you play the incompetent woman. You can be like, I was scared. A man came in here. I hope that a woman do this. And they're like, you're right, women could never do this. That's true. But anyway, you see her hovering over his ear and all of a sudden he wakes up and I'm like, do not lift your head up. I was so anxious. I was like, Oh my God, he's gonna, like, end up inadvertently stabbing himself. Right.
He's gonna divorce death. He's not gonna be able to hear and whisper sweet. Nothing's in his ear. No more bedrooms. Like he's like. Are you Are you sure to kill me? And she's like, Oh yeah, yeah, I. I guess there's no other way out, obviously. But then they actually start talking. And I love this scene so much, 'cause it's it's sweet. It started out very, very interesting. But, you know, we get there. And so basically he's, they're talking about the lives that
they created. And Mary starts talking about how she loves her life. Now, basically she has Doug. She's so in love with Doug and I'm going off. I'm not even reading my notes at this point, so I need to figure that out. But Steed asked Mary what does it feel like to be in love? And she's listing off all of these things and all. He can't.
He can't help but to just think about ever all his time with Ed and it's just it's a really cute and I feel like this is the first time that Steve and Mary are properly getting along and are happy for each other but they more importantly like this I feel like is your real first conversation together. Yeah. Yes, is. That the bullshit going on. Yeah, because every other conversation is like, I don't want to be here. I am forced to be here. I went out.
Yeah. My favorite response of Mary is when she when he asks, when she's, I guess describing, like, what does it feel like? My favorite response is when she's like, it just feels easy. We passed the time so well and it just cuts to like Ed and Steed, like having Marmalade on on the deck and like just laughing while they're telling stories. And just that. I love that explanation. I thought that was really and being cute. Yes. But Mary tells Steed that she hopes that he finds that.
And I first of all, I love that She says that because you could tell it's so genuine. She's like we were We both know that we aren't meant to be together. And I finally found something that brings me peace. And even though you abandoned us, that was needed for me to find my happiness. But I would like you to find yours as well, because they both know that each other are good people. It's just they weren't right for
each other. But Steed adorably says that he thinks he has in response to finding love, basically, and just this whole scene. I'm trying to not go through it too quickly because it's beautiful and I want to do it justice. But but Mary's like, what's her name? And like she's fully interested. She wants to hear it. She's like, you met Doug, I want to know about this. And he says Ed. And yeah, I think he says Ed. His name is Ed.
He pauses. And then he's like, his name is Ed. So I like that because, like Ed could be a woman's nickname. So I like that he like Ed. Weiner. Yeah. It's the subtle pronoun change in order to get her to understand that just pulls on my little heartstrings and then she immediately grins like a fool and I I think that that grin
says You gay asshole. I knew it all along and I am so happy for you A. 100% like just like his mannerisms towards Mary. Like she she definitely had an inkling like she she was definitely like one of the first people to be like. Oh, I wonder if it was that little touch in the beginning. Right. And then like that also just kind of confirmed why like Steed was very much so like trying to be involved, but also not trying to be involved because like he, he like he loved her as a
friend, yes. And there's no. Can't be friends. Like you can't. Be friends, they. They do get to be friends, which is really sweet. So I, like the writers, chose to give them closure in a really beautiful, like way. And then then they hug. And like, this hug is like the closest they've ever been. And it's just so cute because they're like, I understand you. I think of you as a friend and like, Ed. Ed. Oh my God, Steve. And Ed. Steve needs to not have Ed in his name because it's what's
messing me up right now. So this is the first time Steve really gets to talk about Ed, and especially to a party that didn't know him as Blackbeard. That's a good point. I would. Say though if if we somehow managed to get a season three, I would love for them to make it to where Ed and Mary meet since we met. I think that would just be like amazing. Just like trying to have like a nice little like dinner party
like double date type of deal. One of the Twitter peoples will actually shout you all out in the last episode, but they said that they want Mary, Doug and the kids to go to the inn and not realize that it's. Yeah, it's. Wonderful. And I would say like, that's when Ed would do this whole like Pirate Day and do like a treasure hunt and then they're all going on this treasure hunt with the kids and Ed is helping the kids like be pirates as well and. It was just giving them terrible
advice like here's. The stabs one, no, the girl would definitely be like all in on it and he'd just be like, wow, where are you behind her? And then he then he's like, we gotta get her to Zhang. You should be Zhang Oh my. God, I just love that scene so much. Yeah, I also would like to see Mary meet Jiang. I feel like that would be an interesting, like like just an interesting alter like interaction overall. Like they're so similar, but at the same.
Like they're so like different because like they're most strong independent women and. You don't need no man. Except and like you have like just a simple painter, widow, widow and then you have like a pirate queen who conquered China. I know. I love that. The widow painter paints Zhang. That'd be. Great does. Zhang's official portrait. Oh my God, that'd be amazing. Oh, there's so much to fanfic. About this show I know it's so
great. I will say though, at least Mary did respect Steed enough to not like Peyton Doug. Yeah, it's honestly. Like, at least like she had enough decency to be like, OK, well, I'm not gonna do this. I'm like the off chance he. Does come back. Now hurts, but. Now that Steve knows though, she's gonna like have Doug added, but like next to Ed's shadow. Steed. Steed Oh my God, Steed's shadow. So, like, they're the family's
still whole and the reminiscent. Of Steed is still there because the ghost of Steed in the background, yeah. Just the thing Ghost outline of Steed in the background or like Steed looking down on it. It'd be funny if Doug if Doug was painted but his arm was around the ghost. I mean, they're happy Holly family. They're. Buddies by the end. So that, yeah, the. The whole family is in great shape by the end. Agreed.
All right, so unfortunately we have to move away from the family and see what Ed's doing, 'cause while this is all going on, Ed is thinking about Steed and having his own montage. While he's a montage about like the red silk 'cause he's like playing with that red silk that his mom gave him and he's reliving the you were fine things. Well, memory. And what's important about this scene is that prior to this whole like, sulking with the silk incident, he was alone with Izzy.
Because Izzy's is like, who the fuck are you? When where is Blackbeard? And so he basically like provokes Ed into being angry in order to like, bring the old Blackbeard out, 'cause the Ed right now is like, let's have a talent show, free love, baby, whatever. And Izzy's like, I surf Blackbeard, not Edward, because Ed wanted everybody to call him Edward, because he's tired of the persona, he just wants to be himself. But Izzy's like, no, that's not why we're here.
And I think this particular phrasing really cuts Ed pretty deep, because what Izzy's really saying is that, like, Ed isn't valid, only Blackbeard is so like his his most trusted confidant who's supposed to be Izzy. Like Izzy betrays him and all that shit because Izzy thought he was doing what was best for Blackbeard, not Ed is again, like reinforcing that like Ed, Ed, Ed is worthless. Blackbeard has all the worth and so like Ed doesn't feel respected by like his crew through Izzy here.
So it's like reinforcing his insecurity that, like him, Ed is like worthless and unlovable. But like, Blackbeard is who's loved and respected. And like, while that's happening, he hears the crew because the crew's excited about the talent show and they're just like, screaming. They're chanting Ed, Ed, Ed, Ed. So it's like this weird, like fork in the road for Edward. He's like, what do I do? Do I be the love and respected Blackbeard? That's the only way I can get love?
Or do I, like, walk down the harder path and beat Edward, who, like, clearly is unlovable and so he's like spiraling in his own way. So when he's sitting here with the silk, he's like, can I be Edward, like the man who who wants to wear fancy clothes that the man that, like, wants to like run an inn and like be with Steed and all this stuff, even though, like, do I go forward on the harder path as Ed, basically. And in that path he's basically all alone, right? Because Steed abandoned him,
Izzy doesn't respect him. And so, like the Temptational, like fall back and be Blackbeard is like, it's his equivalent of going home to Mary and the kids, right? Like, I can just fall back into my familiar pattern and be that feared pirate everybody respects and have purpose in my life, I guess. Yeah, because Ed, at the end of the day, just, he's a very traumatized human and he feels unworthy of love, basically. And that's the biggest thing
that he struggles with. And like, finally felt like he was getting over that with Steed. But then Steed's abandonment just reinforced that like, yeah, no, I was right. I am. I'm unlovable. And so I think that this just, it hurts too much, like the pain of losing Steed and then having that reinforced by Izzy. So that's when he, like, symbolically, like and fit literally like, let's go of the
silk. So that's just like him letting go of like his dream of being Ed and just like the dream of like a better life, basically. So unfortunately, after he has this epiphany, the first person he runs into is Lucius, who's just like, hey, the talent show, blah blah, blah. And then like like and Ed is like shadowed because it's night
time. And then we get like the turn of his face and he's just, it's just Blackbeard just like grimacing at him and he just like pushes Lucius overboard, which I have to note, there's a couple of instances of people being pushed overboard. One is this and then there's another one in season 2 when like Ed gets pushed overboard. In both instance, the person being pushed over loses both
shoes, which is really funny. I did want to point out though with with Ed pushing Alicia's off the boat like it or the ship rather, it just kind of like started to symbolize that like he's back in his like villain era. And while it was like a pretty like expected twist, like, I was kind of like expecting like Izzy to kind of like worm his way back into like Ed's mind and be like you're not Ed, you're
you're Blackbeard, remember? But like, I'm I'm also glad that it happened in the 1st place because it shows that like even with doing horrible acts, he doesn't like lose his human side because he still deeply cares about Steed. But like at the same time his like love for Steed is fueling his hatred because he's still pissed off about like how things like ended. So like and then like even on top of that like Luscious was very like critical about Ed's
artwork. So I feel like this was kind of like Ed's way of like getting back at him being like, my fucking song rocked. You're the dipshit. So that is so. Petty with it, 'cause like and like, He definitely is petty. Ed is so damn petty. It's like hilarious. So it's a very fitting, but it's also like sad at the same time. And like with with you like saying like, him throwing away the soap was like him going back on like his like hopes and dreams.
It's also like, like the way I interpreted it was kind of like him trying to just, like, get rid of his human side and like, turn off his emotions. Because. He's tired of feeling heartbroken. He's tired of feeling sad. He just kind of wants to like fuck shit up and destroy everything. Like he's like along with him being in his villains era, he's also in his like back to being self-destructive.
Like he kind of regressed to like his times with Calico Jack and like starting off with Izzy and everything and like becoming Blackbeard. So it's like very interesting to see like this happening in like real time rather than us just being presented with Blackbeard, also known as Ed, in the beginning. So it's a very, very nice little call back trying to like loop us in to like the shit show that's
about to start. Yeah, and this regression into Blackbeard, you know, remember Blackbeard was the man that doesn't know fear. He doesn't know pain, like. And he says as he's like getting back into character basically by putting on the makeup and like putting his Leathers back on looking at the dagger, he says I am the Kraken. And remember the Kraken is the monster. So he's he's basically saying like OK, Ed the human is no more Ed the human can't exist. Ed the human keeps getting
crushed. Like the monster is just gonna come out. That's what people want. That's what people respect. That's what people expect of me. Like like you said. So like, yeah, the stripping of his humanity is a really good way to put this.
And I think it's really fitting that the first thing he does as the Kraken, as Blackbeard Izzy takes revenge on the man that awakened the Kraken Izzy. And by like cutting off his toes and feeding it to him and being like, don't you ever fucking disobey me ever again or I'll take more of those things and. Like and everything like that. But like anything, dealing with nails and ingesting them makes me wanna fucking vom.
It is pretty nasty. But. Then Izzy's reaction too is this mixture of just like, yes, finally and a horror at the same time of what's happening Cause like I I don't know that Ed has ever been or Blackbeard has ever been this extreme towards him. Like, yeah, he's seen Blackbeard do this to other people but like to have it turned on him I think is possibly at to this level. I think is maybe new for Izzy.
And he's like, I'm a little uncomfortable, like laughs nervously, you know, And things get worse for Izzy going forward. But Izzy, you kind of like, you woke up the Kraken, like, so Anyway, that's a whole nother journey for Season 2. So part of the part of the transformation also involves just like straight up erasing all memories of Steed. So he basically orders the crew to toss all the fancy stuff overboard. So they're like getting rid of like Steed's books, like
basically everything. His clothes. I think they'd probably get rid of some artwork, furniture, and. Everything but a robe. Everything but a robe that will pop up in Season 2. And the crew doesn't seem too happy about this. Which is ironic, because in the very beginning of the show, they all wished they had a captain like Blackbeard, who didn't have books and like silks and all this stuff. But but now that they're trans, they're trans transitioning, sorry, into that reality of
being Blackbeard's crew. Like, I think that Steed's people are like, is this what we want? Like, I think they're starting to really doubt the reality of what being, quote a real pirate is. And like, it's starting to sink in. They're starting to get super uneasy by all of this too, which is a lot of character growth from like, where they started. And, like, you really can't fault the crew all that much.
Because like wow, like whilst Steed isn't like the the proper type of captain, he did like let them be very like LAX, like they had a really good life. They got paid for it. They were essentially just like like living on the on the ocean but not really doing pirate stuff to a certain extent. And then like, then the events where they actually do like pirate stuff with like Pirate's Cove and like the whole like Jackie incident and stuff like that.
You can tell, like, even then they felt uncomfortable because they're like, OK, well, we're not really used to this, besides, like, Pete, because Pete was a part of Blackbeard's crew. Blackbeard is also delusional as fuck. But yeah, you can just kind of like, see, they're that. They're like, OK, well this is what we wanted. But like, we had it really nice. Like we had it really easy and now we don't get to slack off and eat rations all day. We have to actually put in the
work of being a pirate. We can't just claim the status and not do anything with it. So it it's definitely like like two sides of a coin because it's like while you're getting exactly what you wanted, you're not getting it in the way that
you wanted. Because even when they have like Ed as the Co captain, with him being like still kind of Blackbeard but like more so Ed like they have like a taste of it. But again, they still had it very, very easy compared to like other pirate crews that we've seen in the show. You know what their situation reminds me of? I agree with all that. But you know what? Then there's a favorite. Have you seen The Office? Yeah.
OK, I know you haven't, Caitlin. So for those of you that haven't, Zoe, maybe you'll you'll get this. OK, Steed is Michael Scott OK? And he's basically paying the crew to be his friends. Like, it's basically what it is. Like, they're not truly like, they're kind of doing pirate stuff. Yeah, but they're mostly there to be Steed's friends. His little confidants. Yeah, exactly. Like, because he treats them like people. And like, you know, he clearly
loves them and cares about them. And that's why he's always like, hey, how are, you know, how are you doing? Let's talk this through like we're having fun. Yeah. Not to mention. He's like. Like the slap of reality when they're getting rid of Steed's stuff, it's kind of just like them realizing, OK, well, I guess this is like the chapters closing. I guess this is not where we are
anymore. And like, it's very bittersweet because like like we've said, they're getting what they want at the cost of not being able to remember Steve at all. Besides the the Revenge, the ship itself. Like. It it's it's so sad and like, I feel so bad and like, it doesn't help when like, Izzy's like, what the fuck are y'all doing? Hurry up. I know. So Speaking of Steve, let's head back there where the family is bonding for the first time in forever. For the first time, yeah,
that's. That's that's where it was going in my head. I was just really working hard to not verbalize it. So thank you Theo. No, you're good. You. I see. If I keep doing it every time it gets annoying, but if you do it, it brings in a new breath of air. It's purely the odd I. Can't like you can though. It's purely like one of the trending TikTok sounds, least on my page. I don't want candy, but the demons in me want candy. I have not heard that one. I'll, I'll make sure to.
Send y'all something because. It's like, hilarious. So nothing says a good family outing like executing a plan to pretend the Man of the house quote died. I agree. I mean, at least Mary didn't actually go through with killing him and we got to this point. But I do love that they show up too. Eye patch lady who's apparently name is Evelyn House. She's like, so you have any bodies leg around. She's like, oh that that's a question for my son.
But he's like, she said, Does your does your husband know that you're plotting his death or something like that? And then Steve pops in. He's like, yeah, hi, right here. I'm still here, unfortunately. Oh yeah? She asked if she went through with it. Yeah, it's. Just, it's just hilarious how like when they were like plotting the plan together, Steve, just like, well, everybody's had a goat killing me besides me and I want to taste. Right. I love.
I love earlier when the but when Mary got the idea about the skewer when she's first talking to Evelyn and I love when Evelyn's like basically like you could just kill him, that's probably the best thing to do. And she's they're talking about like natural causes of death. And her line, my favorite line is murder is a natural cause of death. It's just like true, but also really dark and funny. What is not a natural? Cause of. My camera didn't want me to ask that question.
Apparently not. Oh. I definitely did want to mention I thought it was very intriguing when Steed came from the bars to Mary's like paint show or art show, whatever you want to call it and like he full on like like a switch fucking flips like he he's like full on about a kill Doug. And like, it's so wild to see, like like I was mentioning earlier, how like Steve has rubbed off on Blackbeard and then we see vice versa, where like Steve's about like full on like maul this man, like he's
about to like full on pirate his ass. Like, it's so interesting seeing like that switch flip and like seeing it, like his face just drop and it's just amazing. Yeah, that was a really good moment, 'cause it it goes to show that, like, Steed really wasn't pretending like he did. He now has pirate instincts, like that was instinctual.
He didn't think about that. And like, did you see the moment where, like, it clicks what he's doing and he's like, oh, I'm in the middle of, like, high society and like, I have a knife to this man's throat. Like, I can't like, oh, what? I can't believe I just did that like. It also goes to show like the the people that really don't believe that Steed went off to be a pirate.
It fully shows that like he did go and do that because where where the fuck else did he learn something like that and like it? It it purely like reminds me of like like what is the best way to wear this kind of just like him slipping into like like Neanderthal moment real quick almost. Like it's like it's it's instinct. It's just survival instinct. Yeah cave membrane.
OK other thing I love about back to like Evelyn and her big widow energy I guess she OK so they show up at at Evelyn's because her son I guess is like the the. Body Master the. Fright the they won't run the morgue I guess of the time. Like they're the corners of the time and so they're there to get
a body. So I love that she hooks them up with a corpse and and a steed sized corpse and her jungle cat Ned. I love that that's there, which is hilarious and Steed just like I love that he makes it work with this cat. It's hilarious. It's also really nice, right? Out of all the names, just Ned. Ned, but I I really do like how they perfectly executed A femme fatale. Because that's exactly what Evelyn is like. Very on point. I really like that aspect and like it.
It makes me laugh that she just is like a femme fatale. But here's my here's my jungle cat, Ned, you know. And then my my mortician son, mortician that shall be unnamed. He doesn't need a name. He's just the son that gets the bodies. And then I love Ed's. Ed's fuckery that goes. Sorry, Steed's fuckery. You got me doing it now, Caitlyn. It's not my fault, it's the name's fault. It's Steed's where we got Steed, Ed and Ned in the scene on the stage. Ed, Ed and Eddie.
Oh my God, seriously. And yeah, so I love that the the fuckery goes really well and like, Steed pulls it off and then Mary gets public closure that yes, my husband is dead. And I do love the conversation that he had before he leaves. And like, they execute it. I love the conversation Steed and Mary have in the carriage where he's basically like, she's like, Are you sure you don't want any of the money? You don't want any of the land? He's like, I don't want anything
like that is yours. You have earned it. You and the kids, I'm, I'm just gonna exit and we're gonna have our happy, separate lives. So I like that like they make peace like all of them. At the end, it's really like a good like, I like how they wrote the closure with Steed and his family. It was very sweet. I I do loved it and I love the daughter splitting the orange in hand and giving it to him. I have. Go ahead. Mine's about Ned, so go ahead.
Oh, mine was just about Doug and Steed's relationship. Because it's purely like, here's my here's my husband's boyfriend. Yes. That's like the. The dynamic that they have, like, yeah, they're kind of like like Doug's just kind of like I don't know how I feel about you, but you're you're trying to make an effort and like in in like relation to that they end up becoming friends and like obviously like Doug and Steve aren't together, but like that's just like the vibe that is like
brought to the function. It's so cute. I like when they like when they come up with a plan and Mary wakes up, she's like, Steve, you made me breakfast the bed. He's like, no, that was Doug. And Doug is sitting in the bed. He's like, we're talking. It's so cute. It's just such like it's just such a good episode. Just it is. Like the closure that we get, the like, the repairing of relationships, the starting of like a new friendship. Like it's just it's so
beautiful. Plus, like, Steed actually gets like a look into Mary's new life and like, he finally takes his head out of his ass and is like, all right, well, it'd be best if I just faked my own death and went back to my boyfriend. So let's do that. The breakfast and bed scene foreshadows season 2. Ah, you're correct. It does. Yeah, yeah, yeah. We get the flip side of that. Yeah. Because Mary was like. I hope you find what I have. And then he does. He does.
But I have something to say about Ned. OK, so you know how they say the lion's den? He flipped the word. Den. It's Ned. Oh shit, that is my additional wow. Thank you, Caitlin. Oh, insightful. Thank you. OK, and with that nugget of wisdom, let's move on to the ending of season one. So. But. I got, I got a note. I don't know what it is. Hold on, OK, I said. The end thing is very bittersweet because Steve is
finally free. Meanwhile, it is spiraling like a maniac and is trying to go back to being Blackbeard while being heartbroken. Oh. My gods, so I love one of the things he does is like, OK, so he basically basically part of what he's doing is cleansing of Steed basically. So part of what he has to do is get rid of all of Steed's quote playthings.
So he gets rid of his crew and basically strands them on an island and just leaves them there, except the the two members of Steed's original crew and he's like, you can be useful to me. So that's, I said Vigo, that's Jim. Sorry, played by Vigo and Frenchy. And the reason he he's like Jim, you're a good specimen. And then takes, without any explanation, just takes Jim. And then Frenchy, the initial reason he recruits Frenchy's like, you can sew, right?
And he's like what I saw, like the wind, like, you know, and his survival instinct is always like whatever you want. So I don't die. So he has him basically, so an additional element to the Blackbeard flag, and we see it hoisted at the end by Frenchie and it's basically that, like the monster with the spear. And he adds like a heart at the end, 'cause. Like and then three little ones I think. Yeah, 'cause Blackbeard's so heartbroken. He's like, fuck love.
It's basically like anti like Valentine's Day energy for me. Yeah, he's just not. He's not trying. OK, so yeah, he's put the Blackbeard mask back on. He's being an over extreme version of Blackbeard, but he's also not hiding the fact that he's just like, utterly heartbroken. He's just announcing that with this new flag, basically. But we still have these moments.
Like there's one last moment in the finale where after he does all this blustering, he ends up he being Ed ends up back in Steed's room, just like all alone, sobbing uncontrollably. Because, like, to be Blackbeard at this point and to cast off Ed while retaining a bit of his humanity despite not wanting it. Ed is ultimately trapped and just alone. He can't confide in anybody. He has to be Blackbeard now for everybody. It's like the for him, like the
crew, the ship. It's not a really a safe space for Ed because Izzy made that super, super clear. So, like, it's just really sad that poor Ed is like even more isolated, I think, alone and alone than he was before he met Steed, Which is, like, really sad that, like, his journey put him so far back like that. He's in a worse position than like when we first met him. And he was just like he felt alone, you know, and as Ed. There's there's a lot going on.
I I analyze him more in Season 2 because there's a lot happening. There's. A There's been a lot happening. It's just it's a very sad place to leave Ed. And like it's it's such like a well done like scene. Anytime it cuts to like Ed, just like sobbing because like we've all been there. Like for the most part like we've all dealt with like going through heartbreak or just like having the feeling of being alone. Even if you have people surrounding you and like it.
Like it's very nice and comforting almost to like see that happening to like a relatable character. Because it's just like, hey, I I felt alone before even though like I'm with like multiple people. Like I definitely get it. And then adding like the heartbreak element to it, it's just like I've really been there before. So I I just feel for him and like in with trying to like get rid of his humanity, it's still,
it's not working. Like, it's still there Because if he was working, he would not be crying. He would have killed Steed's playthings. Yeah, no, totally. And the yes to all of that. And another thing I'd like to add like a layer to all of this that I really appreciate is the fact that these are men. So usually with men, when they're upset, it's like socially acceptable to just be angry and not have emotions and squash your humanity. And so like normally we. Would. Yeah, exactly.
So normally the way we would see this play out in media is just you would just see the destructive Blackbeard and nothing else and be like he's fine. He's just, he's expressing himself through his anger. So I love that they specifically cut to a scene of just Ed just sobbing because, yeah, on the inside he's upset and like, it's
OK for him to be upset. So I like that they explicitly show the audience like he's fucking sad and they just let the character cry, 'cause I feel like we don't get that with with male characters and it's it's. And I like that they're showing that in a healthy way. Like it's OK to be sad. Like that's normal. Like this is OK to see the great Blackbeard being sad, like that's OK. So I do. I do appreciate that layer to it
as well. Yeah, and it's even more impactful that it's specifically Blackbeard. Yes. Because, like, he's very. He's very much so. Like the, the epitome of, like, manly man. Yes. So like, I'm just like sobbing like and like crying his eyes out to where like that you can like visibly see them like all puffy and stuff. And like it's just and like his
like, makeup is like smearing. Like it's just it's so impactful and like, it's so lovely and just I I appreciate that they did that, 'cause like you said, it's OK to cry no matter what gender or what you identify as. So it like I like I said, it's nice seeing, like the stereotype of what men should be just having a full mental breakdown. Yeah, no, I I absolutely love that about Blackbeard's journey in in.
Particular. Yeah. So I hate to break up the the the Ed talk, but I think we need to head back to Steed on Steed because Steed when he left his family because he's dead quote now. Thanks, Ned. And the piano. Yes, the piano. The carriage. A lot. A lot happened in that death scene, but he he rode off into the sunset and apparently the boat could only track where the crew members were left on a
deserted island. But just this once, once, he couldn't magically track where the Revenge is in the middle of the ocean. It's because Ed didn't want to be found. No, you're right, This is Looney Tunes. Caitlin Looney Tunes. Looney Tunes. I do love the fact that when Steve shows up, his crew was like 2 seconds away from eating the Swede. Yeah, I I also think it's hilarious that like, it just it was like just like a cut to like Swede's ass and and they're just like they're looking mighty
tasty right there. OK. I also love that the reason they're on the desert deserted island is 'cause like, Izzy tricked them. And he was basically like, yeah, yeah, I know. We're gonna have, like, we're gonna have the talent show on this island. You guys set up first and then we'll come back. So they're like in costumes. They have like juggling things. So I love that. With that knowledge, buttons still brought his, like, his grill or whatever. Like the Yeah, I love that he
brought that for the talent. Like, it's such a buttons move, like, why would you bring that? So he was like, you never know what's gonna happen like. Better have it and not need it than you so. I love that little detail, like the thought process of buttons is the absolute best. But that, unfortunately brings us to the end of season one. It Sure. Does we. Still have a whole another season to talk about, but thankfully that's it for the season.
Yeah, so again, we did our best to cover like our favorite parts, things that we really enjoyed, if he missed things, BTS stuff, leave it all in the comments, We love hearing from you. But we will be back to cover the rest of season 2 and then speculate on what we would have loved from season 3 amongst us and with all of your input. Thank you fandom. So. You'll have a lot to say about season. Three, that might be its own episode, obviously just
theorizing about season three. There's some good stuff in there. I'm very excited to talk about that. So there's plenty more to enjoy and we will have more interviews coming out hopefully. Or maybe they're already out. But let me get this. Speaking of interviews, if you want to know more about behind the scenes stuff, we do have the Veco and Gypsy interviews already posted. If you haven't seen those already, check them out. So until next time.
Wait, we didn't give the Big Gay Energy Award to season one? Oh, shit. I didn't even see that in there. My bad. I was ready to hydrate and move on. OK, let's not move on, all right? We've come to the end of season one. If you're new here, we, I mean, we used to rate episodes, but now we're rating the whole season using our Big Gay Energy Scale. So what is the Big Gay Energy Award? Basically, it's a gayer version of our Big Witch Energy Award. If you've been with us that long.
And if you don't know what I'm talking about, this award goes to something we absolutely loved or found very queer in the show that really encapsulates the term Big Gay Energy. So, Big Gay Energy Team, who or what would you give the Big Gay Energy Award to for season one of Our Flag Means Death? Honestly, I'm thinking the outfit, they were pretty Kunti. Yes, especially Evelyn. Speaking of like, hunty outfits. Yes. Oh, that's a good one. Thanks. No, it wasn't Gypsy.
Thank you other costume designer for season one. No, Nancy is Nancy's. The Goods is Harry. Yeah, yeah, yeah. Yeah. Yeah, it's mine, is Steed and Mary's conversation. Gets the beginner new one. Yeah, because it's it's a perfect scene for Steed to come out quote to Mary. That's also a nice little like example of like allyship so. Yes. Even though Mary, I'd swear to God, she experimented afterwards. A widow's group? How could you not? Yeah, no, I agree. That's a good point.
All right, I'm gonna give just like, the easy existence of queerness in this show as the big Gay Energy award because there's several queer characters portrayed explicitly. We have Jim, we have Lucius and Black Pete, and then we have Ed and Steed. And there's there's other queerness going on as well. But the way that the queerness just exists in this time period, we don't really have to explain it. There's no stigma.
There's no, they just exist and get to have their own stories and just get it up all over the place. I appreciate that wholeheartedly about a period show. You know, that's so I love that about this show more than anything. I think that alone gets its own award. Not to mention, as we mentioned before, like this show is still like very historically accurate in the sense of pirates fucking each other, 'cause they didn't have readily available access to fucking women.
So I mean like it's it's very historical in that aspect. Cheers to that. We're not doing the next. Section. OK, so thank you guys. We will be back to do Season 2. How? What? What wins the big Gay Energy award in your point of view? Leave it in the comments And until next time, hydrate for lesbian Jesus. And get up all over the place. Bye, bye. And with that, we've been big gay energy.
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