Hello and welcome in today's episode, I'll be showing you different ways of using tunnel and chromatic Polly chord structures in your music. But first a thing or two about Polly cards, it consists of 2 or more chords played together and such cars. Maybe originated from the same or different tonalities. Usually the latter is applied. Only the chords that make up the poly Court must be perceived independently although it is not mandatory.
Nevertheless when the court pitches are mixed, the overall chord structure will be considered as one complex unit as you will hear. Normally if you want the individual chord, formations to be heard distinctly, they should be properly spaced since depending on the way that the involved chord notes are arranged more or As tension can be created, when Polly chords are built from chords in the same tonality, they can be considered in fact as cord
extensions. As an example, if you have a C and G major chord from the c, major tonality you can either represent it as a poly card with G over C or as C, major 9, if you want to make Melodies over Polly cards. And if the case is like the previous example, where we built a And with cords from the same tonality then it is quite
straightforward. As you are not implying, another tonality and the notes used in each chord belong to that same tonality as said you will be hearing this poly cord as a cord extension. Based on the technology you are using various in poly cords build with cords from different tonalities. You can either use a compound scale made with the notes of those chords or you can go back and forth from the implied tonalities.
The following example uses mostly Polly cards from the same tonality noticed how more familiar and consonant Discord structures. May sound to you. If you are building Polly cords with cords from different tonalities, keep in mind that the relative distance of the tonalities you are using will have an impact on how the poly
chord sounds. Think about it, as a choice of key relationships and how dissonant or consonant they will sound, when the respective cords are just opposed account, Student relationship is considered when you are using chords. From the tonality, that has at least five common pitches like in C major and F, major or C major and D major, and a dissonant relationship occurs, when last and five, common pitches are shared between Technologies, like, in C major and a flat major.
Another way of using poly chord structures is to use the upper structure with the same cord while you use the lower chord. Sure to change the color of the Polly card. The last four bars of this example, uses a descending. Chromatic Baseline. And the poly cars were built based on it. This last example uses yet, another way of thinking about building poly chord structures.
In this case, I'm using a more static Court succession in the lower structure that is maintained throughout in contrast with the upper structure that has more harmonic movement. I built the poly cars in a way that the respective upper and lower structures confirmed. The total or model centers, they belong to in the major for the upper structure and F Dorian. And Phrygian from the E flat major tonality in the lower structure.
So things to consider when working with poly chord structures, for the residents of poly cords, it is advisable to follow the logic of how the overtones are produced open position voicing at the bottom and the other cord with closed position. Voicing at the top, pay attention to where dissonant intervals are placed the usage of dissonant or consonant intervals in the outer voicings of the chord structure determines its Reception quality
throughout the court formation. As with clusters some of the consonant or dissonant quality may be enhanced, or dispelled, according to how closely you place both cords. By the way, you voice the chord structure and it's register by the way that the involved coordinates are presented or by arpeggiating one or both cords. Any type of cord can be used to build a poly card, but three note chords are usually more
common. However, the decision of the Court quality their extensions and techniques, you use to make and present Polly cards are entirely up to you. And the only limit is your creativity. It's all for now and I'll see you on the next episode. Happy composing Any type of cord can be used to build a poly card, but three note chords are usually more common. However, the decision of the Court quality their extensions and techniques, you use to make and present Polly cards are
entirely up to you. And the only limit is your creativity. It's all for now and I'll see you on the next episode. Happy composing