0:00
on today's ask Zack I'm going to talk
0:02
about a modified broadcaster blend
0:05
control that's much more usable than the
0:08
kind of vintage layout also I'm going to
0:11
talk about two YouTube channels that
0:13
I've been watching a lot lately and that
0:15
I really want to let y'all know
0:19
[Music]
0:27
about well hello friends and welcome to
0:29
ask Zach yes we are going to talk about
0:33
the uh broadcaster blend and
0:35
specifically a modified version of it
0:38
that I think is much more
0:40
usable and uh again I'm going to talk
0:43
about two YouTube channels that I've
0:45
really been watching a lot lately I well
0:48
I preface it by saying that I haven't
0:50
had as much time to uh to spend on you
0:53
know watching YouTube and so I've become
0:55
more selective and these have been two
0:57
shows that I've really enjoyed enjoyed
1:00
and have been watching a lot in the last
1:02
couple months that I really you know
1:04
wanted to share with y'all so let's uh
1:07
of course thank uh the patreon members
1:11
and everyone that supports Me by uh you
1:14
know putting some money in the tip jar
1:15
the super thanks of buying a T-shirt and
1:19
such I uh I really appreciate that if
1:21
you want to find out about patreon uh
1:23
there's a link in the description also I
1:25
need to thank um clling foil which is
1:28
sponsoring Today's Show of course cling
1:30
foil is a wonderful product that you can
1:34
put on anything to make it hip cool and
1:37
now all right let's let's dive in
1:43
so the Vintage broadcaster wiring scheme
1:47
just to kind of get us up to speed is in
1:50
the number one position it's the uh it's
1:54
the sound where it's going through a a
1:56
big you know cap and resistor and where
1:59
it goes down volume and also gets really
2:01
dark and has that kind of sound like
2:04
that it's uh I think it's awful and
2:07
unusable and then when you go to the
2:09
number two sound it's the neck pickup by
2:13
itself no uh you know just with the
2:16
volume control and that's it this knob
2:17
doesn't do anything then when you go to
2:19
the number three position you get the
2:22
bridge pickup with it turned all the way
2:24
up and as you turn it down it Blends in
2:27
the neck pickup which I think is just a
2:29
fabulous thing
2:30
it's just you have this one sound that's
2:32
kind of
2:33
unusable and so what was really funny
2:36
about this was when messing with the
2:38
broadcaster that when I did the
2:40
broadcaster episode a couple weeks ago I
2:42
thought this is such a great wiring if
2:44
there were only someone that had come up
2:46
with a a a modified version of this
2:49
where the the first sound wasn't so
2:51
crappy and then I remembered I did a
2:55
talk right here in this room with Rick
2:58
Holstrom that plays with Mavis stap
3:00
on the modified broadcaster wiring that
3:04
he and another guy had come up with and
3:07
I even had a schematic posted and
3:09
everything but I had never tried it on
3:11
anything so I put this
3:14
um modified Rick
3:17
holmstrom uh I'll call it you know
3:19
modified broadcaster blend wiring on
3:23
this guitar and I just love it and it's
3:27
it's pretty simple it's simpler than the
3:30
the Vintage broadcaster stuff it doesn't
3:32
have as many components um just in a
3:35
nutshell you need you know regular 3way
3:38
switch to 250k pots and then you need a
3:41
0047 or your cap of choice and then a
3:44
56k
3:46
resistor and uh yeah it's really simple
3:49
and I'm going to put a uh you know
3:51
there'll be a link in the description to
3:52
a wiring diagram for this but uh here is
3:56
kind of the way it works so this is the
4:00
modified first position sound so what
4:03
this is that instead of going through as
4:05
big of a cap and resistor this is going
4:07
through a 047 cap and a 56k resistor so
4:12
you get you basically get the neck sound
4:16
through and it just brings down the
4:18
volume just to touch and it brings down
4:20
the tone just to touch where you have
4:21
kind of a nice Rhythm sound
4:25
[Music]
4:40
[Music]
4:48
okay now you go to the number two
4:50
position and so it's removing that cap
4:53
and
4:53
resist and you get the neck pickup and
4:57
it's kind of like the the no load
4:59
version of the neck pickup so
5:02
[Music]
5:06
was
5:08
[Music]
5:17
versus some might say that's kind of
5:19
subtle but I don't think so I mean it's
5:21
kind of the difference between what you
5:22
would want when you're kind of backing
5:25
up someone versus taking a solo and uh
5:29
it's it's really useful and that and
5:31
that's the way Rick holmstrom uses it um
5:34
then uh you know of course you when you
5:37
get to the back position you get the
5:39
wonderful blend control which I just
5:41
love and one of the things that he had
5:45
suggested I don't think Rick did but one
5:48
of the guy Steve that came up with the
5:50
uh the wiring in the first place he
5:52
suggested using a no load pot for this
5:55
blend control and I tried that and I
5:58
didn't like it because it ended up it
6:00
creates too much of a kind of a stop a
6:02
detent and you know the bridge pickup
6:06
gets louder and it gets more a little
6:08
more strident and in your face and I
6:09
felt like the bridge pickup kind of
6:12
could use being loaded down and uh but
6:16
you can easily swap that out you can put
6:18
a no load pot in there and uh and get
6:21
that but I like it to where the blend
6:24
control is kind of always active as it
6:26
were and you can just easily you know
6:29
blend some in and uh I really like just
6:32
taking a touch off so this is like full
6:35
up no neck pickup
6:38
Blended turn the volume up
6:40
[Music]
6:43
kid but if you just back it you just
6:45
take it down just a touch
6:51
[Music]
7:08
thanks to bill hullet for that lick um
7:12
it just kind of it just really kind of
7:14
adds it's kind of like if you're a
7:16
Gibson guy which I'm not but if you're a
7:18
Gibson guy the best Gibson players tend
7:21
to keep that selector switch in the
7:23
middle and they just kind of keep
7:25
blending back and forth now they will
7:27
use the neck pickup by itself or the
7:28
bridge pickup but a lot of times they'll
7:30
live in that middle position on the
7:32
selector switch and they'll keep you
7:34
know working that and I think it's just
7:36
a really cool uh ability to kind of have
7:39
it
7:41
[Music]
7:42
where okay that's a little bit too much
7:45
I can just roll it back some and instead
7:47
of it getting dark it just gets
7:55
fatter cuz it's not like all of a sudden
7:57
I started sending like oh he's got both
7:59
pickups on that's not really the honest
8:01
to goodness Bridge Telecaster sound
8:04
sorry for the weird voice um but it's
8:08
not until you really get all the way
8:10
down when this is full up that you get
8:13
the full
8:15
on and I don't know why I always want to
8:18
play Bad Chad Atkins type uh my bad
8:21
imitation of Chad but uh but I do uh I
8:26
think also I'm biased against the two
8:28
pickup telecasters sound and I I think I
8:31
like the blend because then I'm able to
8:34
kind of pull in just enough of the neck
8:37
pickup to fatten things up but without
8:39
it going fullon dual pickup sound and uh
8:43
I just really like it so again this is a
8:47
you know most of the time you're only
8:49
going to need a 56k resistor to do this
8:52
and of course I'm have a uh you know a
8:55
wiring diagram on my website there'll be
8:57
a link in the description
9:00
uh now let's talk about why you wouldn't
9:02
want to do this so if you are a big dual
9:07
pickup user where both of them are quote
9:10
equal volume as it were I'm not saying
9:12
equal height and everything like that
9:14
then this is probably not for you uh
9:17
also if you use the tone control a
9:20
lot uh and if you really want to darken
9:23
things a lot this is not for you for me
9:26
I don't necessarily want to darken
9:27
things I want to fatten things
9:30
and so for me the blend is fantastic
9:32
also it kind of gets on the other wiring
9:34
scheme that I like which is where you
9:37
don't wire the neck pickup to the tone
9:39
control so you get this in this number
9:41
two position you get the neck pickup
9:43
without the tone control then you have
9:46
the neck pickup through this kind of
9:47
little bit of tone control that knocks
9:49
it down then you have again no tone
9:52
control on the neck then you have Bridge
9:55
with the blend control so anyway
9:59
something to think about and uh you know
10:02
and again if you're like me and you have
10:03
a couple of telecasters it's nice to uh
10:06
wire something up differently and have
10:08
it uh have it fun so let's uh let's talk
10:13
about these YouTube channels that I like
10:16
so I like you you're probably busy like
10:20
I am and uh and I just don't have as
10:23
much time to spend on YouTube and so
10:25
I've you know sometimes I do podcasts
10:28
while I'm driving driving around and
10:31
usually it's not music oriented um but
10:34
then when I do have time for YouTube I
10:36
really want something frankly that's
10:38
quality and I want something that's
10:40
going to inspire me and I want something
10:42
where I'm going to learn something and
10:44
so the two channels that I've been
10:46
spending the most time recently are one
10:48
with the Shane Tero and Adam Levy both
10:53
those cats have amazing YouTube channels
10:56
who are amazing Pros they have long
11:01
resumés of great artists that they've
11:03
played with they're also great Educators
11:05
and they've both written books and just
11:09
have a huge amount of uh of history as
11:14
as good teachers and they do they
11:16
present themselves well very different
11:18
presentations so you know Shane is kind
11:21
of a you know New Orleans kind of
11:23
Louisiana guy and he has a little bit
11:25
more you know a little bit more what
11:28
should I say uh Tony chat's you know or
11:31
or slap your mama on it uh and Adam Levy
11:34
is much more uh he's much more you know
11:38
calm subdued now I'm not saying that
11:39
Tero is like a used car salesman or
11:42
anything like that but U yeah so let's
11:45
just talk about Shane uh Shane has been
11:48
doing mainly lesson videos recently and
11:51
they've all been really really good
11:53
they're gold um and he just has a huge
11:57
history of you know playing with holl
11:59
notes you know playing with tons of you
12:02
know Dr John and uh you know all sorts
12:05
of cats then from Louisiana and then of
12:07
course with playing you know being the
12:09
MD with darl Hall and and his show he
12:11
ends up playing with all sorts of
12:13
artists and uh I think he just does a
12:15
great job he has good hands he gets a
12:17
good tone uh and then you know Adam Levy
12:20
uh I don't know Shane Adam I do know
12:23
I've interviewed him and uh just really
12:25
love his playing his tone his Outlook
12:29
and he's recently done a series on 10
12:32
Essentials you know for for the guitar
12:34
and and playing and musicianship and I
12:37
just really have enjoyed every single
12:39
episode of that also and uh and I love
12:43
of course the fact that Adam has been
12:45
playing a a Telly it's a looks like it's
12:47
a you know 69 or or early' 70s and it
12:50
has a A fullsize humbucker in the neck
12:52
and of course he makes everything sound
12:54
fantastic I think it's Lenny Stern's
12:57
Telly that's kind of on Lo long-term
12:59
loone to Adam but he's such a great
13:01
player and such a great guy and so those
13:04
are two channels that uh I would I would
13:07
be watching because I think there's a
13:09
lot of channels where it's just kind of
13:11
guys holding court and talking about
13:12
stuff and I think it's nice when you're
13:14
able to learn things and uh and that's
13:17
kind of challenged me in that uh I'm I'm
13:19
going to start getting back to showing
13:22
licks and such also I've been doing more
13:25
on uh Instagram and uh and Tik Tok and
13:29
one of the things I I showed that uh
13:33
that lick that I played the uh the just
13:35
call me Lonesome lick that uh you know
13:40
goes something like this
13:45
[Music]
13:50
the and it's you know really a a cool
13:54
look and and a cool part and um and I
13:57
just love the fact that it has this uh
13:59
you know this this Bend where you're
14:01
bending the low E string down to the
14:07
[Music]
14:08
a you because you could have play
14:12
it but he played it much cooler because
14:15
Bill Hull's a a boss so uh yeah so yeah
14:21
those are two YouTube channels that you
14:23
ought to check out and uh I'm going to
14:25
start being good about uh doing some
14:28
lessons on the my show and and trying to
14:30
keep things educational not just
14:32
historical so all right guys we'll see
14:35
you next time bye-bye
