Telecaster Neck Pickups and Practice Tips - ASK ZAC EP 5 - podcast episode cover

Telecaster Neck Pickups and Practice Tips - ASK ZAC EP 5

Mar 27, 202312 minEp. 5
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Episode description

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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Or check out my store for merch  - www.askzac.com

In our first Viewer Mailbag episode, I answer some questions from viewers. First up, I was asked to compare the APC Adder Tele neck pickup in the Crook Paisley with the Ron Ellis "Julian Lage" neck pickup in the Danocaster Blackguard. For completeness' sake,  I also bring out my original 1967 Telecaster and demonstrate its original neck pickup sound. Next, I cover some practice tips, and what I wished I had practiced when I was younger. I then get a bit preachy about bringing new, untested gear to rehearsals.

Gear Used:
Guitars:
2019 Danocaster Blackguard with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/
2014 Crook Custom Vintage Paisley APC Adder (Neck) Peter Florance TE-60 (Bridge)
http://www.crookcustomguitars.com/
1967 Fender Telecaster - stock pickups

Strings: All guitars strung with D'Addario 9.5-44 strings EXL120+  https://amzn.to/3a5qxVi

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects: Mirage Compressor
Power: Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

Transcript

Hey guys welcome to another Ask Zack and
0:23
today we're gonna answer some questions
0:24
that have been sent in so the first one
0:28
is a difficult one to do but I'm gonna
0:32
I'm gonna try to do this I was asked to
0:37
demonstrate the difference between the
0:40
adder the APC adder neck pickup and then
0:45
the Ron Ellis julienne large neck
0:49
pickups now the reason why this is
0:51
difficult is that the guitars are
0:55
completely different constructional eyes
0:57
so where the daño caster is an ash body
1:00
the crook is an alder body where the
1:05
daño caster has brass saddles this has
1:08
steel saddles where the Dino caster has
1:10
a one-piece maple neck the crook has a
1:15
maple cap neck and then of course
1:17
they're two different you know it's even
1:19
if you had two guitars supposed to be
1:21
identical they're still gonna sound
1:23
different so with that set aside I'm
1:27
just gonna you know play a little bit on
1:29
this one play a little bit on on the
1:31
Dino caster and then I'm even gonna
1:32
bring out the other 67 tele which has
1:35
the stock you know the original pick up
1:37
on it and the pickup is original except
1:41
it has been wack spotted because
1:42
originally those were not wack spotted
1:44
and they were just dipped in lacquer and
1:47
that doesn't work long term so to keep
1:51
the pickup working and alive it had to
1:53
be wack spotted so so you're gonna hear
1:56
all three neck pickups so I'm going to
1:58
start with the APC adder pickup and I'm
2:03
just using a just a smidge of
2:06
compression and otherwise you're just
2:08
hearing the amp and the Reaver
2:10
on that so again here's the APC adder
2:13
pickup there's the adder you know
2:47
scientifically and very sophisticated
2:51
pick up the the dyno caster here's it
2:56
with the julienne large neck pickup the
3:09
outputs a little different so I'm gonna
3:13
goose that up a little bit
3:15
[Music]
3:25
I get to do that again
3:41
[Music]
3:48
okay and now the 67 so what's the
4:34
difference
4:35
obviously the adder is the highest
4:37
output and I had to Goose up the dyno
4:40
caster and the original 67 to match the
4:45
adder is like I said the hottest it's
4:49
probably the most strata sounding to me
4:53
the the dyno cast the the Julian Lodge
4:57
Ron Ellis pickup has a really neat chirp
5:01
to the top end and it has this kind of
5:07
openness to it and surprisingly enough
5:12
this 67 has the most mid range to it
5:17
[Music]
5:42
castoreum and the crook with the adder
6:12
APC again you know I've got a back off
6:17
the level
6:21
[Music]
6:34
[Music]
6:39
so there you have again not a completely
6:42
scientific test I didn't say that the
6:45
course the the 67 telly has similar
6:48
construction to this of course it's but
6:50
much older maple cap neck ash it's got
6:54
an ash body so that he heard ash body
6:57
with steel saddles and a maple cap neck
6:59
on the 67 and this is alder body steel
7:02
saddles maple cap neck all those things
7:04
make a big you know they make a
7:05
difference in the sound and it's all
7:07
ingredients into the recipe of tone so
7:13
it was a question I got in the second
7:16
one was at asking about practicing so
7:20
and also about what you wish you would
7:24
have practiced when you were younger so
7:26
if I were to say first what I wish that
7:29
I would have practiced when I was
7:30
younger was I wish that I would have
7:32
some more and I wish that I would have
7:34
sung parts more before I played them
7:36
because when you can sing apart it's
7:40
gonna be much more musical than if you
7:42
just come up with with something on the
7:44
guitar there's nothing wrong with that
7:46
but if you can sing it or hum it first
7:49
before you play it on the guitar it's
7:51
not going to be some mathematical thing
7:54
that came under your fingers so also
7:57
it's just singing is just a great thing
8:00
to do it it doubles your work
8:03
opportunities you know especially early
8:05
on you know everybody wants to have
8:07
someone that can help out singing wise
8:09
so let's play let's say you're in a club
8:11
band well if you can sing one or two
8:14
songs a set and give the main you know
8:16
lead vocalist or break they'll love you
8:18
if you can sing a harmony part again you
8:21
don't have to be you know a retha or
8:24
Emmylou you know if you can just sing a
8:26
you know a decent you know harmony and
8:29
then hold apart you are that much more
8:31
employable
8:32
so one I'd say singing to practice with
8:38
a metronome start slow like it's
8:42
60 and then you know speed up but your
8:45
time is so important everyone thinks
8:47
their time is good oh I don't need time
8:49
but then and then when people play with
8:50
a click track go like oh I hate playing
8:52
with a click track and click track so
8:54
horrible well that's because your times
8:55
not very good so you just you need to
8:59
practice with a metronome you know again
9:03
you can get all these apps that are on
9:04
your phone and you can just sit there
9:06
and practice for five to ten minutes
9:08
with the metronome practice playing
9:11
lines practice playing kind of on the
9:14
beat practice playing a little bit
9:16
behind the beat to kind of give it a
9:18
different feel and you don't really want
9:21
to rush too much but and yeah so those
9:28
are big things know that being able to
9:31
play rhythm and fills and things like
9:33
that is much more important than being
9:34
able to solo a lot crazy as much as we
9:37
all like to sell oh if you want to
9:38
practice on your selling well get some
9:40
you know get some backing tracks or our
9:42
looper and play along with those and
9:44
come up with new ideas the last thing
9:47
I'm going to say and no one asked about
9:49
this but I'm going to do it anyway it is
9:51
stop changing your gear before you go to
9:54
rehearsal so what happens when you show
10:00
up to rehearsal with a new piece of gear
10:02
is you end up you're trying to get
10:04
comfortable so you can be musical and
10:06
you keep futzing with it you keep
10:08
twiddling knobs on the amp you keep
10:10
twiddling knobs on the pedal and instead
10:13
of being in the moment instead of not
10:16
being musical and doing what you need to
10:18
do you're fussing with it because you
10:20
want to get comfortable you want to hear
10:23
the sound that you want to hear stop
10:25
changing your stuff up if there's a
10:27
problem of course something needs to get
10:28
fixed get it fixed or if you have to
10:31
change sounds do it
10:32
but you know try to do it before
10:35
rehearsal and you know because otherwise
10:38
you end up missing out on a couple of
10:42
songs you're like two or three songs
10:44
into rehearsal before you're finally
10:45
comfortable and then you're wishing that
10:47
you would have been more in the moment
10:49
on those earlier songs you know like hey
10:51
can we go back and do those songs again
10:52
well
10:54
just stop messing with your stuff know
10:56
your stuff know your guitar know your
10:59
amp know your pedals so that when you
11:02
show up you're not messing with that so
11:06
you can just be musical and do your
11:07
thing so there you have it well I want
11:11
to thank you for watching another ask
11:12
Zach please send in questions please
11:16
subscribe please share and thank you so
11:19
much and I hope you have a great week
11:21
thanks and bye bye

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