well hello friends and welcome to ask
0:19
Zack today I have a confession for
0:23
decades I've had pedal board envy and
0:27
not in the sense of wanting to have one
0:29
of those huge Studio boards that uh you
0:32
know a lot of the studio cats have know
0:35
I've never I've never wanted that I've
0:36
never wanted to have a a Starship
0:40
Enterprise or whatever to uh to control
0:42
I always like a simple rig but what I
0:44
have been jealous of are the really
0:47
wonderful clean builds where all the
0:50
cables are nicely buttoned up uh you
0:54
know the power cables are are run in the
0:57
right fashion it looks professional and
1:00
so I've been jealous of these type of
1:03
you know those type of builds since the
1:05
'90s and since I first started seeing
1:07
Pro built pedal boards built by like
1:10
Tech star and different people and of
1:11
course I've done a lot of interviews and
1:13
gigging and especially in the true tone
1:16
Lounge interviews I've seen a lot of
1:18
exact tone solution pedal boards that
1:21
are just amazing I mean they are so
1:24
clean and well put together that finally
1:28
I uh I decided you know what I want to
1:31
have that done and my excuse was I
1:36
wanted to have a board built that was
1:39
just for playing you know direct or an
1:42
amp and so it's kind of a bigger board
1:44
maybe got a little extra stuff on it
1:46
it's still a long skinny board like the
1:49
Metro 24 but it'll have a dream 65 and
1:53
it'll have a junction box an insert with
1:56
like a volume pedal and some other
1:57
things like that and whether you can you
1:59
you can go either to an amp or you can
2:01
go to the the dream 65 in a direct box
2:04
so while I was taking that stuff down
2:06
there I also took down my grab and go
2:09
pedal board that I use you know more
2:11
around town or sometimes even fly with
2:13
it too and um and it was kind of real
2:17
rickety and stuff was kind of moving
2:18
around and of course also I kind of have
2:20
changed pedals around on it at different
2:22
times but I always come back to the same
2:24
guys and finally I said you know what I
2:26
want you to button up my uh my grabin
2:30
board to so this guy got all cleaned up
2:34
with custom cables no more you know
2:37
mismatched you know manufacturers cables
2:40
and all sorts of odd stuff uh it's got
2:42
dual lock on it uh you know of course
2:45
we've got our true tone CS6 on the back
2:49
and everything's nicely uh you know
2:51
tidied up and buttoned away and it just
2:54
looks really professional and well put
2:57
together I've always wanted to have this
2:59
done so So today we're going to take a
3:02
uh a school trip out to uh exact tone
3:06
Solutions here in Nashville and Barry
3:09
and Eric are going to and and I are
3:13
going to walk through this board and now
3:15
I know in the past I've talked about
3:17
this you know some of these pedals
3:19
before but this is a really fun uh you
3:22
know kind of take because you don't just
3:24
get my feedback on these things you get
3:26
really good feedback from both Eric and
3:28
Barry and they ask ask really good
3:30
questions and also they give me a hard
3:32
time which is what friends do and they
3:34
are great guys and uh yeah they did an
3:38
amazing job on this so enjoy our trip to
3:42
uh exact tone
3:43
Solutions welcome back to the XDS custom
3:46
shop I'm here with Eric say hi Eric hi
3:49
Eric and I'm also here with Zach child
3:52
say hi Zach child hi Zach child now this
3:55
is actually your video and you've
3:57
graciously let me hold the camera yeah
4:00
uh so uh Eric has finished this small
4:04
board do you have a name for this board
4:07
uh we're going to call it John John the
4:10
Mr John Mr John for the for if you know
4:13
you know right yeah if you know you know
4:15
so uh this will be an easy board to walk
4:18
through and Eric as you walk us through
4:20
it Zach will you jump in and kind of
4:22
give us the where and what fours of did
4:25
I call you
4:26
John you can call me whatever you want
4:28
better I called you as long as I get I
4:30
had John I John Mr lenthal if you'll uh
4:34
if you'll just walk us through this
4:36
board if you know you know if you uh so
4:41
uh we but we'll keep it secret it's a
4:42
it's a it's a John L board yeah yeah all
4:46
right Zach as uh as uh Eric here walks
4:49
us through the board maybe you can chime
4:51
in on you know why you picked what you
4:53
picked or why you like yeah the stuff
4:55
that's on there so Eric take us through
4:58
it yeah so simple board uh mono
5:03
board there's only one of them now we
5:05
don't do a lot of those here we don't
5:08
see a ton of them no um but it's a good
5:11
size yeah this is a great size and you
5:14
got plenty of room under there for your
5:16
supply and for a folded board the gauge
5:21
on that is pretty nce like it's a
5:23
thicker gauge it's robust uh some other
5:26
boards I won't name names are pretty
5:28
sharp this is a Prett gentle one not
5:31
going to cut your hand trying to pick it
5:32
up are those feet just stuck on there or
5:34
they captured somehow they
5:36
are captured somehow captured somehow
5:39
Okay cool so we got through to the
5:42
board and then on top of the board
5:44
there's some pedals and some cables and
5:47
that's about it no starts with the tuner
5:49
here a little guy which is kind of Zach
5:51
that's kind of quickly becoming
5:54
unobtainium it seems like yeah they they
5:56
are still available but only from the
5:58
manufacturer they don't have any dealers
6:00
anymore so because they had a shortage
6:02
of chips so I actually mistakenly bought
6:04
one on reverb at higher than than retail
6:07
price and then I found out that they are
6:10
still for sale but only directly from uh
6:12
Sonic research so yeah don't pay
6:15
inflated Reverb prices they're they're
6:17
shipping them uh but yeah that is my
6:19
favorite alltime uh tuner pedal and it's
6:23
it's small it has a soft switch that's
6:26
still true bypass and it just it's easy
6:29
to see it it Tunes really well it
6:32
doesn't do anything crazy uh you know
6:35
cuz the last thing you want is something
6:37
wacko happening while you're trying to
6:39
retune before the next song or something
6:41
like that right especially like if
6:43
you're already in the weeds right like
6:45
you're you played a song you know it's
6:46
bad yeah and you're trying to make it
6:48
right yeah yeah you you don't want want
6:51
that did you dig the like the Peterson
6:53
strobes like are you a strobe
6:55
fan uh I had one of the Peterson strobes
6:58
when they when they first were released
7:00
and it and they were gigantic and also
7:02
had like an XLR out and I just didn't
7:04
like it because at that point they would
7:06
rotate like thish and like this and that
7:09
was hard for me to read it was easier
7:10
for me to where it was going this way or
7:12
this way depending on whether it was
7:13
sharp or flat right I found when those
7:17
race car looking strobo Stomps came out
7:20
that there was sort of a halves and
7:22
haves knots when it came to using them
7:25
like look like a race car bed don't they
7:28
I put that it did it did it looked
7:30
completely bury again with the bom Mo
7:33
that's right that's right so it's uh but
7:36
I knew a bunch of like acoustic only
7:38
players and they never figured it out
7:39
like they didn't even know how to get it
7:42
they didn't know what the object of the
7:43
game was like yes they didn't know well
7:45
you got to stop this bit over here from
7:47
moving yes I heard a lot of people like
7:49
the DI in it the sound quality really
7:52
cool I never noticed at least a couple
7:54
people that I think knew what they were
7:56
talking about said I like the DI in that
7:58
thing that's cool didn't know that but
8:00
here we are and now you got a tiny thing
8:03
there that does strobe and is available
8:05
directly from Sonic research yes they
8:08
are very cool pedal yeah that's good
8:11
compressor good
8:12
pedal this this one I I like because now
8:16
we'll we'll go back and I'll just go
8:18
ahead and admit it here so this this
8:21
pedal board is uh pretty much an exact
8:24
copy of uh the pedal board that one of
8:27
my favorite players chap named John
8:30
lenthal used when uh and there is he had
8:34
a different overdrive on it but he is a
8:36
fan of the m dorion and so I already had
8:39
all the pedals that he had except for
8:41
this Mirage compressor and so I ended up
8:43
picking up one of these and this kind of
8:45
has a a slower response it's not that
8:47
really quick and and so it just is
8:50
smoother so it doesn't clamp down so
8:52
fast and it just sounds more natural and
8:54
so I really like this compressor a lot
8:57
also it kind of messes with your tone in
8:59
a nice way it kind of it's it has kind
9:01
of a a mid-range kind of thing to it
9:04
which I like that's cool and so I really
9:07
like this and this is something that I I
9:09
pretty much leave on all the time and it
9:10
has a handy little light on there that
9:13
uh I I don't know whether uh it's you
9:16
know very sophisticated or not but it
9:17
seems like it's sensing you know how
9:20
much it's grabbing and such and so you
9:21
can kind of you know easily back it off
9:24
and uh yeah it works well yeah that's
9:26
super cool it is that's a good
9:28
compressor it's good for guys that don't
9:31
dig compression or think the compressor
9:33
they have is too heavy-handed or too
9:35
aggressive yeah it's a good one I think
9:38
as an aside it's also it's a curated
9:42
compression compression experience it's
9:44
got two knobs you don't have to know how
9:47
to set a knee or an attack or a release
9:49
or any of that stuff with it and it's
9:52
those are all set in a very guitar
9:54
friendly way and and that's what I need
9:58
you know and and and I just find the
10:00
more option you know I get option
10:02
anxiety and I need something that just
10:05
kind of does the job and works and so
10:06
it's like so to me like a lot of guys
10:09
get into the compressor pedals that have
10:11
like five knobs they have like a mix
10:13
knob they have a tone knob they have you
10:15
know an attack knob and and the and your
10:18
normal comp and and level knobs and
10:20
those completely you know throw me for a
10:22
loop even though they they sound great
10:24
and I hear people using them in great
10:25
ways but I I love the fact that it's
10:27
just a two knobber and it's easy to use
10:30
and it's and it's really friendly to to
10:33
playing yeah I think they are they're
10:35
great and less knobs to try to set uh
10:38
during a really quick Sound Check Yes or
10:41
a stage load in yeah uh next tremo a
10:45
modern classic yeah not really modern
10:47
classic just a classic well you put it I
10:49
did a double take cuz I I said do do you
10:53
really want it there and uh because it's
10:56
before dirt bar had to talk me into it I
10:59
almost I said I said yeah I had to hold
11:00
him back I said listen we respect our
11:02
clients here and so this this had to do
11:06
again this is coughing the way John had
11:08
his oh is that how he has it how he and
11:12
so what I found was is that I like it
11:15
that way because what it's doing is it's
11:17
raising and lowering the level that goes
11:20
into the mostortion when you have it on
11:22
and to me it gives you a more
11:23
interesting texture because your signal
11:26
is being dirtier and cleaning up dirtier
11:29
and cleaning up as the triolo goes up
11:31
and down and so I I thought that that
11:33
was kind of I don't know whether he did
11:35
it for that purpose or not but and i'
11:37
Haven I've never asked him but uh yeah I
11:40
just I really like that and so I I think
11:42
it really adds a a nice thing you know
11:45
of course it doesn't make any difference
11:46
if you don't have the mostortion on but
11:48
when you have it on you get that uh you
11:50
know change in level change in dirt
11:52
level and and you set your mtor it's not
11:55
super aggressive right no and I think
11:57
that leads Credence to cuz it's not like
11:59
you're going to have clean dirty clean
12:01
dirty clean dirty it's going to kind of
12:03
undulate maybe in a way that maybe you
12:05
couldn't really identify right yeah it's
12:08
it's not drastic it's it's subtle but
12:10
it's interesting yeah so so that's a
12:12
trim yeah and there and there's nothing
12:15
really um the the current boss tr2 is
12:19
fine and dandy this is from the era when
12:22
they there were still like a volume drop
12:24
in them and Analog Man would do this mod
12:26
so I don't know that this is kind of a
12:27
necessary thing any more this is just
12:29
the one you know that I had and and such
12:32
and so it you know and at the time they
12:34
were only like a hundred bucks or
12:35
whatever I don't know what they are now
12:36
yeah they certainly made improvements to
12:38
the g7s when they moved them to Malaysia
12:42
I wonder I we I don't know that we've
12:45
had a Malaysian tr2 in so I don't know
12:50
if they've sort of quote fixed those
12:53
things that we would mod that you know
12:54
like that that mod corrects but um but
12:57
it's still a great pedal I I think a lot
13:00
of guys use them for Nostalgia only but
13:03
they still are totally valid yeah well
13:07
cool so tram and then a classic maor the
13:10
F4 mentioned mtion when did you find the
13:13
mostortion Zach I found it because of
13:16
Jeff sin and so so this was before they
13:20
got to be expensive and uh apparently
13:25
the the whole mooran thing starts with
13:28
uh Roy Parnell and then the guitarist
13:31
that work with him like Rob McNelly and
13:33
then Rob
13:34
McNelly had one shipped to Jeff sin's
13:37
house because he like was out on the
13:39
road or something like that Jeff ends up
13:41
playing through
13:42
it when he was going I think you just
13:45
confessed a federal offense on Jeff's
13:48
Jeff s do belong in jail you know for
13:51
multiple reasons but uh and then Jeff
13:55
was trying to get uh trueone to to make
13:59
a copy of it because he was he was
14:01
unhappy with of course the built quality
14:03
in the original you know 10 series
14:06
housing and so he he shipped one to me
14:10
and then I fell in love with it and then
14:12
ended up the the
14:14
chips uh the seamos the seamos chip is
14:18
not made anymore and so because of that
14:21
because that would make it harder to
14:23
Source them and get them to the to
14:25
tron's factory and such in China it
14:29
didn't make any sense so I had I had to
14:31
you know so Bob said yeah we're we're
14:33
not you know because of that that issue
14:35
it doesn't really make sense that's
14:37
something for like a smaller Builder to
14:39
use and not to mass produce so we didn't
14:41
do it but I ended up just falling in
14:42
love with the pedal so I I ended up
14:44
buying a couple of them when they were
14:46
still in that $100 range good for you
14:48
and then uh the switch on it uh you know
14:53
they they kind of notoriously go bad and
14:56
I would spray deoxide in there and get
14:58
it to keep working and finally it wasn't
15:00
working anymore so then that's when I
15:01
had you guys do your uh your rehouse on
15:04
it and and I had it uh did you give a
15:07
lick about the the true bypass no I
15:10
didn't I just I liked the pedal the way
15:12
it was and I didn't feel like it needed
15:15
so I have a soft switch on there and
15:17
it's and it's just doing like it always
15:20
did so it's not true bypass Y and uh and
15:22
it works fine and again you're only
15:24
dealing with a couple of pedals here so
15:25
it's not a so why the mtion for you
15:29
I I like the three band EQ it's a good
15:33
fixer um and then I just think it even
15:37
though I I I interviewed the uh the
15:40
designer of this and basically what he
15:43
did was he added the three band EQ from
15:46
like a a Fender
15:48
amp uh to a tube screamer and changed it
15:51
to where it had that seos you know chip
15:54
and that was all it was but it makes a
15:56
big difference in the way it sounds and
15:58
to me it was just more I hate this word
16:01
but it is more natural sounding than a
16:03
tube screen it didn't have the uh the
16:05
the low-end loss and it didn't get so
16:08
midrangey and to me it was just more
16:10
friendly and of course now there are so
16:12
many other overdrives out there but I
16:15
don't really like to change up stuff a
16:17
whole lot to me it's like if something
16:18
works let's kind of let's kind of go
16:20
with that and let's let let's leave it
16:21
alone to a degree which makes sense cuz
16:24
of everything on this board yeah and and
16:27
going back these are all sort of older
16:29
yeah and what Eric was saying is really
16:32
important Eric was hinting to the fact
16:34
that when you're fussing with stuff
16:37
you're not being musical sure and so
16:40
when you're trying to get comfortable
16:42
you know and you're messing around with
16:43
stuff and to me it's like the Le the
16:45
least amount of stuff you can use the
16:47
better because and if you kind of know
16:49
the stuff well that way if something's
16:51
wrong if there's a knob in the wrong
16:53
position well it's easy to kind of find
16:54
it because you know them all real well
16:56
and that way you can get on to to doing
16:58
sound check and and playing through the
17:00
song or learning a new song with
17:02
everyone else in sound check and just
17:04
makes it to where it's just a lot better
17:06
uh now of course sometimes you have to
17:08
use more gear depending on the gig and
17:09
everything but this is you know again
17:11
this is your little grab and go kind of
17:15
do everything you know that you would
17:17
need in most you know kind of normal
17:19
small situations for sure for sure so
17:22
that got us up to the
17:24
monor couple delays here then couple
17:27
good delays do you those short and
17:30
whatever so I set this short for you
17:32
know a country slapback like I'd use
17:34
with a Telecaster and uh and it's just
17:37
nice to be able to go very quickly
17:39
between because a lot of times I play
17:42
more Roots type music and I play older
17:45
Country you know with maybe some more
17:48
modern stuff thrown in but it's nice to
17:50
be able to go from your telecaster thing
17:53
with this to all of a sudden you can go
17:55
to this and you can have the mooran on
17:56
for playing a ballot or something like
17:58
that and the fact that this I mean this
18:01
has the built-in tap Tempo that's really
18:03
what do you think about that that's kind
18:05
of I found that to be divisive I I have
18:08
I yeah you're you're right it is and I
18:11
like it and I it's like it's just you
18:13
have to be careful with where you're
18:16
hitting it when you're tapping it in and
18:18
it's like if you if you hit it in the
18:20
right area which I think is over here at
18:22
least for me it's worked uh I don't have
18:24
a problem with turning it you know off
18:26
and on as it were I'm I'm able to to tap
18:29
it in without without an issue and I I
18:30
just find it works well and this this is
18:33
one of the best sounding like I don't
18:36
know what they are now but it's like
18:37
when I started buying these they were
18:38
like a hundred bucks used and they can't
18:41
be a whole lot more than that and they
18:43
have a great sounding tape delay they
18:45
have a great sounding and along with
18:47
modulation that sounds kind of like a
18:49
deluxe memory man and uh and it has
18:52
these other like it has a swell thing on
18:54
there that's the same one like you get
18:56
on the dl4 which basically can give you
18:59
the uh you know the the volume volume
19:01
swell type thing and you can just put it
19:03
on that and and play some cords and it
19:05
swells up and you don't even have to
19:06
bring a volume pedal with you now it's
19:08
it's not as uh variable and and you're
19:12
not able to kind of express yourself as
19:14
much with it but still it it kills that
19:17
that bird so for sure this yeah this is
19:19
great and this is really cool because
19:22
these are still not super expensive like
19:25
the dm2 are crazy expensive but the
19:27
threes clearer sounding I think they're
19:31
better and I found this one cheap
19:34
because someone had modded it to run on
19:36
9 volts instead of 12 which to me was an
19:39
upgrade sure that was what I wanted you
19:42
CU I I do that anyway to old boss pedals
19:44
I convert them because if if I'm going
19:46
to keep it unless it's like some crazy
19:48
valuable pedal but I'll convert it to
19:50
take 9 volts instead just because it's
19:52
easier to to to use and to plug it in so
19:56
I you know I think I paid like $125
19:58
bucks for this one that's great and it
19:59
also um it does depending on the unit
20:03
and depending on how the the internal
20:05
trimers are uh are are dialed in you can
20:08
get a really good almost infinite you
20:11
know kind of repeat kind of thing that
20:13
that doesn't oscillate MH and uh and
20:16
that's really good for kind of filling
20:18
space uh and also to make you play less
20:21
so sometimes it's nice turn the delay
20:23
you know it's like I'm always looking
20:25
for things to do that if I'm you if I'm
20:27
looking you know it's like you're you're
20:28
playing on a mid Tempo or a ballad or
20:30
something like that and you're just
20:31
doing too much and you're just like okay
20:33
well I just turn this it's a straight
20:35
jacket yeah I turn I turn the intensity
20:38
all the way up and I turn the repeat
20:39
rate well that's actually yeah and uh to
20:42
the longest time that it does and I keep
20:44
that that setting and I turn it on and
20:47
it's just like and you you can rake some
20:49
cords or do some simple you know
20:50
arpeggios and it just kind of fills
20:52
things out and you and you're not
20:54
tempted to keep you know tur into a
20:56
banjo player or something did leall
20:58
lethal have a a DM I thing I think yeah
21:02
he had a two so I mean he had a two yeah
21:04
this is this is full on you know a copy
21:08
and it did not make me sound like John
21:10
lenthal ain't that a bummer it it it was
21:12
a bummer you know I we may have you cut
21:15
that out because we kind have a business
21:16
predicated
21:18
on sound like s you will sound but here
21:23
was here was the thing that that kind of
21:25
sold me on this kind of setup was I
21:29
started playing guitar in the 1980s and
21:32
the first pedal board I had was a boss
21:34
plastic board it was called the BCB 6
21:37
and it had this red master
21:40
switch and then it had had spots for
21:42
five pedals and so I had a d comp a
21:46
ts808 and like uh A Chorus and a delay
21:50
and something else and I always liked
21:53
that design and I didn't even think
21:55
about the fact that for years I was
21:57
using like The Petal train Junior and
21:59
some of those other boards that had two
22:00
rows of pedals mhm and going to this
22:05
board reminded me how much I liked
22:07
having just one line of pedals and I
22:10
didn't want to have to step over stuff
22:12
because this is so easy to use
22:14
especially while you're also having to
22:16
sing so cuz I'll you know and the depth
22:18
is a problem if you're singing Because
22:20
where does that Hercules stand go
22:23
exactly and so it's nice having these
22:26
things and even though you know the
22:29
mostortion in the rehouse it's it's kind
22:31
of tall but that's actually a really
22:33
good thing for me because it's really
22:35
easy to hit this you know if I'm singing
22:39
and then all of a sudden I'm going to
22:40
hit that to you know for my solo and
22:43
it's it's kind of it's easy to do that
22:45
so that's very cool yeah so just the so
22:47
there's been a lot of thought into the
22:50
ergonomics and everything on this and it
22:51
just it just works really well it's and
22:54
I love having it cleaned up so much with
22:57
these Wonder ful you know nice custom
22:59
cables that you did and of course I'm
23:02
just going to say this right now um you
23:05
of course we've got a true tone you know
23:07
CS6 underneath it's same one I've been
23:08
using forever they you know you all put
23:11
these nice little labels on there which
23:13
U makes it look cooler and then cleaning
23:15
it up I mean it just looks so much
23:18
better than when I had it it was kind of
23:20
it wasn't yeah it just didn't look so
23:22
nice I remember you and I talking about
23:24
I I kind of feel like I was halfway
23:26
talking you out of it yes because it was
23:29
fine the way that it was and the cables
23:32
there were fine the way that they were
23:34
but it's it's funny
23:36
how just all those little things added
23:39
up makes such a big difference on the
23:42
whole and I had velcro underneath it and
23:44
I just and it was it was just an ugly
23:47
Patchwork of of velcro no uh no pun
23:50
intended and it was funny how the pedals
23:54
would kind of rock around some yeah and
23:56
that would change and that could that
23:58
affects the way when you're turning them
24:00
off and on it kind
24:01
of creates a undesirable effect when
24:05
you're trying to turn things off and on
24:06
while you're playing sure cuz then
24:08
you're not even aware did I get that
24:09
yeah and stuff is just kind of sitting
24:11
wonky and stuff moves around and so
24:13
getting the Dual lock on there is huge
24:17
having you know nicer cables and having
24:19
everything cleaned away where there's
24:21
not stuff sticking out that could
24:23
possibly get caught and again I have to
24:25
show these uh you know Wonderful little
24:28
uh what what are these dads called I I
24:31
should know the adhesive mounts yes the
24:33
yeah and just the way yall have made it
24:35
so one here clean and nice on here and
24:38
that one spot really is perfect for that
24:40
board not only because it has six but
24:42
with these switches where you to switch
24:44
out the MOs tortion for something that
24:47
takes 12 or
24:49
18 you're that's like sitting right
24:51
there and all you just plug it in and
24:53
and switch it yeah and yeah and if
24:57
you're to go demo like in Europe or
24:59
something like that it's International
25:01
automatically and all that stuff yeah
25:03
it's it's it's great and you know this
25:05
is a power supply that I I pushed for
25:08
you know for True tone to make because I
25:10
started getting feedback from players
25:13
you know this was you know back in 2015
25:16
you know where like guys were starting
25:17
to use smaller you know boards but but
25:20
still wanted like you know isolated
25:22
outputs and stuff like that and so and
25:24
that's that's my which is great which is
25:26
what you would need because this on a
25:28
nonisolated with this and then this on a
25:31
nonisolated with this that that's you
25:34
could get ticking from this high pitched
25:37
wine from this yes and so it helps a lot
25:40
having you know this board on the on
25:43
isolated outputs it it just it keeps the
25:45
the noise level down and you know and
25:48
also this is you know what I what I use
25:50
on you know most on my show a lot of the
25:53
times this is what I'm plugged into you
25:55
know and a lot of times I'll only have
25:57
the compressor on and that's it just
25:58
depending on what I'm doing but then
26:00
it's like if you hear Echo and stuff you
26:02
know or or overdrive this is kind of
26:05
what it tends to be yeah well Eric you
26:07
did a bang up job as always it really
26:11
does look lovely and uh I won't I won't
26:15
try to talk people out of it anymore yes
26:19
thank you Eric and thank you bar our
26:22
pleasure as always Zach thanks for
26:24
coming to see us dude yes all right
26:26
later
26:28
all right guys thank you so much for
26:30
watching I hope you enjoyed our trip
26:33
down to exact tone I hope you will uh
26:36
check out exact tone if you're ever
26:38
wanting to have any type of custom rig
26:40
buil or want to have something nicely
26:43
buttoned up like this or maybe it's
26:45
something um you know more complex they
26:48
also have a wonderful line of pedals and
26:50
they can do repairs on uh on your pedals
26:53
so if you have some exotic expensive
26:55
pedal that is not working right you can
26:57
send it to them they can troubleshoot it
26:59
they are amazing guys and highly
27:03
recommend exact tone Solutions all right
27:06
guys uh I hope you enjoyed it
27:10
[Music]
27:13
[Applause]
27:15
[Music]
27:26
bye-bye