Is Chorus "Cool" again? ASK ZAC EP 37 - podcast episode cover

Is Chorus "Cool" again? ASK ZAC EP 37

Apr 28, 202317 minEp. 37
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Episode description

Tip jar:  https://paypal.me/AskZac

The purpose of today's episode is to put forth the question, can we start using the chorus effect again without being subjected to ridicule? After the overuse of it in the 80s and '90s, it has become the pariah of effects. Should it be freed after its nearly 20-year quarantine, or does it deserve to continue to be an outcast? 

To support the show: go to www.askzac.com and visit the store

Gear used in Video:
2018 Danocaster Double-Cut (1955 Stratocaster Style) with Ron Ellis 50/60 FAT pickups. Soft V neck, ash body, faded Inca Silver finish. Raw Vintage Trem Springs
https://danocaster.com/

Strings:
Ernie Ball 10,13,16, 24, 32, 42. Nickel-Plated Steel.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Sonic Research Turbo Tuner
Mirage compressor pedal
Karma MTN-10 Mostortion Clone
Arion SCH-1 Chorus
Boss DD-2 Delay
TC Chorus/Flanger SCF from the early 80s
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

Transcript

well hello friends and welcome to
0:39
another Ask Zac hope you're doing well
0:41
today we're gonna answer the ques the
0:44
question
0:45
of uh is it safe to use chorus again
0:48
is it cool to use chorus and uh
0:52
maybe answer the question isn't the
0:54
exact right phrase i really want to have
0:56
a discussion about what you all think
1:00
because this is something that i've kind
1:01
of been doing battle with for a while
1:04
because of the past and the overuse
1:07
usage of of course so first of all
1:11
you're thinking about it if you haven't
1:12
subscribed already
1:13
go down the corner hit the button
1:16
and if you've been watching the show i'd
1:19
love it if you would go to askzac.com
1:21
and support the show by going to the
1:23
store
1:24
and picking up a mug or a t-shirt thanks
1:28
okay chorus first off uh what is chorus
1:32
well it takes your signal and
1:36
and splits it into two well kind of yeah
1:39
and one side stays dry and the other
1:42
side gets modulated
1:44
and then it mixes it back together and
1:46
then of course the speed and the depth
1:47
controls are controlling how much
1:50
it gets uh you know modulated and how
1:52
fast that is
1:54
now the difference between that and like
1:57
a vibrato pedal
1:59
would be that there's no dry signal
2:02
so in vibrato it's just going in and
2:04
getting modulated
2:05
okay so what makes it coarse is the fact
2:08
that you have dry signal and you have
2:10
modulated signal
2:11
together okay so
2:14
what happened with chorus well
2:18
chorus got really heavily overused
2:21
of course in the 80s and 90s it uh
2:25
you know it was used on everything um
2:29
you know people were it was on vocals it
2:31
was on drums it was on guitars
2:34
and even as a child of the 80s and
2:37
getting my first chorus pedal
2:39
you know i would play clean with the
2:42
chorus pedal on and then when i want to
2:43
do a drive sound i would turn the chorus
2:45
pedal off
2:47
but following the uh you know guitar
2:51
tones of the 80s which of course
2:52
you know in later years i was able to
2:55
really uh you know
2:56
decipher this more uh
2:59
course was on all the time even with
3:01
distortion and drive
3:03
i mean it was on all the time so i'm
3:05
talking about
3:06
hard rock guys uh lukather
3:10
landau I mean everyone was using chorus
3:13
with drive and you know dirty amps
3:16
uh there's a one of the great you know
3:19
kind of treasures
3:20
of the guitar world is a gentleman named
3:23
James Santiago
3:25
and he's you know worked for line six
3:27
and for voodoo lab
3:29
and he's worth he's working with
3:31
universal audio and helped develop the
3:33
aux
3:34
and uh years ago he did a video showing
3:38
how
3:38
the early Van Halen sound was so
3:41
dependent on using
3:42
the phaser along with the drive and then
3:44
how the later sound
3:46
was having chorus on most the time so
3:48
even with like Eddie Van Halen
3:50
uh chorus was just it was ever present
3:55
so what happened was is like
3:58
tremolo in the 50s and 60s and like wawa
4:01
petals and
4:02
phasers in the 70s uh you know chorus
4:06
was
4:06
so overused in the 80s and 90s
4:10
that uh everyone got sick of it
4:13
uh and got to where they you know they
4:15
took their course pedals off
4:17
and uh and and wouldn't touch them
4:21
uh you know it just became a joke you
4:23
know if you if you turned a chorus pedal
4:25
on i remember
4:26
you know taking a course pedal to a
4:28
session you know back in around 2000
4:30
and and you know the engineer and the
4:34
producer were just like dude don't
4:35
you know pull that off your board don't
4:37
use that one and they just started
4:38
laughing
4:39
you know it's like that's been there
4:41
done that
4:43
so i guess my question is it's been
4:46
almost 20 years
4:48
since you know the epidemic and it feels
4:51
like the
4:52
the course pedal has been quarantined
4:55
for last you know
4:56
almost 20 years and uh you know is it
4:59
time that uh
5:00
you know can we can we release the
5:02
hounds can we start using chorus again
5:04
and it not just
5:06
sound like a throwback so anyway
5:09
so that's that's our discussion and i
5:10
hope you will comment
5:13
you know below about uh you know what
5:15
you think about
5:16
chorus's validity in the in the modern
5:19
age or is it just something to replicate
5:21
older sounds all right so
5:25
chorus um i
5:28
tend to lump chorus pedals into one of
5:31
two categories
5:33
one is transparent or kind of clean
5:36
pristine chorus which i know that's kind
5:39
of a
5:40
transparent is especially a strange term
5:43
to use when you're talking about chorus
5:45
but uh that's what i think of when i
5:48
think of the the tc
5:49
chorus and that's actually what I'm
5:51
using today
5:53
so i have a an original early 1980s
5:57
all black tc chorus
6:00
and funnily enough you know
6:03
I wasn't using it very much but another
6:05
reason i wasn't using it was because of
6:07
the power supply it had a hard
6:09
wired ac cable well in learning about
6:12
the circuitry
6:13
i found that internally it quickly turns
6:17
the ac
6:18
into you know around 20 volts or 18
6:21
volts dc
6:22
and that's what it uses in the circuit
6:24
actually
6:25
so i took it to my buddies at exact tone
6:28
solutions
6:29
Greg and Barry and they modded mine
6:33
to where you know they removed ac cable
6:35
and just has a
6:36
18 volt dc jack on there and so now
6:40
you know it's very easy for me to use
6:42
you know I can just uh
6:43
you know set one of the outputs on my
6:46
little uh
6:48
cs6 one spot power supply to 18 volts
6:51
and i can use it when i want to and
6:54
while we're at it I'll just
6:55
tell you you know the rest of the stuff
6:56
that's on my board today because this is
6:58
not my usual board so I'm using the
6:59
mirage compressor like I normally use
7:02
I have a karma copy of a mostorsion
7:06
I have a arion sch1
7:09
that i haven't turned on yet
7:13
and then i have a an old boss dd2
7:16
which which is on and then of course the
7:19
old
7:19
black tc chorus so back to my
7:23
you know lumping into two categories so
7:25
of course
7:26
to me the tc is in the more transparent
7:30
and the other ones I'd put there that uh
7:33
that i like
7:34
would be the boss dc3
7:37
uh that's the digital dimension it's
7:40
kind of a pink pedal
7:42
there's also the dc2 which is the push
7:44
button analog
7:45
one uh I would put that one also in the
7:48
transparent category but
7:50
uh it's definitely warmer sounding and
7:53
but the the dc3 has a mix
7:56
knob on it and that really gives it a
7:58
lot of
7:59
versatility and that sound was used a
8:01
lot I don't have one of those pedals but
8:03
uh I'm going to put it on the back two
8:05
pickups
8:07
Brent Mason really used the dc3 a fair
8:10
amount or at least it sounds like he did
8:13
um so you have uh like on Allen
8:16
Jackson's gone country i think it was
8:18
his
8:19
his telly but he was mixing in a fair
8:21
amount of middle pickup and then he was
8:22
using the
8:23
the dc3 which I'm you know I'm using the
8:27
the tc today but but to get this kind of
8:41
and uh yeah so then of course you have
8:43
the d the boss dc2 which of course
8:45
there's a wazacraft version now
8:47
and that is a little bit warmer sounding
8:50
because it's analog and it's a it's a
8:51
little fatter sounding
8:54
then the other category of course petals
8:57
to me
8:58
is the fat and chewy which they tend to
9:01
boost a lot of base
9:03
and they really are a huge
9:06
thickener so to me that
9:09
that would be you know the boss ce1
9:12
boss ce2 um and the arion
9:16
sch1 and a lot of the chorus pedals
9:20
tend to be in that category and again
9:22
they tend to have
9:23
uh some type of gain boost to them when
9:25
you turn them on they tend to get a
9:27
little louder
9:28
they tend to have more bass to them and
9:30
they tend to have a lot more of that you
9:32
know kind of chewy thing
9:35
so uh underfoot you know I've got the uh
9:39
I've got the tc chorus that I've been
9:40
using and that's what i used at the
9:42
beginning of the uh
9:43
of the show playing a little bit of that
9:45
uh you know crowded house don't dream
9:47
it's over which I'm
9:49
guessing Tim Pierce played that
9:52
um yeah so why don't we uh you know
9:55
compare the sounds
9:57
of the uh of the you know the more chewy
9:59
chorus
10:00
and and the transparent so you just kind
10:04
of hear that so
10:05
so this is the uh um
10:10
this is the tc
10:15
put on the middle pickup
10:21
[Music]
10:26
[Applause]
10:26
[Music]
10:39
and here's the arion
10:46
[Applause]
10:53
[Music]
11:02
now the reason why i still have the
11:04
arion is because of that
11:05
you know the the almost tremolo kind of
11:08
thing that has going on
11:09
um you know that great uh you know
11:14
modulation speed where you know it
11:16
replicates
11:17
you know more of a uh a leslie type
11:20
effect and uh
11:21
you can you know you can set it lower to
11:24
get you know less of that
11:25
but uh man I love it that's one of the
11:28
best things about it and
11:30
it mixes well with uh with drive so I'm
11:33
going to turn the old
11:34
karma most copy on and
11:46
[Music]
11:49
[Applause]
11:54
[Music]
12:08
hey
12:14
[Music]
12:20
that's a that's a great sound and of
12:22
course
12:24
that's a kind of in the vein of the way
12:26
uh you know mike landau and others
12:28
have used it but uh yeah it's a great
12:31
chewy
12:32
chorus i'm gonna turn the rate down a
12:33
little bit so again you get
12:35
you know more of that
12:43
and you can hear when I turn it off and
12:45
on that it's boosting the game
12:53
well if you hit the tc
13:02
it doesn't do that so
13:06
those are uh those are kind of you know
13:09
the the two
13:10
you know kind of types of chorus
13:14
that uh that I like and then the way i
13:16
kind of categorize them
13:18
uh yeah and either into the transparent
13:21
or
13:22
the uh thick and fat and chewy
13:25
kind of category so um
13:29
yeah so i don't tend to like the the ce2
13:33
kind of
13:34
sound as as much anymore because to me
13:36
it's so typical of that 80s 90s thing
13:40
I tend to like either the transparent
13:42
thing or I want the arion
13:44
thing where it's got more uh
13:47
more interest you know to it it's got
13:49
that it's got that you know kind of
13:51
tremolo thing going on where uh you know
14:02
[Applause]
14:05
[Music]
14:20
[Laughter]
14:24
it's got a lot of cool character to it
14:28
so well
14:32
you know in the comments below tell me
14:34
what you think
14:36
you know tell me you know is it is it
14:38
safe you know to your
14:39
to start using trump you know uh chorus
14:42
again
14:43
you know is it uh you know or is it
14:45
still just pass a
14:46
and any time you turn on a chorus pedal
14:48
you know it sounds like the 80s and 90s
14:50
so yeah tell me what you think and uh
14:53
tell me what course is that you like
14:55
and uh yeah all right guys well thank
14:58
you so much i hope you have a great week
15:01
and I'll see you next time

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