well hello friends and welcome to
0:40
another Ask Zac today we are going to
0:42
do
0:43
a bee bender lesson so I've had a lot of
0:46
requests for this and of course after
0:47
the episode where i had a
0:49
bee bender installed on this guitar i
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thought it would be
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fun to do a little a little bee bender
0:54
lesson and uh
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yeah just some chords shapes and such
0:58
that i use and
0:59
that i find are really helpful for doing
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uh for playing b bender stuff
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so just a quick pause for the cause
1:07
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signed up for that thank you
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all right so you've got your first b
1:40
bender and you're kind of learning how
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to use it
1:44
well there's a lot of uh there's a lot
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of tips and tricks
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first thing is you need to make sure
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that your uh your guitar is in tune and
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intonated and that you have the tension
1:54
set
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to where when you're playing normally it
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doesn't just activate on its own
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also you need to make sure that it's in
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tune when you when you activate it
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so you know you can just use a tuner and
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make sure that when you
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play open it's going from b to c sharp
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those are uh you know important tips
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because tuning is is really
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everything so here are uh
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my favorite uh chord shapes and I'm just
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going to stick in the key of
2:23
a and I'm just going to be throwing
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these out there so this is
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a chord shape number one and this is the
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most basic one
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it's basically an a you know add 9
2:35
of this
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and then you just use the bender with it
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and then it's just however you decide to
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you know use your picking fingers or
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strum it or what have you
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[Music]
2:56
and then you can add other other things
2:59
to it
3:00
so I'll take the other part off and I'll
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just do it open so you can hear what it
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sounds like when you add a sixth
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or seventh note to it
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so there's your sixth here's your
3:16
seventh
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[Music]
3:30
then you have a a7 kind of chord shape
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where you just use one finger
3:35
on the d string on the second fret and
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you get this
3:39
[Music]
3:43
then you can while you have it bent up
3:46
you can bring down your first finger
3:48
on the first fret on the b string and
3:50
you can get a suspension
4:00
[Music]
4:03
you can also hit this uh
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you can hit the the tonic you know or
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the a
4:10
note you know on the high e string right
4:12
here and you can
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be on the third fret on the
4:16
on the b string that's it this thing
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and then you can yeah you can resolve it
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by removing the finger
4:34
here's another handy you know kind of
4:36
chordal shape
4:40
and I'm just barring across with my
4:42
first finger and you know hitting
4:44
you know the the d and g string and then
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I've got
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my third finger covering the b and e
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strings and you get this
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that's uh another you know favorite
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because it's got that dominant seven
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and you know all sorts of good things
5:04
going on
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uh then here's an a9 and this is not
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your typical a9 like you think if you're
5:11
playing like funk
5:11
chords right here it's it's right here
5:14
and
5:14
uh you know your your second finger is
5:17
on the fifth fret on the d
5:18
string your first finger is on the
5:20
fourth fret on the g string
5:22
and then your third finger is barring
5:25
the b
5:26
and g and you get this
5:29
[Music]
5:35
and that i learned from albert lee uh
5:38
off the the Ricky Skaggs tune um
5:42
honey won't you open that door Mel
5:44
Tillis wrote that
5:45
and it has this great move where he
5:47
plays that
5:48
over the ii chord because in the key of
5:50
c
5:54
[Music]
5:59
that kind of thing and then in the solo
6:01
it goes to the two chord which is a d
6:03
and then it goes to the five which is a
6:06
and so you have this
6:07
[Music]
6:13
so again here's that shape but you're
6:14
playing it at the 10th fret
6:20
[Music]
6:32
that's a really useful one it's also
6:34
really useful for
6:36
if you're playing the the chuck brace on
6:38
Memphis you know of course you have the
6:41
[Music]
6:46
normally you do
6:50
and
6:53
what you can do instead is again using
6:55
that ninth chord shape
7:00
and then of course do illegally wrap
7:01
your finger your thumb over the top and
7:03
you get this
7:20
so that's another uh fun one um
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then you kind of come up to uh another
7:26
you know
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big uh b bender uh chordal shape and
7:31
that's
7:31
this um a7 right here inverted
7:38
and of course when you activate the
7:40
bender you're pulling
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this dominant seven up to the tonic up
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to the a note you're going
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you know from the g to the a and so you
7:48
get this
7:53
and albert lee and Ricky Skaggs have
7:56
used this a bunch
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[Music]
8:08
there i added the suspension
8:18
another uh very popular thing
8:22
so then let's take that let's keep
8:24
playing in a
8:25
except instead of playing this a
8:27
dominant 7 let's just play a regular
8:29
old a chord in this inversion
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[Music]
8:36
and let's add when we
8:39
activate the bender we're going to bring
8:41
this pinky onto the
8:43
10th fret and so you get this
8:50
what you're doing is you're getting a
8:51
cadence where you're going quickly from
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the five
8:54
chord back to the one so you're giving
8:56
kind of a you know
8:59
[Music]
9:06
and that is a very nice steel guitar
9:09
type effect because you're kind of going
9:10
quickly between
9:11
an e7 and an a so you get
9:20
and then you can follow it up by playing
9:23
this
9:23
suspension which gives you a quick
9:26
cadence between
9:27
a d the iv chord and the a
9:39
and then you follow it up with your kind
9:41
of first position
9:42
a add 9 however
9:51
so here's the whole thing
9:54
[Music]
10:03
of course on this last part I'm I'm
10:05
hammering on
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on the d string and then you know
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rolling with my picking fingers
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[Applause]
10:22
[Music]
10:30
that one's uh really really fun
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then you have kind of you just two
10:36
string kind of things that are really
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popular
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you have this
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[Music]
10:44
you know just on the on the b and e
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strings or this
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and that's you know your uh you know
10:52
your third fingers on the
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fifth fret and your first fingers on the
10:56
on the third fret
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and again we're staying in the key a
11:03
what's happening is you're getting this
11:05
really nice rub between these two nuts
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[Music]
11:10
because you have the sixth and then the
11:12
dominant seven which
11:14
are only a semitone apart and so you get
11:16
this really cool clash
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[Music]
11:25
and then of course you have this uh
11:28
which
11:28
you know it you know you're pulling it
11:30
up a whole step so what you're getting
11:32
is a unison when you do it so
11:34
you know again first fingers on the
11:36
fifth fret uh
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my pinky is on the eighth fret and you
11:40
get this
11:44
and that's really useful for doing you
11:46
know climb ups and such
11:48
you know
12:01
things like that so I've thrown
12:05
a lot at you but uh but these are
12:08
a really good kind of starting points to
12:11
uh
12:12
you know to to really getting on it i
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think
12:15
another thing that i would highly
12:17
recommend is
12:19
you know the uh albert lee solo on Emmylou's
12:22
poncho and lefty is a really
12:24
good one because you have this
12:46
that's a really good one to work on
12:48
because it's not it's not as much of the
12:50
chordal stuff but it's uh using it in a
12:52
really
12:53
neat way and uh yeah you can learn that
12:56
and uh funnily enough a a great way of
13:00
of learning licks is this this tool that
13:03
fender sent me and
13:07
it's called a mustang micro it's about a
13:10
hundred bucks
13:11
and it's a fantastic practice
13:15
tool and uh the reason being
13:18
is that uh one it has all these great
13:22
sounds in it you know of course models
13:24
of different amps and you've you've got
13:26
eq control
13:27
and you've got effects on there you've
13:28
got like chorus and delay and overdrive
13:31
and all and flange and
13:32
rotary effects and all sorts of things
13:34
and you can change them
13:36
and then what i found super helpful
13:40
is of course you you plug in your
13:42
headphones here of course that plugs
13:44
into the guitar like normal
13:46
but you can connect your phone to it via
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bluetooth
13:50
and in whatever streaming service you
13:52
have you can play along with tracks
13:54
so let's say you know you're wanting to
13:57
learn
13:58
uh poncho and lefty well you can loop
14:01
poncho and lefty or no we're going
14:03
over and over again and you can play
14:05
along with it also
14:07
via usb you can record straight into a
14:09
computer
14:10
uh great sounding little unit and uh
14:14
it's fantastic and i've been using this
14:16
a lot uh you know at night
14:18
when uh when after the kids go to bed
14:22
this is a really nice thing to just plug
14:24
in it's easy because you just plug it in
14:26
plug your headphones in there and you
14:28
just practice there and you can practice
14:30
along with
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you know other audio tracks and things
14:33
like that very easily and just use your
14:35
phone to control that
14:37
so really cool thing from uh from fender
14:41
yeah check that out all right guys
14:44
well i hope you've enjoyed this bbender
14:47
lesson and we'll probably
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do some more depending on how y'all
14:51
respond to this and and like the
14:53
b bender lesson and uh just thank you so
14:56
much and i'll see you next time
An Ask Zac B-Bender Lesson - AZ 83
Episode description
To Support the Channel:
Tip jar: https://paypal.me/AskZac
Or check out my store at - www.askzac.com
After getting numerous emails about doing a B-Bender lesson, here it finally is. In this AZ, I show some of my favorite chord voicings and licks for the B-Bender that you can add to your string bender vocabulary.
Gear Used:
2014 Crook Custom Vintage Paisley - APC Adder (Neck) Peter Florance TE-60 (Bridge)
Glaser B-Bender
http://www.crookcustomguitars.com/
https://www.glaserbender.com/
Pick:
Blue Chip TPR 35
Strings:
D'Addario NYXL 10,12,16,24,34,44
Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.
Effects used:
Mirage Comp
Boss DM-3 Delay
9v power via Truetone CS6 https://amzn.to/3gnJQPW #askzac #guitartech #telecaster
