Art reviews from art critics Edward Goldman and Hunter Drohojowska-Philp.
When a few years ago, two Los Angeles museums, MOCA and the Hammer , jointly organized a sprawling exhibition devoted to the history of the American comic strip and comic book, I felt underwhelmed and slightly excluded from all the excitement that surrounded the exhibition...
So, ladies and gentlemen, if you, like me, have been procrastinating on filing your taxes until the very last moment, then today – April 15 – is your Atonement Day. Why this Christian reference? Probably it has something to do with the deep impression left on me by the spectacular works by Anselm Kiefer and their religious symbology that I talked about last week. Or, maybe I was swayed by the purity and beauty of the Madonna, not the one on the cover of Vanity Fair, but the 500 year-old vision o...
For me, last weekend turned out to be anything but usual. It's Saturday: I am drinking my morning coffee and, all of a sudden, I am in the presence of...Madonna, staring at me from the cover of Vanity Fair. Still in great shape, still eager to provoke. Behind her, the globe that she holds -– or should I say, clutches –- with rather frightening determination. Then, another sip of coffee, and a quick look at another cover story: Moses and his famously thunderous voice is no more; Charlton Heston i...
My fellow Angelenos, judging by the numerous exhibitions of contemporary art currently on display in various Los Angeles museums, I want to assure you that the state of art in our city is strong...
The news about the recent acquisition by the Getty Museum of a rare painting by Paul Gauguin came as a welcome surprise. Though this work is known to specialists, it has rarely been seen, as its Swiss owner was very reluctant to loan it out for exhibitions. Even in reproduction, it is absolutely striking, not only because of the beautifully preserved colors, but also because of the strangeness of its subject. Painted by Gauguin during his first trip to Tahiti, it shows what appears to be the sev...
As far as the Los Angeles art scene is concerned, last week was a winner. Consider this: in celebration of its tenth anniversary, the Getty Center held two special conferences. The first was focused on new acquisitions made by Weston Naef, Curator of Photographs, Lee Hendrix, Curator of Drawings, and Thomas Kren, Curator of Medieval Manuscripts. All three curators are old pros who have been with the Getty for decades and have virtually built these collections from the ground up. Each drew from a...
We are lucky to have here, in southern California, some of the best art schools in the country. But when several years ago, I went to one of them to see an exhibition of works by students graduating from the Master of Fine Arts program, I left the galleries feeling rather depressed. Most of the art was inept, and I felt sorry for the parents who had been duped into investing thousands of dollars in their kids' education, with such a dismal return...
In the heady art scene of the 1980's, with New York as its epicenter, there were several brash, young artists who ruled the day. Their paintings were big, their personalities even bigger. Julian Schnabel, David Salle, Eric Fischl, Robert Longo -- they all had become part of the fashionable crowd, their names constantly in the news. Now, a quarter of a century later, their presence on the contemporary art scene is, to put it mildly, rather modest. Today only Julian Schnabel, whose reputation was ...
There is nothing, absolutely nothing, that artists cannot make good art from, including such strange substances as bodily fluids and excrement, both animal and human. You may remember the controversy surrounding the paintings by Chris Ofili, the British artist whose trademark material is elephant dung. Bull's urine was used in the past to produce a particular yellow paint, famous for its warm, golden glow. Andy Warhol made a series of so-called 'piss paintings,' where he and his assistants liter...
Last week I talked about the theft of four priceless artworks from the Bührle Museum in Zurich and wondered what the hell the idiot burglars were planning to do with the stolen French paintings, so famous as to be virtually unsellable. Here is the latest about the idiots and their heist...
Every time I see an artwork appear on the front page of the newspapers, my heart sinks, because I know: the news, most of the time, is not good. Today's headlines announce the brazen theft of four priceless works from a private museum in Zurich, Switzerland...
This morning, when the Academy announced the Oscar nominations, all other front-page news -– the stock prices plunging, the gas prices rising –- seemed less important to me. Hey, after all, I live in LA, in close proximity to the gods and goddesses of Hollywood who, for almost a hundred years, have kept us enthralled in dark theaters across the world. They are the objects of our worship, inspiration, gossip, and ridicule. I can't resist quoting Frank Sinatra: "Call me irresponsible... tell me I'...
It's been a week since the New York Times broke the story about Eli Broad's decision to retain permanent control of his foundation's art collection instead of gradually transferring its governance to the Los Angeles County Museum of Art. The arrangement between Mr. Broad and LACMA has always been rather vague...
What would A Christmas Day Art Talk be without Mr. Scrooge? His latest misdeed is a royal screw-up of a major cultural exchange between Russia and Great Britain. A few weeks before the opening in London of a blockbuster exhibition from the Hermitage and three other major museums, the Russians called it off...
There are a number of reasons why the remarkable photographs by Graciela Iturbide probably would not be used in an advertising campaign to lure tourists to Mexico. She works primarily in black and white, and neither the landscapes nor the people in her work appear to be particularly genteel. On the contrary, her powerful images tend to rattle and put you on guard, as if you had stumbled into a not yet explored physical and emotional territory connected to the ancient past...
Surrender was the only option I had upon entering the festive photo installation by Jenny Okun at Craig Krull Gallery in Bergamot Station. Close to two hundred photographs cover the walls salon-style, from floor to ceiling, creating an enchanting visual equivalent of a merry-go-round. Most of the compositions are comprised of overlapping images of architectural and sculptural monuments, which the artist reassembles into dynamic and whimsical narratives. For my money, this is the jolliest exhibit...
It's been more than three weeks since I returned from Beijing, but thoughts and impressions of it resurface on a daily basis. Friends and colleagues keep asking all sorts of questions about China, as if I had become an expert on the subject after being there for only nine days; but certainly, I did my best to keep my eyes, ears, and mind open as wide as possible. These days, the coverage of the Chinese contemporary art scene has spilled over from the pages of art magazines to such mainstream pub...
If you've seen Gordon Matta-Clark's artwork -– even once -– you will remember the rush of adrenaline it sends through your veins. After all, this is an artist who loved to display the results of violence he perpetrated habitually against the objects of his desire. Think of all the gory scenes from Hollywood movies: knives plunging, bodies falling in slow motion... That's exactly what Gordon Matta-Clark did to abandoned buildings -– carving huge holes in their walls or slashing them with mind-bog...
Though the invitation to travel to Beijing came up only a couple of months ago, I was preparing myself for this trip – without even realizing it – for almost a year...
Eight days in Beijing. Never been in Asia before. It's my first trip to China. Always felt slightly intimidated by the huge span of its history, by the intricacy and "otherness" of its culture. But here I am, among several dozen journalists from around the world, invited for the opening of the Ullens Center for Contemporary Art, an ambitious and impressive undertaking, privately funded by Belgian collectors Guy and Myriam Ullens....
What a difference a week makes... seven times 24 little hours... Santa Ana winds and firestorms once more wrestled to the ground our cherished illusions of our idyllic life in Southern California. No doubt, some day, this recurring calamity will become the subject for a great work of art. To my knowledge, it hasn't happened yet...
Keeping up with what's happening on the Southern California art scene is not as easy as it used to be. In the last 25 years, existing museums have greatly expanded and new museums have opened, while the number of commercial art galleries has jumped from a few dozen to a few hundred. A few weeks ago, I reported on the small, new, fascinating Wende Museum in Culver City, devoted to the history and culture of the Cold War era in Eastern Europe...
When last year the Pompidou Centre in Paris organized the exhibition celebrating LA art, it was monumental, overwhelming, and slightly tedious in its academic intention to miss nothing, no matter how minor. When last week the Orange County Museum of Art opened its exhibition celebrating California Art, Design, and Culture at Midcentury, it turned out to be not too big, not too small – just right in size. With about 150 objects, including paintings, photographs, TV footage, furniture, and archite...
With rare exception, movies about famous painters prove to be a disappointment. The recent film about Gustav Klimt, with the formidable John Malkovich in the title role, was a futile attempt to capture the essence of this artist's life in Vienna at the turn of the 20th century. Though the beautiful costumes and authentic interiors provided a certain pleasure, it was not enough. The film disappeared without a trace. A few years earlier, the abysmal movie about Modigliani starring Andy Garcia was ...
September is the month when, after a summer lull, the art world kicks into high gear. And for me, last week turned out to be all art, all the time, virtually a 24/7 art explosion...
My dear listeners, I have no doubt that most of you are upstanding citizens with unimpeachable moral standards. Therefore, it's with significant trepidation that I must confess to being tempted, and ultimately seduced by, a big bundle of dirty money. And if you think that you would be strong enough to resist the temptation, go ahead and try it for yourself. There is a place in town where a huge mound of silver coins is waiting for you. First you will stare at it in disbelief, then you will want ...
Three months have passed since my trip to Holland, but I'm still slightly foggy from – let's be honest – being overdosed. When I tell people that I stayed in Amsterdam, they knowingly smile and then, with a wink ask, "Did you try the stuff?" You bet I did. That's what I went to Holland for...and there was plenty of it. Rembrandt! Frans Hals!! Vermeer!!! And not only in Amsterdam, in the stately Rijksmuseum, but in the Mauritshuis Museum in The Hague and the Frans Hals Museum in Haarlem as well.....
When I met Michael and Gabrielle Boyd for the first time at a museum function a few months ago, I knew immediately who they were, thanks to a recently published article about their collection in the LA Times magazine and a profile on them in Vanity Fair. They live in Santa Monica Canyon, in a house built by the famous Brazilian architect Oscar Niemeyer -- the only structure he has ever built in the United States...
Now that the Getty Museum has wisely chosen to undertake the painful but inevitable step of placating the Italian authorities by sending back to Italy forty antiquities from the museum's collection, it's a good time to reflect on this controversy and try to make sense of it all. I couldn't agree more with the editorial page of the Los Angeles Times (August 6, 2007) stating that "Legally, the return of the artworks is the right thing to do...International treaties left Getty executives with littl...
