Episode 74: More Information for Less Clarity
Marlon West returns to talk with us about temp music tracks, nervous navigators, and bafflingly simplistic technology. Permalink

Marlon West returns to talk with us about temp music tracks, nervous navigators, and bafflingly simplistic technology. Permalink
Marlon West returns to discuss oxygen sucking flamethrowers, the subtleties of ensemble casting, and the bravery of Dallas. Permalink
Marlon West returns to discuss dynamic pull backs, creaky aperture openings, and unclear plans. Permalink
Marlon West from Walt Disney Animation Studios joins us this week to talk about starfield effects, obfuscating computers, and Ash's bluetooth capabilities.Permalink
Filmmaker Bruce Branit joins us one last time to talk about Ash's apathy, Ripley's Riker role, and the nature of character arcs in 70s cinema.Permalink
Today, Bruce Branit joins us again to talk about a frightened Parker, Dallas' plan, and a very odd line from Ash.Permalink
Bruce Branit returns as we bid a sad farewell to Brett and finally say hello to that beautiful Alien. Permalink
Bruce Branit is back to discuss googly-eyed POV shots, Psycho-like shower scenes, and Star Wars Special Edition-level missteps in the Director's Cut. Permalink
Filmmaker Bruce Branit joins us to talk about ceremonial dolly shots, rattly chains, and an unapologetically drunk Harry Dean Stanton. Permalink
Jason Heck finishes off his week by talking about dumb decisions, double cat scares, and the transgressive pleasures of horror.Permalink
We've got Jason Heck back in the booth to discuss tension-releasing laughter, certain details in the set design, and disorientingly ambiguous POV shots.Permalink
Mr. Heck returns to talk about big numbers, color design, and the anxiety that comes from untrustworthy technology. Permalink
Jason Heck is back to talk about buzzing gizmos, hazardous compartments, and Ripley and Ash's shared animosity.Permalink
Jason Heck returns to talk about the the search for the chestburster, the dark "basement" of the Nostromo, and space tractors. Permalink
Margaret and Katie come back one last time to talk about Ash's invention, Parker's heroics, and labyrinthine corridors. Permalink
Katie and Margaret are back to talk about kitbashing, mold making, refinery theories, and new plans. Permalink
Today, Margaret and Katie join us to mourn Kane, search for the chestburster, and talk about bait shooters.Permalink
Katie and Margaret are back to talk about regulated doses of acid, blasts of blood, and CHEST BURSTING!Permalink
Today we're joined by stop-motion animation effects artists Katie Mello and Margaret Meyer to talk about what the Nostromo's food is made out of, how they go to the bathroom on the Enterprise, and how much Ash knew about what was going to happen Kane.Permalink
Tasha Robinson joins us one last time to talk about Kane's undergarment, Alien slash fiction, and soba noodle salad.Permalink
Dallas said to knock it off but we continue on anyway as Tasha Robinson returns to talk about color schemes, double beats, and how Ash constantly withholds information just for effect. Permalink
Tasha Robinson returns to discuss Dallas' weary relief, why Lambert doesn't get her victorious moment, and the significance of Parker being Brett's boss.Permalink
Tasha Robinson joins us again to talk about shaky seats, how Ripley has become the de-facto captain, and whether Parker and Brett are the Han and Chewy of .the Nostromo. Permalink
On today's episode, Tasha Robinson from the Next Picture Show Podcast joins us to discuss the corridor conversation between Dallas and Ripley, the nature of their relationship, and Ripley's quiet confidence. Permalink
On our last episode with Matt Curione we talk about alien anatomy, Ridley Scott's elegant zooms, and the decompositional possibilities of the facehugger. Permalink
Things are getting tense as Matt Curione joins us again to talk about misdirection, why Ripley is talking to Kane, and Noel Carroll's ideas on how to make a monster.Permalink
Matt Curione comes back to talk about pen lights, scary boxes, and the pleasure of acknowledging that we're in a horror movie. Permalink
Today we have Matt Curione back to talk about what kind of shoes the Nostromo crew are wearing, the use of the hand-held camera, and why nobody turned on the f@*#in' lights in the infirmary.Permalink
New guest Matt Curione joins us to talk about who won the argument between Ash and Ripley, the introduction of the Narcissus, and the preferable musical choice of Mozart over Glenn Miller.Permalink
On our last episode with Crystal Beth we discuss how Ash is a condescending prick, where Ripley finally falls on the org chart, and whether or not Ash knows he's an android. Permalink